CONTENTS Blue Highway Catch My Fall Come On, Come On Crank Call ............ Dancing With Myself Daytime Drama .... The Dead Next Door ... Eyes Without A Face ; (Flesh For Fantasy vds"Hot In The City It's So Cruel vital Love Calling ‘ Mony, Mony «Rebel Yell... _ White Wedding Biography...... sh Tablature Explanation (Do Not) Stand In The Shadows 52 ve 13% 55 ; 40 vital Roel ea 68 63 82 aaetel 24% , 33 Billy 28 lly 8B udel i 18 tel 4 imMONY MONY Bobby Bloom, Ritchie Cordell, F RF CB Bo Gentry and Tommy James oe it Ga ie Bright rock tempo (as Dums)—g BSF 2 Berek wae eee) t - oy ie mo-ny, mo = mo- ny mmo mo~ ny mo + BB/F — emdown, turn a-round, come on, mo > ny. Shoot gun dead and.” come on, mo > ny — down, turn” around, come on, mo - nyo You got- ta toss and turn and feel (Hey!) on't stop, now, (tun! I saiddon't— stop now, = come Copyright © 1868 Big Seven Music Corp. ‘This Arrangement Gopyrigt © 1985 by Big Seven Music Corp. 8 All Rights Reserved Used by Permvesion— all tight, yeah, feel allright, =o mo’ - ny, come— on, Son mo - ay, come on, 1 say yeah,— (yeah)— yeah, — 2 aod J J aa a Ss (yeah) yeah (yeah) yeah (yeah) yeah,— ase youmake me feel — Chorus guitar rift so. good, so. good, so. good, a po - ny) (like a po = ny) (ike a po = ny) (ide your po = ny) (ide your po = ny) (ride your po = ny) so fine, so. fine, its so. fine. (mo - ny.mo - ny) (mo - ny, mo + ny) (mo - ny, mo - ny) woll, I feel all right Tsay (yeah), vyeah,— (mo - ny, mo - | ny) aa (yeah) yeah, (yeah) yeah, (yeah) yeah, (yeah) yeah, (yeah)see [guitar itt 6 Bo (7 times) Ooh, I love you mo- ny, mo - mo-mo = ny, I tove you mo - ny, mo- mo - mo - ny, say yeah, — (yeah)— yeah, — = (yeah) yeah, (yeah) yeah, (yeah) yeah, (yeah) yeah, (yeah) (String scratching effect) see guitar riff Come on! Come on! Come on! Come on! Comeon! Come on! Come on! Come on! c 4. ao bess Come on! Come on, feel all ~— right, said-yeah— (yeah) — yeah,— D.C. to 3rd verse, repeat chorus and fade 2 ans J J Jeans Saas yeah, (yeah) yeah, (yeah) yeah, (yeah) yeah, _—_(yeah). 0Trem. bar effect Repeat this riff (without scratch effect) i Bb Scratch the strings _9 times Scratch with tremolo "COME ON, COME ON Words and Music by Billy Idol and Steve Stevens Gmai? E B tewr/b = C Dus D Bm E/FR EIGE CS 1 OG 3 times See guitar fig. [B] a : a at, = nes _ = EE ——- yer: 7 Ta i een deere E/B = SSS SS = . = i ings, ad - dictions for sure. — you what you need; on - ly dou- ble cross - esa We—— don't— need’ no pan- ie, fas > cists no E/B Ivs on - ly your fear, — sis - ter dear, never fe Re -al-i-ty for fear, sis - ter dear, don't youfear, Now Copyright © 1882 by Boneico! Musi, Rock Steady Music and Rare Blue Music nc, “Ths Arranger Copyraht © 1885 by Boneidol Musi, Fock Steady Music and Rare Blue Music, Inc ‘All Rights Contolea by Rare Blue Music, nc 8 International Copyrignt Secured. lights Reserved— one’s gon-na make you fight_ for your love life to ~ night. Oh. Guitar fg ——— #C Dsus fee iss = —- = — eH = f =F How do 1 know? Its be- cause T be - lieve in a love that is. so strong— Dsus Bm cs = it’s a love crush mum-ber one. love crush says, Come on,— come on, — Chorus: mae) ee E/F$ BGt A B some on, come on, come on! Come on, come on, come on,— come on, come on! E E/FS EGE A B E EFS E/G$ Comeon, come on, come, yeah, I said come on! Come on, come on, come ooh, A B E EFF F/G A B — I said come ont Place like’ eerie 4E Ere F/G A B E E/Ft E/GE Come on, come on, come on,— come on, come on! Come on, come on, come on, To Coda A B E E/FE E/Gt A B % come on, come on! Come on, come on, come on, come on, come on! ae 2. ie E/ES E/Gt A B A B Place like this. this, ; emo a 1 said, Fo dod) ee no long = er — toom at the top— guns beat; down and the D Te as TA A omen = st — pres-sure drops.— No long - er room at the top— Oh, the D.S. al Coda B suns beat down andthe pres ~ sure drops.— Cs BFE EGE i p Repeat chorus and fade Place like oe ee 616Dsus Bm cs 2nd & 3rd time, for measures 1,3.& 5 of [G] , substitute: wWHITE WEDDING Words and Music by Billy Idol i Sir. “a Sf. 7 te. erty at. a fae ee ee ea ee Brisk 4 (d= 126-132) Rest righthand palm acoss tring or “muffied” sound — (Whote step shake) (Use pick elo to bridee) Guitar Lick: A Bm mop oy "Key signature represents Dorian mode on 2g =—— ECD EE FIGEA & (Copyright© 1882 by Boneido! Music and Rare Blue Music In. ‘This Arangemont Copyright© 1988 by Bonoiel Music and Rare Biv Msi, Inc. ‘A Rights Contled by Fare Blue Music, nc 8 Intemational Copyright Secures All Fights Raservedyou— done? lit = tle sis - ter, what_ have lit tle sis - ter, who's your + per-man? lit - tle sis - terywhob one you want? Hey little sis day day for a white wed-ding,— 19Hey Guitar Lick: B (i a (Continue Guitar Lick: B) Bm Asusd E7 Hey lit- tle sis - ter, who's the on - ly one? Bm Asust : e == = 7 SS Te been a- way for so long.» (so___long— Ive been a-way for so—(Continue Lick as on E7 chord, but using A chord) A Bm — long (so long—) 1 let you go for so___long. Its a A E (Guitar Lick: B- Ist two measures) beri Vor eigen l=) o nm Von Vom BOOB BOOB sa eet aS nice day to start a = “gain, Ws a nice day to Bm ie = manayon one neVan sens n: myony 4 Va 0 aPlay Guitar Lick: A BmjA (Pick it up) E Bm Continue Sum Pater p Zi 2 a2 x ae rs cs £ Se ao oe == eae Take me back home There is Bm x Bmite. % ie” ae nothin’ fair in this world, There is (Keep top of chord ringing) 22And there’s eee mv mv nv mya noth = in? sure— in And there's nothin’ pure in this. (eine Vesriy. Bm(addl1)74, some = thing left— in this Delete, Start— a - gain. Strum the last 4 measure pattern through the end D = nice day white wed ding, Is a D Repeat and fade nice day to startHOT IN THE CITY Words and Music by Billy Idol a Am G Amil G6 G7 F mee oe ee & casein CAR cs Ca CA Stran = ger— Stranger. It's Forall the (2nd time) 6. Am c Am c Am hot here at_ night, 101 ly, black and qui dreams and schemes, people areas. they seem c Am Am 4 = eS == + 4 J = = oe Don't be a + faid_ of. the _world_we've_ made Don’t be no fim. don’t for = get-— you're young-} "4 Guitar: [B] (enters here, Ist time) c Am c Am G & SS = i rae — oe cS a = wi ER SSSG {rcawe when «tong legged ove yaks or = A some - time — some-one you're yeah you can see the look in her eye; thenyouknow that it's, Don’t wait to see what you've got, ‘causeyou know that you're Guitar rift Ami1 @ Ami1 Cc Ami Cc Amil hhot = y to might. (To = ai the eit - y, hot in the Copyright © 1962 by Boneidol Music, and Rare Blue Music, ne. m ‘This Arrangomont Copyright © 1986 by Boneidol Music, and Rare Blue Musi, Inc. A Fights Controled by Rare Blue Music, nc. International Copyright Secured All Rights Rocorvedc Am11 ic Amt © Amit ® cami Hot im the city, hot im the city. to~ night (To- night.) (eS ee nce ees cae ce Pes 2 aa ab o ern Dre Well, ll walk un- til my feet drop. — [E] 2nd guitar lick GI G6 G Go Gian = G: G G6 Ss Vm a train when I'm hate - ful Yeah, ay rightdown now, — Gr G6 G Go or c =a and ride un- til your head breaks. — Tm a walk- Gr G6 G — = eee SF ate = a pops. Twill move. with the beat now.— ee Tm a chain “roundan A - bomb. Pm a rib- F DS, al Coda Coda x DS. keep repeating chorus to Coda and fade = bon in the heat now. New York! Sie3 timesLOVE CALLING Words and Music by Ei G c By Billy Idol and Keith Forsey RE Moderate shuffle FG Guiter st Centers 2nd time) ANSE J Ln ne re Sau = 5, rey == ae va, oe Feeac Be ae = a) 2 SS = =e = 7 — ——— Toa a ee _—e ya, Guitar lick iS Qnd time) ic F ew ee come) eee! 4 ic Ds 3 times -- ng NC - J35 eae 2 tise Red hair flames so Pas - sion yous moves his clap - ping _stic tums us Copyright © 1882 by Giorgio Moroder Publishing Company. Boneidol Music and Rare Blue Music, Inc, “This Arrangement Copyright © 1885 by Glorglo Moroder Pubishing Company, Boneicol Music and Rare Biue Music, Inc. ‘All ighis for Boneidol Musie controlled by Rare Blue Music, Inc. International Copyright Secured All Rights ReservedF FG fa De ea aI pat ee an ya snake Trot ips. c FG c ee a 24 ewoitan ic. 3S i ya, Steal Move, in : to. a oe nie epee eee eS ea fa Walk with - out a sound, Fire_ = moe oun - til we die in the moun = tains now. F ae ie Sere Mure emeyy ea a F FOG ee a ae eee Po ae ee a — ya, runt ey; ee ya,2 2 ye i Te you wan - na rub - a= dub, rub - a= dub, ie ee oe —3— 3 3 jes you wan - na mb - a-dub = — dub love. Love call = ing, Love call = ing. Tres you wan - na rub - dub, rub - a - dub, ee ee ee a =3—_ 3 3 Tze you wan - na mb - a-dub - — dub, love,ne FG F G FG pe Ne eee ee Love call = ing. Bb ToCoda F G FeaG F ad Je tN ee 35 a 35 = (Refrain) Clap hands, clap hands — {Sn}oa - by rockon. FG FG fc ca FG ww) STD ee eae Dy eel ee for the song man. iB: G eG: G DS, al Coda Bod NN Jad Nae ee ei J 34 3 = 3 ooh, ba by, rock — on— Boo eutn To chorus, repeat refrain and fade G —s3— 3 timesIT’S SO CRUEL Billy Idol and Philip Hawk maj? Cm)1 sus Am D Em Cadd9 eo aren ce wh Moderate rock : rns fata au feitarsolo(t time) Pattern a> gain pret - ty babe, oe es CmiL Cous G Cmaj7 a ra ro = night (lve been in cy = ‘ry bar in gene: a To ~ night—}you walked through. all my_— pleas-ant dreams. G cml Cas, G Cmaj? Here Tam a- gain, Bu pretty babe, hang-in’ a = round, To-night you'lhave to. try— You know where 1 look— Copytight © 1982 by Boneldol Music and Rave Blue Music, nc ‘This Arrangement Copyright © 1985 by Boneidol Music and Rare Biue Music, Inc ‘All Rights for Boneido! Music controlled by Rare Blue Music, Inc. 3 International Copyright Secured All Rights Resarved— out eve “ry girl in town, —teads toa late-night, low down, low down scene, Rhythm uitar: (Spoken: really “mean. Took some ecstasy, you know.) T took my trou-bles to the east I took the sub-way to the east emit caus G side All Am? Rhythm sutar End-ed up in some - bod - y ‘Lead guitar lick (3rd time) the blocks."A” to els -e's sheets, — 1 get messed up on my bad_ cmaj7 Lead guitar lick (3rd time) é dd (Chorus:) Its s0 en ic D c ees D 223 FT) C D 6 y FIAT 773) ———,, =e a « ae as with - out you, without you, D G D é 4 Dea et eee en eae Its soic D G Die D ae es oe ee a ee acme ah, with = out you. © = ver babe? Feel my love come on 0 = ver, + ver you. G cada G cada9 Guitar solo Em D G a G Feel my love slide. D.S.al Coda § F G C G @ (Spoken: You know what I'm talkin’ about now.) Cote saan DD atytnm eur 9 Em G Erode, eck a = ES mls pete eee eae Se ee cadao G cada Repeat and fade for you,— babe, for you,-continuepy Ret suite 6 Cmai7 G mil Csus G Cmaj7 By ena guitar ck Lead guitar 7continse 2nd & 3rd time, play a shorter c ee ee pin Guitar solo Full a a ~ Ful Fulcontinued Lead guitar I hey SE ES x Sto “eedback & vibrato sustains these notes Rhythm guitar Repeat and fade Repeat and fade 3. Sustain with feedback & vibratoDANCING WITH MYSELF Words and Music by A Billy Idol and Tony James if ng fe Fast Rock 4 times (Guitar pattern) =" nm) 3 ase time:) On the a Pattern 1. floors of To - ky -o— a-down in Lon - don town's a go - 23, looked all over. =the world and there's ev = ‘ty typeof _ girl, — B) Pattern B Sy a- with the re- cord se - Kee - tion and the as but your emp = ty eyes—__seem. to 2S SS € 7 mir = rors re - flee - tion, I'm - a pass me by-—___— and’ leave ah dane > ing - a with «omy = self. E —4 A - when there's no one alse insight, Soles —— sink an > oth - er drink, a- in the crowd - ed, lone - ly night ‘cause it -"ll give me time_-—to._think, Copyright © 1881 by Chrysalis Music Lt This Avrangement Copyright © 1985 by Chrysalis Music Lt. {All ights forth United States and Canada controlled by Rare Blue Music, Inc. 40 International Copyright Secured All Fights Reservedst & 2nd time (B] Last time: B 4 (Last time) = Ist&2ndtime © Last ti wait so long for my love vib - 1a - tion and I'm : ad the chanas Td ak ‘one Yo! dance and a. be fame > inv =a with my ~ se E dstimo, oy DSTI J y 4. a eee) Set os Oh oh. Dane - ing a-with my - self To Coda $2 2577? —— = = fe ——— ge SS SS ee dane = ing with my = sel Wel, there's nothing to lose and there's 2 ae nothing to prove, well, dane - ing a-with my - sel, oh,— oh, oh Oh, oh, oh oh. Oh,— oh oh a“ad Lyles oneal mae) oh, — oh. — Oh ch — oh oh. Tidad Jada JIT a eae inal Joie) ea {Onretiesoh fet Hols oho (Scream) Inst GBtimes) ® DS, (2nd verse) al Coda B #Coda A Wa BRN bo a I er If 1 had the chance,J’d ask =a one— to dance, a- if I i-——JI J x x hmad— the chance,-I'd ask - a one— to dance if ‘I had the chanoe,-Td_ ask ae a) Se ea ea One =. to dana eee On, oh, oh, oh oh. Oh,— oh, oh E A Repeat with Vocal ad lib and fade —— — Dane- in’ with my = self, oh, oh, dane in’ with my = self,____oh, oh. (oh) @FLESH FOR FANTASY Words and Music by Billy Idol and Steve Stevens afr. fete” 3. it Sir, eT A eR asic} Em DFS EmyG A Fim gis eels BE AS eee | DULL 24 foods 21 194211 134111 ©0294 0201 Brisk Funk Beat (J= 96) A EM* (Gass and Drams) There’s a change in pace = s ‘Strike strings with volume off then smoothly turn up volume St SBM, of = fan - ta-sy_ and taste. Lick Lick (muffied) VII pos * Unless rhythms are marked, chords are given as a guide only Copyright © 1989 by Boned Music, Rock Steady Music and Rare Biue Musle Inc. “This Arrangomont Copyright © 1985 by Boneidol Music, Rock Steady Musi and Rare Blue Musi, Ine ‘rights contrlied by Rare Blue Music, nc. 4 Inlornatonsl Copyright Secured All Rights ReservesDo you like good mu- sic? Do you like to dance? ice B—— a 7 Bm? Oh yeah Hang-int out for a bod- y shof=—aT night. env inte pre on ee ee ede to fel Ain't it strange what we do allright? Oh yeah So EV ctm7/E live poe ee oO EIL when will you call Tam ex-per-i - enced Bm? 45Bm7 A6ict D E B win Choris: Flesh, flesh for VII posWe want flesh, End 1 ———_——___ ° Bn? flesh for fan - ta = sy Are you feel= in’ al ~ right Oh yeah.— Turn on the light— babe me fare you some = one EU EI" ctm7/E ao ieee oJ Oo #5 = | —S 6 = else to-night? mM ELV C$m7/E t ip Neigh-bor to neigh-bor, door. to door, don't ask ques-tions,there’stimefor it all_— *B stands for bass note a7B mr Face to face and — continue my VII pos, flesh for End EI fan = tas = sy.Em DIF Em7/G A Em DIFE Fa ther loves his son,— moth-ers,daught-ers, 100. I's an old, old sto -1y, Rhy Bn Fem Em7/G A Sia pki ae ein cries the new world, too: Flesh, flesh, fleshfor fan - ta - sy. continue @ flesh for he Tess End Fey Bn? E7 fon - ta + sy We want fan- ta = sy. You ay. 49zee eoaawn Do you like good mu -sic? Do you like to dance? Ful vi (anuffted) ws oat See 1. Elvi Ctm7/E ELIE Chm7/E i A ee Neigh-bor to neigh - bor, door to doorEn -joy the crime; you nev - er been noth- in! Bm7 Repeat and fade fs 5CATCH MY FALL Words and Music by Billy Idol G Dg ices tea a cm opm scm ff tr, Se ee me Hl Esa a Fast rock(d= 132) Qnd time) Gemtea) D c ae mim, SII TTT dee ‘Synth, intro, (Qnd 4 bars, add bass & drums) will — Ihave the time, oe own ve tray-eled and un-wound my but I wi sing, yeah— Tm just a boy, truth, yeah.— Wve Taid my head on the rod Gates) Ast time:guitar in rhythm pattern: sf Tae) erat Lead ill win, yeah Lost wong of ov - ory youn, ean ye trustee) and thea bro Ken D Lead il 5) c leave. me sad and— (ith tremolo bar) just to keep me— fel - low trav- el ers, yeah,— my, own word. Lead fl Lead fl out of words. this mad, mad— world Copyright © 1983 by Boneidel Music, and Rare Blue Music, In. ‘This Arrangement Copyright © 1985 by Boneidol Music, and Rare Bive Music, Inc. ‘AL Fighis Controlled by Rare Blue Music, In. International Copyright Secured All Rights Reserved — hol - low, frees 2Rhythm Em guitar: © o> om o> It could hap - pen to you. so think for your = sel" C tmutea D ete 1 1 should-stum- ble, catch my fall, yeah. To Coda = If 1 should_stum-ble, catch my— fall; catch my finger picking pattern f “Gt (Geax paid) pm cm pm fall If should stumble, — catch my om pm cu pu fall If 1 should stumble. Rc D c D Rhythm Gone Guitar Rit “utesy (Synth, solo) Ea Pattern et fall DS. al Coda Coda % op ic ss D fall, veal If 1 should.stum-ble, would you fingering pattern Git pu cu D™ Repeat and fade catch my fall If 1. should stum-ble,— catch myFinger picking pattern lac : D : c Solo 54CRANK CALL Words and Music by Billy Idol and Steve Stevens ae oc cu pw ARS EE EB E D Fast rock (d= 132) Intro: E oN P Use this descending REA chord formation, Trem. Bar (slowly) ww Sig a a eit Trem, Bar (slowly) ww 2nd guitar electronic thunder effect a ~ electronic a thunder effect Trem, Bar (stowly) wv Fut thunder we Trem, Bar sow naa ee thunder ‘Copyright® 1889 by Boneidol Music, Rock Steady Music and Rare Blue Music, Inc. ‘This Arrangement Copyright © 1085 by Boneidol Music, Rack Steady Music and Rare Biue Music, In. 6 All Rights Controled by Rare Blue Music Inc Intemational Copyright Secured All Rights Reservedspar riya? ee go ss. If you're wait - ing for =a call,__—there’s- dow ble trouble; the ‘They "want love, they want a. pan - to- mime to cut you in twoithat’s. a noth - ing new heavy - en or hell, and hate has taken con pressure of it all, This line is through. for com-mu - ni - ca - tion. sex =U = al crime They dig the dit they deal in They trol ‘They're break - in’ the Kids; they’e— beat - en the bids, and Rhythm D Not if you've lost all_— rea - son] dig the dirt they feed— Crank call, that is all_they feed— E/D Dae @) > : Ta). On Sa a h. yeah, Ain't no fun at all, 56Rhythm guitar: py a) cre FI 50 FD DD yeah, al = right. Why waste time to - night? Oh yeah, al = right. Way waste time = alan On, yeah, a - bugged, mé— = bite To Coda 40 ect right, {um bueeea, and I'l bite,— to-night. Bvt st St SSL Si. SL SSL 7Rhythm E rater: lig) Se) i eee eee el eee) — ee alee 5 Ad, AH AH, Full all Ful sty) Ee AM, AML Ful Fall 2-Bar Rhythm pattem De deenelectronic siren effect electronic siren effect Coda cf G Evi ‘continue rhythm JJ 1 So eta, Ba Pi = waste time to = night. Oh, yeah, al = right. — ae Tm bugged, and Til bite— to = night. — on, 92nd time, solo: see BY ce c JIT TTS ee yeah, al + ight. Why waste time_ to-night? on, yeah, al - right. Youknow Tm bugged andl bite. oh, = ew cre ic right, Pm bugged, and Tl bite, to-night, Trem, Bar hrm, Slower tempo Repeat and fade ww (ay Full Full Full b.E+ Use these descending chord forms: Trem, Bar (slowly) hac, ~ ye) (=) (2) (2) thunder effect Trem. Bar (slowly) on thunder effect 6(DO NOT) STAND IN THE SHADOWS Words and Music by Billy Idol and Steve Stevens i ol Go el Gt a om FA OR Glo ot ae” Am Fast rock (J= 176) In % Rhythm: aw Sere tie Fmaj7 fee > (eed back) ° Copyright© 1983 by Boneidol Musi, Rock Steady Music and Rare Blue Musi, Inc. “This Arrangement Copyright © 1985 by Bonedol Music, Rock Steady Music and Rare Sive Music, Inc. 6 'Al Rights Contoled by Rare Blue Musi, nc Intemational Copyriant Secured Al Rights Reserved5 Rhythm: Bp ee ea PPP eer Sem a i = Fund) pe —— + a a ee 2 Up to the street to 2 pre~cise beat —_paint-ing Oh, —tone- ly, oh, lonely, watch - ‘ing now we've touched ~ down,mov-int’ all "a= round, c D Fill [B) Gast time) Fill shad-ows onthe wall, Well, we cut out cars, — peo-ple on— my walls, Well, Mom-my and Dad -dy thought yeah, liv = ing to a blast - er sound. No preach-ers, teachers. Fill [E} (last time) Em c Pao fly by bars; all for one, one for all, Like a they had me fooled, [wasn’t thinking, not at all, Well, 1 Freakout, man— tothe sound of false a = lam, They ain't A Fi Do Fae. teen - age sleaze, com - ic book tease with your art on— your sleeve got out; was not gon-na standin the dark —with-out a light. here to-day, det me hear you say, you're a - live and you're liv-ing withat (G] (is time) Fill Fit = Well, you know you won't run; you- won't hide, and you = For- get ill luck, if you. be - lieve that. me. So, don't try to hides don't try to die in the Dsus iar al 723 J J jump like a son- of - a - gun— Wow! Do not stand inthe chance could sit and___ wait dark of the night. Em Em? cs Deus wo ew yu J J odd shad - ow. Do not stand —in__ the shad-ow. Do not stand in the shad - ow, oh, oh, Dark and e- vil in the shad - ows, Do not stand inthe donot standin Em Em? Gi CS ToCoda D Daus J J J J o 4. ahs db shad-ow, oh, oh, do not stand in_ the shad-ow. D Dsus Em c os J J J J J J Do not standin the shad-ow, oh, ~—oh, oh, oh, oh!MIL pos. Fall Full Full Ful 1p XV pos. Full 1242 D 12 1p Full Full Full Full A Full Ful DS. al Coda Ful Full Andoo Ned J J J shad - ow, in the shad-ow, in the shad-ow. j ‘ Sala) aah ee aa ee) Do not stand inthe shadow. Slower tempo Repeat and fale Bb cous S PEN eek Japa a ge a ad a —eftea — Gradually lower pitch with Trem, Bar Y erTHE DEAD NEXT DOOR Words and Music by Billy Idol and Steve Stevens Chad ppg 2D aw pm ENS BOE) BIE AE Hee ee ee ‘Moderately (d = 108) Fingerpicking ballad feel (fade see (fade up) fingerpicking pattern aes (fade down) eae 2 By singerpicking pattern A 1. Watch the sky— for a _rea-son why. 1 was so heat of the day fade, fades a way,— fades a = an i+ malland, ‘When dark is in com-mand, one thing you should Bl a = = — eit = a = —— 2 7 = sure Sun-day— was hot. Mon - way, The beat of— the day.— sufefer- now Don't hear thelr plans, don't To Coda E E/Dt D ° $ ° git =? £ joe = day was not, Mon = day was not, — ing a= ay sufcfersing “a= wav fat ott of thelr hands. (racer) E An E fill door— You see, for the dead next Copyright© 1983 by Boreldol Musi, Rock Steady Musi and Rare Blue Music, Inc. “This Arrangement Copyright © 1985 by Boneldol Music, Rock Steady Music end Rare Blue Musi, Inc. e All Righs Contoled by Rare Blue Music. Inc. International Copyright Secured AllRights Reservedone er - ror, si - lent ter - ror, A E and we're thedead next door. Be eftno3raaaay E Ghosts don't die, D Ctm (no 3rd) add 9 EB 2 ° Ghosts don't a 4 oy: BIE era = : = {eee ui e vee ‘See finger = you and me, with the dead next door. Peat pattern E BI/E AIE B/E Repeat and fade = You and me, with the dead next door.—Finger- picking pattern Finger-picking pattern: A FillREBEL YELL Words and Music by Billy Idol and Steve Stevens DJA Gmai7 Grai7/A 2 ae Bm? GS FES A Brisk 4 (d= 168) Bm? ti Vv Rhythm Pattern 1 Mattes is Osa) fis ee ED — lit-tle dane - er came dane - ing to my Gmai7 === SSE —— Last night. my it = tle an = gel came pump - ing on the oor She said,__“Come, ba - by, T got a i - cense for — love, And it ex - pires,— pray help from 2 - bove.” = cause nine ae er Me In the mid-night hour she cried more Copyright © 1983 by Boneidol Music, Rock Steady Music and ‘This Arrangement Copyright © 1986 by Bonoidol Music, Rock Steady Music and Rare Biue Musi, Inc. All rights controled by Rare Blue Musi, nc International Copyright Secured All Rights Reserved nWith a reb-el yell Bm SS In the mid-night hour, she cried more babe, more Gmaj7 more more more, — Ds AS + With a reb-el yell more. — Bm_(with rhythm pattern 1) She don’t_ like slay - "ty, more she won't sit But when_ ['mtired and lone Bm What set you free DIA What set you free? Bm_ (with rhythm pattern II) In the mid-night hour — D/A sly she sees me and brought you to Gmaj7 I need you here she cried more Gmaj7 by and to beg, — bed, more more me! more babe? more, — GmmajT/A Be - cause— Ds AS nm With a reb-el yell she cried — more more.In the mid-night hour, babe, more more more,— With a reb-el yell more more. —more,— Rhythm Pattern IIT GS FES ES ceereecr his own heav - en, col - lects it to go from the sev-en e- lev - en. Gs FES ES Well, he’s out all night to col-lect a fare, Just so long, just. so long it don’t messup his hair. BS Lead guitar 4 73Rhythm _ p, Guitar ~ Bm Ful Fall Full AN Electronic effect D/A Full ull Full Full Full ie VII pos. vat Fal ru vat fa ee = = 74Gmaj7 Tremoto pick slide Tremoto pick stide In the mid-night hour she cried more more more,— With a reb-el yell _— she cried more more more. Bm ——~ In the mid-night hour,——_ babe, more more more, — D/A Gmaj7 Ds AS With a reb-el —_yell_— more more more,— more more D/A G Bm Repeat and fade (Vocal ad tibs.) 8DAYTIME DRAMA Words and Music bv Billy Idol and Steve Stevens Gmil Gm7 Bb Dm? ci13/G_— Gm FER AR FRR feeb fir cme/G F/G Am7 Am7¥) Em Eb/G RR” Fa aa pie ee an Fe Moderate rock (J= 126) Gmi1 Gm? Gmil Gm7 Gmil Gm7 we STD A te peel 5 Bho C_Bb CB Dm7Gm7 Gm7 Copyright© 1988 by Bonsidol Musi, Rock Steady Music ant ‘This Arrangement Copyright© 1985 by Boneidol Musi, Rock Steady All rights control by Rare Blue Music, Inc International Copyright Socured Al Rights Resarved 7 Music, Ine. ‘are Blue Musi, IneDay by day,— hour by —_-hour— You don't want hard cash, just the pure fact. what haunts my nighttime, starts my day - light? Mis - use and 8 use, you write your sto - ty. F/G E - yen good friends have no an - swer, Pass-word for play - time Time for love. my Beau - ti - ful star Am7 Am7vit Gmil Sear Ist time, ies 3 ord el pd Zz 8 ontime STFA A td — 3s 4 3 Don't touch her, man.— 1 wanther o - ver and o- ver a> ‘Amzu To Coda ae a a deed a ae a ee p Sa) ae eee eN ae a0 = == SF = = SS a ain A= don't_touch her, man.— 1 want herGmiL eg rN sree) eo Genser aes Gm7 cm6/G o-ver and o-ver @ Gm7 G Gm§ pam le Beau -ti - ful star in my day - time dma - ma, when I ask a cm6/G FIG ques - tion, for an an -_swer, see you dane = ing, G ro > mane ing; but = Ts want = my = beau = the = fu DS. al Coda = lead guitar Beau-ti = ful star, Gmit cots JI72~ J] Se Gee ee) Q oS, a comm © - ver and o - ver and o- ver and 0 - ver. 2nd time, sol suitar riff G = Em Beau-ti- ful star of my day - time dra - ma Some are laugh - ing some are a = mazed,some'are devot-ed,someareslaves. star of my day-time dra-ma, i B/G Repeat and fade yes, i's in my hand now. You're my hope for a fu = ture. T was one, but 1 was saved a ~ gain, a gain, beau- ti - fulGuitar sift Sa fade up guitar ff Ol « Em. ig Eb/G soto E]Ful Full Ful Pos, VIIL ont ® AHL atEYES WITHOUT A FACE Words and Music by Billy Idoi and Steve Stevens aa 2 a me ee Funky, half-time feel (d= 88) sth Emaj7 ctm7 Gtm7 B Tm all out of hope One more bad— break — could bring— a fall. : sey a ee ee — es When I'm far from home, don’t call me_on—_ the phone— T" spend so much time be-liev-ing all the lies Now “I close my eyes and 1 won - der why ae, Gtm7 B Emaj7__ (dst time guitar enters here) to tell me you're a - lone. Its eas - y to de - to keep the dream—a - live.— Now it makes me T don't despise Now all 1 can im? Gim7 — — Se — Se ee SS 3 # ceive; es = yy to tease, but hard to get re lease sad it’ makes me mad at truth. for lov in’ what was you. — do, is love what was once. soa - live and new. Copyright ® 1983 by Bonaldo! Musi, Rock Steady Music and Rare Blue Music, Inc. ‘This Arrangement Copyright © 1685 by Boneidol Music, Rock Steady Music and Rare Blue Muso, Inc. 82 All rights controlled by Rare Blue Muse, Ine, International Copyright Secured Al RightsReserved[rd verse oniy B ——4 ine, But it’s — (Les Gtm7 gone—from your eyes,— to Chorus [ist and 2nd verse B B Chorus A yeux vis - age.) A Pa bet - ter re - ale Eyes with-out_ a = ote Eyes with-out a face sans vis. ~ age.) (les yeux sans vis B Fem? - — = =: — eid = eee — = F f 7 eae Eyes with-out_ a face, got no hu- man grace, — ee ey To Coda Gin “ Bmai7 [symm u, wep cim7 you're eyes— Gtm7 with -out a fac B. Guitar tacet 2 {_———_—— 23continue [&] itt E D e i Ze SSS Se you hear the mu-sic you make a dip in- to Ym on a” bus on am paycele~ del - ie amp > 25 ae ee 6 a 3 2 see! fome-one el-'s pocket, then-make a slip: steal a. car and go— 10 Lis Ve gis ‘ead sing, mur-der books,” trying to stay ‘ip. Tim think-in' of yousyou'e out there, 50 continue (end guitar soto) ho- ly wa= ter in - to. wine; drinkin’ it say— your prayers The gig - 0 - lo say your pool, prayers. down. Coda % etm? es —S——— SS ae = Ss5 SS Fo ee Such a hu = man waste, you're eyes with-out IA bee ‘And now it's get - tin’ worse.BLUE HIGHWAY Words and Music by Billy Idol and Steve Stevens Fim Gm? A cH FA Ffmit Am add? im) Gtm Mae ee ee Ee RG A” Fast rock (d= 168) Blectronic effect (car revving up) Pp 3 EE NEeN Cee aN Drums in on Sth time II times Rhythm Explosion effect as; aa J tJ da Elect, effect Fem Gin? Jada fTTa TIAA SATA 4 Add crt. effect So— my good friends the su - per drug ‘Oh the sons from Mars on sto - len gui - [Bi] Lick 2nd time $m {m7 SorENiREIPs nT s) scr fl aparece ea ha Ig upto thestmt- 0 - sphere, foe oot “fo ide" the night if, A Lick 2 Brain - fry, day - glo, ho = ly wa - ter for— your soul, and 1 Soul sis - ters, soul hit - ter, 1 “hear you and I Copyright © 1863 by Boned! Musi, Rock Steady Music and Rare Blue Music, nc. ‘This Arrangement Copyright © 1085 by Boneidel Music, Rack Steady Music and Rare Blue Musi, Inc. ei ‘All rights controled by Rare Blue Musi, Inc. International Copyright Secured All Rights Raservedigen = es wake up in s. A the U, ow! miss you co-star- ring in the U a ow! E FY so Ja2 JT a (ao aaa ape el Youknow we gon-na ride on the blue high - way, (Got - ta) cee eee) ie een nie wea walk with e-lec-tro = glide— on— the blue high - way, Lick E Fémil A Am G wave hel -lo— to Christ. = on my high - way. To Coda E @ Fit A Yes I al= most died on— the blue high ~ ay. Fi (lect. revving effect) 7 Aaa ITTA ADL ~ SADA x 3 2 3 Why do 1 miss_ D.S.al Coda B Dae po oo ae Dada9 Ctm ae — you? Why did 1 kiss you? e= cauise,—Fim (Elect, effect) = er So glad that you're liv ~ in” Turn up guitar volume (Still louder) Gim knob from “0” now. Tm glad that you're here. rm ct a ad 4 a eee slad that you wanna ty eS be = cause, Fe fou know we're gon > na tide. on—— the blue fave hel «= - do. to Christ on. my Qua = ludee and red wine. for. love; yes 1 oe, Sees Iatales high - way, walk with @-lee-tro = glide — igh ~ way" Yes. “l al-most ied — there’s atime, time for love and then you kiss me, Ft After 2nd time, to lead tick [B] A JIZISITII AAs SATA SII IIIa on— the blue high - way. {a a a Hey!E uted cnord) 2 times Repeat wfad lib vocal After 3rd time g_ lead gutar (B) soto comes inan a E Fémil a III pos. Ss A A ; Paap raat ieee a ' Jy ate DB triesa Full Full Full Full Full Full Full Full Full Full XII pos. all Full Ful Fulley: Ful Full ws XII pos. Full Ful dereal 1p ol Ful 7 vr Ke we = a A. Ful Fo) Fall Full Ful Futl, Ful Full, Ful Full = es ge Se me) aie y eZ. St Full Full Full Fall FullPe ee F z = sCoCr RaSey DONT STOP Mony, Mony G2} (388 Blue Highway Catch My Fall Crank Call Daytime Drama The Dead Next Door (Do Not) Stand In The Shadows Eyes Without A Face Flesh For Fantasy Rebel Yell BILLY IDOL Come On, Come On Dancing With Myself Hot In The City Its So Crue! Love Calling White Wedding record chord, licks and solos in the traditional and tablature notation. Plus a bonus itepay ouealy. ko)! Cherry =, \Lane =,|Lane ozeveit $14.95 inusa_|