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Marco Bordogni
Marco Bordogni
Marco Bordogni
Giulio Marco Bordogni (23 January 1789 – 31 July 1856), usually called Marco Bordogni, was
an Italian operatic tenor and singing teacher of great popularity and success, whose mature career
was based in Paris.[1]
Contents
1Biography
2Town or theatre first performances of Rossini operas
3Legacy
4Notes and references
5External links
Biography[edit]
Marco Bordogni by Henri Grevedon
Bordogni was born in Gazzaniga, near Bergamo, Italy. He was a product of the Bergamo tenor
school which originated with Giacomo David and Gaetano Crivelli, and in which can be counted, in
addition to David's two best pupils (namely his son Giovanni and Andrea Nozzari, both notable
in Rossini's operas), and besides Bordogni himself, also Domenico Donzelli and Giovanni Battista
Rubini .[2]
Bordogni made his operatic debut in Novara in 1808 without initially meeting with much success. In
1813 he distinguished himself as a performer of the role of Argirio in Rossini's Tancredi[3] at
the Ferrara revival with a tragic ending[4] and at the inauguration of the Teatro Re [it] in Milan, and
became later very active in promoting that composer's music. He appeared in many of Rossini's
operas on their first presentation in various towns and theatres, mainly performing the roles originally
sung by Giovanni David.[3] In 1825 he created the role of Conte di Libenskof in Rossini's Il viaggio a
Reims.[5] He sang for many years at the Théâtre des Italiens in Paris. He became a in teacher at
the Paris Conservatoire in 1823 and continued to teach there until shortly before his death, which
occurred in Paris.[3]
He was the author of a published singing method, and composed many sets of vocalises which
remained in use for singers for a century afterwards. He was probably the most influential teacher of
the English tenor Sims Reeves, who went to him in 1843:[6] other students include Sophie
Cruvelli and Giovanni Matteo Mario.
Bordogni was awarded the Légion d'Honneur on 10 May 1839 by M. de Gasparin, at the same time
that it was awarded to the Director of the Opéra Duponchel, and to the composer Hector Berlioz,
who wrote that Bordogni was the best singing-master of that period.[7] His daughter Louise
Bordogni sang successfully in New York City in 1834.
Salle Louvois du
Narciso Il turco in Italia Paris 23 May 1820
Théâtre-Italien
Salle Louvois du
Jago Otello ossia Il moro di Venezia Paris 5 June 1821
Théâtre-Italien
Salle Louvois du
Giannetto La gazza ladra Paris 18 September 1821
Théâtre-Italien
Salle Louvois du
Leicester Elisabetta, regina d'Inghilterra Paris 10 March 1822
Théâtre-Italien
Salle Louvois du
Argirio Tancredi Paris 23 April 1822
Théâtre-Italien
Salle Louvois du
Osiride Mosè in Egitto Paris 20 October 1822
Théâtre-Italien
Salle Louvois du
Idreno Semiramide Paris 8 December 1825
Théâtre-Italien
Salle Louvois du
Antenore Zelmira Paris 14 March 1826
Théâtre-Italien
Legacy[edit]
In 1928, the "Melodious Études for Trombone" were published in New York. These études were
arranged by Joannès Rochut, then principal trombonist of the Boston Symphony Orchestra. The
études had been transcribed directly from Bordogni's "Vocalises".[1] Since then, the "Vocalises" have
been transcribed for many instruments and are a standard method of study for many music
students.[8]
External links[edit]
Free scores by Marco Bordogni at the International Music Score
Library Project (IMSLP)
AF): 44565803
Categories:
1788 births
1856 deaths
Academics of the Conservatoire de Paris
Chevaliers of the Légion d'honneur
Italian operatic tenors
19th-century Italian opera singers
People from the Province of Bergamo
19th-century male singers
Tenor contraltinos
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This page was last edited on 16 September 2019, at 23:18 (UTC).
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