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Research Report
Research Report
Meltem Kanatlarli
Student number 4018834 | meltem.kanatlarli@gmail.com
Delft University of Technology, Department of Architecture
ABSTRACT - Senses have been an important aspect in the experience of architecture. The active
incorporation of the senses have changed through time and different styles in architecture. The aim of this
thesis is to reconsider the role of senses in the perception, appreciation of the indoor environment and
determination of atmospheres. The leading question of this research will be: ‘How can we facilitate a multi-
sensory perception for an embodied experience of architecture?’. Therefore the human senses, the
reclassification of senses and the dominance of the visual experience are investigated, within time, thought
and particular interpretations of architecture. It discusses how senses are interpreted in Western culture, the
loss of reality and humanity of architecture, in relation to space and atmosphere. Among the sensory
perception, it also addresses climatic issues that influence the human sensation of architectural environments.
The division of tasks within the building process alienated the architect from the climate design and
technological progresses enabled this aspect to be determinant in the design of buildings and atmosphere. In
order to establish a standard for thermal comfortability, generally applicable for higher productivity, a global
comfort database of occupant surveys is set that resulted from diverse researches in sterile laboratories. The
invention of mechanical climate regulation for a comfortable and predictable indoor climate diminished a
human, multi-sensory experience. Whereas the historical precedents of vernacular building inhabited these
characteristics seen in the cultural and symbolic qualities that emerged from the environmental condition.
Finally, this research proposes a reinterpretation of the historical background of the area Parkstad, Limburg.
The notable historical developments that influenced the economical growth of the area stem from the Roman
era and the late mine industry, of which both traces are vanished off the map.
our contemporary society, where we live in such a influenced the economical growth of the area stem
rush that we almost forgot how we perceive from the Roman era and the late mine industry, of
occurrences and phenomena in our daily life. which both traces are vanished off the map.
The domination of the visual perception, The ‘Via Belgica’ was a mainly ancient military
additionally the division of tasks within the and trade route that connected the northern part of
building process alienated the architect from the the Roman Empire from Boulogne sur Mer to
realization of the projects and final appearance. I Koln. In the contemporary condition the
believe that the distantiation from the project, interpretation of the road is divided among different
deminishes the experience and unity. Considering countries: France, Belgium, the Netherlands and
the architect as an outsider of the context and their Germany and is hardly recognizable. The route
unawareness about local techniques and climate crosses Parkstad Limburg and dissects varying
solution that developed throughout the history. urban areas and landscapes (Limburg, 2005).
Thereby subcontracting of particular processes
breaks the unity in architecture. The addition of
multiple installations for a better or predictable
indoor climate diminishes a more human, multi-
sensory experience and whereas it could have
additional value for the experience if it was a
starting point.
incorporating the migration flow in mine colonies pleasurable climatic conditions the adaptive climate
and absorbing into the social mainstream. comes forward, which can be explained in terms of
Nonetheless the identity of the area became vernacular architecture and alliesthesia. With these
common with mining activities, and a strong social findings, an attempt will be made at a general
cohesion emerged in the working class. The closing theory of architectural experience that is
of the mines from 1965 on strongly affected the constructed with elements such as material, light,
socio-economic situation until nowadays, the vapour and air quality.
migration excess made place for shrinkage in
economic growth and demographic variety poetic imagination human perception
(Beckers et al., 2015; Gerritsen et al., 2009). The
release of the mining industry and demolishment of
industrial heritage vanished the recent character of
the area, and nowadays Parkstad is regretting the
absence of the shared identity (Beckers et al., generic design principles
2015). I think the representation and experience of
both historical layers should be reconsidered or (fig. 2. own ill.)
reinterpreted for the contemporary society. Since
both phenomena drastically changed the structure RESULTS
and composition of the area and made it a centre
point for trades and its further developments. DEFINING ARCHITECTURAL PERCEPTION
The way we think we experience a city, place or ‘atmosphere is an immediate form of physical
atmosphere has been restricted significantly, that perception, and is recognized through emotional
we can achieve a simultaneous experience, as if we sensibility’
have visited the place through our computers and
the data we can also derive from the internet (Wikipedia, 2015).
(Virilio, 1997). At this level the object is
completely isolated from its context and climatic The material imagination is thought to be
circumstances. We can barely observe the image, influential in the emotional sensibility mentioned
our perception becomes formulated by an afore. According to Bachelard (1994), these images
interpretation of an interpretation. The project deeper and more intense experiences than
technological developments furthered the tendency formal images, because the experience of material
of the weakness of our sensory perception, which is constituted by a multi-sensory perception that
becomes more and more incapable to comply incorporates at least the perception of vision, touch
certainty and a sense of reality (Kerr, 2013). Since and hearing perhaps. At this point I agree with
the senses enable interaction with the world and our Pallasmaa that acts of recollection, recognition and
surroundings the notion on senses within the comparison constituted by a multi-sensory
architectural design process have to remain experience are essential for an embodied memory
preliminary. Architecture is one tool to encourage and image of a place, space or atmosphere
and remind us of the participation of other senses (Pallasmaa, 2006). Either very personal and
for our perception of the world. The diverse, which makes the experience of an
phenomenologists architects, Steven Holl, Juhani atmosphere slightly particular for everyone.
Pallasmaa and Perez-Gomez (2006) tried to explain
the question on perception within architecture by The acts formulated by Zumthor (2012), Bachelard
defining phenomenal zones. The conditions of light (1994) and Pallasmaa (1996) for an embodied
and shadow, and the haptic realm were conceived memory and image require time to be processed
fundamentally, believing that: and performed within architecture. Therefore time
has to slow down primarily their perception and the
‘The perceptual spirit and metaphysical strength of movement of bodies. To achieve this ambition a
architecture are driven by the quality of light and deceleration of sensation and the notion on
shadow shaped solids and voids, opacities, temporality by means of material expression and
transparencies, and translucencies... What the eyes cyclic changes are considered essential. In order to
see and the senses feel in question of architecture achieve an experience that enables the
are formed according to conditions of light and improvement of our sensational experiences,
shadow.’ architecture needs to be experienced plastic, tactile
and intimate rather than clear and predictable,
(Holl et al., 2006, p. 63). which is advocated widely in the last decennia. The
reaction we receive from buildings such as
Various interpretations of the sun as a light or collection and amplification of the sound we
heating source adds a quality of temporality and produce, the adaption of temperature or smell to
use to architecture as it is changing through seasons our presence or the involvement of motion leads us
and during day, which makes architecture more towards an interaction with the building that
humane, honest and real. Still the reminds us of our presence and participation in a
phenomenological approach seems too restricted to building, used a metaphor for our being in the
visual qualities of light. Although the senses in world. The built environment mediates our
architecture are also conditioned by indoor understanding and perception of permanence and
environmental parameters such as, thermal, indoor change, our position, and participation in the
air and sound perceptions. Nevertheless Zumthor culture of ‘Building, Dwelling and
circumscription to enhance atmosphere by Thinking’ (Heidegger, 1986). A particular language
materiality and detail keeps room for the for the communication of this message does not
manipulation of these environmental parameters exist in architecture, each context, situation, case or
(Holl et al., 2006; Zumthor, 2012). I believe that it object has to be approached separately to provide
is important to mention the conception of its specific and original experience. The only
atmosphere, that is defined by our perception of motives are the conception of temporality that can
space in architecture. In architecture, be materialized and designed, the collaboration on
Passive architecture based multi-sensory development of indoor environments 6
behaviour. The information is transducted to the thermal sensation is able to reduce, discharge the
brain via nerves, unlike the endocrine system that actual sensation and increase the threshold during
uses blood vessels for conduction of information continuous exposure (Dahl, 2010). The pain sense,
that causes longer lasting effects. The endocrine nociceptors on contrary are not adaptable to
glands release the hormones directly into the blood stimuli. The sensation of temperature is either
at different locations of the body. The hormones peculiar, it consists of cold and warm receptors
bind with available receptors to regulate our separately. The cold sensation does respond to cold
function, send messages and act on them and warm idem, it neither shows a response to a
(Bluyssen, 2009; Wikipedia, n.d.-a). There are three mechanical system. The sensitivity of a cold
control mechanisms to discharge the body of receptor ranges from approximately 15 °C to 34 °C
hormones. The simple hormone regulation, where and warm from 38 °C to 43 °C (Bluyssen, 2009).
predetermined and set limits affect the hormone The sensation of the skin is controlled by the
secretion. The complex hormonal regulation where thermal balance mechanism, as the term balance is
the activity of a gland is controlled by the indicating this mechanism searches an equilibrium
hormones of another gland. Finally the complex between the heat transmission and the heat
neurohormonal regulation, where an interaction production. Either the body has a thermal storage
between brain and the endocrine system takes place capacity that is able to compensate temporary
through environmental factors. Light, sound, production and losses in the body temperature. The
temperature and odour in combination with brain thermal storage capacity enables the adaptation of
activities exert control over the endocrine system thermal sensation and increases the thresholds
and hormone secretions over the neuron system via (Bluyssen, 2009; Olgyay, 1963).
target glands. At least, the immune system does
consist of a number of protection mechanisms The eye is the sensation that is described foremost
against diseases. The layers of the protection in the perception of architectural environments,
mechanism starts with physical barriers, the natural since it is considered as the real perception for
or innate immune system and finally the acquired humankind. Here again we look at mechanism and
or adaptive immune system (Bluyssen, 2009). adaptation of thresholds. The eyeball consists of
two pieces, the smaller frontal segment, called
MEASURING THE RECEPTION AND cornea that is linked to a large segment sclera. The
PERCEPTION OF THE HUMAN BODY eye exists of three layers from inside out these are
the retina, the vascular tunic and the fibrous tunic.
The particular conditions in similar environments The light falls in the eye through the pupil on the
people are exposed to are visible in the cornea afterwards in the lens, a flexible body
manifestation of common complaints. The surrounded by bodies that absorb partially the light,
sensitivity towards the quality of the condition or a which is conveyed to the retina. The retina is light-
specific source is seen in the commonness of the sensitive layer, that receives the light and
symptoms. These can be detected in body fluids, transforms it into chemical energy that is
the pervasiveness in symptoms by exposure and transmitted via the optic nerve paths, and
through investigations of mental activities accordingly to the sensitive cortexes of the brain.
(Bluyssen, 2009; Frumkin, 2001). In the following Here the neural energy becomes perception
our sensual perception will be investigated by (Bluyssen, 2009; Frishman, 2005).
description of the sensation, the mechanism and the
thresholds.
therefore most determinant in the perception of respiratory tract enable the process of respiration
sound. that transports oxygen from the outside air to the
cells within the organs of the body and carbon
dioxide in the reverse direction. The components of
this process are the upper and lower airway system.
The upper embraces the nose and paranasal cavities
and partially the oral. The lower airway system
includes the trachea, the primary bronchi and the
ducts in the lungs.
fire, or no degree of heat will satisfy” (in Wilmert design. The precedents in vernacular architecture
1993 (Hawkes, 2008)), in other terms even though and the sensory perception of our surroundings
the building is warmed by mechanical systems the constitute altogether a significant source of
image of warming remains important for our inspiration for designing a variety of climates for
feeling and comfort. Still the technics were the stimulation of our sensations that support the
responsibly implemented for a qualitative perception of architecture (Dahl, 2010).
experience considering the poetic ends of their
environmental imagination. The selective Scarpa is presented successfully in the
environment, regularly applied in more humid and reinterpretation and acknowledgement of the
tropical areas, allows particularly the penetration of previous relationships constituted by preliminary
desirable environmental conditions from outside designs. Whereas Zumthor’s particular projects
and preserves a desirable climate inside. Nowadays shows his capability to predict the simultaneity of
this mode of management of indoor environment is shape and material, in coexistence with the
widely applied in adaptive climates, where the qualities of the local climate, certainly that it
building is capable to make use of desirable embraces and enforces the purpose and atmosphere
environment outside and adapt its architectural of its function and meaning.
appearance. Lastly the regenerative model which
bears the least natural characteristics, it makes use
of mechanical and high energy-consuming systems
that are dimensioned according to extreme values
of the coldest night and hottest day. It is widely
applied in the seventies in office buildings, the
poetics of the architectural compositions became
subservient to the technics and spatial demands of
this mode (Dahl, 2010; Hawkes, 2008; Reyner,
1984).
majority of the occupants. The comfort zone percentage of satisfied) (Kurvers & Leijten, 2013;
defined by Olgyay (1963) in terms of Standardization, 2005). The comfort is indicated by
the satisfaction of 80% of the occupants. Although
‘Physical and physiological reactions result from this research was mainly based on working
this struggle for biological equilibrium. Man conditions in specifically office buildings,
strives for the point at which minimum expenditure regardless of the time spend besides the work,
of energy is needed to adjust himself to his outside the office and timeframe or season. The
environment’ ideal condition for the highest performance of the
white collars is thought to be found, and applied to
(Olgyay, 1963, pp. 14-15). architecture and interiors from the seventies to
nowadays. The standards of the global comfort
database are adapted by the many national
organizations for standardization in building
regulations and the International Organization for
Standardization. While the continuous exposure of
the workers to the ideal condition is not fully
recharged, similar to the adaptation of our senses,
an adaptation of the performance takes place
instead of an acceleration. The adaptation to a
stable climate leads to zero thermoregulatory effort
of the body either insensitivity of the thermo-
receptors, which results in thermal boredom that
weaken the perception of changes day by day
(Candido & de Dear, 2012; Dahl, 2010; de Dear,
2010). Therefore only mechanically controlled
systems lead to dissatisfaction among the users if
they are unable to adjust the climate to their
(fig. 10. Bioclimatic chart (Olgyay, 1963, p. 23)) individual needs and prevailing outside temperature
The traditional parameters of comfort are air (Kurvers & Leijten, 2013). The regenerative mode
temperature and air’s relative humidity, the relation of environmental management Reyner (1984)
of both factors is and adjustments to achieve identifies, is applicable to this method of climate
comfort are represented in a graphic. Ole Fanger regulation, which bears the least of nature, is high-
(1970) an indoor climate researcher extended the energy consuming and is experienced dull and
amount of parameters for the definition of comfort monotonous.
he,
‘defined the comfort concept by means of six The popularity of high-energy consuming buildings
measurable factors: air temperature, radiation is decreasing considering the climatic changes
temperature, air movement, relative humidity, caused by emission of carbon dioxide,
metabolism or energy conservation and the thermal consequently the scarcity of fossil fuels, and
qualities of clothing. Subsequently, measures have dependence on finite sources. Inherent to this
been added to air pollution, quantity of light and process an efflorescence the adaptive climate takes
limits related to the acoustic environment’ place. The introduction of thermal alliesthesia
advocates the beneficial effects of thermal variety
(Fanger in (Dahl, 2010, p. 28)). and its pleasure instead of neutrality that can be
achieved by adaptive climate regulation, which is
The American Society of Heating, Refrigerating in turn less energy consuming and more exciting.
and Conditioning Engineers, ASHRAE is one The ground for these statements about adaptive
global comfort database of occupant surveys that climates and thermal alliesthesia, can be explained
resulted from diverse researches in sterile among other things with the biophilia hypothesis
laboratories and the International Organization of (de Dear, 2010). The term embraces human’s
Standardization, which defines ergonomics of the intrinsic fascination with life and life-like
thermal environment in ISO 7730. Both present processes. Life-like processes of in the
methods for prediction of thermal sensation and environment are clearly visible in seasonal
exclusion of discomfort using calculations of PVM changes, organisms adapt them selves and their
(predicted mean vote) and PPD (predicted lifestyle to these changes. People feel affiliated
Passive architecture based multi-sensory development of indoor environments 12
with nature and being able to observe and notify indoor environment will require firstly changes in
this make people comfortable and more or less ‘a behaviour and expectation.
body of nature’ (Wilson, 2013). Nonetheless the
biophilia hypothesis suggests that we have an CONCLUSION
instinctive bond with other living systems and life-
like processes. Whether on beforehand the Designing an experience every individual equally
importance of physiology in architecture and the senses is not predictable as it is advocated by early
multi-sensory design are advocated extensively. indoor environment researchers. Certainly the
sensation is constituted with either immeasurable
DISCUSSION and measurable parameters, which indicates some
room for manipulation of the general experience.
In the Western society we spend most of our time in Considering the validity of the general experience
enclosed spaces, a working person spends some indoor environmental parameters can be
approximately 90% of his day indoors that defined: thermal, lightning, indoor air and sound.
increases getting elderly. The indoor climate Each of them can be manipulated by architectural
becomes the most dominant climate we perceive, composition and its material properties that can be
therefore the quality and variety is significant expressed in measurable results. The indoor
considering the decreasing time we spend in natural environment parameters are most of the time
environments. This already indicates a simulation elaborated and adapted to vernacular building
or interpretation of the perception in natural throughout history. The cultural and symbolic
environments for indoor environmental control. qualities that emerged from the environmental
The natural environment on contrary to our fully condition has to be taken into consideration. When
equipped shelters, contains a wide range of thinking about the history of building and
atmospheres during day and specific location architecture we recognize there was no way of
whereas we try to establish a neutral and stable mechanical climate regulation until the 19th
climate for our working and living conditions with Century. In essence all architecture was passive and
the aid of new technologies. Hence certain amount designed according to bioclimatic design
of energy and research are put together to principles, based on the local climate. These
investigate the ideal state of comfort, and constitute principles include: natural ventilation, direct solar
a global data set for the indoor climate. gain and thermal mass. These three principles
Nevertheless, even if we try to express the embrace the four indoor environmental parameters:
perception in measurable units there is a constant thermal, lightning, indoor air and sound, which are
interaction between scientific measurements and perceived through the sensory organs elucidated in
psychological means, which is less certain. The the section Human Perception. The main
non-physical aspects: emotional and intellectual conclusion of the research is that we have to revert
sensations are neglected, in the search to the ideal our conception of comfort constituted by high
state of comfort. energy consuming buildings to the conception of
comfort established by principles of passive
However, the maintenance of thermal comfort architecture and bioclimatic design emerging from
according to the global data sets have certainly the interconnection of cultural, symbolic and local
aided the productivity of the occupants in climate exchange. This approach to architecture
modernist buildings. The notion is set on modernist and human being facilitates a new approach to
building, since this tradition of building devastated physiological, biological and climatically conscious
significance of local architecture and its architecture, and considering that climate and
simultaneous climate regulation, emerged comfort vary in time and space from neutral
throughout the history of entire societies. In this conditions to thresholds. Again through sensual
thesis I mention the significance of vernacular awareness in the indoor climates and the adaptive
architectural precedents often, one may question if capacity of our bodies architecture becomes a
the principles are still applicable to the needs of the reconciliation between human and the world
changing and densifying society. Although simple through our sensations. To bring this into practice
implications such as climate and season adaptive environmental imagination is significantly, for the
approaches in the global data set, and the interconnection of architectural perception and
possibility of individual operation can provide a devices of technology that determine the
wider variety of climates, excitement and conception of atmosphere.
satisfaction. Thus a sustainable and satisfactory
Passive architecture based multi-sensory development of indoor environments 13
EPILOGUE BIBLIOGRAPHY
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Passive architecture based multi-sensory development of indoor environments 14