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Secondarycurriculum1b Assessment2 Unitofwork
Secondarycurriculum1b Assessment2 Unitofwork
Secondarycurriculum1b Assessment2 Unitofwork
Stage: 5
Year: 9 Suggested duration: 4 weeks
Rationale:
This sub-unit has been designed for a Stage 5 Year 9 class. The film Black Panther (2018) will be studied as the main text by students
alongside various related literature exploring historical context, diversity and social justice and legacy. The sub-unit is catered for a class of
24 mixed-capability students, though can cater to more with consideration of time and student behavioural management which may require
adjustments to activities and sequencing. The sub-unit aims to achieve aspects of Stage 5 Outcomes 1-8 and their content points provided in
the NSW Education Standards Authority (Board of Studies, 2012) English Syllabus K-10.
A constructivist and instructivist pedagogical approach have been utilised to design this sub-unit. Instructivism has been used to select the
content and sequencing of learning only to the extent it doesn’t disrupt constructivism that allows student-directed and discovery-based
approach to learning (Vij, 2015). Instruction and questions are used as guidance for students to develop their knowledge and skills and to
scaffold activities for students who require additional assistance. Learner-centred activities have been included to assist students to enquire,
explore, debate, apply and reflect on what they know and can do using the texts provided (Vij, 2015). Constructivism has further been
utilised to create a collaborative environment for students to work in pairs, groups and class to communicate and exchange ideas, to build
selected due to its relevant portrayal of historical context and its relation to contemporary issues of diversity and social injustice.
Additionally, the film is part of a larger cinematic universe established by Marvel which has great relevance in current pop culture that
students are most likely aware of and can relate to. This influenced the sequencing of the sub-unit, initially building the students’ knowledge
and understanding of historical context to assist in their analysis of the film; interpreting how the film uses context to address contemporary
The sequence and activities facilitate student learning by providing the opportunity for students to interpret text for meaning, getting inside
the text and exploring it from different angles to extend their understanding, and use further research and related materials to demonstrate
their knowledge through imaginative re-creation (Adams, 2009). Examples include a podcast to demonstrate student knowledge and
interpretation of historical context and analysis of film, debates to present sustained arguments and ideas created by character focus,
newsroom roleplay to address diversity and social justice issues relevant today, composition of song lyrics in response to the legacy and
expectations the film places on its audience. These activities are also utilised to conduct formative assessment to assess student’s abilities to
engage personally with texts, develop and apply contextual knowledge, understanding and apply knowledge of language forms and features,
Resources:
Lesson 1:
Black Panther trailer - https://www.youtube.com/watch?v=dxWvtMOGAhw
12 Years a Slave trailer - https://www.youtube.com/watch?v=z02Ie8wKKRg
Plantation Pains – C. Albert Andrews - https://www.poemhunter.com/poem/plantation-pains/
Lesson 2:
“I have a dream” speech - https://www.youtube.com/watch?v=vP4iY1TtS3s
American History – Michael S. Harper - https://www.poetryfoundation.org/poems/42831/american-history-56d2217856b08
Jim Crow Laws - https://drive.google.com/open?id=1H_-Klth6SEnYsX63XsCI7_g8M_nBe-Ly
Lesson 3:
Malcolm X’s fiery speech addressing police brutality - https://www.youtube.com/watch?v=6_uYWDyYNUg
Malcolm X, do you hate all white people? (1963) - https://www.youtube.com/watch?v=wcRSOHmYq-k
Lesson 4:
The Scramble for Africa, a Poem in the perspective of an African citizen against European Rule -
https://historicalglobalizationissue2project.wordpress.com/2014/11/24/the-scramble-for-africa-a-poem-in-the-perspective-of-an-
african-citizan-against-european-rule/
Lesson 5-7:
Black Panther (2018) – film
Black Panther Booklet - https://drive.google.com/open?id=1PkQXGHB3uB8evKxxmJt9GEjEDgMYwgXl
Lesson 8:
Black Panther (2018) – film
iPads/Laptops
Visual/audible recording device
Google classroom
Lesson 9:
Black Representation – Stereotypes in media - https://drive.google.com/open?id=1pt3GDExcZ-49X-Jxz_k0oN2b1Hr8WV54
iPads/Laptops
In their perspective worksheet: - https://drive.google.com/open?id=1I5H7npK7LNWYZg5Mf0RB0twfW6bnRiyD
Lesson 10:
T’Challa vs. Killmonger Mind Map – Print in A3 size - https://drive.google.com/open?id=1rstomQ8g7z0ant9x2P9bGqkrmJAAaZW_
Lesson 11:
Alternate ending worksheet - https://drive.google.com/open?id=1JBBJ5K79m9i8wUjS8nsBI_GjsIPNViuR
Lesson 12:
iPads/Laptops
Visual/audible recording device
Okoye - https://vignette.wikia.nocookie.net/marveldatabase/images/5/58/Okoye_%28Earth-
199999%29_from_Black_Panther_film_001.jpg/revision/latest/scale-to-width-down/300?cb=20180220194108
Shuri - https://cdn1.thr.com/sites/default/files/imagecache/scale_crop_768_433/2018/02/blackpanther596d2f0340b95-h_2018.jpg
Nakia - http://blackpanthercostu.me/wp-content/uploads/2018/06/Black-Panther-Nakia-Dora-Milaje-Battle.jpg
Dora Milaje -
https://images.ctfassets.net/22n7d68fswlw/4WoeqoDcJ2UgaUGa4Y6c6S/fbae84c40abee466d21be96effea0a2b/DoraMilaje.jpg?
w=1200&h=600
Lesson 13:
Marvel Remembers the Legacy of Stan Lee - https://www.youtube.com/watch?v=ea4Tq7HB7kU
Lesson 14:
Comic strip creation worksheet/template - https://drive.google.com/open?id=1Cde0npv7P2UDfxFLlDX4cbJ2weflDveP
Lesson 15
Pray for me – The Weeknd ft. Kendrick Lamar - https://www.youtube.com/watch?v=XR7Ev14vUh8
Lesson 16:
This is America – Childish Gambino - https://www.youtube.com/watch?v=VYOjWnS4cMY
iPads/Laptops + Google classroom
Referencing:
Adams, P. (2009). Imaginative re-creation of literature. In S. Gannon., M. Howie & W. Sawyer (Eds.), Charged with Meaning Re-viewing
Becksmcfluffly. (2014). The Scramble for Africa, a poem in the perspective of an African citizen against European rule. Retrieved from
https://historicalglobalizationissue2project.wordpress.com/2014/11/24/the-scramble-for-africa-a-poem-in-the-perspective-of-an-
african-citizan-against-european-rule/
Board of Studies New South Wales. (2012). English K-10 Syllabus. Retrieved from
https://educationstandards.nsw.edu.au/wps/wcm/connect/1c3d7c13-87c1-402a-a43e-897a4b7dd74c/english-k10-syllabus.pdf?
MOD=AJPERES&CVID=
Channel, Smithsonian. (2018, February 16). Malcolm X’s Fiery Speech Addressing Police Brutality [Video File]. Retrieved from
https://www.youtube.com/watch?v=6_uYWDyYNUg
Facts, Rare. (2017, November 7). I Have a Dream speech by Martin Luther King Jr. (subtitled) (Remastered) [Video File]. Retrieved from
https://www.youtube.com/watch?v=vP4iY1TtS3s
Feige, K. (Producer), & Coogler, R. (Director). (2018). Black Panther [Motion Picture]. California, United States: Marvel Studios.
FoxSearchlight. (2013, July 19). 12 Years a Slave – Official Trailer (HD) [Video File]. Retrieved from https://www.youtube.com/watch?
v=z02Ie8wKKRg
Glover, Donald. (2018, May 5). Childish Gambino – This Is America (Official Video) [Video File]. Retrieved from
https://www.youtube.com/watch?v=VYOjWnS4cMY
MalcolmXGreatAgain. (2017, July 23). “Malcolm X, Do you hate all white people?” (1963) [Video File]. Retrieved from
https://www.youtube.com/watch?v=wcRSOHmYq-k
Marvel Entertainment. (2017, June 9). Black Panther Teaser Trailer [HD] [Video File]. Retrieved from https://www.youtube.com/watch?
v=dxWvtMOGAhw
Marvel Entertainment. (2018, November 13). Marvel Remembers the Legacy of Stan Lee [Video File]. Retrieved from
https://www.youtube.com/watch?v=ea4Tq7HB7kU
PoemHunter. (2019). Plantation Pains – Poem by C. Albert Andrews. Retrieved from https://www.poemhunter.com/poem/plantation-pains/
https://www.poetryfoundation.org/poems/42831/american-history-56d2217856b08
The Weeknd. (2018, March 1). The Weeknd, Kendrick Lamar – Pray for Me (Lyric Video) [Video File]. Retrieved from
https://www.youtube.com/watch?v=XR7Ev14vUh8
Vij, S. (2015). The Construction of Knowledge. Teaching and Learning, 9(3), 8-11. Retrieved from https://www.acer.org/files/teacher-india-
sample1.pdf
Syllabus content
Students:
Engage personally with texts
Compare and evaluate how ‘voice’ as a literary device can be used in a range of different types of texts such as poetry to evoke
particular emotional responses
consider how aspects of texts, including characterisation, setting, situations, issues, ideas, tone and point of view, can evoke a range of
responses, including empathy, sympathy, antipathy and indifference
analyse and explain the ways in which particular texts relate to their cultural experiences and the culture of others
reflect on, extend, endorse or refute others' interpretations of and responses to literature (ACELT1634, ACELT1640)
analyse and explain how text structures, language features and visual features of texts and the context in which texts are experienced
may influence audience response (ACELT1641)
Develop and apply contextual knowledge
interpret, analyse and evaluate how different perspectives of issue, event, situation, individuals or groups are constructed to serve
specific purposes in texts (ACELY1742)
analyse ideas, information, perspectives, contexts and ideologies and the ways they are presented in increasingly demanding, sustained
imaginative, informative and persuasive texts
compare ways in which spoken, written, visual, multimodal and digital texts are shaped according to personal, historical, cultural,
social, technological and workplace contexts
identify, explain and challenge cultural values, purposes and assumptions in texts, including representations of gender, ethnicity,
religion, youth, age, disability, sexuality and social class
Understand and apply knowledge of language forms and features
use comprehension strategies to compare and contrast information within and between texts, identifying and analysing embedded
perspectives, and evaluating supporting evidence (ACELY1744, ACELY1754)
examine how language is used to express contemporary cultural issues
Respond to and compose texts
analyse and evaluate how people, cultures, places, events, objects and concepts are represented in texts, including media texts, through
language, structural and/or visual choices
locate, select, synthesise and creatively use information, ideas and arguments from texts to compose new texts
understand and analyse differences between opinions and reasoned arguments, differences in shades of opinion and inconsistencies
creatively adapt texts into different forms, structures, modes and media for different purposes, audiences and contexts and explain the
differences emerging as a result of such adaptations
create imaginative texts that make relevant thematic and intertextual connections with other texts (ACELT1644, ACELT1773)
create sustained texts, including texts that combine specific digital or media content, for imaginative, informative, or persuasive
purposes that reflect upon challenging and complex issues (ACELY1746, ACELY1756)
identify and explore the purposes and effects of different text structures and language features of spoken texts, and use this knowledge
to create purposeful texts that inform, persuade and engage (ACELY1740, ACELY1750)
Overview of teaching and learning activities
Students must refer to the film and historical context, providing evidence to
support their information.
Question:
How has the film presented the challenges faced by African & African
American individuals as still present in modern day?
In their perspective:
Students are to imagine themselves viewing a film that has accurately
represented their culture and its traditions for the first time.
Write a short letter to a fictional director/producer/writer/actor about how the
film or their role has impacted you personally. Include the value you found in
their text/performance.
EN5-5C Lesson 10: Character focus – T’Challa & Killmonger; Martin Luther King Jr. & T’Challa vs. Killmonger
A student: Malcolm X Mind Map – Print in A3
thinks imaginatively, Students focus on the characters of King T’Challa (Black Panther) and Erik Stephens size
creatively, interpretively (Killmonger) in this lesson, exploring the traits the characters possess and their https://drive.google.com/
and critically about approaches to issues presented through historical context. open?
information and Students will be guided to distinguish similarities T’Challa shares with Martin id=1rstomQ8g7z0ant9x2
increasingly complex Luther King Jr. and Killmonger shares with Malcolm X P9bGqkrmJAAaZW_
ideas and arguments to Venn diagram
Week 3 – Diversity and social justice
Syllabus content Teaching and learning activities Resources
respond to and compose Students will produce a Venn diagram that compares and contrasts these two
texts in a range of characters approaches and goals.
contexts Additional focus is placed on the characteristics of leadership shown by the two
characters.
Students: Choosing a side:
Engage personally with Students will decide which approach (T’challa or Killmonger) would be more
texts impactful and correct.
In these separate groups, students will create a large mind map to note their
reflect on, extend, argument, supported by evidence, for the upcoming debate activity.
endorse or refute others' Debate
interpretations of and Using their collective responses, students will debate their argument on which
responses to literature approach was correct and more effective for the goals these characters had in
(ACELT1634, the film. Students will also need to refer to historical context.
ACELT1640) Additional activity: Four corner
To develop a clearer understanding of where each student stand, the debate will
Respond to and transition to a four-corner activity, with each corner of the room representing a
compose texts more specific opinion:
understand and analyse o Strongly agree
differences between o Agree
opinions and reasoned o Disagree
arguments, differences in o Strongly disagree
shades of opinion and
Each student will create one statement to for their peers to answer by moving to
inconsistencies their chosen corner. A member from each corner selected will need to briefly
justify their choice in response to the statement provided.
EN5-8D Lesson 12: Character focus – Gender roles: Women in Black Panther iPads/Laptops
A student: In this lesson, students will investigate how woman have been previously portrayed in
questions, challenges and media, specifically focusing on film. Stereotypes are explored through film characters Visual/audible recording
evaluates cultural that represent the following examples in film: device
assumptions in texts and Damsel in distress – in need of a rescue, reliant on men for assistance
their effects on meaning Beauty standards – long hair, thin physique Okoye
Love interest https://vignette.wikia.noc
Students: Sidekick ookie.net/marveldatabase
Develop and apply Students are then presented with more recent examples of films and female character /images/5/58/Okoye_
contextual knowledge depicting a change in their roles. Examples include: %28Earth-
identify, explain and Marvel Cinematic Universe: Female superheroes 199999%29_from_Black
challenge cultural values, Film reboots: Oceans 8, Ghostbusters _Panther_film_001.jpg/re
purposes and assumptions vision/latest/scale-to-
History – Hidden figures
in texts, including width-down/300?
Jigsaw activity – Black Panther: representation of women
representations of gender, cb=20180220194108
Week 3 – Diversity and social justice
Syllabus content Teaching and learning activities Resources
ethnicity, religion, youth, Students are split into groups of four and each assigned the following three
age, disability, sexuality female characters and female group present in Black Panther (2018). Shuri
and social class o Okoye (General of the Wakandan army) https://cdn1.thr.com/sites/
o Shuri (Educated, lead scientist/warrior) default/files/imagecache/
o Nakia (Lead Humanitarian/warrior) scale_crop_768_433/201
o Dora Milaje (Female warriors; commanded by Okeye) 8/02/blackpanther596d2f
Students analyse the roles of women throughout the film, assessing how their 0340b95-h_2018.jpg
actions, roles and characteristics present women in film differently to the
established stereotypes. Nakia
http://blackpanthercostu.
Together as a group, students will establish a spin-off film featuring these
me/wp-
female characters as playing the lead roles and will create plot synopsis and
content/uploads/2018/06/
summary of the film.
Black-Panther-Nakia-
Dora-Milaje-Battle.jpg
Dora Milaje
https://images.ctfassets.n
et/22n7d68fswlw/4Woeq
oDcJ2UgaUGa4Y6c6S/f
bae84c40abee466d21be9
6effea0a2b/DoraMilaje.jp
g?w=1200&h=600
Week 4 - Legacy
Syllabus content Teaching and learning activities Resources
EN5-6C Lesson 13: The legacy of Stan Lee Marvel Remembers the
A student: In this lesson, students will focus on the legacy of Stan Lee, the creator of Black Legacy of Stan Lee
investigates the Panther and numerous other fictional superhero characters in Marvel. https://www.youtube.com
relationships between Students view a short text on the legacy Stan Lee left behind. /watch?v=ea4Tq7HB7kU
and among texts https://www.youtube.com/watch?v=ea4Tq7HB7kU
Focus on how the video addresses Stan Lee’s work in addressing the concepts of iPads/Laptops
Students: diversity, equality and conversations on social politics.
Respond to and Visual/audible recording
Week 4 - Legacy
Syllabus content Teaching and learning activities Resources
compose texts “Any ideas that he championed, all kinds of different voices, all kinds of points device
create imaginative texts of view, and the concept of diversity and equality and conversations about you
that make relevant know social politics, all these things he had been doing for years and now it’s at Google classroom
thematic and intertextual the forefront of everything we talk about.”
connections with other Students will evaluate the impact of Stan Lee’s legacy by exploring how he used text
texts (ACELT1644, and fictional characters to address issues related to diversity and social justice.
ACELT1773) African American superheroes – Falcon, War Machine, Luke Cage
Female superheroes – Captain Marvel, Black Widow, Scarlett witch, The Wasp
Newsroom activity
Students volunteer or assigned different roles to create a news broadcast on
Stan Lee’s passing and the legacy he left behind. Roles may include
o Editor – Editing the work for the final product
o Floor manager – Checking in with each role, ensuring on task behaviour
and time management
o Writers – Writing the scripts for the presenters to read
o Presenters – Presenting the final script/product
o Researchers – Researching reports/information on his life and legacy
o Reporters – Conducting interviews on those impacted by Stan Lee
o Interviewees – those who have had their lives changed/impacted by Stan
Lee and his work
o Media – in charge of images/videos to go with the presentation
Newsroom activity will be recorded and uploaded to Google Classroom
EN5-1A Lesson 14: Creative lesson – Comic creation Comic strip creation
A student: In this lesson, students will construct a comic strip based on a fictional superhero of worksheet/template
responds to and their own creation. https://drive.google.com/
composes increasingly Superhero characters and stories are required to include/address: open?
sophisticated and Contemporary issues related to diversity and social justice id=1Cde0npv7P2UDfxF
sustained texts for Historical context LlDX4cbJ2weflDveP
understanding, Have a persuasive purpose to face the issue
interpretation, critical Have supportive characters
analysis, imaginative Set in a relevant location
Week 4 - Legacy
Syllabus content Teaching and learning activities Resources
expression and pleasure Dialogue
Comic strips are required to have a minimum of six sections for students to create their
Students: comic.
Respond to and Illustrations are encouraged
compose texts Students will be provided time towards the second half of the lesson to present their
create sustained texts, comic strip, story and why they’ve selected/created their material.
including texts that Comic strips are submitted for collection at the end of the lessons.
combine specific digital
or media content, for
imaginative, informative,
or persuasive purposes
that reflect upon
challenging and complex
issues (ACELY1746,
ACELY1756)
EN5-8D Lesson 15: The legacy of Black Panther Pray for me – The
A student: In this lesson, students will focus on the legacy Black Panther leaves to its audience Weeknd ft. Kendrick
questions, challenges and through authority and leadership. Lamar
evaluates cultural “Even if they have superpowers, they have to be believable. What they do has https://www.youtube.com
assumptions in texts and to be what any normal person would do in those situation” – Stan Lee /watch?
their effects on meaning Students explore how Black Panther has represented legacy through the authority and v=XR7Ev14vUh8
leadership figures presented in the movie?
How is T’Challa and Wakanda a representation of the legacy left by his
Students: ancestors and historical colonisation? Provide evidence.
Understand and apply How is Killmonger a representation of the legacy left by slavery and
knowledge of language discrimination of African American peoples? Provide evidence.
forms and features How has the film represented both historic and contemporary issues effecting
examine how language is the lives of African and African American peoples? What does this mean for the
used to express future?
contemporary cultural Song analysis – Pray for Me by The Weeknd ft. Kendrick Lamar (featured in the film
issues Black Panther).
https://www.youtube.com/watch?v=XR7Ev14vUh8
Week 4 - Legacy
Syllabus content Teaching and learning activities Resources
Features aspects of racial injustice and expectations to rise and fight against it
Students explore the language of the song, focusing on lyrics that create impact
upon the audience.
o Lyric choice – what message are the lyrics trying to present? Who is the
intended audience? What type of expectation does the song place upon
its audience? Why?
o What language devices are used in the text? Why?
What emotions do the students feel when listening/analysing the song? Why?
o Do the students feel a desire to act against racial injustice? Is this the
legacy Black Panther has left behind? Why/Why not?
EN5-1A Lesson 16: Creative lesson – a song in response Pray for me – The
A student: In this lesson, students will construct a song in response to the legacy left by Black Weeknd ft. Kendrick
responds to and Panther. Lamar
composes increasingly Students are to break into groups of three and work collaboratively to complete https://www.youtube.com
sophisticated and the assigned task. /watch?
sustained texts for Students may choose to create their own lyrics from scratch or to rewrite the v=XR7Ev14vUh8
understanding, lyrics of a song featured in the film/address themes presented in the film
interpretation, critical o E.g. This is America – Childish Gambino This is America –
analysis, imaginative o https://www.youtube.com/watch?v=VYOjWnS4cMY Childish Gambino
Each song requires a verse, chorus and bridge https://www.youtube.com
expression and pleasure
o One student per section of the song /watch?
v=VYOjWnS4cMY
Students: The song must relate to the film Black Panther and feature aspects of historical
Respond to and context, diversity and social justice, and legacy.
iPads/Laptops
compose texts Song lyrics will be uploaded to Google classroom together with a detailed explanation
identify and explore the of lyric choice.
Google classroom
purposes and effects of
different text structures
and language features of
spoken texts, and use this
knowledge to create
purposeful texts that
Week 4 - Legacy
Syllabus content Teaching and learning activities Resources
inform, persuade and
engage (ACELY1740,
ACELY1750)