David Zinman, the music director of Zurich's Tonhalle Orchestra, believes that conducting can be taught by pointing out disconnects and helping conductors address their own fears, psychoses, lack of trust in musicians or themselves. Effective conducting involves giving clear upbeat cues that mean something and allowing the orchestra to listen to itself. Over time, experienced conductors' movements become less as they have found a way to get the orchestra to play as expected.
David Zinman, the music director of Zurich's Tonhalle Orchestra, believes that conducting can be taught by pointing out disconnects and helping conductors address their own fears, psychoses, lack of trust in musicians or themselves. Effective conducting involves giving clear upbeat cues that mean something and allowing the orchestra to listen to itself. Over time, experienced conductors' movements become less as they have found a way to get the orchestra to play as expected.
David Zinman, the music director of Zurich's Tonhalle Orchestra, believes that conducting can be taught by pointing out disconnects and helping conductors address their own fears, psychoses, lack of trust in musicians or themselves. Effective conducting involves giving clear upbeat cues that mean something and allowing the orchestra to listen to itself. Over time, experienced conductors' movements become less as they have found a way to get the orchestra to play as expected.
Magazine.... David Zinman, the music director of Zurich’s Tonhalle Orchestra, answered the question, “Can conducting be taught” in this way: “You can point out to conductors where the disconnect is, what’s causing it. It can be their own fears, their own psychoses. Or that they don’t trust the musicians. Or that they don’t trust themselves. If you can get them to think about it, that’s a step in the right direction. There’s no one way of beating time and I don’t try to teach that at all. If its not clear I say so – its important to give an up beat that really means something..........And the conductor has to allow the orchestra to listen to itself as well. You can’t control every factor and the less you control the better it is.......As conductors get old, their movements get less and less. Thats the truth – they’ve found a way to make it go! They’ve found the way they expect the orchestra to play. The expectation is so important”.
A Comparison Between The Art Of
Conducting In Group Analysis and The Art Of Conducting An Orchestra1 Group Analysis can be considered the ultimate development in psychoanalysis after Freud. It is based on the relationship between the individual and the social unconscious, which interact and constantly and dynamically influence each other reciprocally. It represents a real Copernican revolution; the overturning of a view. While Psychoanalysis considers the social context marginal, Group Analysis proceeds in the opposite direction, placing the context in the centre rather than excluding it. Thus the social context enters the therapy room. The analysis and working through of conflicts and unconscious individual problems goes hand in hand with the analysis and working through of everything that is shared at the level of the social unconscious. Group Analysis is an analytic therapy practiced by the group as a whole under the direction of the analyst conducting it. The group engages in the analysis and translation of the latent unconscious meaning of communications. The translation work leads to the maturation of the group matrix, which in its turn generates individual change (Pisani R. A., 2000).