Killing Eve

Killing Eve is a British spy thriller television series, produced in the

United Kingdom by Sid Gentle Films for BBC America. The series
Killing Eve
follows Eve Polastri (Sandra Oh), a British intelligence investigator
tasked with capturing psychopathic assassin Villanelle (Jodie Comer);
as the chase progresses, the two develop a mutual obsession. It was
developed by Phoebe Waller-Bridge and is based on the Villanelle novel
series by Luke Jennings. Each of the show's seasons has featured a
different female showrunner: Waller-Bridge was head writer of season
one, while Emerald Fennell took over for season two. Suzanne Genre Drama[1]
Heathcote will serve as showrunner for season three.
Spy thriller[2]
The first season of eight episodes was ordered on 15 November 2016 Black comedy[2]
and premiered on 8 April 2018. Shortly before its premiere, BBC Based on Villanelle novel
America renewed Killing Eve for a second season, which premiered on series
7 April 2019. The following day, BBC America renewed the series for a by Luke Jennings
third season. The show has been highly successful in both the United
Developed by Phoebe Waller-
States and the United Kingdom, receiving critical acclaim for both the
Bridge
first and second seasons. The first season had unbroken weekly ratings
growth, among adults especially. Starring Sandra Oh
Jodie Comer
Killing Eve has received critical acclaim and several accolades,
Fiona Shaw
including a Peabody Award and the British Academy Television Award
for Best Drama Series. Both Comer and Oh have won multiple Best Darren Boyd
Actress awards for their roles, with Fiona Shaw winning one for Best Owen McDonnell
Supporting Actress as Carolyn Martens. The show and its stars have Kirby Howell-
received many other nominations. Baptiste
Sean Delaney
David Haig
Contents Kim Bodnia
Synopsis Nina Sosanya
Cast and characters Edward Bluemel
Main characters
Recurring Composer(s) David Holmes
Production Keefus Ciancia
Casting
Country of origin United Kingdom
Filming
Music United States
Renewal Original English
Episodes and broadcast language(s)
International broadcast
No. of seasons 2
Use of fashion
Villanelle No. of episodes 16
Eve Polastri (list of episodes)
Reception Production
Critical response
 Season 1 Executive Sally Woodward
Season 2 producer(s) Gentle
"Best of" lists
Lee Morris
Ratings
Season 1 Phoebe Waller-
Season 2 Bridge
Accolades Emerald Fennell
References Gina Mingacci
External links Damon Thomas
Producer(s) Colin Wratten

Synopsis Elinor Day

Bored with her protection guard role within the British intelligence
Camera setup Single-camera
agencies, Eve Polastri is overly interested with assassins, particularly Running time 41–55 minutes
female assassins, their psychologies and methods of killing. After Production Sid Gentle Films
brashly investigating behind-the-scenes in relation to a witness she is company(s) Ltd
handling, she is fired from MI5 but recruited by a secret division within
Endeavor Content
MI6 chasing an international assassin, to her delight. Dubbing the
assassin Villanelle, Eve crosses paths with her and discovers that Distributor IMG
members within both their secret circles may be more connected than Release
she is comfortable with, but forms an attraction and obsession for
Original network BBC America
Villanelle that is more enthusiastically reciprocated; both women begin
to focus less on their initial missions in order to desperately seek more Original release 8 April 2018 –
about the other.[3] present
External links
Cast and characters Website (http://www.bbcamerica.com/s
hows/killing-eve)

Main characters
Sandra Oh as Eve Polastri, an agent with MI5 (the UK's domestic counter-intelligence and security agency) who
becomes obsessed with a notorious assassin and is recruited on an off-the-books basis to the foreign intelligence
agency MI6.[4][5]
Jodie Comer as Oksana Astankova / Villanelle, a psychopathic, skilled assassin who becomes obsessed with the
MI5 officer who is tracking her[5][6]
Fiona Shaw as Carolyn Martens, head of the Russia Section at MI6[5][7]
Darren Boyd as Frank Haleton, Eve's supervisor at MI5[5] (season 1)
Owen McDonnell as Niko Polastri, Eve's English-Polish husband, a teacher[8]
Kirby Howell-Baptiste as Elena Felton, Eve's assistant[5][9] (season 1)
Sean Delaney as Kenny Stowton, an ex-hacker who has been recruited by MI6. He is also Carolyn’s son.[5][7]
David Haig as Bill Pargrave, Eve's MI5 associate who comes with her to MI6[5][7] (season 1)
Kim Bodnia as Konstantin Vasiliev, Villanelle's handler[5][7][10][11]
Nina Sosanya as Jess, an experienced MI6 agent now working as a part of Eve's team (season 2)[12][13]
Edward Bluemel as Hugo, a wealthy Oxford graduate, who is working as a part of Eve's team at MI6 (season
2)[12][13]

Recurring
Susan Lynch as Anna, Villanelle's former languages teacher and love interest (season 1)[14]
Henry Lloyd-Hughes as Aaron Peel, the heir to a tech company following the assassination of his father, mogul
Alistair Peel (season 2)[13]
 Adrian Scarborough as Raymond, a member of the Twelve and one of Villanelle's former handlers (season 2)[13]
Shannon Tarbet as Amber Peel, Aaron's sister (season 2)[13]
Emma Pierson as Gemma, a teacher colleague of Niko's.

Production
Sally Woodward Gentle, of Sid Gentle Films, optioned Luke Jennings' Codename Villanelle in 2014, saying that "the
notion of a female assassin was not unique," but that Jennings' take was "fresh, intelligent and tonally much bolder
than others", adding that she was particularly interested because "It wasn’t exploitative. We really enjoyed the
character of Villanelle and the inventiveness of her kills, but we were particularly engaged with the mutual obsession
between the women".[15] Jennings' story began as a four-part novella published between 2014 and 2016. Following the
stage success of Fleabag, Phoebe Waller-Bridge was recruited to write the show, which was then commissioned by
BBC America in November 2016.[16]

Casting
Sandra Oh was the first to be cast in June 2017, as the title character Eve
Polastri,[17] and IMG boarded for distribution rights later that month.[18]
Oh reportedly had confusion over which character she could be playing
when first being sent a breakdown, thinking that she would not have the
option to audition for the young assassin and not even considering the
lead, nor seeing other characters, before her agents confirmed that she
would be reading for the role of Eve.[15]

For the role of Villanelle, the production considered over 100 actors[15]
before Jodie Comer was cast, about a month after Oh.[19] Sally Woodward
Gentle told Backstage that the production "didn’t want Villanelle to be like
Nikita or The Girl With the Dragon Tattoo—that male fantasy version of
what a woman who'd come for them might look like. We wanted her to be
able to disappear into a crowd".[15] Comer's first audition involved acting
out the kitchen scene from "I Have a Thing About Bathrooms" with Oh,
where the two clicked.[15] Sandra Oh plays Eve Polastri

Initially, Waller-Bridge had considered casting herself as either Eve or

Villanelle, but discarded this as she wanted the larger age gap between the two leads.[20] Kirby Howell-Baptiste was
cast as Elena in August 2017.[9] It has been suggested that a character portrayed by Waller-Bridge who will be a victim
of Villanelle's will appear in the third season.[20]

In August 2019, Deadline Hollywood announced that Harriet Walter and Danny Sapani had joined the cast for the
third season.[21]

Filming
Filming for the first season began in Tuscany on 17 July 2017, extending to further locations in Paris, Berlin,
Bucharest,[22] Cheshunt, Turville, London[23] and West London Film Studios. The Viennese Cafe opening scenes were
shot at Bar Garibaldi in Colle di Val d'Elsa, a small hilltop town north west of Siena, Tuscany. The building used as
Eve's base is in Warwick House Street, just off Trafalgar Square.[24] In the London pub scene, the external shot shows
The Albert pub in Victoria Street; the interiors were of the dark-panelled Old Nick in Sandford Street. In episode three,
Villanelle lures David Haig's character Bill Pargrave into tailing her out of Berlin Friedrichstraße station and along a
neighbouring Berlin tramway street before entering a busy nightclub, the location of which was Fabric, opposite
London's Smithfield Market. Bucharest's neoclassical Romanian Athenaeum concert hall was converted into a
decadent cafe for the penultimate Moscow scene. Filming also took place at Nell's Café, a popular roadside café off the
A2 near Gravesend in Kent, as well as at the nearby M2 motorway.[25]

Filming for season 2 began on 16 July 2018, and finished on 14 December.[26] In August 2019, filming for season three
took place in London.[27]

Music
The band Unloved, featuring Jade Vincent, Keefus Ciancia, and David Holmes, were commissioned to score the
series.[28]

Renewal
Shortly before its premiere, Killing Eve was renewed for a second season.[29][30] Luke Jennings' sequel, Killing Eve:
No Tomorrow, was published in March 2019, shortly before the second season premiere;[31] the book is said to
diverge from the television series, but also to "share common DNA" because of Jennings' continued collaboration with
the creators.[31] In July 2018, The Hollywood Reporter reported that Waller-Bridge delegated some responsibility for
the second season, hiring Emerald Fennell as head writer, and Lisa Brühlmann and Francesca Gregorini as
directors.[32]

Less than twelve hours after the premiere of the second season, BBC America renewed the series for a third. Suzanne
Heathcote will serve as showrunner,[33] so that each new season of Killing Eve brings on a new female showrunner.[34]

Episodes and broadcast

Originally aired
Series Episodes
First aired Last aired Network
1 8 8 April 2018 27 May 2018
BBC America
2 8 7 April 2019 26 May 2019

International broadcast
In the United Kingdom, the series was shown on BBC One in September 2018 and as stream-only on BBC Three.[35]
The first episode was broadcast on 15 September 2018,[36] and seen by 8.25 million viewers within the first twenty-
eight days.[37][38] The second season was released in its entirety on BBC iPlayer on 8 June 2019, with its first episode
being shown on BBC One the same day.[39][38]

Irish broadcaster RTÉ2 was the first broadcaster in Europe to premiere the show,[40] with the first episode broadcast
to 76,000 viewers on 27 August 2018.[41]

In New Zealand, season two episodes premiered two days before their US broadcast on TVNZ Ondemand.[42]
Episodes will air on TVNZ 2 the same day as the US broadcast. Season two began broadcasting on 7 April 2019, being
shown concurrently in the United States by both BBC America and AMC.[12]

Use of fashion
A pink tulle dress worn in the season 1 episode "I'll Deal with Him Later", designed by Molly Goddard, was heralded as
a "fashion moment"[43] that inspired the dresses worn on red carpets in the subsequent awards season, including an
overwhelming showing of pink at the 91st Academy Awards in 2019.[44][45][46][47]
The show has had two costume designers; Phoebe de Gaye for the first season and Charlotte Mitchell for the
second.[48]

Villanelle
The character Villanelle's relationship to fashion has been described by many people. Gilly Ferguson of Grazia says
that she has become a "style icon".[49] Luke Jennings, author of the book series on which the show is based, says that
"Clothes reflect her status and independence[...] She doesn't have to conform or please anyone's gaze"; Charlotte
Mitchell agrees that "She plays by her own rules".[48] Sonia Saraiya of Vanity Fair considers Villanelle's outfits "their
own subplot"; she notes that the character choosing to live in Paris is also a nod to the fashion-centrism displayed.[50]
Melania Hidalgo of The Cut writes that "Villanelle reverses the style of a typical femme fatale, wearing everyday basics
on her missions while saving the chicest items in her wardrobe for her days off";[51] in reference to a specific outfit,
Steff Yotka of Vogue says that Villanelle has "redefined the look of an international assassin story" by subverting
classic tactical gear and sleekness.[52] Mitchell also said of Villanelle that she "uses color to provoke reactions",
pointing to the pink Molly Goddard dress.[48]

Eve Polastri
Considered Villanelle's fashion foil by Entertainment Weekly, Eve Polastri has been described as considering fashion
"trivial" and not bothering to dress well. Jennings suggested that even if she cared, "she'd be hopeless at it"; Mitchell
and de Gaye crafted outfits that match Eve's practical attitude, with Mitchell saying that she "wears elastic waists
[because] she doesn't have time to do up a button fly".[48] Other choices include more clothes made of linen to more
easily appear dishevelled.[48] Eve is allowed some moments of being well-dressed, however, which are significant to
the plot, including trying on dresses that Villanelle has chosen for her in her own stolen suitcase.[50]

Reception

Critical response
Critical response
Season
Season 1 Rotten Tomatoes Metacritic
1 96% (95 reviews) 83 (22 reviews)
The first season of Killing Eve received critical acclaim. On
Rotten Tomatoes, the first season has an approval rating of 96% 2 93% (57 reviews) 87 (19 reviews)
based on 95 reviews, with an average rating of 8.28/10. The
website's critical consensus reads, "Seductive and surprising, Killing Eve's twist on the spy vs. spy concept rewards
viewers with an audaciously entertaining show that finally makes good use of Sandra Oh's talents."[53] On Metacritic,
it has a weighted average score of 83 out of 100 based on 22 critics, indicating "universal acclaim".[54]

Jenna Scherer, writing in Rolling Stone, described Killing Eve as "hilarious, bloody, unclassifiable" and idiosyncratic,
"a stylish story of obsession and psychopathy that's disarmingly warm and lived-in".[55] Scherer went on to write that
the show "undermines every rule of TV", with what it does best being its "dry wit, razor-wire tension, sex appeal and
the looming threat of violence".[55] Hanh Nguyen wrote on IndieWire that one of the show's most appealing aspects is
"how it subverts expectation", allowing it to "constantly surprise and delight".[56] Troy Patterson wrote in The New
Yorker that the story discloses "a life independent of genre conventions" and that the triumph of the show's style is its
"reconciliation of the outlandish and the intimate", adding that the "Jason Bourne-style escapism of the bare premise,
inflected by the assertively odd tone, yields fresh depictions of fear and grief".[57] In the context of Vulture's selection
of Sandra Oh as the best actress on television (June 2018), Matt Zoller Seitz wrote that there was "no precedent" for
the "wild extremes" of the show's "comedy and thriller elements".[58] While Mike Hale acknowledged in The New York
Times that "scenes and characterizations play out differently than we're used to" and the comic style is distinctive, he
also wrote – in contrast to most reviewers – of being "just as conscious of (the show's) congruences with standard
examples of the genre ... as ... of the differences", citing Berlin Station, La Femme Nikita, Covert Affairs and
Homeland.[59]

Scherer described the show as a feminine take on a traditionally masculine genre—"more interested in giving space to
character beats and the weird chaos that can leak into the best-laid plans".[55] Similarly, Melanie McFarland wrote for
Salon that Killing Eve has been dubbed a "feminist thriller", calling it a "perfect show for the #MeToo era", saying that
it "slakes one's desire to see piggish misogynists get what's coming to them" but also delves into complex trust issues
among women and shows "sisterhood's might and peril (as) powerful ... but ... also complicated and devoid of
guarantees".[60] Along the same lines, Willa Paskin wrote in Slate that Killing Eve is a story about "the literal dangers
of underestimating women: of not seeing the woman who can kill you, underestimating the woman who can stop
her".[61] Paskin added that "The disfigured, beating heart of Killing Eve is the way that Villanelle's gender and manner,
her very femininity, keep our acculturated brains from being appropriately terrified of her".[61]

Jia Tolentino acknowledged in The New Yorker how critics have noted that women characters are substituted for men
"in every meaningful part", that the men are "formulaic" but the women are "deeply strange".[62] However, Tolentino
asserted that Killing Eve "isn't shaped around the concept of women; it's shaped around these women, who are unlike
any others in their wild, unlikely interior weirdness and flux".[62] She added that a defining feature of the show is its
"constant reversals in tone and rhythm", with the show's thrill coming "from pattern rather than resolution".[62]

Ben Goldberg wrote in Into that the series "never outright explains its characters' sexualities, but unlike shows that
queerbait their audiences, Killing Eve does not need to name the relationship between Eve and Villanelle in order to
recognize it", adding that the show "does not shy away from its characters' sexual attraction but also complicates this
narrative at every turn".[63]

Hannah Giorgis wrote in The Atlantic that the show's greatest success is "how alluring it makes its villain: to both Eve
... and audiences", and that Villanelle's character subverts feminine stereotypes so as to "carve a jagged space into the
serial-killer canon".[64]

Season 2
The second season received critical acclaim. On Rotten Tomatoes, the second season has an approval rating of 93%
based on 57 reviews, with an average rating of 8.2/10. The website's critical consensus reads, "With the titillating cat-
and-mouse game still rooted at its core, Killing Eve returns for an enthralling second season of considerably higher
stakes, hilariously dark humor and a captivating dynamic between characters, solidifying its position as one of the best
spy thrillers out."[65] On Metacritic, it has a weighted average score of 87 out of 100 based on 19 critics, indicating
"universal acclaim".[66]

Chitra Ramaswamy wrote in The Guardian that the show "uproots the tired old sexist tropes of spy thrillers then
repots them as feminist in-jokes, patriarchal piss-takes, tasteless murders and blooms of sapphic chemistry".[67]
Describing how Villanelle "does what she always does—exploit society's misogyny by imitating a victim of it"—Emily
Nussbaum wrote in The New Yorker that the potent idea that undergirds the show is that "femininity is itself a sort of
sociopathy, whose performance, if you truly nail it, might be the source of ultimate power".[68]

Angelica Jade Bastién wrote in Vulture that the second season, with new showrunner Emerald Fennell, "trades in the
precise mordant wit of series creator Phoebe Waller-Bridge for something more garish and horrifying", further
describing the "wild consumption" of food and clothing "that builds into the closest thing the show has come to a
genuine sex scene between" the two women.[69] Bastién also perceived that "Killing Eve is deeply indebted to film
noir, a genre whose backbone is the ways people lose their soul in the face of desire—...but it's a noir operating at the
tenor of a fairy tale".[69]

"Best of" lists

Review aggregator Metacritic reported in early December 2018 that more individual television critics included Killing
Eve in their 2018 year-end Top Ten lists than any other show.[70]

In November 2018, Killing Eve was chosen as Time magazine's Best Show of 2018, the magazine's Judy Berman
writing that "the characters were multidimensional but incomplete, their mutual obsession fueled by the sense that
each woman had something crucial the other lacked".[71] It was number three on The New York Post's Decider.com
"Best TV Shows of 2018" list, being praised for "brilliant writing" and "nuanced performances".[72] It was also second
on the "25 Best TV Shows of 2018" list from Paste magazine, which labelled it as "the best new series of the year".[73]

In December 2018, The Guardian named Killing Eve the best TV show of 2018, describing it as a "high-wire act of
misdirection that subverted stale genre expectations" and saying that it "mix[es] genres – spy thriller, comedy, action
film, workplace drama and... farce – without it collapsing into a tonal mess".[74] The New York Times included Killing
Eve in its "Best TV Shows of 2018" list, stating that the series was "infused ... with the brio of a dark comedy, though
its hour length marked it as crime drama".[75] The New York Times also included Oh's and Comer's performances in
its list of "Best Performances of 2018", noting "these two women are inventive about how to be funny in a thriller" and
"make run-of-the mill embarrassment seem more lethal than any bullet".[76] NPR included the show on its list of
"Favorite TV Shows of 2018", saying that it may be "the strangest—and most compelling—story of how opposites
attract on TV this year".[77]

The Washington Post listed Killing Eve as the third best show of 2018, calling the "sleeper hit... splendidly paced".[78]
USA Today listed the show at fifth place on its "Best TV Shows of 2018" list, remarking that it "completely surprises
you, from its writing to its performances to its direction to the names on the poster".[79] New York magazine's pop
culture website Vulture included the series as number seven on Jen Chaney's "10 Best TV Shows of 2018" list,
remarking on its immediate and escalating "sense of propulsive daring" and its infusion of "feminine energy".[80] TV
Guide named Oh's and Comer's performances as the second best TV performance of 2018, and said that the show
"ended up on pretty much everyone's Best of 2018 lists".[81] Vanity Fair listed the show at second place on its "Best TV
Shows of 2018" list, saying that "watching Killing Eve is like spraying a disinfectant for the musty tropes of prestige
drama directly onto your brain" and inviting viewers to "come for the black comedy; stay for the fashion".[82]

Rolling Stone named the show as the fourth best TV show of 2018, describing it as "exciting and scary while making
room for the quippy dialogue and smart observations about how women interact".[83] IndieWire listed Killing Eve as
the fourth best new TV show of 2018, saying that "exploring identity and dark desires, the series never met an impulse
it didn't pursue to its extreme", and that "outrageous and often off-kilter dark humor only highlights the show's
transgressive charms".[84] Livingly Media listed the series as the third best TV show of 2018, saying it is "loaded with
quippy dialogue and razor-sharp observations about how women interact in increasingly destructive
environments".[85] Mashable rated the show number four on its "Best New TV Shows of 2018" list, praising the two
lead actors and commenting that the show was "exactly the weird, psychosexual romp (that) 2018 needed".[86]

In 2019, Killing Eve was ranked 30th on The Guardian's list of the 100 best TV shows of the 21st century.[87]

Ratings
The first season had unbroken weekly ratings growth among adults aged 25–54 and 18–49, which no other television
show had accomplished in more than a decade.[88] The final episode's 1.25 million viewers (Nielsen live+3) was 86
percent greater than for the premiere.[88] The second season was simulcast on both AMC and BBC America, with its
premiere drawing a combined total of 1.17 million viewers.

Season 1
 DVR Total
Rating Viewers
No. Title Air date viewers viewers
(18–49) (millions)
(millions) (millions)
8 April
1 "Nice Face" 0.10 0.423[89] 0.348 0.771[90]
2018
15 April
2 "I'll Deal With Him Later" 0.07 0.371[91] 0.397 0.769[92]
2018
22 April
3 "Don't I Know You?" 0.08 0.388[93] N/A N/A
2018
29 April
4 "Sorry Baby" 0.11 0.503[94] 0.475 0.978[95]
2018
"I Have a Thing About
5 6 May 2018 0.13 0.518[96] N/A N/A
Bathrooms"
13 May
6 "Take Me to the Hole!" 0.14 0.537[97] 0.536 1.073[98]
2018
20 May
7 "I Don't Want to Be Free" 0.11 0.485[99] N/A N/A
2018
27 May
8 "God, I'm Tired" 0.13 0.701[100] 0.633 1.335[101]
2018

Season 2

DVR Total
Rating Viewers
No. Title Air date viewers viewers
(18–49) (millions)
(millions) (millions)
"Do You Know How to Dispose of 7 April
1 0.10 0.403[102] 0.386 0.790[103]
a Body?" 2019
14 April
2 "Nice and Neat" 0.07 0.321[104] 0.445 0.766[105]
2019
21 April
3 "The Hungry Caterpillar" 0.04 0.361[106] N/A N/A
2019
28 April
4 "Desperate Times" 0.12 0.459[107] 0.441 0.900[108]
2019
5 May
5 "Smell Ya Later" 0.13 0.454[109] 0.459 0.914[110]
2019
12 May
6 "I Hope You Like Missionary!" 0.07 0.402[111] 0.493 0.896[112]
2019
19 May
7 "Wide Awake" 0.09 0.419[113] 0.477 0.897[114]
2019
26 May
8 "You're Mine" 0.08 0.367[115] 0.413 0.780[116]
2019

Accolades
Year Award Category Nominee(s) Result Ref.
Best Drama Series Killing Eve Nominated
Gold Derby [117]
Jodie Comer Nominated
Awards Best Drama Actress
Sandra Oh Nominated
Breakthrough Series – [118]
Gotham Awards Killing Eve Won
Long Form
People's Choice The Bingeworthy Show of [119]
Killing Eve Nominated
Awards 2018
Outstanding Lead Actress Sandra Oh (for "I Have a
Nominated
Primetime Emmy in a Drama Series Thing About Bathrooms")
2018 [120]
Awards Outstanding Writing for a Phoebe Waller-Bridge (for
Nominated
Drama Series "Nice Face")
Program of the Year Killing Eve Nominated
Outstanding Achievement
Killing Eve Nominated
in Drama
Television Critics
Association Outstanding New [121]
Killing Eve Won
Awards Program

Individual Achievement in Jodie Comer Nominated

Drama Sandra Oh Nominated
2019 American
Best Edited Drama Series [122]
Cinema Editors Gary Dollner Won
for Commercial Television
Awards
Best Drama Series Killing Eve Won
Jodie Comer Won
Best Leading Actress
British Academy Sandra Oh Nominated
Television [123][124]
Awards Best Supporting Actor Kim Bodnia Nominated
Best Supporting Actress Fiona Shaw Won
Must-See TV Moment Eve stabs Villanelle Nominated
Best Writing Phoebe Waller-Bridge Nominated
Costume Design Phoebe De Gaye Nominated
Director: Fiction Harry Bradbeer (episode 1) Nominated
Editing: Fiction Garry Dollner (episode 1) Nominated
British Academy David Holmes, Keefus
Original Music Won [125]
Television Craft Ciancia
Awards
Photography and Lighting:
Julian Court (episode 7) Nominated
Fiction
Production Design Kristian Milsted Nominated
Sound: Fiction Sound Team Won
Titles and Graphic Identity Matt Willey Nominated
Best Drama Series Killing Eve Nominated
Critics' Choice
Television Jodie Comer Nominated [126]
Best Actress in a Drama
Awards Series Sandra Oh Won
Gold Derby Best Drama Series Killing Eve Nominated [127]
Awards
Best Drama Actress Jodie Comer Won
Year Award Category Nominee(s) Result Ref.
Sandra Oh Nominated
Best Drama Supporting
Fiona Shaw Nominated
Actress
Damon Thomas and
Best Drama Episode of Emerald Fennell (for "Do
Nominated
the Year You Know How to Dispose
of a Body?")
Best Television Series –
Killing Eve Nominated
Golden Globe Drama
[128]
Awards Best Actress – Television
Sandra Oh Won
Series Drama
Drama Killing Eve Won
Gracie Awards [129]
Actress in a Leading Role
Sandra Oh Won
– Drama
Location
Outstanding Locations in [130][131]
Managers Guild Casper Mills Nominated
Contemporary Television
Awards

National Best New Drama Series Killing Eve Nominated

Television [132]
Outstanding Drama
Awards Jodie Comer Nominated
Performance

Peabody Award Entertainment Killing Eve Won [133][134]

Sally Woodward Gentle,

Lee Morris, Phoebe Waller-
Bridge, Emerald Fennell,
Outstanding Drama Gina Mingacci, Damon
Nominated
Series Thomas, Francesca
Gardiner, Sandra Oh,
Elinor Day, Morenike
Williams and Andy Noble
Jodie Comer (for "I Hope
Won
Primetime Emmy Outstanding Lead Actress You Like Missionary!")
Awards in a Drama Series Sandra Oh (for "You're
Nominated
Mine")
Outstanding Supporting Fiona Shaw (for "Nice and
Nominated
Actress in a Drama Series Neat")
[135][136]
Outstanding Directing for Lisa Brühlmann (for
Nominated
a Drama Series "Desperate Times")
Outstanding Writing for a Emerald Fennell (for "Nice
Nominated
Drama Series and Neat")
Outstanding Casting for a Suzanne Crowley and Gilly
Nominated
Drama Series Poole
Outstanding Production Laurence Dorman, Beckie
Primetime Design for a Narrative Harvey and Linda Wilson
Nominated
Creative Arts Contemporary Program (for "The Hungry
Emmy Awards (One Hour or More) Caterpillar")
Outstanding Single-
Dan Crinnion (for
Camera Picture Editing Nominated
"Desperate Times")
for a Drama Series
Best Actress in a Drama / [137]
Satellite Awards Sandra Oh Nominated
Genre Series
 Year Award Category Nominee(s) Result Ref.
Best Action-Thriller
Killing Eve Nominated
Television Series
Saturn Awards [138]
Best Actress in a
Sandra Oh Nominated
Television Series
Outstanding Performance
Screen Actors [139][140]
by a Female Actor in a Sandra Oh Won
Guild Awards
Drama Series
Outstanding Achievement
Television Critics Killing Eve Nominated
in Drama
Association [141]
Awards Individual Achievement in
Jodie Comer Nominated
Drama

References
1. Waterson, Jim (7 April 2019). "Killing Eve fans in UK may have to wait months to watch season two" (https://www.
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External links
Killing Eve (https://www.bbc.co.uk/programmes/p06jy6bc) at BBC Programmes
Killing Eve (http://www.bbcamerica.com/shows/killing-eve) at BBC America
Killing Eve (https://www.imdb.com/title/tt7016936/) on IMDb
Jennings, Luke (5 August 2018). "Killing Eve: how my psycho killer was brought to life" (https://web.archive.org/w
eb/20180805085355/https://www.theguardian.com/tv-and-radio/2018/aug/05/killing-eve-how-my-psycho-killer-was
-brought-to-life-luke-jennings). The Guardian. Archived from the original (https://www.theguardian.com/tv-and-radi
o/2018/aug/05/killing-eve-how-my-psycho-killer-was-brought-to-life-luke-jennings) on 5 August 2018. (Author's
story of the novellas and adapting to the television series)

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