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    Octubre. Canción de Otoño: P. Tchaikovsky Op. 37a N.º 10

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    MarinaCarniceroGarcia
    This document is a musical score titled "October Song of Autumn" composed by Pyotr Ilyich Tchaikovsky. The score is written in a foreign language, likely Russian, and contains musical notation including notes, time signatures, dynamics, and other musical markings. It appears to be the score for a solo piano piece divided into sections with changing time signatures and dynamics intended to musically convey the changing of the seasons from autumn to winter.

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    Octubre. Canción de Otoño: P. Tchaikovsky Op. 37a N.º 10

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    MarinaCarniceroGarcia
    22 views2 pages
    This document is a musical score titled "October Song of Autumn" composed by Pyotr Ilyich Tchaikovsky. The score is written in a foreign language, likely Russian, and contains musical notation including notes, time signatures, dynamics, and other musical markings. It appears to be the score for a solo piano piece divided into sections with changing time signatures and dynamics intended to musically convey the changing of the seasons from autumn to winter.

    Original Description:

    P.I. Tchaikovsky

    Original Title

    Octurbe

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    This document is a musical score titled "October Song of Autumn" composed by Pyotr Ilyich Tchaikovsky. The score is written in a foreign language, likely Russian, and contains musical notation including notes, time signatures, dynamics, and other musical markings. It appears to be the score for a solo piano piece divided into sections with changing time signatures and dynamics intended to musically convey the changing of the seasons from autumn to winter.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    Download as pdf or txt
    22 views2 pages

    Octubre. Canción de Otoño: P. Tchaikovsky Op. 37a N.º 10

    Uploaded by

    MarinaCarniceroGarcia
    This document is a musical score titled "October Song of Autumn" composed by Pyotr Ilyich Tchaikovsky. The score is written in a foreign language, likely Russian, and contains musical notation including notes, time signatures, dynamics, and other musical markings. It appears to be the score for a solo piano piece divided into sections with changing time signatures and dynamics intended to musically convey the changing of the seasons from autumn to winter.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
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    of 2

    Octubre.

    Canción de otoño

             
    Op. 37a n.º 10 P. Tchaikovsky

        
                 
           
       
                   

    Largo 3

                


         
                 
    3 3

     

      
    poco cresc 3

     
      
                        3 
                        
       
    7 3

         
              
    3

    
    3

           
    3 3 3

      
     marcato


    dim.

        
            

                 
              
    
    11 3

       3 
                      

               
    3 3


    3 3 3

     
    3

        
    3
    poco piu 

      
    

                           
                 
      
    15
    3 3 3 3 3 3 3
    3

          
          
    3 3
    dim.  3

         
    3 
     3

       
                             
      
           
       
    3 3 3


    18

    
        
        poco cresc. 
     
    3 3 3

     
    3

       
    3 3 3

     
          3                  
         
                
    3
    21
     

       3  
                     
    3 3 3 3 3 3 3 3

       
    

    
    3 3 3

       
    
    

              3       3                        
                
    24

       3  
     
                   
    3 3 3 3 3 3 3 3 3 3 3

       
    3

        
    3

         
    3 3

         
              3       3   3 3    3 3 
                 
     
     
           
     
    28

       
         
                        
    3 3 3 3
    3

         
    3

        
    3 3 3 3


       
         
              
      
            

    32

              3 3 3 3            


      
       
            

           
          
      
       
      
      
                      
     
    3 3


    3 3

      3  
    38 3 3 3

                 


      
           
    3 3

     
    3

     
    3 3 3

     
    3


    poco cresc. dim.

        
       

                     
                      
      
    42

     3 3 
      marcato               
                    
    3

        
    3

      



    poco piu 

        
                                  
             

    47 3 3 3 3

     
    3 3 3 3


    3

     
        
             
       
    3
    3 3 dim.

        

        
                            
               
    3


    3

     
    50
    3 3


    3 3 3 3 3 3 3 3

       
         
       
    


             3  3   3  3    3   
         
    3


    3
    54

     morendo  
           

    

     

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