Sublime Mujer

Violín I
$
   
         
  

10

               

18
A
        
            

24
       
             

30            
             

36
       Ø1.
      
   

44 D.S. al Ø Ø
               

 
            
49

       
 Sublime Mujer
Violín II
$
   
         
  

10

               

18
A
        
            

24
       
             

30            
             

36
       Ø1.
       
   

44 D.S. al Ø Ø
               

49
          
              

 Sublime Mujer
Violín III
$
   
          
  

10

 
   

    
 


18
A   
      
  
   
    

26

              

34               Ø1.
      
 

41 D.S. al Ø Ø
                
 

       
48

    
   
  
   
     
 
 Sublime Mujer
Trompeta I
$
 
                     


6

                         

                         
11

16
  
A
 
             


25
 
                    

Ø1.
       
33

                


40
             
2.
         

D.S. al Ø Ø

46
            
      

  
49

       
 Sublime Mujer
Trompeta II
$

                         



6

                         


11

                        


16
   
A
 
     
      
25
 
                    
 
Ø1.
 
33

                 


40

                    
 

D.S. al Ø Ø

46

              
    

  
49

     
 
 Sublime Mujer
Vihuela/
$
       
Guitarra
     

    
         

8
     
   
                      
   

A
15
   

         
   

       
     

     

22

                         

     
              
29

       
   

36
 
Ø1.    
                        
       

43
 
D.S. al Ø Ø
  


     




    




  
48

       


  




   
  
 Sublime Mujer
Guitarrón
$
       
      

10
          
    
   

18
A
        
        

27
 
              

36 Ø1.
 
            

D.S. al Ø Ø

45
       
  

49
         
  