See discussions, stats, and author profiles for this publication at: https://www.researchgate.

net/publication/322040261

The Models Projected To Be Used In The Transfer/Adaptation Process Of

Turkish Folk Music Phonetic Notation System/TFMPNS To
Educational/Doctrinal Applications: KayPENTAX®: Multi Di...

Article · December 2016

CITATIONS READS

0 417

1 author:

Gonca Demir
Istanbul Technical University
95 PUBLICATIONS   103 CITATIONS   

SEE PROFILE

Some of the authors of this publication are also working on these related projects:

TÜBİTAK Bilimsel Araştırma Projesi/BAP: "IPA Turca (Kural Tabanlı Türkçe Fonetik Dönüştürücü Programı)" View project

İTÜ Bilimsel Araştırma Projesi/BAP: “Türk Halk Müziği Fonetik Notasyon Sistemi/THMFNS’nin Eğitsel/Öğretisel Uygulamalara Aktarım/Adaptasyon Süreçlerinde
Kullanılması Öngörülen Modeller: KayPENTAX® Model Örneklemleri” View project

All content following this page was uploaded by Gonca Demir on 24 December 2017.

The user has requested enhancement of the downloaded file.

THE MODELS PROJECTED TO BE USED IN THE
TRANSFER/ADAPTATION PROCESS OF TURKISH FOLK MUSIC
PHONETIC NOTATION SYSTEM/TFMPNS TO
EDUCATIONAL/DOCTRINAL APPLICATIONS: KayPENTAX®:
MULTI DIMENSIONAL VOICE PROGRAM/MDVP Model 51051
GONCA DEMİR
Research Assistant, Istanbul Technical University Turkish Music State Conservatory Vocal Performance Department, Istanbul/Turkey.

Abstract
Turkish Folk Music Phonetic Notation System/TFMPNS is a notation system example which aims to initiate a
parallel application to the national/international linguistic/musicological application foundations of which were
laid under the scope of ITU ISS Turkish Music Program post graduation thesis, which will be developed under
the scope of ITU ISS Musicology and Music Theory Program doctorate thesis, which is configured in
phonetics/morphology/vocabulary axis of together with traditional/international attachments based on
Standard Turkey Turkish/STT (the standard language/standard variant which is recognized and adopted in a
community as a means of agreements among the regions, gains dominant position by becoming widespread
spoken dialects and has a large function among language types and usage areas is in a position of means of
communication among speakers of different dialects)-Turkish Linguistic Institution Transcription Signs/TLITS
(transcription marks used to transcribe local oral features existing on the axis of phonetics/morphology/lexicon
criteria and theoretical/performance infrastructure of local oral texts, which is collected through the
comprehensive compilation work on Anatolian dialectology)-International Phonetic Alphabet/IPA (standard
alphabet type consisting of signs and symbols which is developed with the aim of redacting sound values in
international standards, encoding speech sounds of all languages in an exemplary manner, preventing
confusion engendered with numerous transcription system by providing correct pronunciation of languages
and developing a separate symbol for each sound) sounds.

KayPENTAX® (World Leaders In Speech, Voice and Swallowing Instrumentation: Kay Electric Company &
PENTAX Medical Company) Multi Dimensional Voice Program/MDVP Model 5105; it is a model sampling which
presents the clinical/acoustics/kinematical/aerodynamic features specific to the symptoms of acoustic phonetic
and voice disorders, in an interactive format together with animation and sounds and is designed as a
pedagogical tool for individual/social/class/educational/doctrinal applications of the science of
phonetics/speech. Program which serves as practical reference for educational/doctrinal applications is an
alternative software which was designed to teach principal phonetic/speaking science principles and bases as
subsidiary course material for students who are educated in speaking science courses. In order to adopt
principles which subsists in theoretic/actual substructure of speaking science presents strength and easy to use
interactive source/database/model. Phonetic science complex principles and bases could be analyzed more
materialized by these interactive models.

Through this announcement which is to be presented within the scope of TURKEY STUDIES’16/International
Conference on Turkey, Turkish Studies and Turkology; transmission/adaptation process of speech/voice
analysis features structured in phonological/musicological legislation axis to Turkish Folk Music Phonetic
Notation System Database/TFMPNS D will be carried out through case of KayPENTAX® (Kay Electric Company &
PENTAX Medical Company) Multi Dimensional Voice Program/MDVP Model 5105.

Key Words: KayPENTAX® (Kay Electric Company & PENTAX Medical Company) Multi Dimensional Voice
Program/MDVP Model 5105, Turkish Folk Music Phonetic Notation System Database/TFMPNS D.

1 Demir, G., (2016). The Models Projected To Be Used In The Transfer/Adaptation Process Of Turkish Folk Music Phonetic Notation
System/TFMPNS To Educational/Doctrinal Applications: KayPENTAX®: Multi Dimensional Voice Program/MDVP Model 5105. II.
Interdisciplinary Conference On Turkey Turkish Studies And Turkology/TURKEY STUDIES 16, DAKAM (Eastern Mediterranean
Academic Research Center), 2-3 Aralık 2016, İstanbul/Türkiye.
Turkish Folk Music Phonetic Notation System Database/TFMPNS D
Turkish folk music has a priviliged place in music types due to regional dialect varieties. The future of Turkish
folk music depends on protection of its attitude originating from dialect differences and its resistance against
change. Turkish folk music regional dialect properties are transcripted by Turkish Linguistic Institiution
Transcription Signs/TLITS depending on linguistic laws in axis of phonetics, morphology and parole existence.
On the other hand, depending on musicological laws, regional dialect properties of Turkish folk music which is a
verbal/artistic performance type structured in axis of linguistic approaches in ethnomusicology-
performance/display theory are also transcripted by Turkish Linguistic Institution Transcription Signs/TLITS. It is
determined and approved by linguistic/musicology source and authotrities that this reality which is also
present in other world languages can be transferred to notation and vocalized again and again in accordance
with its original through International Phonetic Alphabet/IPA existence and usability of which have been
registered by local and universal standards through the notification that will be submitted (Radhakrishnan,
2011: pp. 422-463).
Turkish Folk Music Phonetic Notation System/TFMPNS is a notation system example which aims to initiate a
parallel application to the international linguistic/musicological application foundations of which were laid
under the scope of Istanbul Technical University Institute of Social Sciences Turkish Music Program post
graduation thesis, which will be developed under the scope of Istanbul Technical University Institute of Social
Sciences Musicology and Music Theory Program doctorate thesis, which is configured in
phonetics/morphology/lexicon axis of together with traditional/international attachments based on Standard
Turkey Turkish/STT (the standard language/standard variant which is recognized and adopted in a community
as a means of agreements among the regions, gains dominant position by becoming widespread spoken
dialects and has a large function among language types and usage areas is in a position of means of
communication among speakers of different dialects: Demir, 2002/4: pp. 105-116), Turkish Linguistic Institution
Transcription Signs/TLITS (transcription marks used to transcribe local oral features existing on the axis of
phonetics/morphology/lexicon criteria and theoretical/performance infrastructure of local oral texts, which is
collected through the comprehensive compilation work on Anatolian dialectology: TDK, 1945: pp. 4-16) and
International Phonetic Alphabet/IPA (standard alphabet type consisting of signs and symbols which is
developed with the aim of redacting sound values in international standards, encoding speech sounds of all
languages in an exemplary manner, preventing confusion engendered with numerous transcription system by
providing correct pronunciation of languages and developing a separate symbol for each sound: IPA, 1999)
sounds (Demir, 2011).
Also, Turkish Folk Music Phonetic Notation System Database/TFMPNS D consists of some subdatabases, these
are; Turkish Folk Music Phonetic Notation System Alphabet Database/TFMPNS AD & Turkish Folk Music
Phonetic Notation System Sound Database/TFMPNS SD & Turkish Folk Music Phonetic Notation System
Dictionary Database/TFMPNS DD & Turkish Folk Music Phonetic Notation System Work Database/TFMPNS WD
&Turkish Folk Music Phonetic Notation System Phonotactical Probability Calculator Database/THMFNS PPCD &
Turkish Folk Music Phonetic Notation Systems Phonotactical Therapy Applications/TFMPNS PTA & Turkish Folk
Music Phonetic Notation System Phonotactical Awareness Skills Development Processes/TFMPNS PASDP &
Turkish Folk Music Phonetic Notation System Aural Distinction Test/TFMPNS ADT & Turkish Folk Music
Phonetic Notation System Articulation Test/TFMPNS AT & Turkish Folk Music Phonetic Notation System
Phonological/Morphological/Lexicological Criteria Identification Test/TFMPNS PMLCIT ect (Refer with figure 1-2
& table 1-2).

Figure 1. Musicolinguistic graphic sample (Radhakrishnan, 2011: pp. 423-463).

Figure 2. Turkish Folk Music Phonetic Notation System Works Database/TFMPNS WD: Urfa/Kerkuk/Tallafer
Dialects Turkish Language Institution Transcription Signs/UKTD TLITS & Standard Turkey Turkish/STT (text
transcription: Ozbek, 2010: pp. 254-255 & musical notation: Demir, 2011: p. 250).
 Gele gele geldik bir kara taşa/ɟelɛ ɟelɛ ɟeldic biɾ kɑɾɑ tɑʃɑ
Gele gele geldĭm bir ḳara daşa/Gɛlɛ gɛlɛ gɛldɯ̌m biɾ kɑɾɑ dɑʃɑ
Region: Urfa
Taken From: Mukim Tahir
Compiled & Noted: Muzaffer Sarısozen
Reader: Tenekeci Mahmut Guzelgoz
TRT TFM Repertoire Sequence Number: 701

Standard Turkey International Phonetic Turkish Language International Phonetic

Turkish/STT Alphabet/IPA Institution Transcription Alphabet/IPA
Signs/TLITS
Gele gele geldik bir kara ɟelɛ ɟelɛ ɟeldic biɾ kɑɾɑ Gele gele geldĭm bir ḳara Gɛlɛ gɛlɛ gɛldɯ̌m biɾ
taşa daşa
tɑʃɑ kɑɾɑ dɑʃɑ
Yazılanlar gelir sağ olan jɑʐɯɫɑnɫɑɾ ɟeliɾ sɑː Yazılanlar gelĭr saġ olan jɑzɯlɑnlɑɾ gɛlɯ̌ɾ sɑɡ
başa aman efendim başa aman efendĭm
oɫɑn bɑʃɑ ɑmɑn ɔlɑn bɑʃɑ ɑmɑn
efɛndim ɛfɛndɯ̌m
Bizi hasret koyar kavim biʐi hɑsɾɛt kojɑɾ kɑvim Bĭzĭ ḥesret ḳoydı ḳavım Bɯ̌zɯ̌ ḫɛsɾɛt kɔjdɯ
kardaşa ḳardaşa
kɑɾdɑʃɑ kɑvɯm kɑɾdɑʃɑ
Bir ayrılık bir yoksulluk biɾ ɑjɾɯɫɯk biɾ Bir ayrılıḫ bir yoḫsıllıḫ bir Biɾ ɑjɾɯlɯχ biɾ
bir ölüm aman efendim ölǚm aman efendĭm
joksuɫɫuk biɾ ølym jɔχsɯllɯχ biɾ ɶļim ɑmɑn
ɑmɑn efɛndim ɛfɛndɯ̌m

Nice sultanları tahttan niʤɛ suɫtɑnɫɑɾɯ Nice Sülėymanları taḫtan Niʤ͡ɛ s̬ɶlejmɑnlɑɾɯ
indirir ėndĭrĭr
tɑhttɑn indiɾiɾ tɑχtɑn endɯ̌ɾɯ̌ɾ
Nicesinin gül benzini niʤɛsinin ɟyl benzini Nicesĭnĭn gül benzĭnĭ Niʤ͡ɛsɯ̌nɯ̌n gyl bɛnzini
soldurur aman efendim soldırır aman efendĭm
soɫduɾuɾ ɑmɑn efɛndim sɔldɯɾɯɾ ɑmɑn
ɛfɛndɯ̌m
Niceleri dönmez yola niʤɛlɛɾi dønmɛʐ joɫɑ Nicesĭnĭ dönmez ėle Niʤ͡ɛsɯ̌nɯ̌ dɶnmɛz elɛ
gönderir gönderĭr
ɟøndɛɾiɾ gɶndɛɾɯ̌ɾ
Bir ayrılık bir yoksulluk biɾ ɑjɾɯɫɯk biɾ Bir ayrılıḫ bir yoḫsıllıḫ bir Biɾ ɑjɾɯlɯχ biɾ
bir ölüm aman efendim ölǚm aman efendĭm
joksuɫɫuk biɾ ølym jɔχsɯllɯχ biɾ ɶļim ɑmɑn
ɑmɑn efɛndim ɛfɛndɯ̌m
Note 1. Transcription systems Note 2. IPA Turca: IPA Note 3. Linguistic approaches Note 4. International Phonetic
in Anatolia dialect researches: provisions and sound in ethnomusicology (Stone, Alphabet/IPA usage in dialect
transcripted with Standard description (Pekacar and Guner 2008, pp. 51-53): phonetic researches of Turkish language:
Turkey Turkish/STT in the axis Dilek, 2009, pp. 575-589) of writing usage in data recording written dialect texts in Turkey by
of standard the letters in Turkish alphabet in musicology: necessity of using IPA (TDK-IPA) provisions of
writing/transcription/variation in Rule-Based Turkish Phonetic dialect documentation in transcription signs are
method (Demir, 2010, pp. 93- Converter Program/RBTPCP linguistic and musicological transcripted with Standard
106). (Bicil and Demir, 2012). Turkey axis: Urfa/Kerkuk/Tallafer Turkey Turkish/STT- Turkish
Turkish Pronunciation Dialects Turkish Language Language Institution
Dictionary/TTPD phonology Institution Transcription Transcription Signs/TLITS-
ABC’s: transcripted with Signs/UKTD TLITS in the axis of International Phonetic
International Phonetic phonetic notation method Alphabet/IPA (Pekacar & Guner
Alphabet/IPA (IPA, 1999) by [Demir, 2011] of local dialect Dilek, 2009, pp. 574-589).
the IPA correspondences of features of Turkish folk music:
vowel and consonants (Ergenc, transcripted with vowels-
2002, pp. 1-496). consonants-distinctive signs
(Ozbek, 2010, pp. iii-338).
Table 1. Turkish Folk Music Phonetic Notation System/TFMPNS
Musicolectology/Musicolinguistics/Musicolect/Musicolinguistic Performance Characteristics
 Gele gele geldik bir kara taşa/ɟelɛ ɟelɛ ɟeldic biɾ kɑɾɑ tɑʃɑ
Gele gele geldĭm bir ḳara daşa/Gɛlɛ gɛlɛ gɛldɯ̌m biɾ kɑɾɑ dɑʃɑ
Region: Urfa
Taken From: Mukim Tahir
Compiled & Noted: Muzaffer Sarısozen
Reader: Tenekeci Mahmut Guzelgoz
TRT TFM Repertoire Sequence Number: 701
Standard Turkey International Phonetic Turkish Language International Phonetic
Turkish/STT Alphabet/IPA Institution Transcription Alphabet/IPA
Signs/TLITS
Gele gele geldik bir kara ɟelɛ ɟelɛ ɟeldic biɾ kɑɾɑ Gele gele geldĭm bir ḳara Gɛlɛ gɛlɛ gɛldɯ̌m biɾ
taşa daşa
tɑʃɑ kɑɾɑ dɑʃɑ
Note 1. Sound information criteria existing in the theory and application background of I. line of Turkish folk music literary/musical text:
Standard Turkey Turkish/STT>International Phonetic Alphabet/IPA [a] wide, flat, soft palate (predorsal)>[α] wide, flat, back palate (post
dorsal)-[e] wide, flat, pre-tongue (closed)>[ɛ] wide, flat, pre-tongue (open)-[i] narrow, flat, odile (open)>[I]/[i] narrow, flat, pre-tongue
(closed)-[b]>[b] voice, explosive, double-lip-[d]>[d] voice explosive, tongue tip is out-[k] voiceless, explosive, back palate>[c] chimes, front
palate, explosive-[g] tone, front palate-mid-tongue, explosive>[Ɉ] voice, explosive tongue-back palate (front)-[l]>[l] tone, gum, lateral
fluent-[m]>[m] tone, double lip, nasal initial-[r] voice, multi-matrix, tongue tip-gum>[ɾ] voice, single matrix, tongue tip-gum [Ɣ] voiceless,
fricative-[ş]>[ʃ] voiceless, fricative, tongue-soft palate-[t]>[t] voiceless, explosive, tip end is out. Urfa/Kerkuk/Talaffer Dialects Turkish
Language Institution Transcript Signs/UKTD TLITS>International Phonetic Alphabet/IPA: [ĭ] short unaccented, a vowel between i/ė>[ɯ̌]
very short ı-[ḳ] a back palate consonant thicker, explosive and made further back than normal k constructing syllables with thin or thick
vowels>[k] voiceless, rear palate, explosive.
CVCV CVCV CVCCVC CVC CVCV CVCV CVCCVC CVC CVCV CVCV CVCCVC CVC CVCV CVCV CVCCVC
CVCV CVCV CVCV CVCV CVCV CVCV CVC CVCV CVCV
Note 2. Form information criteria existing in theoretical and practical background in I. line of the Turkish folk music literary/musical text:
V/C analysis (Gorman, 2013: pp. 39-63): V=vowel (vowel letter), C=consonant (consonant letter). When V/C analyzing method is applied
to all lines of the folk music text, differences in the axis of sound/syllable/word/sentence orders may arise.
Gele gele (ge.le ge.le) ɟelɛ ɟelɛ (ɟe.lɛ ɟe.lɛ) Gele gele (ge.le ge.le) Gɛlɛ gɛlɛ (Gɛ.lɛ gɛ.lɛ)
gel.dik bir ka.ra ta.şa gel.dĭm bir ḳa.ra da.şa
ɟel.dic biɾ kɑ.ɾɑ tɑ.ʃɑ gɛl.dɯ̌m biɾ kɑ.ɾɑ
dɑ.ʃɑ
Note 3. Syntactic criteria of sound/syllable/word/sentence existing in theoretical and practical background of the I. line of the Turkish
folk music literary/musical text: prosodic phonotactical analysis (Sherer, 1994): (.) = represents the syllabic segmentation points. When
prosodic phonotactical analysis method is applied to all lines of the folk music text, differences may arise in the
acoustic/syllabic/word/sentential partitioning/impact points axis in terms of linguistic/rhythmic-music scientific/melodic prosody overlap
rules.
Turkish Language Turkey Turkish Urfa/Kerkuk/Tallafer Turkish Folk Music
Institution Dictionary Pronunciation Dialects Index and Phonetic Notation
Database/TLI DD Dictionary/TTPD Dictionary/UKTD ID System Dictionary
Database/TFMPNS DD
gele: gele (TLI TAD)-gele ɟe'lɛ: gele > ɟe'lɛ gele: to come, reaching a gele/ɟe'lɛ/gele
(TLI BTD)-gelsin (TLI place, to arrive.
CDFDT/TTDD)-gel, hele
gel, haydi gel (TLI SD). geldĭm: to come, reaching
ɟe'ldIc: gel > ɟe'l-dIc geldik/ɟe'ldIc/geldĭm
geldik: geldi-k (TLI BTD). a place, to arrive
bir: bir (TLI STS)-bir (TLI 'bIɣ: bir > 'bIɣ bir: name of the number,
bir/bir/bir
CTD)-ber/bi (TLI TTDD)- the title of uncertainty.
bir (TLI SD).
kara: kara (CTD)-kara kα'ɾα: kara > kα'ɾα ḳara: black, dark, bad, kara/kα'ɾα/ḳara
(TLI TTDD)-kara (TLI SD). distressed, mourning.
daşa: taş (TLI CTD)-taş 'tα∫α: taş-a > 'tα∫-α daşa: stone. daşa/'tα∫α/daşa
(TLI TTDD)-daş (TLI SD).
Note 4. Word existence criteria existing in the theoretical and practical background of I. line of the Turkish folk music literary/musical
text: Turkish Language Institution Dictionary Database/TLI DD (Url <http://www.tdk.gov.tr>), Urfa/Kerkuk/Tallafer Dialects Index and
Dictionary/UKTD ID (Özbek, 2010: pp. 113-253), Turkey Turkish Pronunciation Dictionary/TTPD (Ergenç, 2002: pp. 46-47), Turkish Folk
Music Phonetic Notation System Dictionary Database/TFMPNS DD in the axis of transcripted with Standart Turkey Turkish/STT-Turkish
Language Institution Transcription Signs/TLITS- International Phonetic Alphabet/IPA.
Table 2. Turkish Folk Music Phonetic Notation System/TFMPNS
Musicolectology/Musicolinguistics/Musicolect/Musicolinguistic Performance Characteristics
KayPENTAX®: Multi Dimensional Voice Program/MDVP Model 5105

The following figure is a model sample that was designed as a high-standard software tool for quantitative
acoustic evaluation phases of voice quality, is used widely for analyzing multi-dimensional voice parameter
properties, can distinguish between pathological/corrupted/abnormal/rough voice parameters, create
reporting templates in the theoretical/actual infrastructure of the database, calculate 22 voice parameters in
during individual vocalization phases within seconds, whose phonetic behavior properties can present
momentary image outputs in a fast manner, can relay objective quantitative values indexed onto incessant
phonation with internal normative database, obtain reliable voice behavior scales via a two-step process usage
tool, contain all sophisticated voice analysis properties such as narrow-band spectrogram, as well as basic
commands providing fast operations with standard voice analyses and Multi-Speech™/CSL™ commands, and
can use a professional hardware system such as CSL/DAT/ADAT. Connections between phonetic acoustic
analysis data and perceptual attribution properties, as well as multi-dimensional voice parameters results
belonging to approximately 700 individual participating actively in the user profile can be investigated via
normal/regular and abnormal/rough voice samples database. Multi-dimensional voice parameter properties
normative threshold values, average norm values, standard deviation values can be graphically and digitally
compared via the present Windows® version. All analyses, protocols, images can be checked via the active 4
function buttons. A report creator was included so as to put direct pressure on the program database. Radial
graphic can be added into word-based documents (Microsoft® Word). Thanks to this feature, a comprehensive
report inclusive of analyzer comments, graphical images and computational results can be created. Turbulence
caused by the incomplete larynx closing stages and vibration caused by the periodical vibration processes can
contribute to the voice production, and the long-term periodic modulation of amplitude can be drawn back to
physiological reasons decomposed from the long-term periodic modulation of the frequency. Multi-
dimensional analysis approach helps clinicians better assess the voice profile of individuals and monitor, more
concretely, the changes in phonetic performance that happen in-process. Results can be compared with the
data in the professional literature, as it provides frequency modulation (vibration, coruscation, aspirated
intonation roughness, RAP, PPQ) that can change with each loop in numerous variations (Refer with figure 3-4).

Figure 3. Multi-Dimensional Voice Program/MDVP Model 5105: this module provides multi-dimensional
voice parameter properties graphically and digitally. Voice quality results of individuals participating in the user
profile are marked into a normative database. User phonetic performance properties are shown with a green
graphic and normative thresholds (grease/red) included in the software database.

Figure 4. Multi-Dimensional Voice Program/MDVP Model 5105: this module provides voice parameter
properties belonging to the subject with a radial graphic on the normative threshold circle. Voice parameter
properties existing within the bounds of normative threshold are marked in the circle, whereas voice
parameter properties existing outside the bounds of normative threshold (SPI, soft phonation index etc.) are
marked out of the circle. Provides analysis results of multivoice parameter values/symbols
determined/suggested by National Center for Voice and Speech/NCVS.

(Url<http://www.keypentax.com)&(Url<http://www.kayelemetrics.com>)&(Url<http://www.pentaxmedical.co
m>).
In the Transfer/Adaptation Processes of Turkish Folk Music Phonetic Notation System/TFMPNS Into
Educational/Instructional Practices KayPENTAX®: Multi Dimensional Voice Program/MDVP Model 5105

Turkish Folk Music Phonetic Notation System Phonetic Therapy Applications/TFMPNS PTA
production/development processes were defined as a technical term (Kılıc, 2002; 1-8) & (Kılıc, 1999/2000; 1-8)
that includes the notion of voice (phon: every kind of vibration occurring in vocal folds that can be perceived
via ear), pitch (frequency: a perceptual term referring to voice thickness or thinness, basic frequency equivalent
to the number of vibrations of vocal folds within a second), quality (property: vibration occurring as a result of
respiration organs and vocal folds working together in accord wihtin equal intervals), resonance (tone: a
portion of harmonics becoming selectively amplified in accordance with the momentary situation of vocal
tract), intensity (loudness: increasing of subglottic or glottic pressure) within the scope of phonetics (phonetics:
a science branch regarding to the production/transmission/perception of vocal sounds, which investigates
voices of a language in terms of articulation points/articulation properties/their functions within the linguistic
communication string, and is constituted of three main parts as articulatory/acoustic/auditory: Erem & Sevin,
1947; 79-81) which makes up the very basis of phonology (Phonology: a science branch that investigates the
speech voices existing in the theoratical and actual infrastructure of languages with a supralinguistic approach:
Roach, 2001; 10).

It was emphasized that voice disorders (voice quality disorders: aspirated-rough-hoarse-lost-broken, resonance
disorders: nasal-oral/pharyngeal disorder, pitch disorders: pitch break-pitch range constriction etc: Kılıc, 1999;
321-337) are caused by organic (structural: pathology of anatomic productions, quality of vibration property of
vocal cords: Senocak, 1983; 369), functional (functional: muscle activity of respiration organs, vibration quality
of vocal cords, holistic body activity: Omur, 2001; 85), psychic (psychological: effects of psychological dynamics,
psysical examination and capacity calculations, assessments of personality: Senocak, 1983; 388, 398) reasons
due to the misues of respirator (respiratory: diaphragm, abdominal/thoracic muscles, lower respiratory tracts),
vibrator (vibrational: vocal folds), resonator (resonant: supraglottic larynx, pharynx, oral/nasal cavity) systems
that work in accord with each other and play an active part in the production/development processes of
human voice within the scope of phoniatry (voice therapy: a medical science branch regarding to the diagnosis
and treatment of voice/speech/tongue/hearing disorders, which investigates the
anatomic/physiological/pathological functions of human pronounciation mechanism: (Kocak, Url
<http://www.drkocak.com/id15.html>).

In the diagnosis and treatment processes of voice disorders sound therapy (sound change via behavioral
methods, effective/active use of sound within physio-anatomic limits, identifying the targeted voice to adopt
the new behavior form, vocal behavior change by using physio-pathological mechanisms: Denizoglu, 2008: pp.
1-16, using singing exercises in sound therapy: exercises for tone adding and reflecting: need for a healthy vocal
cord, technical ergonomy, modifications of vocal behavior, application of sound and articulation studies to the
repertory, standard kinesthetic therapy techniques and use of International Phonetic Alphabet/IPA in the
stages of connecting linguistic phonetic structure with the teachings of singing: Kocak,
Url<http://drkocak.com/ses-terapisinde-san-egzersizlerinin-kullanimi/>) are the utilized tools (Denizoglu, 2005)
& (Denizoglu, 2012: pp. 1-40) & (Yigit, 2004: pp. 1-5) & (Evren, 2013: pp. 50-60) & (Evren,
Url<http://www.pegem.net/akademi/kongrebildiri_detay.aspx?id=4909>) & (Saruhan, 2014) & (Kaplan, 2015:
pp. 38-47) & (Töreyin & Oğuz, 2006: 673-680).

In order for the voice disorders (voice quality disorders: aspirated-rough-hoarse-lost-broken voice, resonance
disorders: nasal-oral/pharyngeal disorder, pitch break-pitch range constriction, vocal intensity disorders: very
high-very low voice, intensity range constriction, vocal cord nodule, vocal cord polyp, vocal cord paralysis,
muscle tension dysphonia, spasmodic dysphonia, vocal cord hemorrhage, vocal cord effusion, vocal cord cysts,
mutational falsetto, hypernasality, hyponasality etc) that are structured around
anatomic/physiological/pathological functions of individuals participating actively in the Turkish Folk Music
Phonetic Notation System User Profile/TFMPNS UP to be treated, production/development phases of Turkish
Folk Music Phonetic Notation System Phonetic Therapy Applications/TFMPNS PTA (data such as Turkish Folk
Music Phonetic Notation System Phonologic Awareness Abilities Development Processes/TFMPNS PAADP,
Turkish Folk Music Phonetic Notation System Auditory Discrimination Test/TFMPNS APT, Turkish Folk Music
Phonetic Notation System Articulation Test/TFMPNS AT, Turkish Folk Music Phonetic Notation System Phonetic
Analysis Test/TFMPNS PAT, Turkish Folk Music Phonetic Notation System Phonetic/Morphological/Vocabulary
Criterion Determination Test/TFMPNS PMVCDT etc.) must be completed.
Findings

Structured within the axis of local/universal phonological and musicological laws on the level of voice
characteristics one of the folklore analysis models performance/executive display theory (in folkloric axis any
forms of folkloric term/concept/element-folklinguistic variance/variant/variation: Cobanoglu, 1999) and
linguistic approaches at ethnomusicology (in ethno musicological axis any forms of ethno-musicological
term/concept/element-ethnomusicolinguisticvariance/variant/variation: Stone, 2008) Turkish folk
music literal/musical texts defined in the axis of which as or performance type and prelinguistic/preartistic
originated language Turkish Folk Music, maintained its existence within the theoretical/practical substructure
of literary/musical texts in connection with local/universal ties on the level of
phonetics/morphological/vocabulary criteria.

Structured within the axis of local/universal phonological and musicological laws on the level of voice
characteristics Turkish Folk Music Phonetic Notation System Database/TFMPNS D (Turkish Folk Music Phonetic
Notation System Alphabet DB/TFMPNS AD, Turkish Folk Music Phonetic Notation System Sound DB/TFMPNS
SD, Turkish Folk Music Phonetic Notation System Dictionary DB/TFMPNS DD, Turkish Folk Music Phonetic
Notation System Work DB/TFMPNS WD, Turkish Folk Music Phonetic Notation System Phonotactic Probability
Calculator DB/TFMPNS PPCD), Turkish Folk Music Phonetic Notation System Phonetic Therapy
Applications/TFMPNS PTA (Turkish Folk Music Phonetic Notation System Phonologic Awareness Skills
Development Processes/TFMPNS PNSPASDP, Turkish Folk Music Phonetic Notation System Audio Distinction
Test/TFMPNS ADT, Turkish Folk Music Phonetic Notation System Articulation Test/TFMPNS AT, Turkish Folk
Music Phonetic Notation System Phonetic Analysis Test/TFMPNS PAT, Turkish Folk Music Phonetic Notation
System Phonetic/Morphological/Structural Criteria Identification Test/TFMPNS PMSCIT, Turkish Folk Music
Phonetic Notation System Phonologic Awareness Skills Training Sessions/TFMPNS PASTS, Turkish Folk Music
Phonetic Notation System Phonologic Awareness Skills Assessment Group/TFMPNS PASAG)
formation/development and transfer/adaptation processes to educational/instructional applications need to
operated via utilizing KayPENTAX® (Kay Electric Company & PENTAX Medical Company) Multi Dimensional
Voice Program/MDVP Model 5105 sampling.

References

Bicil, Y., & Demir, G., 2012. IPA Turca: Rule Based Turkish Phonetic Transformer Program/KTTFDP. TUBİTAK
National Electronic And Cryptology Research Institute/Multimedia Technologies Research And Development
Laboratory in UEKAE. Gebze/Istanbul.
Buder, E. H., & Wolf, T., 2003. Instrumental And Perceptual Evaluations Of Two Related Singers. Journal Of
Voice Vol 17 No 2 June 2003, pp. 228-244.
Caferoglu, A., 1964-1965. Anatolia Dialects Vowels And Consonant Changes. (Yearbook of Turkish Language
Researches-Belleten, Apart From 1963-1964 Publication), Turkish Historical Society Publication House, Ankara.
Carroll, L. M., & Sataloff, R. T., 1991. The Singing Voice, Professional Voice. Raven Press Ltd., New York, p. 382,
385.
Cevansir, B., & Gurel, G., 1982. Phoniatry. Virtual Printing, Istanbul, pp. 74, 77.
Cobanoglu, O., 1999. Ethnology Theories And Introduction To History Of Research Methods. Akcag Publication,
Ankara.
Demir, G., 2011. Phonetic Notation Of Turkish Folk Music Regional Dialects Structured On The Axis Of
Language-Music Relation. Post-Graduate Thesis, Istanbul Technical University, Institute of Social Science,
Turkish Music Program (Thesis Consultant: Prof. Dr. Erol Parlak), Istanbul/Turkey.
Demir, N., 2002/4. On The Term Dialect. Turkbilig Publication, Ankara.
Demir, N., 2009. Why Oral Documentation Is Required. Turkey Turkish Dialects Research Workshop (25-30
March 2008 Sanliurfa), TLI Publications, Ankara.
Demir, N., 2010. On Variation In Turkish. Ankara University Language And History-Geography Faculty Turcology
Journal, 17 (2).
Demir, N., 2012. Some Methodological Problems In Turkish Dialect Research. Diyalektolog (Journal of Dialect
Research) (4), Summer.
Denizoglu, I., 2005. Vocology Lectures. (Url<http://www.fonomed.net/ders_notlari.asp>) (Accessed Date:
29.03.2014).
Denizoglu, I., 2008. Voice Therapies. (Url<http://fonomed.net/pages/sesterapileri.pdf>) (Accessed Date:
29.03.2014)
Denizoglu, I., 2012. Clinic Vocology (Voice Therapies). Adana Nobel Bookstore, Adana. ISBN: 978-605-397-143-
6, pp. 1-40.
Ercilasun, A., 1999. Transcription Signs Used In Dialect Researches. Dialect Researches Feast Of Information,
Ataturk Culture, Language and History Supreme Institution, TLI Publications: 697, Ankara.
Erdem, I., 2013. Speech Disorders Encountered During Speech Education And Ways To Fix Them. Adıyaman
University Social Sciences Institute Journal, Education And Training Of Turkish Special, ISSN: 1308-9196, Year: 6,
Issue: 11, January 2013.
Erem, T., & Sevin N., 1947. Our Speaking Language With International Phonetic Points. National Education Print
House, Istanbul.
Ergenc, I., 2002. Colloquial Language And Turkish Pronunciation Dictionary. Multilingual Foreign Language
Publications, Press, Istanbul.
Estis, J. M., & Coblentz, J. K., & Moore, R. E., 2009. Effects Of Increasing Time Delays On Pitch-Matching
Accuracy In Trained Singers And Untrained Individuals. Journal Of Voice Vol 23 No 4 July 2009, pp. 439-445.
Estis, J. M., & Dean-Claytor, A., & Moore, R. E., & Rowell, T. L., 2011. Pitch-Matching Accuracy In Trained Singers
And Untrained Individuals: The Impact Of Musical Interference And Noise. Journal Of Voice Vol 25 No 2 March
2011, pp. 173-180.
Evren, G. F., 2013. Language-Speaking Factor Within The Scope Of Programmed Voice. Language and Literature
Education Magazine, Year: 2013, Volume: 2, Issue: 5, pp. 50-60.
Evren, G. F., y.b. Usage Of Voice Education Method In Voice Disorders.
(Url<http://www.pegem.net/akademi/kongrebildiri_detay.aspx?id=4909>) (Accessed Date: 29.03.2014).
Gorman, K., 2013. Generative Phonotactics. The University Of Pennsylvania Linguistic Department, (Published
Doctor Of Philosophy Thesis), Pennsylvania.
Helvacı, A., 2003. Register And Resonant In Voice Training. Music Symposium In 80 th Year of Our Republic, 30-
31 October 2003, Inonu University, Malatya, pp. 124-129.
IPA., 1999. Handbook Of The International Phonetic Association: A Guide To The Use Of The International
Phonetic Alphabet. Cambridge University Press, Cambridge.
Jennings, J. J., & Kuehn, D. P., 2008. The Effects Of Frequency Range, Vowel, Dynamic Loudness Level And
Gender On Nasalance In Amateur And Classically Trained Singers. Journal of Voice Vol 22 No 1 Jan 2008, pp. 75-
89.
Kaplan, A., 2015. Sense Making Possibilities In Speaking Device. VI. International Hisarlı Ahmet Symposium, 28-
30 May 2015, Kutahya, pp. 38-47.
Kılıc, M. A., 1999. Emphasis Method In Treatment Of Voice Disorders. Ear, Nose, Throat Specialization
Magazine, April 1999, Year 9, Volume 6, Number 1, pp. 115-119.
Kılıc, M. A., 1999. Voice Disorders: A New Classification System. C.U. Medicine FaCULTY Archive Fund Scanning
Journal, Volume 8, Number 3, Year 1999, ISSN 1300-3755.
Kılıc, M. A., 1999/2000. Speech And Language Disorders. Otorhinolaryngology Disease Graduation After
Education Meeting, 28-30 April (2000), Cappadocia.
Kılıc, M. A., 2002. Functional Anatomy And Voice Physiology Of Larynx. T Klin JENT, 2002, 2.
Kılıc, M. A., 2010. Evaluation Of Patients In Objective And Subjective Methods. Curr PracrORL, 2010, 6(2), pp.
257-265.
Kılıc, M. A., 2013. Biological Feedback Method. Turkey Clinics JENT-Special Topics, 2013; 6(2), pp. 41-5.
Kılıc, M. A., 2013. Emphasis Method As Voice Therapy. Turkey Clinics JENT-Special Topics, 2013; 6(2), Page.16-
21.
Kocak, I., (u.y.). Usage Of Singing Exercises In Voice Therapy. (Url<http://www.drkocak.com/id15.html> &
<http://drkocak.com/ses-terapisinde-san-egzersizlerinin-kullanimi/>) (Accessed Date: 29.03.2014).
Korkmaz, B., (Ed.) 2008. Tongue And Speech Disorders in 100 Questions. Dogan Book House, Istanbul.
Lamarche, A., & Ternström, S., 2008. An Exploration Of Skin Acceleration Level As A Measure Of Phonatory
Function In Singing. Journal Of Voice Vol 22 No 1 Jan 2008, pp. 10-22.
Laukkanen, A. M., & Mickelson, N. P., & Laitala, M., & Syrjä, T., & Salo, A., & Sihvo, M., 2004. The Effects Of
Hear Fones On Speaking And Singing Voice Quality. Journal Of Voice Vol 18 No 4 Dec 2004, pp. 475-487.
Madran, F. G., 2013. Phonation In Complete Dentures. Thesis; Faculty of Dentistry, Department of Prosthetic
Dentistry, Ege University Izmir/Turkey.
Malkoc, T., 1998. Effect Of Voice Training Over Voice Functions In Puberty. Doctorate Thesis, M.U. Institute of
Science and Technology, Istanbul, p. 89.
Multi Dimensional Voice Program/MDVP Model 5105., KayPENTAX®, A Division of PENTAX Medical Company, 3
Paragon Drive, Montvale, NJ 07645-1725, USA. (Url<www.kaypentax.com>). (Accessed Date: 02.06.2013).
Omur, M.., 1995. Glance For Voice Features. Cumhuriyet Science and Technic, Istanbul, pp. 407-11.
Ozbek, M., 2010. Language And Expression Characteristics Of Urfa Folk Songs. Unpublished Doctorate Thesis,
Istanbul University ISS Turkish Language And Literature Department, New Turkish Language Department,
Istanbul/Turkey.
Pekacar, C. & Guner-Dilek, F., 2009. Dialect Studies In International Phonetic Alphabet And Turkey. Turkish
Dialect Studies Workshop (25-30 March 2008, Şanlıurfa), Atatürk Culture, Language And History Supreme
Institution, Turkish Language Institution Publications 989, Ankara.
Radhakrishnan, M., 2011. Musicolinguistic Artistry Of Niraval In Carnatic Vocal Music. Australian National
University/ANU Research Repository Proceedings Of The 42nd Australian Linguistic Society Conference,
Australia.
Roach, P., 1992. Intorducing Phonetics. Penguin English Press, England.
Sagır, M., 1999. Transcription In Dialect Studies Feast Of Information. Ataturk Culture, Language And History
Supreme Institution TLI Publications: Vol. 697, Ankara.
Saruhan, S., 2014. Story Of Transformation From A Angle To Creature: Castratos. Academic Social Researches
Magazine, Year 2, Volume: 1 March 2014, pp. 561-572.
Saruhan, S., 2014. Textual Lucidness Problem And Reasons. International Journal of Social Science, Number: 27,
pp. 553-573, Autumn I 2014, Doi Number: http://dx.doi.org/10.9761/JASSS2411.
Saruhan, S., u.y. Contexts Formation Of Tones In Singing With Formant Adaptation Sample In Women Opera
Singers. International Social Researchers Magazine, Volume: 7, Number: 32 Page.675-869.
(Url<www.sosyalarastirmalar.com Issn: 1307-9581>) (Accessed Date: 29.03.2014).
Senocak, F., 1983. Symptoms And Syndromes In Ear-Nose-Throat. I.U. Cerrahpaşa Medicine Faculty
Publications, No: 123, Istanbul, pp. 369-405.
Senocak, F., 1990. Private Problems Of Professional Voice, Stage And etc. Artists, Dysphonia International
Symposium in Otolaryngology and Art Branch, Istanbul, p. 119.
Sherer, T. D., 1994. Prosodic Phonotactics. Doctor Of Philosophy Thesis, The Graduate School Of the University
of Massachusetts Amherst Department of Linguistics, Amherst.
Stone, R. M., 2008. Theory For Ethnomusicology. Pearson Press, New Jersey.
Tang, L., & J. A., & Boliek, C. A., & Rieger, J. M., 2008. Laryngeal And Respiratory Behavior During Pitch Change
In Professional Singers. Journal Of Voice Vol 22 No 6 Nov 2008, pp. 622-633.
TLI. 1945. Turkish Dialects Transcription System. Cumhuriyet Printing House, Istanbul.
Toreyin, A. M., 2008. Voice Training (Principal Concepts-Principles-Methods). Gençlik Bookstore, Ankara.
Toreyin, A. M., & Oguz, H., 2006. Objective Phonation And Acoustic Analysis Findings In Individuals Receiving
Vocal Training Depending On Various Music Genres. National Music Education Symposium Notice, April 26-28
2006, Fac. of Edu., Pamukkale Uni. Denizli.
Turkish Language Association., 1963-1982. Turkish Colloquial Language Compilation Dictionary. C. I-XII, Ankara:
TDK Yayınları (Publishing).
Vural, T., 1990. Diagnosis And Treatment Of Voice Disorders In Vocal Artists. Dysphonia International
Symposium In Otolaryngology and Art Branch, Istanbul, pp. 60.
Yavuzer, A. & Ogut, F. & Kalaycı, T. & Celtiklioglu, F. & Bakır, H., u.y. Phonetic Approach To VocalArtists.
(Url<http://www.tkbbv.org.tr/dergi.aspx?Dergi=38&yil=1999&makale=4508>) (Accessed Date: 29.03.2014).
Yigit, N. & Evren, G. F., 2015. Usability Of Voice Training Methods And Techniques In English Education.
International Journal of Languages’ Education and Teaching, ISSN: 2198-4999, Mannheim-GERMANY, UDES
2015, pp. 1074-1093.
Yigit, N. & Evren, G. F., u.y. Usability Of Voice Training Methods In Voice Disorders.
(Url<http://www.pegem.net/akademi/kongrebildiri_detay.aspx?id=4909>) (Accessed Date: 29.03.2014).
Yigit, N., 2004. Voice Problems And Reasons In Individuals Who Use Their Voice Professionally Or Will Use.
1924-2004 Music Teacher Training Symposium Notice From Music Teacher School Up To Today, SDU, 7-10 April
2004, Isparta.
Yigit, N., 2010. Evaluation Of Individuals Who Received Professional Voice Training. Dokuz Eylül University
Social Science Institute Magazine, Volume: 12, Number: 4, Year: 2010, Page 75-93, ISSN:1302-3284.
Yiğit, N., 2012. Professional Voice. Kastamonu Education Journal, September 2012, Volume: 20, No: 3, pp. 955-
964.
Yücel., D., 2009. Investigation Of The Impact Of Phonological Awareness Education On Children With Reading
Problems. Master Thesis, Hacettepe University Institute of Health Sciences, Special Education Program,
Ankara/Turkey.
 Url<http://www.pentax.com.tr/tr/product/14747/cameras.html> (Accessed Date: 09.11.2015).
Url<http://www.pentaxturkey.com/index.php?topic=1952.0> (Accessed Date: 22.11.2015).
Url<http://us.pentaxmedical.com/> (Accessed Date: 06.11.2015).
Url<http://jproc.ca/rrp/sonagraph.html> (Accessed Date: 27.11.2015).
Url<http://www.kayelectric.coop/content/about-us-0> (Accessed Date: 19.11.2015).
Url<http://www.kaypentax.com> (Accessed Date: 10.11.2015).
Url<http://www.kayelemetrics.com> (Accessed Date: 10.11.2015).
Url<http://www.pentaxmedical.com> (Accessed Date: 10.11.2015).
Url<www.speechtech.com/pdb2.html> (Accessed Date: 10.11.2015).
Url<http://www.kaypentax.com/index.php?option=com_aboutkay&task=editShow&rec_id=1&menu_id=0&co
ntroller=aboutkay_cmphp&Itemid=2> (Accessed Date: 01.12.2015).
Url<http://www.kayelemetrics.com/index.php?option=com_product&view=product&Itemid=3>( Accessed
Date: 02.12.2015).
Url<http://www.berrycreative.biz/Pdfs/KayPentax_Acquisition_Pentax_Backgrounder.pdf> (Accessed Date:
03.12.2015).
Url<http://comd.uh.edu/facultyandstaff/mchenry_m_srlab.html> (Accessed Date: 23.11.2015).
Url<https://music.ku.edu/vocology-lab> (Accessed Date: 01.12.2015).
Url<http://cmed.faculty.ku.edu/chovoped/voclab/> (Accessed Date: 10.11.2015).
Url<http://new.oberlin.edu/conservatory/departments/voice/vocal-arts-center/equipment.dot> (Accessed
Date: 13.11.2015).
Url<http://www.rider.edu/wcc/undergraduate-programs/voice-performance> (Accessed Date: 16.11.2015).
Url<http://www.ncvs.org/products_academy.html&www.ncvs.org/ncvs/info/singers/index.html> (Accessed
Date: 01.12.2015).
Url<http://www.trtnotaarsivi.com/thm_detay.php?repno=701&ad=GELE%20GELE%20GELD%DDK%20B%DDR%
20KARA%20TA%DEA> (Accessed Date: 03.05.2014).
Url<http://www.tdk.gov.tr> (Accessed Date: 03.05.2014).
Url<https://tez.yok.gov.tr/UlusalTezMerkezi/> Tez No: 263098 (Accessed Date: 03.05.2014).

View publication stats