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Good Time: Film Review

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There is a saying that lightning never strikes the same place twice. Many of us, however,
probably experienced a series of misfortunes at least once in our lives. When something bad
happens, you think, “Alright, that should be it. Nothing worse can happen to me now”–and then
it happens. But I guess few people have had a day (or night) as bad as Connie Nikas, the main
character of an American criminal drama called “Good Time.” Really, just how unfortunate can a
man be?

Filmed in 2017 by Josh and Benny Safdie, the movie is their debut. Starring Robert Pattinson as
Connie, the film reveals him not only as a brilliant actor, but also redeems him of his role in the
“Twilight” saga. In other words, Connie looks totally different from what you would have
expected of Pattinson, considering his previous characters. I will get to this aspect later; for now,
let me briefly review the movie’s plot. So, spoilers ahead—consider yourself warned.

Let’s go.

It starts with Connie breaking into a psychiatric clinic, where a psychiatrist interviews his brother
Nick. Nick suffers from some kind of an autistic spectrum disorder, so he needs to go into
therapy. Connie believes it only hurts his brother, so he interrupts one of such sessions and
takes him away from the clinic.

Together, they rob a bank: as far as I understood, they need money to buy a farm where they
can live all by themselves, of which they dream together. The brothers manage to escape with
the money in a getaway car, but the bag with the money has an exploding dye pack in it as a
safety measure to mark the robbers for the police. Nick and Connie have to make a stop at a
restaurant to wash the dye away. Later, as they walk down the street, a police patrol officer
stops them for an identification check; Nick panics and runs, causing the police to chase the two
brothers. Connie flees, but Nick gets arrested.

In order to bail out his brother, Connie needs money. What they have taken from the bank is not
enough, so Connie must collect $10,000 more. He tries to convince his girlfriend to use her
mother’s money, but the bank card turns out to be blocked. Connie learns that Nick is in a
hospital after a fight in a probationary ward. Desperate, he kidnaps somebody he believes to be
Nick, but because of a mistake, he frees the wrong guy. At Connie’s place, Ray, the rescued
criminal, tells him about a drug stash. Upon selling the drugs, Connie (who is already being
searched by the police for the robbery) might get just enough money to bail out his brother.

Ray, however, does not intend to let the money go. He calls his friend Caliph, and together they
decide to kill Connie and take the drugs. Meanwhile, the police surrounds Connie’s apartment
complex. The latter tries to escape through the main entrance but gets caught. Ray, in his turn,
makes an attempt to climb out of a window, which is high above the ground, and hide in another
apartment, but slips and falls down.

In the end, the movie shows Nick attending a psychiatric session again. He is placed in a group
of developmentally delayed people, and although he hates it, he seems to realize he is not
going out this time.

Now, I have already mentioned Robert Pattinson’s brilliant acting in this movie. From a glossy
metrosexual vampire he turned into a shabby, low-life “white trash” guy. Yes, I do know he had
other roles besides Edward Cullen, But just as there is always going to be a part of Harry Potter
in Daniel Radcliffe, so will Edward be a part of Pattinson–at least for people of my generation.

Anyways, in “Good Time,” there is nothing left from the “old” Pattinson, so to say. A witty, risky,
criminally inclined thug with a difficult life, he wants only to live a solitary life in peace with his
brother–the only person he seems to truly care about. Bank robbery was perhaps the only way
he could think of to get the money quickly.

Ironically, Nick becomes the reason why the plan fails. What I liked about Connie though is how
he never gave up. Despite all the difficulties, despite obstacles piling up, he keeps looking for
ways to overcome them. Brother got arrested? Bail him out. No money? Kidnap him from a
guarded hospital chamber. Mistook Nick for another guy? Develop a new plan of how to get the
money. Failed? Try to escape and start all over again. Improvising on the fly, Connie
demonstrates an incredible ability to extricate himself from hopeless situations. He lies, uses his
charm, and makes people believe him so masterfully that I almost admired him–although, in
some sense, him and his brother are anti-heroes.

The movie’s pace (or rather, the suspense) quickly increases. It reminded me of one of my
favorite movies, “The Talented Mr. Ripley.” Indeed, Connie and Ripley are somewhat alike. Both
are nobodies; both virtuously manipulate other people in order to reach personal goals; both are
skilled in improvisation, and are unlikely to give up in difficult situations. And, just as in “The
Talented Mr. Ripley,” Connie gradually pulls himself into bigger and bigger trouble.

Other characters are detailed and vivid as well. I felt sympathy for Nick. Unable to take full
responsibility for his actions, he becomes a victim of his brother’s ambition. I felt compassion
towards Crystal and Corey–women Connie uses for his plans. I even felt pity for Ray: a slave to
his addictions. These, as well as other characters shown in the movie, created an incredibly
convincing picture of the bottom of American society and contributed to the atmosphere
displayed by the film.

The acting and characters is not the only pillar the movie stands on. The visual images in “Good
Time” are as important as the characters. A dull, gloomy picture filled with blueish and red neon
lights perfectly conveys the mood of hopelessness, of endless days filled with poverty and the
same routine. The greater part of the movie unfolds in the dark, on night streets, in urban slums.
Connie’s desire to get out of this dump becomes almost tangible, and his idea with the robbery
starts looking like his only chance for a normal life. The camerawork always emphasizes the
atmosphere in the film, and at some point, I found myself perceiving “Good Times” almost as a
documentary.

And oh yes, the music. It is fantastic. The soundtrack was composed by Oneothrix Point Never,
a composer of experimental electronic music based in Massachusetts. After watching the film, I
went directly to iTunes and downloaded his official “Good Time” soundtrack album–and I
recommend you doing the same. In fact, it is so good, it won the Soundtrack Award at the
Cannes Festival 2017. You should rather listen to it yourself–or, which is better, watch the
movie and hear the soundtrack alongside the story.

Overall, “Good Time” is a strong drama with complex characters, great visuals, and
unforgettable music. It is a movie about criminals, but unlike most gangster movies, you
will not find any romanticism or nostalgia here. It is a dark, hopeless underworld existing
right next to our everyday lives—an underside of our society. Things depicted in “Good Time”
happen every day–and this film is your peephole to the other side.

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