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Theories of Modern and Postmodern Tourism: Resear H Note A D Reports 1
Theories of Modern and Postmodern Tourism: Resear H Note A D Reports 1
Theories of Modern and Postmodern Tourism: Resear H Note A D Reports 1
Natan Uriely
Ben-Gurion University of the Negev, Israel
This research note pays attention to the shift from the 70s theories of
"modern" tourism towards the contemporary discourse of "postmodern"
tourism. The findings suggest that, beyond the different notions regarding
the nature of tourism, this shift involves a change in the style and form of
theorizing within the sociology of tourism.
The terms postmodern and post modernism refer, among other phenom•
ena, to a new form of theorizing the contemporary historical moment
(Denzin 1991:3). In this context, postmodern social theory reacts against
grand theories and their tendency to conceptualize societies as totalities.
Postmodern social theory is also characterized by its compromising nature
which supports "both-and" rather than "either-or" statements (Denzin
1991:27, 151). This aspect of postmodern theory reflects the notion of the
postmodernist logic as non-dualistic and anti-hierarchial (Lather 1991).
Similarly, postmodernist systems of knowledge are less authoritative, less
conclusive, and more pluralized than modernist systems of knowledge
(Bauman 1987).
The study of tourism emerged as a distinguished sociological subject•
field mainly during the 70s. In spite of the different conceptualizations of
tourism, most of the students in the field were unified in their perceptions
of tourism as a modern phenomenon. Nevertheless, the field was domi•
nated by two competing viewpoints regarding the nature and meaning of
the modern tourist experience. One side of the debate took the form of
social criticism, in which tourism was viewed as a symptom of modern
decadence. This conceptual approach was represented by scholars who
pe rce ived the modern tourist experience as a trivial and superficial activity
which involves a quest for contrived experiences (Barthes 1972; Boorstin
1964; Turner and Ash 1975). The opposing approach was primarily rep•
resented by MacCannell ( 1973) who conceptualized the tourist experience
as a meaningful modern ritual which involves a quest for the authentic.
The polemic between these two perspectives was manifested in Mac•
Cannell's direct attack against the former approach. In this context,
MacCannell referred to Boorstin's outlook as a snobbish attitude rather
than an academic analysis which is based on empirical research ( 1973:600).
His attempt to de-legitimize the competing viewpoint reflects the non•
compromising and authoritative attitude which was associated above with
modernist systems of knowledge. Furthermore, Boorstin's and Mac•
Canncll's theories shared the tcndencv of modernist forms of analvsis to
view societies as totalities. In this r~spect, both standpoints ha{e not
982 RESEARCH J\'OTES
RESEARCH NOTES AND
AND REPORTS
REPORTS 22
captured the existing variety in the practice of tourism and offered a total
portrayal of the "tourist" as a general type. It should be mentioned,
however, that the homogenizing depictions of the tourist experience were
challenged in the late 70s by Cohen who proposed that "different kinds of
people may desire different modes of tourist experiences" (1979: 180).
Since the late 70s and the early 80s, a growing number of scholars have
addressed various tourism-related activities as expressions of post•
modernist rather than modernist culture. Contemporary trends in tourism,
such as the rise of small and specialized travel agencies, the growing
attraction of nostalgia and "heritage tourism", the flourishing of nature•
oriented tourism, and the increase of simulated tourism-related environ•
ments, are labeled as aspects of "postmodern tourism". The sociological
discourse of postmodern tourism consists of two theoretical frameworks•
the "simulational" and the "other" postmodern tourism (Munt 1994 ).
The simulational line of scholarship is focused around the analysis of
"hyperreal" experiences and refers to simulated theme parks and other
contrived attractions as typical postmodern environments (Baudrillard
1983; Eco 1986; Featherstone 1991; Gottdiner 1995; Lash and Urry 1994;
Pretes 1995). Conceptualizations of the "other" postmodern tourism stress
the search for the "real" and point to the growing appeal of the "natural"
and the countryside as postmodern expressions (Barrett 1989; Munt 1994;
Poon 1989; Urry 1990). It seems as though the distinction between the
"simulational" and the "other" dimensions of postmodern tourism follows
the polarity noted among the earlier theories of modern tourism.
While the "simulational" postmodern tourism follows Boorstin's notion
of "pseudo-events" (1964), the "other" postmodern tourism follows Mac•
Cannell's argument regarding the quest for authenticity. Unlike the earl•
ier notions of modern tourism, however, the "simulational" and the
"other" dimensions of postmodern tourism do not derive from two oppos•
ing camps of scholars who challenge each other. On the contrary, some of
the important scholars of postmodern tourism include both the "sirnu•
lational" and the "other" dimensions in their complete portrayal of post•
modern tourism (e.g., Urry 1990). Furthermore, unlike the former
theories, the two dimensions of postmodern tourism construct comp•
lementary rather than contradictory sets of propositions regarding the
nature of tourism. For example, Munt 's recent article on the "other"
postmodern tourism begins with the statement ... "I do not set out to
challenge these 'post-tourism', but to consider, figuratively, the 'other'
possibilities of postmodern tourism" ( 1994: IO 1). Munt's statement reflects
the compromising nature of postmodern theories which involve "both•
and" rather than "either-or" attitudes.
In addition, conceptualizations of postmodern tourism depart from the
tendency of the earlier theories of modern tourism to homogenize the
tourist experience as a general type. On the contrary, postmodern tourism
is characterized by the multiplicity of tourist motivations, experiences,
and environments. In this respect, the notion of a diverse and plural realm
of postmodern tourism goes one step beyond Cohen's (1979) proposition
regarding the variety of tourist experiences. While Cohen proclaimed
that different people perform different tourist activities, Feifer (1985)
characterized the "post-tourist" by his/her enjoyment of moving across
the different types of tourist experiences. Such conceptualizations which
emphasize the multiplicity and flexibility of postmodern tourist experi•
ences react against the tendency of modernist theories to view societies as
totalities.
In sum, this analysis suggests that unlike the polemic, authoritative, and
homogenizing discourse of modern tourism, the discourse of postmodern
984 RESEARCH
RESEARCH NOTES
NOTES AND
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REFERENCES
Barrett, F.
1989 The Independent Guide to Real Holidays Abroad. London: The Inde•
pendent.
Barthes, R.
1972 Mythologies. London: Cape.
Baudrillard, J.
1983 Simulations. New York: Semiotext(e).
Bauman, Z.
1987 Legislators and Interpreters. Cambridge: Polity.
Boorstin, D.
1964 The Image: A Guide to Pseudo-Events in America. New York: Harper.
Cohen, E.
1979 A Phenomenology of Tourist Types. Sociology 13: 179-201.
Denzin, N.
1991 Images of Postmodern Society: Social Theory and Contemporary Cinema.
London: Sage.
Eco, U.
1986 Travels in Hyper-Reality. London: Picador.
Featherstone, M.
1991 Consumer Culture and Postmodernism. London: Sage.
Feifer, M.
1985 Going Places. London: Macmillan.
Gottdiner, M.
1995 Postmodern Semeiotics: Material Culture and the Forms of Postmodern
Life. Cambridge: Blackwell.
Lash, S., andj. Urry
1994 Economies of Signs and Space. London: Sage.
Lather, P.
1991 Getting Smart: Feminist Research and Pedagogy with/in the Postmodern.
New York: Routledge.
MacCannell, D.
1973 Staged Authenticity: Arrangements of Social Space in Tourist Settings.
American Sociological Review 79:589-603.
Munt, I.
1994 The "Other" Postmodern Tourism: Culture, Travel and the new Middle
Class. Theory, Culture and Society 11: IO 1-123.
Poon, A.
1989 Competitive Strategies for a New Tourism. In Progress in Tourism, Rec•
reation and Hospitality Management (Vol. I), C. Cooper, ed. London:
Belhaven.
Pretes, M.
1995 Postmodern Tourism: The Santa Claus Industry. Annals of Tourism
Research 22:1-15.
Turner, L., andj. Ash
1975 The Golden Hordes. London: Constable.
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RESEARCH NOTES
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REPORTS 44
Urry,J.
1990 The Tourist Gaze: Leisure and Travel in Contemporary Societies. London:
Sage.
Submitted 25 November 1996
Resubmitted 18 December 1996
Accepted 31 January 1997 PII: SO 160- 7383 (97) 00029- 7
Penny M. Simpson
Mary Lynn Wilkerson
Northwestern State University of Louisiana, USA