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Let The Right One in
Let The Right One in
Swedish along with the film and actors, so when we watched the film we had to read the English
subtitles. This meant we couldn't fully understand the tone of voice the dialogue was being said in, but it
was clear enough to analyse the roles of the characters.
The camerawork by the cinematographer in the film includes frequent close-ups and a few long-shots
that are at very significant scenes. For example, the close-ups make the film more tense when a main
event is about to happen or just after it's happened; the best long-shot scene is when Eli makes her first
attack on one of the neighbours at night, the cinematographer chose to do this as it makes the
audience want to see more but they are unable to do so.
Referring back to Tzvetan Todorov's theory of the equilibrium, the particular layout in this film is as
follows;
Equilibrium: Oskar, lives happily with his mother in a small town in Sweden, visits his father from time to
time.
Disruption: Murders start taking place in nearby towns and cities, Eli moves in next door to Oskar's
apartment
Restoration: Eli saves Oskars life at the end of the film.
Jess Pardoe