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British Architecture in Lucknow
British Architecture in Lucknow
British architecture in Lucknow consists in the construction of a number of historically significant churches. Though there have
been elements of European architecture existing in Lucknow before the advent of British colonial rule, it was with their
presence that a specific architectural stamp was made in the various constructions found strewn in the city.
British architecture in Lucknow, though it was
mostly constructed during colonial times, also finds
reflection in some of the older Mughal and Nawabi
constructions. The Europeans had mercantile
associations with Lucknow from the time
of Akbar and Jahangir, and thus their influence had
been a constant factor since those days. A French
trader had built a mansion, popularly called Farangi
Mahal during the days of Mughal rule, though there
is no evidence of any churches being built in
Lucknow during the Mughal era. General Claude
Martin, a French fortune-seeker who was favoured
by Nawab Asaf Ud Daula, settled in Lucknow and
built, in 1794, an impressive palace on the right
bank of Gomti River at the outskirts of the city. He
might have constructed a chapel in the vicinity, but
it seems to have been destroyed in 1857, as was
the case with his tomb. Following these early periods in Lucknow, significant European architecture is to be seen in Lucknow,
most of it dating back to the Colonial period. These constructions, especially the churches, are of historical and architectural
importance.
Christ Church
This beautiful church was built by the British during the last decade of the nineteenth century or the early part of twentieth
century. It is situated in the posh locality of Hazratganj, not far from Raj Bhavan. Following the conventional plan, it has
beautiful railings at the roof level, besides a three-storeyed square tower and tall spire crowned by a metallic cross. The
church has the additional feature of an engaged, five-storeyed pointed tower. The doors and windows have Gothic arches with
arabesque frames for stained glass panels. The prayer hall of the church is very impressive for its spaciousness and lofty
recessed arches supported on tall circular pilasters. It also has a beautifully designed wooden altar. The elegant window
behind the altar has stained glass panels depicting holy figures.
The cruciform plan of the church follows the conventional pattern. The tri-arched opening of the portico has a slanting roof,
crowned by a series of ornamental crosses. The recessed pointed arch is Gothic in form. The church is built in brick and
covered with white lime plaster. The structure is remarkable for its square, three-storeyed tower with a conical spire and a
metallic cross. The middle storey has double sets of arched windows and circular ventilators on all sides. The slanting roofs
are decorated with ornamental crosses.
Victoria Memorial
Among the notable structures raised by the British
is the elegant marble stall standing in the area now
renamed Begum Hazrat Mahal Park. The British
constructed a series of buildings in different parts of
India to honour Queen Victoria, the first British
sovereign of the subcontinent. This kiosk, built in
the Indo-European style, is one of them. The
monument is erected over a red sandstone
platform, approachable from all sides by a wide
stairway with projecting mouldings. The sandstone
platform is also notable for four impressive
octagonal kiosks at the corners.
Lucknow University
Lord Canning was responsible for the demolition of the historic Machhi Bhavan Fort and many other stately edifices in
Lucknow after the revolt of 1857. Among the new public buildings which were constructed during his tenure was a school,
erected in 1864, to fulfil the aspirations of the Taluqdars of Awadh. It was named the Canning High School. Situated in the
historic Badshah Bagh area, it later became Canning College and formed the nucleus of Lucknow University in the 1920s.
The modern double-storeyed monument is rightly considered to be one of the finest specimens of Indo-European architecture
in the state. The facade of the edifice is in the form of a crescent with projecting galleries, and large Gothic arches. The central
ribbed dome, crowned by a cupola, is remarkable for its delicately carved motifs. The tri-arched facade of the portico is also
notable for its size and symmetry. Since independence, it has housed the Vidhan Sabha. The emblem of Uttar Pradesh -
consisting of the bow and arrow of Arjuna, the hero of the Mahabharata, the rivers Ganga, Yamuna and Saraswati, and the
traditional pair offish-was carved on a white stone slab.
Thus British Architecture in Lucknow is quite significant and has left a rather indelible mark on the artistic landscape of the
city.