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The Summary of Two Books
The Summary of Two Books
Lê Ngọc Thiên Ý
Liêu Bội Linh
Hà Đăng Hiếu
Bùi Minh Trâm
Phạm Mai Phương
THE SUMMARY
- Phonemes: phonemes are the different sounds within a language. Although there are
slight differences in how individuals articulate sounds, we can still describe reasonably
accurately how each sound is produced.
- Sounds may be voiced or unvoiced (voiceless). Voiced sounds occur when the vocal
cords in the larynx are vibrated.
- The set of phonemes consists of two categories: vowel sounds and consonant sounds. :
+ vowels sounds are all voiced, and may be single or a combination, involving a
movement from one vowel sound to another. Such combinations are known as
dipthongs.
+ the combination of three vowel sounds is called tripthongs.
+ single vowel sounds may eb short or long. The symbol /:/ denotes a long sound.
+ consonants sounds may be voiced or unvoiced.
Tables of English phonemes
Suprasemental features
- Phonemes, as we have seen, are unit of sounds which we can analyse. They are also
known as segments. Supragsemental features, as the name implies, are features of
speech which generally apply to group of segments, or phonemes. The features which
are important in English are stress, intonation, and how sounds change in connected
speech.
- With regard to individual words, we can identify and teach word stress. Usually one
syllable in a a word will sound more prominent than the others.
- With regard to utterances, we can analyse and teach intonation as well as stress,
although as features they can at times be quite hard to consciously recognize and to
describe. Intonation, is the way in which the pitch of the voice goes up and down in the
course of an utterance.
- Teachers also need to consider how the sounds we use come about, and to study the
physiology which allows us to use those sounds.
- We can learn to use our speech organs in new ways in order to produce learnt sounds in
a foreign language, or to loose sounds form our own language.
Location of the main areas of the head and neck associated with the production of
sounds.
The articulation of phonemes
Vowels are produced when the airstream is voiced through the vibration of the vocal cords in
the larynx, and then shaped using the tounge and the lips to modify the overall shape of the
mouth
- Close, Mid, and Open refer to the distance between the tounge and the roof of the mouth
- Front, Cntre and Back and their corresponding “vertical” line refers to the part o the
tounge.
- The position of each phonemes represents the height of the tounge, and also the part of
the tounge which is raised.
The articulation of consonants
-
+ with regard to the place of articulation, the following table sumarises the main
movements of the various articulatiors:
Phonemic transcription
A paradox
- The term ‘model’ here used to refer to the pronunciation characteristics of the
language a teacher presents to learners in the classroom.
- In the past preferred pronunciation model for teaching was RP: Received
Pronunciation. It has been the basic of much modern investigation into
pronunciation and so its influence persists.
- As a teacher the model one uses in the classroom will usually be close to the
language one uses outside the classroom. Many teachers modify their accent
slightly for the benefit of their students, but few could consistently teach with an
accent significantly different from their own
- It is important to consider the needs of learners.
Techniques and activities
There are two key sides to pronunciation teaching: the teaching of productive and
receptive skills.
Drilling
- Drilling simply involves the teacher saying a word or structure, and getting the
class to repeat it.
- Drilling aims to help students achieve better pronunciation of language items, and
to help them remember new items.
- Drilling often follows on from the process, known as eliciting, of encouraging
students to bring up a previously studied word, phrase or structure.
- Chaining can be used for sentences which prove difficult for students to
pronounce
- Substitution drilling is another important and useful variation. This involves
drilling a structure, but substituting items of vocabulary into the sentence being
dealt with.
Minimal pairs and related activities
- Minimal pairs: words or utterances which differ by only one phoneme. Teachers
can use minimal pairs to good advantage in the classroom as way of focusing on
sounds which have been causing difficulties for students.
- Example:
Chapter 3: Vowels
-The characteristics of the “pure” vowel sounds (single vowel sounds) and diphthongs. Vowel
sounds can be described in terms of tongue and lip positions. Diphthongs, on the other hand,
can be described in terms of a movement (or “glide”) from one vowel position to another.
-Tables show the characteristics of the vowel sounds/diphthongs including the tongue and lip
positions for each, their phonemic symbol, example words and the first languages of those
speakers who may have productive difficulties with these sounds in English.
+ “Phonemic crosswords”
+ “Irritable vowels”
+ “Vowels-U-Like”
Teachers should involve their students in deciding on priorities for classroom pronunciation
work, through helping them to be aware of their pronunciation difficulties.
-The characteristics of the consonant sounds. Consonant sounds can be described in terms of
manner, place and force of articulation. Sounds may also be “voiced” and “unvoiced”. List of
the first languages of those speakers who may have productive difficulties with these sounds in
English.
-Some “learner-friendly” ways of describing the consonants, and some techniques to help
individuals from consonants they have difficulty with.
+ Sound chain
+ “Tongue-twisters”
+ Sound race
Chapter 5:
Stress word
For stressed syllables, three features are identified: loudness, pitch change and a longer
syllable. Unstress may be described as the absence of these. The syllables around a stressed
syllable need to be unstressed
Some commentators outlined up to 5 different levels of stress in a single word. Some settled on
three-level distinction (primary stress, secondary stress and untress). But two-level distinction
is adequate for teaching purposes
Some languages (English) are stress-timed. The stresses occur at regular intervals within
connected speech and the duration of an utterance is more dependent upon the number of
stresses than the number of syllables. Untressed syllables are made shorter and vowels often
lose their pure quality. (Thời gian để nói 1 câu tính theo số stress)
Other languages are syllable timed. There is no strong pattern of stress, syllables maintain their
length, and vowel maintain their quality.
With regard to sentence stress we can outline a three-stage process which enables us to say the
same thing in different ways:
1. When we say words of more than one syllable in isolation we will stress one of the syllables
2 When words are arranged together in a sentence or utterance, certain syllables will be stressed
in order to convey the most important new information. This may cancel out normal word
stress.
3 Intonation is used to give further subtleties of meaning to the syllables we have chosen to
stress
- Tonic syllable is the most stressed syllable in an utterance (longer, louder, and carries the
main pitch movement in an utterance). It is included in the most important word in a sentence
in terms of meaning
- The syllables that establish a pitch that says constant up to the tonic syllable are callled onset
syllable.
Some words have 2 forms: Strong and weak form. To emphasize function words for particular
reason, speakers use strong form.
Choral and individuals drilling of news words usefully combines receptive awareness and
productive skill.
The stressed syllables are more recognizable if teachers exaggerate them. Other common
techniques are beating out the pattern of stress with your hand or finger, otr tapping with pen on
the table, speaking or singing the stress patern,etc
Be careful with the context which utterances occur and the meaning of them to determine tonic
syllables
Weak form can be solely drilled before put into the sentence
Teachers should treat word and sentence stress as part of the language being studied
Intonation
Intonation refers to the way the voice goes up and down in pitch when we are speaking,
conveying speaker’s thoughts, feeling and attitude.
The number of tonic syllables in one sentence is equal to the number of tone units
There are 2 ways to note pitch on the board, but using continuous lines is more straight forward
for students and teachers.
+ Assimilation
+ Elision
+ Juncture
+ Contractions
· Individual sounds
1.Assimilation:
a.Definition:
+Assimilation describes how sounds modify each other when they meet, usually across
word boundaries, but within words too
Ex: the words “ that /” ðæt/ , “ book / bʊk/” -> place the words into a sentence “ Could you
pass me that book “
ð The /t/ phoneme at the end of “that” does not sound like its own. The phoneme /t/ is an
alveolar sound which is formed when the tongue blade forms a temporary closure against the
alveolar ridge => tongue doesn’t get there at the end of the word because we employ an
economy of effort and ready for next sound /b/
c.Some rules:
· The phonemes /t/, /d/ and /n/ often become bilabial before bilabial
· /t/ assimilates to /k/ before /k/ or /g/, /d/ assimilates to /g/ before /k / or /g/
(anticipatory assimilation)
Ex:Where has that cat been all night? (/Ư assimilates to /k/)
2.Elision:
b.Some rules:
· The most common elisions in English are /t/ and /d/, when they appear within a
consonant cluster.
Ex:We arrived the next day. (/t/ elided between /ks/ and /d/)
Ex:She acts like she owns the place! (/ækts/ can be simplified to /æks/)
Ex: I think we should call the police. (/ə / can disappear in the first syllable of police)
a.Linking /r/: Some accents of English are described as rhotic /rəʊtik/, which means that
when the letter r appears in the written word after a vowel (as in car or
carve), the /r/ phoneme is used in the pronunciation of the word (as in /ka:r/
and /ka:rv/).
c.Linking /j/: When a word ends in /i:/, or a diphthong which finishes with /I/ , speakers often
introduce a /j/ to case the transition to following vowel sound
d.Linking /w/:
When a word ends in /u:/, or a diphthong which is finishes with / ʊ / , speakers often introduce
a /w/ to ease the transition to a following vowel sound.
Ex: Go on ! Go in ! /gəʊwɒn/,/gəʊwin/
4.Juncture:
ð while the phonemes may be the same, listeners have no difficulty (most of the time) in telling
where the join is, and context clearly plays a role here.
It might rain.
5.Contractions:
Definition: Contractions occur where two words are combined to the extent that the two are
published materials
+Linking sounds and intrusive sounds are also focused on in materials bụt
+Assimilation is also dealt with, but usually only in relation to very specific
examples like don’t you? and didn’t you? both with a resulting /t∫/.
specific examples like Do you live in London? and Where do you live, both
+A measure of “ relevance “
ð Teacher has to make their own judgements , based on the above criteria , of how much attention
to give to the various features of connected speech.
Ex: In the letter a, which can represent /æ/ as in apple , or /a:/ as in ask
ð The relationship between spelling and pronunciation is more complex in English, it is not
always easy for learners of whatever L1 to see how a written English word should be
pronounced or how a word they have only heard should be written
+vowels will be the most likely cause of pronunciation or spelling difficulties for learners of
English.
words, but this tends to only happen when they are immediately preceded
+Some pairs of letters are associated with a particular sound, as in the link
between ph and thc sound /f/, as in photo, photograph and phone. Such letter-
+ a digraph can have two or three different sound associations, depending on the words in
question:
Ex: ch can be pronunced as /t∫/ (chip, change, bunch), /k/ (character,technique), /∫/ (machine)
+Many English letters fit comfortably into certain environments, behaving in certain
predictable ways when they are there.
Ex:,many vowel letters, when sandwiched between consonant letters (as in cap,cut and con),
will have the short vowel sound most commonly associated with that letter: /æ/, /ʌ/ and /ɒ/,
ð The addition of a final letter e, will usually lead to a change to either a longer sound or a
diphthong: cape /eI/, cute/u:/, cone /əʊ/
ð This also happens when other letters are added, as in cuter and cones.
d.Environmental restrictions:
+The environments that single letters or paired letters can exist in are restricted.
Ex: wh usually appears at the beginning of words (as in where and what), sometimes appears in
the middle of compound words (nowhere,somewhere), bụt doesn’t appear at the end
e.Common patterns:
+There are a number of common sound/spelling patterns which can be presented to students as
safe and reliable.
Ex: When talking about the incidence of /ə/, it can be noted that /ə/ occurs
only in unstressed syllables=> It can be very useful to draw students attention to its use in
prefixes and suffixes, as these are usually unstressed : technical, production, explanatory,
bigger, etc
vegetable /vədʒtəbəl/.
+ Certain spellings are usually assimilated in connected speech: Would you, Could you,
using /dʒ /
+Spelling of the root word usually stays the same in the derived word. Often,
Ex: the root word speak /spi:k/ is unchanged in spelling and pronunciation
speaks,speaker,speaking,loudspeaker and so on.
A.Problems:
+The difficulties can be particularly acute for learners whose L1 has a more phonetic script
system, like Japanese and Spanish and to a lesser degree French.
+For all learners whose own language has an alphabetic script similar to that of English, a
further problem can arise. Occasionally, a letter that is associated with a particular sound in L1
may be linked to a different sound in L2
+The problem here is entirely to do with the varying sound rules of the L1 and L2, and nothing
to do with spelling. (For more details on such sound-driven problems caused by differences
between the L1 and L2)
B.Approaches:
+One approach is where teachers work on the pronunciation of a word or longer utterance
orally, before showing students the written form -> Giving students the written form before
they have practised it orally can lead to incorrect pronunciation being carried over into
subsequent oral practice.
+Teachers should therefore get into the regular habit of using phonemic symbols in
combination with a written
+Teachers need to develop an awareness of the difficulties specific to the individual L1s
represented in the class, without making classroom activities too LI-specific
+In monolingual classes, teachers can be more selective, choosing examples of mistakes which
are typical for students for that particular L1, as well as addressing the more general challenges
which the English spelling system presents.
*Sample lesson:
The teacher can use activities like the one which follows to focus on particular sounds which
have been causing students difficulties, either productively or receptively.
The sounds given here in this example are /i/, /e/, / ʊ/, /ɔ: /, /a:/ and /3:/. Students are
“The teacher asks the students to work individually to match the words with
the same sound; students then compare their answers, and the teacher
conducts feedback.
II,III/. THE HAND BOOK OF TEACHING PRONUNCIATION:
1- Definition:
- Segmental is individual sounds
- Suprasegmental: extending over more than an individual sound such as syllable
structure, stress, rhythm, intonation.
2- The segmental/ suprasegmental debate:
a) Suprasegmental features should be given priority:
- Fraser (2001: 33) listed six pronunciation features in the order in which they should be
taught:
+ Stress is the most important thing as learners with perfect consonant distinctions will
still be difficult to understand if they have not mastered word and sentence stress.
Differ in the types of rhythmic patterns, foot structures and syllable structures.
Prosodic constraints of a speaker’s L1 might influence the way they organize their
pronunciation in English.
Understanding what these constraints are gives us important insight into:
why speakers from particular L1 backgrounds have non-target-like English
pronunciation
how we need to go about teaching them.
5- The role of speaker and listener:
a) The role of speaker:
- Further investigate the role of L1 prosodic constraints on various English pronunciation
features.
b) The role of listener:
- Listeners from different L1 back-ground rely on different features in the speech signal to
understand a speaker.
6- My opinion:
- Both segmental and suprasegmental features are important to intelligibility
pronunciation because
+ when addressing 1 word, whether learners master the pronunciation of vowel,
consonant but with wrong stress word or vice versa, it is not easy for the listeners to
understand.
+ There is a possible relationship between them (the production of one can influence the
other).
26- INTEGRATING PRONUNCIATION INTO THE LANGUAGE CLASSROOM
1- Challenge:
- Pronunciation difficulties in L2 can seriously impede intelligibility:
+ Lack of intelligible pronunciation comprehension difficulties (for L2 listeners)
- In e f e c t v e t e a c h in g
Resolving pronunciation difficulties in the class presents a challenge:
+ Intelligible pronunciation is difficult to learn for most adults
+ Intelligible pronunciation is difficult to teach due to a lack of:
Teacher preparation
Limited availability of materials
Ineffective teaching
Note:
heavily form-
focused instructon
meaning-focused
instructon
no explicitaton of
pronunciaton
HANDBOOK 22
1) What are segmentals?
2) What are suprasegmentals?
Answer:
1-Segmentals are individual sounds
2- Suprasegmental: extending over more than an individual sound such as syllable
structure, stress, rhythm, intonation.
HANDBOOK 26
1) Why is it difficult to resolve pronunciation difficulties in the classroom?
Ans: There are 2 reasons:
Firstly, intelligible pronunciation is difficult to learn for most adults.
Secondly, intelligible pronunciation is difficult to teach due to a lack of teacher
preparation, limited availability of materials, and ineffective teaching.
The prosodic hierarchy provides a framework for the analysis of the way different
Within the context of the prosodic hierarchy, therefore, a particular word is seen to be
composed of the units at levels below it (foot, syllable, mora) and also embedded in
constraints are gives us important insight into why speaker’s L1 might have the non-
target-like English pronunciation features that they do, and thus provides important
information about how we might need to go about teaching them. Such an analysis
allows us to explore reduced intelligibility from the perspective of both the speaker and
the listener, and investigate how non-target-like features at different levels might