MAN ON THE M@ON : ‘Words ond Music by William Berry, Poter Buck, Michael Mills and Michael Stipe En Intro: 8 oi) c vous, Get wlute letrine.. wwii 4 (Acons. Gi. 1) 2 tome 3 es , q ae 4" op =o 1, Mott the Hoo - ple and dhe game of Life yeah, yeah, yeah, yeak.— (Och, a = ——_} cous, Gee 3 eapo 12th fet) ‘ga ead Fig.2 0-0-9 1-9 9 {pte 3 6 9-9-0 oo 3 sae iH d0 0) 0 9 9 5 55 4 444 {42-2 2 2 6s. aa (© 1092 Night Garden Masi, USA ‘Weredieppell Nosh America Lid, London W6 #8SDen) Cc eo a $e SSS = An - dy Kaufman in the wree=t- ing match, yeahs yeahs. yeah Yell. Backing Vocals C i, stmale) Mo - apo ty Twen - ty-one, checkers and chess, yeah, yeah, yeah, yesh Mis-ter Fred Blas-sie in a brealefast mess, yeah, yeab,— yeah, yeah.un Lets play Twist er, let — play Risk, yeah, yeah, yeah, — yeah — rl im. for Git. Pig. (Acs, Gre.) 2 eines o = 3 1 De © ae SS ot = oe — ta a see you in heaven if you meke the list, — yeah, yeah, yeah, yeah, Now Gtr, cont nslasées > - “Tellme are yw Tecked in the punch? Git . oop ° ee 7 € — f —CLE Cc sS $—-- — — 7 _ 7 | Gu. 3fexpo 120 re} | gueames Hey Andy ate you goof-ing on El visi Hey babyyAm c Bm G Am: , 3 a) a? ? 2s sy oe a ES — If you be - lieved they por a2 man on the moon — man on the moon. ae tS jo = Gir. wg dt tt oo Crew —O—+ 5 i — a8 nis Fe oe — = dl gage ae EE eoAm chefs oS _, 6 nl SS es = then noth - ng is cool. 5 oo —— | = : pe : 4 (ge) - cipeenieptinn essen gag tarane eerie DNS a : ¢ 2 i ° * * ¢ —— 7 = es ——— SS SS SSS pe a 5 = 5 > I $f at = Verse: © Dia) c eS ee oS 2. Mo-ses went walk-ing with the staff of — wand, yeah, yeah, yeah, yeah, — Gud TE 7 2e SSS SSS Plt ring ceceeeedletrng fo debra seen BN If ikig. I Acous. Gin 14am wiFig. 2 (Acons, Gor 1) 4 mes _——— ! : ie a Dita) Cc == =ESS SS eS v ° . a ee a Newson got beaned by the ap-ple good, yeah, yeah yeah, yeah. ae oF aoe Se eet Wim cocceeeeesne tome 5 Sa == - a {+s TE-gypt was trou ~ bled by the hor-ri-ble asp, yeah, yeah, yeah, — yeah. — ee oY f Net cece cnneeeee yeah, yeah, letring Am, G epee es Tell me, are you locked in the punch? fetring. wifi} (Blee. Git. 3) so —S lerving { An-dy, are you gool-ing on EL vis? Hey == oe ba-by, SSS are you having funeChorus: G a IC you be - lieved they pur a manon the moon, flee ee Say man on the moon. 2" onb) [Doo-th, eae doo ahah doo. ’ $e 4 = nee ar f A Y $ + at =-Caf= S; wikig 4 (ble. Gen fetring learn 7 - bth ~ Sat es eA a 8 9 ° — = J Bm Am To Coda 1 you he ieve ' there’s noch-ing up my sleeve, theo noth-ing is cool (Noth in. —— let ring $4 DenarEn D Em D u 79 6 Contry se 2 FDI TTD Cont. sete cad Fig. 5 9999 9 9 9 p99 99 $133 333-3Verse: c Dita) c oe = _ = & tee SSS ES = 3. Here's a fi-tle agcit forthe ner-er besliey = eh yeah, yeah, yeah, — yeah. — (Ooh Cc Dia) Cc Sas . -& ee Fe Here's a lit-tle ghost fur the of ter ~ ing, yeah, yeah, yeah, yeah, — itethackgrownd Vocals)Dia c SSS SS SSS ho = ff a wee SS 4 Heres a truck = stop in stead of Stine Pete's yeah, yeahs. yeah, yeah, — Bow init 4 pe - re . ee re {Fr ee t 4 £ ¥ a Te ig wig Accs, Gr) Atames vei 2 cn Gr 314 times se pg — ——_¢—__, = 4 = — 2 = De) c po 1 ES Set 2 Se Mis-ter Andy Kaufman's gone wres-tl - mg,— yeah, yeah, yeah, yeah, — Now Wrs-d nga) ote ce . . £ f - ie | . 0 4 4 4 2 = = G { — 4 _ Andy, dit you hear abourthis one? Tall me, are you lacked in the punch? —— — a es 4 wet wig 3 (Acoust 3 — a ee SSS 2 8 Amn G c pear Hey Andy, are you ypof-ing on Fl =~ a = # a = =F ft => * —t Lat | keting wooed let ving. - 1680 —— a 5 5) 8 $ t20 D h— = = = zt (oS SS SS are we los mR touch? i —- = ——F — - ————— itp 1 FS oF 3 a — — =F jt. = 0 Coda Solo; Em ig IE be +} a. ——— o wiFig. 5 (Flee. Gtr, 8) FF eT 7 Tae eae iH ia 7 a i a Gir - —_<— #. £ ” . “a Sa —it == 3 « — TT ——_ +5 —_-—5 — 5 os 8) T a : = ” 4 D ~ rey as Be : T ee. : 3 4 7 7 .2 c Bn G Am SS ed they pura man on the mo0m— smn onthe — moon (wibackground Fig. 1) I f Lh Ps = 2 = t ae = : let ng ee leving a sy So = 5 i? 7 g-—*6 | 3 .—* G Am ce Bm ro —— wae + = : fF If you be - lieve theres noth ing up my sleevt, (Doo. ak, doo-aby ah doo i fe ee aT = * == Background Vocal Fig. 122 G Am = = J i =| HE you be ~ heved- they pot aman onthe moon, anon the moon.. “ulbackground fig, I) 4 fe, | 4 i : > oe is Se ——— sp G FT $ s To ge el es = 8 = D Bm : a] to o a —¥— = a It you be = heve— there's noth -ing up my sleeve, theo GSE, ah ot then noch (Noth they pues manson the mtoon,—onthe moon. -heibackground Fig. t) <8 3 - =| | Am _——. 5 —s — SS there’s noth ing up my sleeve, then moth mg is cool.* THE GR EAT BEYOND Words and Music by Peter Cuck, Michael Mills and Michael Stipe Tune all Gres, d. 108 | intro: Amt Dae? i few Git2 0 i Elec. Ger. Dsus? —_— oth w/Fig, | fs. Gir 3) © 1998 Tenporary Music, USA ‘Worrer/Chappelt North America Liq, London WO 6BS6 i W/kig, 1 Elec. Gtr 3) 1. Tue watched. the stars— fall si - eat from your 2 In all this talk—— of time, talk is (Werse 3 Instrumental) Oh the sights—— char But 1 don’) wart (el | f o—# pe = +— - | FF se inf d 3 1 a wiFig. 1 (flee: Ger. 3) et Z E Why cant we i 3, Ewant the hum ming birds, the dane - | 4 a ; ‘ = fF = = Ss $ # gy vce fF ‘ o @ a Gin. sents tere oO > — ‘ i] La 4 ot o 0 bo (es 0 4Dsus? Dsus? —— __ == = = oe | BASE a SS Sa . > Lieve. that | be could sc——_ =o there's a new — pnt inthe looking, 0 the stars cf me and you with wingy— on oon. cove oe Vey pushing an Tm tossing vif punch.7 D.B.al Coda a ms 3 218 300 jt oe) swers from the gicat28 Am c G oD ee ie : + <3 p-p 28 ay : i & Set aS pbs <= SS om beeak-ing through, Tm bend = ing spoons. ful bloom Tm took = ing tor an29 $ == ° ing for look o- 1—1 2 20 Ven Am — bloom.— = great swers from the= BAD DAY Words ond Music by Willlom Berry, Peter Buck, Michael Mills ond Michael Stipe iff wifeedback wisight as rod Sy A aaa SS the oth-er day, {1} pob = Me ser= vice am = nounce ment followed me home 1) er teen the te le» vised St (© 2003 Night arden Muse, USA ‘Wornevoneppel tort Amariea Li, London We 4Ba c = os a a 4 a — T paid it ney see mind, oa oe : ‘ 5 2 gd as 2 Ss 3 é A Gm Eo c = SS == go a= way, Shit’s so thick. you could stir =i pany tat Well look be - hind — the yen be | = = = — = i f == =e wig ais ~ 1 4 7 3 — fy | 5 + 5 & o a f~2 0 +— 5 5 — of 3 — ; Be Cc { z Sas a {ff = pS —— with a stick, free Tef ~ jon, — white- washed pre - si - den We're — ith hal - lowed, hol -low a ~ nacs fe ote - = = Fae : ee Fe i a4 : 3 om 4 1 — a : a] = 4 SS ey [_ — Fig. Gm ont ¥ g__f f e fie . .92 F c ey of be - jerked my ing Gm pie Se St © wear that on—— yur sleeve. } smoke — ond mir ror Jock. down, = eS 3 Be 1 a oat SSeS =e ama Broad-cast me a joy = ful noise. un © Count your vB — : wii eG 9 : A= = =} 33 4 At tS 3 +o -B— oo a 8 Dm == SS et vive? wie ls ter > + 1 arF c Gm ; 2 _—_ 5 E totctor a > Set ee De du do, dhisdie ig Lg a = = = fy ; = 5 . s z z ad 2 - a 1 a 3 3 7 : o Bb ce Es — ; Tes ; = | ——+* f 5 f + FE ~ ——4 aye thar 1 esp be = hind, 7 =] ——— —— + N SS Sone { 3 a 2 — = — 1 i : F ° Gm D8. alCoda 0 SSS oa E De du dh, duds au eh 7 i == = == | i a: 3 —— —S ° we Rae * T = Fa | I 3 0% Coda E Gn c Gm, 3 saa F } =: a | ay 9 = = ¥ ; We been nha day, pleate don't take Ges — = - = ae <= = wig (lee Gn 2) 4 timer a + = 3 = = - —— Fis aGm Ft co . Sik bt fer a Set a pe tare, Ws been a bad — lay, please. — — Its been a bad dy, please dori. take oS = Ee = = : = = S| . f EE . A B— 10 oe o—Pis 16 i eSefi Cire A Cont. eonle Verse 3: We're dug in deep, the price is see, The aucnoneer is such w creep, ‘The lights went ovr, the oil can dry ‘We blamed ie on the other guy. Sure, all men are created eqaal, Here's the chcch, here's he steeple, Pease stay tuned, we custo sequel. Ashes, ashes, we al fall owen Broadcast me a joyful noise unto th times, lord. Count your blessings, Upote ce lower fear ‘Ugh this means war, W's beer a bad day ate* WHAT’ § THE FR EQUENCY, KENNETH? ‘Words and Music by Willlom Berry, Peter Buck, Michao! Mills ond Michae! Stipe “7 Intros Ds Pee: Gur 1 erring (as < Fa = B— Verse: 8 as Ds an 6 Fae ae - “Whar'sthe fre-quen-cy, Ken - meth? iy your uh. buh. Ive Suh died your caf - toons, midi - 0, sic, Vi, movies, maga zines, Fete boc aa 3? 3 ae I o 2 2 + a a | | ———— a {eo = — ——1—} =F (© 1908 Nigh Gordon Music, USA ‘amersCbappel! Hort Amertea Li, Loneor= > = =| oe “4-2 set ea PY wii. Ube Grr 3) 2-2 2 1 —- =s === 1 $4 3 9 te 2 2—o oo — > 2 42 2 to 9 - Ds Bm G Ss SS SS SS SS = - = 1 was brain - dead, locked — out, numb, not upto speed — Richard said, “With drawal in dis gust is not the sameae og = pa thy,” | Ps mx: 4 $ . ; —s—— Py ry 3 2 2 9 = 2 3 3 3 a i 1 a es See = 3 Bm ES j BLA Fi ° 2 —2 1 I —F = — 3 $3 + 2 2 i 2 Fig. AS GAB ODS Bm 6G ASOD Bm ES Hes tar. S Swit i 1 ee == |49 Dye. orm gs a a ait you, thought Yu an like the peeeed decam. tooth, ors ied tooth tor Tun you said the the that i= son from shack os of outs i les sateen, youth. 4 wort a shit of Wi + 0 lent green, uh buh, = + SS = iH “ 2 te: G24 ms _—— = 3 —— SS et oe = i As == 4 a oH — a= Fal Pe, Gt Gi == 7 [AEAS —=. e Ds 2 8 4 pi et $8 3 E Bo AS D G éh SSS Se a = S| : You wore’ our ex - pec - cm - dont lke. an tr moral sl, uh E | Tey = er an der - sto the — fre - quen - ey, ub huh, $ 7 = d : E 2 =F +S $ 3 33 > 2 2 r . : : po 4 i j oe +o 7 } i — i — at a | To Coda® [1.2 D AS D pt 7 pa t == f Sees 4 4 i —— You wore our ex - pec-tartions like an ar-mored suit, uh-huh, You wore a shirt of vi > o-lenr green, uh hub. wiFig. (Ele. Gtr 2) 8 times Bee th oera Voy = er um > derstood, A D AS —ae See Se + 1 could-r't un-der - stand. You said thar i - to-ny was the Vere 3 "What's the frequency, Kenneth?” Js your Benzedrne, b-buh, Buaterfly decal, ear-view mirror Dogging the seen. You smile lke a cartoon eteALL THE WAY T@ RENO ‘Words and Music by Peter Buck, Michel Mills and Michoe! Stipe f. Gm Dm FB fee ee ee doi Intros Gn c ‘Acs. Get rms 2 DS FQ dd FD Cont, thy, site Hee. Gir.2 SS al Burro Bram. fs Gre snd tone & tees IM. Gi 5 place adh wdckcars selelean sone & phasing OF Fg me i Is & = B— a = t 4 © 2001 temporary Musi, USA ‘Naxveanappel Mort Americe Li, London W5 36S5 c Gn SS eS ‘ 1. Hunan al de vay co Ke =o youve sted the mon — ee 1 Wing’ is owrit-ten on your feet,— your A-chil Jes heel . - = Gest Oat iby Gt Le challenged the laws af chance, a wusden -ey Wiig. § (Elec Gtr 6) 6 (bike Ger. 3) Fig. 5 Om F Flee. Gur. 6 (12 st.) ———— If wen ine46 Gm Aaa = wore 0 thie awe vu now A : = You've known thar fromthe be - ginning, you didnt hive to: god = | 4h PHd di dbaieid db db v = . * ; ys se - : i es a ee a a | §$—1—1—44-f 9 Pope eeee Fs pea AP Pe ee rp pp -B—3 p51 5 3 3-[-3—3—_+ 3 ; ; gos c Gm Dm F q — = 7 my === Sj me’ fastened on — your sleeve. — » fer, you didn't have. to go. $=t 245 : ass SHEE wig te Gi Eee wiFig. 6 (Elec, Gtr. 3) Gor 7 Contin slashes Gu.6 — Youknowwhar you are, you're gon-ma be a stara7 Be c Dm EB } TDs 7.) ~dJy FD —— _; 5 oe a et —— You koow what you ate)— you're gonna he a star 2Dm tee SSS ee you— kaow- who you are. -=——9— 9 wikig. 2 (Hee Gir 3)2 timer wig. 3 (Pec. Ger 4 wig. 1 (Fle, Gar 212 times Gir 5 plays ad i, backwards fe = 4 a — 3 8 9 - o-9—3— 3 i 3 § $i — = = ¥ y 3 oe 3) 9-99 9-9 p59 g ape 4 a ee 314 ae $23 3 $3 38 3 es c Gm i . oe ‘ : Uamn-aing all the way— 10 Re an, you'e wnrsen your own dive! (Gee)c Gn Dm bons and whs-tled the cules oF change = SSS wii. 5 (Elec. Grr 6 wwiPig. 6 (Hes. Gir You know what you are, you're gon-na be a stan — we RIP 8 (less Gre) wwiFig 9 lee, Gir 3) J iro 6 a a Pee yoé o G Gm Gut, , Cont: site 5 * . Humming no, 2 Ir = es ——e- = = 5 aa. 13s = | — A _ — + r+— - x : re =e oe wy + — _ * B-— a ; 3 7], — c Gm c Gm et = SS =e =o, all the way. to Re - no you're gon-na be a state ce —— = e oe - “| IF S38 you're gon-na he a stanGm c Gm = he ——_ you're gon-na be a ‘star, — Gin. 384 oo - - ‘ - ‘ + %- 7 a : 1 3 Gn Cc Gm oO : ee = ——— ht = =P toy * ge OF. ee — Gm c Gm == —— ae = ae a ae : + = ot : === = woe vee A a ° +— 1 a 7 3 + - 3° LOSING MY RELIGION Words ond Music by Williom Berry, Peter Buck, Michael Mils and Michael SApe e124 Intro: NC. s Mandolin are, for Gir. af ee = Se ——— en Am Am/B AmiC An/D AmiE F ’ PTT TI a git te ape o 2 12 = z 131 4 13—13 18 16 13134 | 2 43-13 3 At MoM 4 414 1416 w—e—1 no 4 414 fp ig 8 life i Coie non o—s4 FR acs ae 8 ; = art yy —— Le 15-15 14— 14 4 ©1901 Nl Gorden Muse, USA Wamovoneppll Noth Ameria Le, London W6 68S53 Am Em . 5 = = tat ot = SSS 7 is big - ger, its big - ger— than you, per, of ey = ery Wak-mg hou, — Pm and The choos «ing my you ae not me. confessions, shat try lengths ing will to wo keep. the dis rane lest and blind Pa fool, —G a= ES == i ike sit 2 Tit pea br 4, Const > der this, ner thary mein the spot = ight con = sh der this the hint of the een = temp Am ———————— == Boats SSS == ———= . up with you. And | dont know if 1 can do beought me omy knees — failed — What if all— these eS - o~ 42 at . + os 2 = 2 3-2 2 %- yee 3 —— t—o—6 =Em Em? = ~ AS : SS =S S SSS ti Oh ao, Te said to9 awe, 7, come flail 2ng a - round, and now Ive eondeco haven't said 11 a} 22 4 horus: F . owt, ff J f~-—~p 4 “4 - 319-1 Bt 1% 15} eo a seer hi at 14a e184 1s 85 oH a Amc Am/D Ame F Dm G ToCudad ) rT FT) 3) ct } : 2 - — 12——1 Fe Te Beg — 3 pg ig te 144 ——— 13 —— 14 1418 ate is 5 512 5 1515.a rr 1—*. -3 L W141 141212 14— 14 14181212 - t 42-19-1212. 12-19 16-18-15 13.13.19. - 44—$14 14404 that was just ream, Cee that Dm DM. al Coda WATT eT, tt tee! —To oa was a decam,— 5. That's me in theeor fe thie pF RR He 7 wae | 2 IB : t Coda Am ArB Am/C AmiD AmiE d - 4 , , me —— = c= =e — ° zi — bur Ete g £ 2 $F s—s ¢ os fF f F * fit pest tet, ° Fs 39 — a ee rs |e | ee ot “4 Bo7 Din G Am AmiB AmiC Ami Al dad) PR } y) ) LSTTG SS - dream. — Try— and ery and fy and try, —— but = 2 e = tee fee fof f ttt pote tite, HF . ta = «73 ean 9 wo wh Se it tit De, G Am G dads PLD o> TT )—s a ae ee ee =e that was just a dream, just dream, — jaw a dream, — dream... 4319-19-13 19 4a — ee 9-9 9-0-0-0-0-9—-0-0-0-0- §--0-9--9-0- 0 0 00-09 -9 -0-9-0-9 AAA AT AT AT AT AT ATA AT TATA AAT AT | IATA AT AT 1717 | SI oof 10. E- BOW THE LETTER Words and Music by William Berry, Peter Buck, Michael Mills and Michael Stipe Er Bn DS del abt 5 ve Tat } Intro: G8 Ge Em Gs ae i Hee. G1 i YG v—— eidse & F-llota® setammne device tronghoat IM crvmsnicoscrtom 1. Lookup. re gone 5 Pitot ca tthe ——— ft SS ——— © 1996 Nigh Gorden Music, USA ‘Worer/Ghoppel! North America Id, London WE BBSih what do yousee? Will you live to or ety AIL of you and all of me, fluo-tescent,andstar - ry, someof them they sur - prise eighty three? Will you ev = er wel>come me, will ov show Ue bus ride. Twerttowrite this four a, tmy— this me some ~ thing that ra-bo ~ dy else has seen? lee-rer.— ‘The fields of pop -pics, litte pearls, Sooke it, drink. Here comes the slood, All the boys and all the girl sweet-toothed, cach and every one a lin-de_sea = ane y= thing to thin— the blocd These eoe-o-sives Map a= — = == 5 . a o— 0 a —1— 3 o—- 0 a 0 4 2 a 0 2 4a 3-3 — a 2 $ 5 - wean tne Do ang ———60 do their ma sic 1 said yourname, slow = Ix, and sweet. T wore it like a badge wf wen age— Phone, ent ity = foil 0 tan, bash bass, cher-ry mash, and tin 2-16 Dreaming of Macri-a Cal —tas, Juscan-oth es chink, cuts and dents theyeatch the lig = the weakest link ° oo = - — —— o — |A—3 338 pt 4 ‘B— 3 yas = = c Gs Em q {,- 4 = a] vhovey er she is. ‘This fome thing, I don’t get it. T don’t want to dis - ap-pointa c a Ge Em Br Epo Se re ee) | | wrapped iy hand in plastic to try to Took. through it. May-bel-line eyes andgisl-as - boy mos you, Par not fere- 10 & = moint you. T woul ick your feet but isthat the sickest move T wear my own érown, ° 13 3 — —1—9 - al 339 9 — = 4 I x 2 ee Em === SSS Se = oe ee ie Lean take. you far, This star. thing, Tdon'tget it, and sad-nessyand. sor-ow and who'd have thought wo-mor-row could beso strange? Saale . i ‘ushammnic wrertoneChorus: (0) Em Ge 0) oo = ‘And here we go again we rake. Gir, ble. Sitar dewhes) =a © vmicnium, tases. like fear — . Ae dre-nadine, pull vs near =H = == here, TH take you. <1. — ie oonke, Ger 4 le. Sitar doubles) wal! SS AyWe pullsas nea | i ar Fl rake you IT — . take. Gir A (Ele. Star doubles) Interlude: Gs Ge Em Gs Ge Em os Ge Em ers SS SS LL!dg Em = you an Bm = id all of me, fh ? as o — -4- ¢ $ es oe @ 33 : 0 + 2-73 33 24 a hi | | . SS What do you see = 4+ — eee == bet = ee FEF = = 3 —# + —— 4 + —+— —1 =o 4 oi i= — B oe iec GS Ge Em Bm = [can't look ic in— the eyes, Se-co-nal, spa-nish fly, ab - sinthe, ke - ra-sene, cher - ry flavored) neck and collar: Lean smell the sorrow on yourbreath. ‘The sweat, the vieo-ryand the sorrow. This smell ching, = = ee ‘edhaymonie wsertone - 5 = . 33 ° g 9-28 oo a | —— es ee etChorus: (0) Em Gs ‘DD to 10 ie A= losmisium, —tasesike fear ee = = eS — — —— v Sa ae es sa Make you ov = \ 3 === 3 v= : i ; Cont. oie 7 Fi a é che y Gin 4 (lee Suar doubles) oo — -alre-nacine, pulls us nean— A Iwemi-nium, tastes like fear Avdte-nacline, it pulls us near 7 Pe i a SS SS SSS ee = ul 5 E Til ke you oven take you there, MM cake you. | iP67 te Ie palls. us — oven take you there ote ey TH take you all @ rake. nA thle. Str dows) are Ie pulls us neas Ir tastes lke feag, ee ————— rake Gir Ele Sitar danbles) 10 0-0-0-00 x2 +o 4 ° fa ap a Ol ——— pas eee 2 a 4(0) Em Ale Sa Weare, near - er An 3 take. Git 4 (Elec Stor doubles Fig rake .§ (tte. Stee doubles (D) Em Gs (D) = * < ac = j= SSS nearer and ear =, 7 eg ee SS + Pt = over, ove er, ov-er, ove er, vee ‘Yeah, — Tookio) o Em Tleake you there, Tl take yourhere =—- i — os VIL take you there. WI take you there.x ORANGE CRUSH Words and Music by William Berry, Peter Buck, Michael Mills and thichael Stipe Es Bi) Fm dei Intro: NC. Hes, ve? = SE nf lig dis XOCK INKS Sk RO SRN ORR _ wig lhe Gir 2 wig Eke Gre 2) $$ $$ ——___________— o 5 5 9 3 as + —10— —1——$2 ‘© 1988 Night Gorden Music, USA ‘Worner/¢happell Norh Ameria Ud, Londen WO BBSn Verse: % ES GS Bibee det === e t yo To (Follow. me,— doo’ a ee ee (Col - lar me, doe gal = tae me.) Pee gor = — 2" —— 6s Daw? = —— — jd d 7 i an oe ae nl (We are a+ gems my spine, he gor myo range ensh,— |. + ———# 6 v wm. ee, 2 EE ~ 9 ee ee A = ae 3p T's aDas? ; iS (Over ome, sor av-er__ me, —_} ~ t \ A aan fea 7 1 tS Seale : SES Ss ~ waiFl Gn ° oe = peas is 3 — = Chorus: es Bi) Fim B — SEP «Oh, 22e 0) Nigh onthe roof, Gin 182 Sho esrr —— (oh. another one on the waves. 10 night. giles — = a! tt ;A - 4 i Fig. 2 Dsus? | 1 uy on toe J csaldea a ee wal hae 58 s 8 & bs 5 5 5 5 5 8 8 $$ 5555-55 pe 5b ebb3 j2. NC.Ebass) (Gass) ot (Soldiers:) Que’ two three four. 4 H+ ae — ; ¢ = o Rae ar. for Marve FE : ht = Bw °(bass) (Ebasd = == = oe = = = = { - 4 Fj (Ghass! (Dhass) (Ebass! at all che trucks jacked up, and our wheels. in slush and orange crush in pocket and all this here counery = hell any countey = Geet - t —| ins just like heaven here and I way remembering, and | was just in a different county, and all then this whirlybird, me (Ebass) ef that | headed for 1 had my goggles pulled off, 1 knew it all, 1 knew every a BOE = . 4 =| = = sas - - . = T a _ \ ham. -7—x a T == ——— = ow - SS SS — SSSHigh onthe rook — ‘Backing Vocals as previons Chorus) fo B + — = . you're home sta" IMITATION OF LI Fle Words and Music by Peter Buck, Michael Mills and Michect Stipe Bm D Asis? Das? © 2001 Temporary Masic, USA Worereneppel Hoth Amariea I, London W6 BBSVerse: et Em T7T) TTI Asus? Cont. roy. smile 1. Charades, pop sill, — waste hy a+ cinh, 2 You want— the ‘great es thing, the great = est thing since bread to, to = a St 3 : +33 sg fs HH Em Asus? - ~~ oo is a Se named by, a po - et, tom - ow ° von al life — came sliced. You've got it’ all, you're got it sical - x : a = $ i : = ; aH = +o D ci) En = 7S t a Tike a kal he Tike a Fil el = : =~ =F = - oy = 2 0 ‘ 2 = - #3 G D —= — S Ss a ee = as Ss in— a fro ren pond, like 9 geld. fish in fa shion show teen’ - ag - th freee: ing the cor ie | Bo 3Em Asus? a 1S T dont want hear you ry, try ing to Look— tke yon dont uy, * rt 0 [aie 3 = ee h— = —— cH (Gu 1) 7 J 9-SI TTD) TTT FF TG TTT Chon: G Em Am TIF? Ty Cont vy. simile FSS pe Sep sugar = cane that last - ed ood, thar’ cin - na ar that’s sugar + cane that ast - ed Road, — thas feoex ing, rain, — that's oe ] - SS ma. + — $+: = = e oF 7° = a a = 0 o- ~ 4 T — = a = — — 3 20 == 3 4 $— = a a $ = c D Em ee $35} pa 4 (SS 4 Hol - ly wood, come on, come oa, — pO one ean see YOu tym, what you could, come on,—_- come 0A, wo one can see You, * 4 ; thee =o gt o eS Se Z e tf = 5 ——F ——— —_— e H — eo 3 -1— — i e 2 T _ $e S == 3 | ae — Ht = § zBridge: C1®) toe Td? TTT come tn sine (Cont. sie) = aoe eno a = - + — = si 2 2 a He «Fs iz ot oi} Te —+ Coda G En ton SII TTD TTD TT otety ste q 5 a SStey CH a » This su - gat - cane,. this. le-mon + ade, this light-ning storm, this, i dal ware, this 7), —s. = as = ee =—* DAYSLEEPER ‘Wores and Music by Peter Buck, Michael Mills and Michae) Stipe C_ Cm? fn il dss i See oe Intro: 6 may? c Cai? c Cai? \ #5 e— =e 5 Acous. Ger. 1 1, Re-geiv=) et —_ —__ e — > 2 oe erie foaeate tes a + - = a e+ + ot oo oo —_ iia ote LO Lo mg aoe nda i “3 o——0- = ri 0 = +—> 0 £ —t a £ hee or ere 4 : on! : Verse: ClAbass Cmaj"(Abass! Ciabass Cmaj7Abass! CiGbass) Cimaj"(Ghase et SS aes + img de» pare = ment, theee a my staff eats have stocked up the or aid the hear — mark - ing their ter ri-t0 - nes, 2° cous, Gur, (12 str) ¢ = e ’ =e St 7 aa 2 = = ‘B: rt + ir ange MO be) we cnt ig.2 ; ie = 3 rs 6 a + a fs ig 1% ie i" = = — — — CiGhass! CrmajiiGbass) Cc Cral? = — SS SS 5 Dis ree tives are post’ =o They're ead - ing the Mind with © 1996 Temporary Music, USA ‘WamerObappell North America it, London WE 68Sc Cmaj? a — = 4 call - backs, com - plaints, eve = ry = where is calm. their in. ter — na tion = al glo ries ie — : 4 ————— a & 6 =e —— — = = A 40 49-4 — 10- 10+ 10— 109 Bb i — = Pree 8 6 Dm roms: oo Se 2 idling Rg pee ee 23. To the — screen, o +38 as oe [es 48 talk of ira di aa rhy-thm, l rm the — screen, V work at ight. 1— news = print wig 4 ike Gr, 2) 2simes 2S Gtr 3 deabes Gir night is co-loned headache prey. 11.) Day 2,3,)Bon'c Oneal? _-— 5 tS ‘ies! 10 2 c Cral? G ae) — 4 F The bull day i 2 99-99-39 —-4-1-9 3-33-33 3 32-23-29 111 93-13-49 9-997 z 53-33-3333 3 2 —— 3 3 - : = td sleeper. 1 cried — 5 : = == ce ——| te SEETEE Verse: CiAbass) Cmaj7\Abass! CAs) Cmaj7lAbass) Chass). Cmay7iGhass) CiGbass| Cmaj7/Gbass) Fluo-tes‘caf - fine lights, squeeze in w Hercven and va = len tune, pull ing87 Dm? slecpses, sleeper, bs. ANIMAL ‘Words nd thsie by Peter Buck, Michael Mills and Michoe! Stipe ae a” 7 Intros NG(A?) pen open 6 ~ o ’ Gite wsheary distorted Sy. & flanger tone Gtr. 2 wibright leer tone fide in st 1— 5 5 1s = NCwaT) pe sof * J-—} | Com, sie Veal 3 Backing Vocal {© 2003 Temporary Muse, USA WortevChappel Nort Americ Lid, Londen W8 86SLewhat's the big deal? a ‘Tell me how to teed 2. T don't wanna boo -me-rang 1 don'ewaa na ean non-ball — (Verse J see block lyric) — — sa —_—_——— Fs ef -—t - - eS = SS = 12° only) [know where we boo-me-ranged and ae Tm not ing, ee ppc Point me to the stars T don't wanna fal —_ Tal me know. where we ‘m the an-chor of my = 2 =F4 Se NONE SSS 2 x fell— on om. face. Jump. with = me. You jmp with me.—-Hey, own— as-cen = sion, Tell me I'm a coursist in the fourth. di-men - sion, Aa Chorus: Em Gs wt TD FITTS I Cot phy. site tb pp eS Seo wat ig ‘asa rasa a > wl SSS : ‘The answerland-ed on my— roof-top, whoa. The calhing me toworkit out, calling me wo workitSolos 1 Gril yg Grr 2 ° DATS FFA cot gum c D — : SS Se a . Sermgs arr, for Grr. 5 3 ——— HE 5 — ; Seer == = é D ‘ (B. Vocals) Work it out— a gs ‘2 ace zs See peter = ett —s af G = a — a ae =a — — : ———— LB = I = Bridge: N.C.(A7) D&. at Coda P= Gor. wfbrib dean tone MP G1 dtp ene feedback F at Se a SS ar : oma cen 10 open open 10 ° i-—~} | ss i-—~} OCda ® ® ® ® @ So aos re eer Se im te Oe Ey : e NENG = ; WO St “Touch me gow, you. take. my hand. You trust me now. sou un - der = stind. $0, Backing Vou poy ae re + Pa =Chores: Em a D A ow: JI IRI Ws wa — = Em oo Cont. ey: sl The aany-wer landed on my ture and the truth on my roof + tp, whoa. ins ‘Whar's the is calling me to work it‘The — ans-wer land-ed on reat top, whoa. ‘The . ~ 7 ic = == =: t = se os Le ‘ 3 0 3 se - 3 -B— te o—4 —— fu-ture and the erath on my rool - top, Sa ae in’ calling me to work it i 3 Ss [Bs - —h Outros NCAA, Get 6 i—) 4 Cont soe ® @ (= 4 : = ont ss oS se e a Gir [teary tried Sm AE a2 ula clean tone 5 1 De A 7 = 694 Tim vi = bracing ac the speed of — light e7 ia ddie Pm vi+ brating atthe speedof light, TT Lee eee 4 yeah, Vim vi = braving at che speedof thr, Verse 3: Jam vibrating a the speed of light "Take my hand, we'll wind up the nighs Spin me, win me, lift me, kiss me “Trip me, cuss me, bend me, trust me#126 Intros NC. lee. Gu 1 Acous. Ge. 2 THE SIDEWINDER SLEEPS TONITE Words ond Music by Wiliam Berry, Peter Buck, Michael Mills ané Michae! Stipe DIFE 2 D DIFF D DIFF fin wees one 2 — 2 0 2 2 4 2 a 3353] 2 co) GS ee St Dre dee dee, Am Dee dec dee — dee. (© 1992 Nght Garden Music, USA ‘Wornev/Ohappel| Nor America Ld, Londen WO BBSc = ete ee 5 DAS _— . This here is the place where 1 will he stay = ing, There Gut F. c pote ee “er Ss 4 oe KEES == 52 yo st is-n't a number, you can call the pay - phone; Vet it ting. a long,— long, idee long time, : a _ , Fats eb ho d 7 * + 6 $- 8 fee — 4 = F Am c pa SS | ‘ If T dont pick— up, hang up. call back lett Ting some more, i ‘4 = ¢ —¢. = Lee coi ?; 7 | F DDIFED DFE | fe fe fe (SPSS a Liners SSS 1 dom'cpick up, pickup, the side -wind-er sleep, sleep, sleeps in a coil, — Call me when you try ta wake. —— * $ | PEE reteb oye += — sso An = pape ee her up, Call me when you try to wake- Gs Ci) GS Am | hee ap. Call mewhen you try to wake het — Call me when you try co wake Te Pe —— ber up. Gall me whenyau try to wake c as ces Am ° Em Oh,c eee s PP STR pe cs all— ground. the coin slor like a heart bea, barby try > ing to wake up. tod, but this ma chine can on > ty swallow — mosney You cant lay a patch by com: F Am c at Hy fore Se + a purer de sign, Wes jue 2 lor ef sea pidy stupid signsct =e SS) can kiss my ass, then laugh and say = tS | 1 1 + + == i : i that you were on = ly kid-ding. Tha way shell nin that ts beh Ss real = Iy, peal- ly, real - by real = by me, me Call me when you ty to wake — Am 0 DF D ore —f— “SSS Call me i hy to wake her. Call me when you try to wake100 a ci) «GS An D OFA D DIFA pice =f a Sj : ° ; — - — ber op Call me mee to wake Call me when you try 10 wake == sips ——" ° oop gp pp : 3 1 ' pe = —_ 3 = - 3 F 3 0 eo ~ 3 = 2. 2—0- -4- 4 — 3 — = = — = GS Cis} G5 Am Cc Em god ype» = ° her op. Call me witen you ry to wake. her — on, peep ae = = Te Ee eee Ca $—3— 3-9 —+ —— —— ——__,- te 4 a aire = “ Att 5 Pig 7 5 se 3 eg re aa cf =a Verse: F c get) § ITD DD SIT cuit init ete SSS ee Bacby, instant soupy doesent real-ly grah. me, To-day J need some-thing more sub ~ s{chub - subsubstan- = tial A can of beams or black-eyed peas, some Ney ea -f€— and ee A can SS hey Fads ee | TT aa | bee101 F Am c D D/FFD DIFF a fall dy bas, Chorus: G5 cis) G5 Am D DFE OD Dire SSS ro Call me sehen you ury to wake her up. Call me when you try to wake—— hen — Call mewheayou ty to wake~ i T 3 3 13 $ — 13 + yp Se eS : —— her up. Call me when you try 10 wake her Oh102 ridge: Bm An cer SL YAS TT?) Cont. ry. amie = . The Cat_ m theHar came back, wreaked a lot of ha voc onthe way, or. iG 220 $22 = af T = oe . terme. z F = a t Bo 2 2 Bm = gio wat é = Alsways had — a smile pgs £ = e But their world fay flan back = grounds and i = = f 6 ——— = a = 7 eg . - _— -—____» i ——— yz 5 2 aT se = B 2— = 2 = Am c En D D/FED Dire — = SSS ey pS a ee ed ¥ — = need — to sleep, but tw dream. The side = wind ~ er sleeps on its back. Call mewhen you try to wake— Ges 182 = ee : - v=I> Se a = + + . . — “0 o 2 - = 7 2 2 —}3DB ot D OF SSS eee Call me when you try to wake — her — Call me wher you try to wake— 9 22g ij pa 2 —— 4 5 — = D DF DD DF — - SSS Call me when you try eo wake hee, — {can a= ways sleep104 Gs cs) Gs An — ter op Gall mewhen you ry ty wake D DIFF D DIFA hee 1 can al = ways sleep +— D DFID Dire ses = =f hee, 1 can al - ways shep sand + ing up. Call ne when you uy wake. We've pot to mao pie moo-pie moxe on this, one‘Words and Musle by Willlam Berry, Peter Buck, Michael Mills and Michel Stipe CHsiD) BS ES oe 6 ee FR OE e110 btro: NC. © (al ® Be Gr. : 5 fyb alin 1 L Se Se 8 : = Chorus: E AS ces BS uy = ee SS SS ie - fr = © t S SS * ' Stand inthe place where you lve, now {stand | (Now rg — hoe “a pee deere = 6-4 ——* oo 8 —+— Rr r {© 1998 Night Bcrdoe Muse, USA ‘Womerehappel! Nort America Lx, London 6 BBSHabe \Now, “Think hour ion, won > der why you haves nt be» fore — ) Think a = bur he place where you live, wor = der why you have = nt be = tore — 1 = ao * ee a $ 7. : : j os Oy Be €s . De ite = oe SET Sj 1 If you are eon fused, check with the st, (2) feet are going, to be un the ground.— Your (Gur3) (5) wish es were trees — the tres would be fall ~ ingyor pigs S54 co on pass to hel you od Oe Gomme fo rea = son, raion call . ing, Your 1 —— rs —=—}-¥ — Pe Ba = === —— = « fs ¥ eo o 3 - a ° = Fe =a —? ° =e 2 2 B 7— ——s- sg te —_ et = 5S = == ie er ae Ft wishes were trees, the: trees woul be fall - ing. eet are go > ing to be onthe. ground, Your filet Jog 32 a5 head is there oO Moe ySW a ~ ee sea-son is call - ing. Listen to. rea-son, move you a ~ round So, page win ARH | res aa : f=== a = = Chorus: AS Cts Bs gists == ——— ay in ink place where you ive, — now — face North. {Stand.), (Now. face North.) Think about di re¢-tion, woasder108 (Now stand.) Stand in the place where you work, (Now face West, face West E ——— # — becpay, A a 1 Think a = bout— the place where you | why you have-n't be - fore. ji odds ae HP a oe Ea 4 ae et a piiaets poet 14 te Te Coda BS SS SSeS SS live, wonder why you have - n't Solo; Es wear whip 1 lee. Gir le Yo8oa0soT0 o-oo) § 3 za ee 1 iB — GS AS BS 5 De NC —— SS - =—— rt et ff et © 7 v {f t ea SeTt the place where you five, — = North. Thaueabours, a eermay nner op (Now you haven't be tore, EE ot * 7 place where yoono FAS, 5 Dis ots he = See. = r Stash i Thinka bout the place where you live, wonder why you have-n't be ~ fore g —_—_ 4h 4 bh rb —— le oe 3 3 rd 3 ; / ca — —— B " ——— Abs DES F5 ES t is } rane © “ ‘ Stand inthe place where you are. Stand inthe wen you ate. iNow— face North.) se = eet : sot (ee i= 2 4, Fat = ——————s x oe —— tte oo SE Se Your fect are poring tobe on the ground... Your (Now. face West. ) (Now— face North, SSS | head is there move you a ~ round, wo stand. 1 (Now face)ELECTROLITE " Words ond Music by Williom or Buck, Michoe! Mills and Michael Stipe f (Verse 3 see block bri) aa, ot = * zeeceeee ' aS ,° mp ~ 313 ° ot et cee er i >) ——_.——_ 5 G & = = toa 5 ing. holes— through we Vin. Bas - 0 ine, cd want to fly, Mu) hol-land Drive. F 4 A : 4 6 c Ga c a tm burn-ing eee / ee pe tb tet [Ay 0 a 0 0-02 2 22 ~ fo 0 09 9 0 0 2 BO? 2 2 4 5 I 2 2 3 1996 Nip Gorden Muste, USA Womer/Chappel! North Amore Is, London WE 68Sm2 6 c Cello Ba 1 i = = —— . aes == oo = = = (only Twen-f eth cen = rus ry goto sleep Holy wood is under me, You're pleis +0 Pm. Mar- tin 6G Cc ; pe _ cS S= 5 Tha is ob ‘scene. ‘That. is ob seene,— Tm Steve Me Queen Tm jim-my Dean : — B Chores: D_ Deus? DO Am D Ds? 0 Am et TT DTI cam ty se hs ape ppt s - PSS SS SS You aw the star_ tu ight,— your sung - ee = rie out_——_ fo me pee ae o = ¢ = fe — == Sea z is ay — ote4 19 1¢@ $1415 12-10-8-10- r 3 6 1-0-7. Coda een ‘Twen-ti- ethG c G c ) SSeS SS Se Your eyes— are burn - ing holes. thtough me, —— bet po eh | seared. — Tm out ol Tin ave Pm nor seared. — Tm ont of bere, d oy = g = ———— = a= 3 Verse 3 1 you ever wank co ly Mulholland Drive. Upii the sky. Stand on 2 cif and look dow there Doon be scare Youre alive, You ate alive You ate the star ete" ALL THE RIGHT FRIENDS Words and Music by William Berry, Peter Buch, Michoel Mills ond Michael Stipe on oo, ve. FS Hee ae Lisa = i Verse: NC 8 NC vos & Ele Gir - “Th aoa oo AR Ad know you say 2 Par oy to par ty 1" Bec. Ger? 2 Gir. 2 He, Gi. 3 (12 7) ity EE et fig onde 2 BS NC. BS 42 ope the fat) TTT ee a = a oes ny ws lee you've % ook : ing, ie your search, ging f= ee § f a a ieee aS 4 Le - wt a , er be a lor will nev ex end. * © 1966 Night Gorden Musle, USA ‘Worner/ohappel! Norn America Ltd. London 6 88SWwW BS Nc. Cont. roy sie hut you'll ney the ‘wrong — crowd, you've — got vyath all Fe Frouot Fe SIT ST TT Carthy. sate Clout =— SSS oe ==8 Hee been walking a = Jone now, for a long, long ume.Fes PP ap iS ree fee? with the friends that just == EES Gin. & 1 [don’t wan -aa sw /Bscingg Vocal Fig (4 towes) pan 0 9-0 0 — 14 4 22 2 = 0 Backing Vocal Fig. 1 toh oth 1 just don't,you don't want just [don't wan - ne To Coda 0 Gm an don't want— iuse120 Instramental; FAS Gusre2 yy PP sb Contry sme tee AE So ay SS . V Ay i Huh hah ub = hoh hah ub ~ huh hah ‘buh, — Uh = huh hab uh» huh hah uh | DS. alCoda ologe >)EVERYBODY HURTS m ‘Words ond Music by William Berry Peter Buck, Michael Mili and Michael Stipe 2-70 Intro: D Ble Git. af can ee 2— A =o if | — the night is yours. a - fone, — (© 1992 night Garden Musi, USA \Waraec¢happell Noh Americ Ld, London W6 88S.tS — : rE + 3 a + & = re — — ; ; 4 Chorus: Em Bete Dy) Comey ail Em pe eS SS EA Don’t let your ry = body hurts.123 6S ape SS = =F Some-times ey - ‘ry-thing is wrong, If you feel— tke letxing go. — holdWhen you think Eas of this lie, you've had Got. rhy. site Se Wey bo-dy hurts Trt °Bridge: F# Bm Fle Ge. J. d. a —. Gar 1 udeloan tome Sf Grd Gin ti ‘ _ T 2 —- = a — — — 4 ee tt 2 = Don't throw. your hand, aS = es o Z CJ — Z * —_——— 2 — — a a iim 3 i t . - —————— FB. + + 2 2 [6 :gp PES + = feel Like ote you're a = lone, ee Lf = 7 = 3. IF you're on your own10 o GS fey z SS S| SS 1 a == ‘When you think — you've had — to» ——— much, cof this life a a 4 Fe a 3 : 2 t 3 a =o e - £ é B a- 2 — Chorus: Em Gn2 J d x D Cont ry. simile A gi = SS $ te Wel, ev Nn bo-dy hurts, — Some > —= bo-dy cries.Gers, 1 82 race Repetto HoldAT MY M@ST BEAUTI Flu. " ‘Words and Musle by Petor Buck Michao! Mille and Michoo! Stipa DAG FA Baw Poe a a a (Fh (FIC) (Fmaj7/Ch (D0) (0) (Faust) AF) (Cie) Pe eg vam BYP) By Gm GF a «= eS ee ee Intro (FICHEIC* (Fma7/C) om =) Ser PDD DD dD) Gat rr sie ae a 46 (FIC) (FIC) (Fmaj?/C) FIC Fmaj?/C — = © 1998 Temporary Nule, USA Werney/Chappell Nort America Li, Landon WE BBS130 |Fsust) (F) (Fousd (Fous4) Fr Gm? FIA Baus? Gm? FIA To Coda® (Feus4) (CT/E) Brus? cr 2S as Verse: F Am Ben) Be — " $b ————S read bad pore = try Ld At my most ean = Fal, —131 Gn r An E oh Bes 7 ES s in 10 your ma chine, 1 save your mes sa es 1 coun! your eye lash ex se -oret y, ; Le © + 7 7 7. 7 3 a — a 5 Bien) BF Gm r SS SSE SS — . wt to hear your. voice. lis ten care - ful Ww onc, whis per. Jove 7 r Bhat) BE Gm == = =< to aw-kward thytes.— You al-ways ‘sly — F Am Bolen) B Gn c CS ae — your name. ke 1) would’: know it’s you at your. most beau-ti - ful, eye watching me, Listen ~ ing, — 1 thought 1 sawa smile, 4 + ae © ¥ ! I — 1 1 (As rs ss t B 5 a132 Bridge: (FIC) (F/C*) \Frmaj?/C) (D9! (0) cre J J 3 J) Canter emit FIC Prarie © D D/A Dea Cade Get —————. dodrgds ps f PP i set = = ppt = i . a ae ‘Doo, Joo, doo, don, — doo, doo, doo, deo, doo, deo, don, do, don. ‘cows. Get |Fus4) ® (Fsus4) Acow.Gx.2 Gm? FIA Brau? (CVE)NIGHTSWIMMING " ‘Words and Muste by Wiliam Berry, Peter Buck. Michast Nis and Micha! Stipe Moderately = 114 Intros NG G c G pe at we a] ene ee = = =| ar) + 7 = d ae wig 2 les Ge et —, - — ———— —————— B 2 >. c A c Ds ee SSS ~ - = ~ r = - The oy == - pb : : J ° da . Fe Se - A : ei iB 3 ; — © 1992 Wight Garden Muse, USA ‘Womer/Chappel! North America Ld, London Wo 8S6 ps G Je —_——— > pets - ? + 2 ae e pho -to-praph on the dash - hoard taken yea a: a, | cea — == = o—* i - . oS . ? wg 1 ees Gir Fe! 0 : a ——————— B = i Se SE — tured a-round back - wards so the wind-shield shows an Caen —_—_ 4 = pe <= | F—a 4 9 9 —_ a ae 2 2 B ‘ ar 6 c Ds 6 = ~ = ft Se ee * Bose my server = lige reveals the pie = ture in = om ae] é a SS eesmee c A \ wa wifig, 2 lee. Gar. 2) Sines yo _ not bike years— 4 “ s G4the fear of getting caughe, reckless Go Cc A Cc DS — SSS : SS ae ness ie: e _——— 4 6 3 r b — — =} ‘ming, re mem ~ ber ng, that z — 6 + 7 as ct 1——-——3 — . = — + 3 *137 c Ds G Np ee SSS SS Saaee E R, oe ae ee _ === ESS = a - a aud = 3S = = 2 3 3 c A SSS == + + FF Se And what if there. were wo, side. by side could not aYou. 1 thoughe «1 knew yor, You 1 can + not judge — 4 3-——] ° 2 ——+4 2 3 c Bs G c oS S = = ve? : = v You, 1 thought you knew — ve, his one Laugh = ing quiet ty tn der «neath [Night swim - ming x . Pao ar. for Gtr A) B —139, Interlude: Cc Ds G - ‘ — 2 2 Seen: severnnanerssranernans * poe f_ == = SSS] a - 2 =a 12 SSS B 4} Verse: G c DS G Cc A a er ee ee ee ee pho-to + graph. re = Beets — eve"ey street = ight, ates mind = ee Night-swim unesaneneenensenenerennens oS SS === == : Sy qe -| sedi ee - Ati 2 Flee. Gtr 212 ines 1 3 = 2 i 3 oe 4 — + eae 5 + : i 4 Cc DS G c D5 —— Pt a ee c a ning de- serves 2 qui-et140 G c A c D5 = 4 : } : at | des serves 4 quiet might. | Outro: G c BS G Ge} ~ e ee e F a Pe fiat et fff © Ohorar i Gre w/Fig, 1 (Elec. Gtr, 1) 2 times Wa [es Gee 3) ae Aaa 12- 13—15- 15- te 4: 145—19—1: 1 = 7 —14 =| A c Ds tt pp eit pay ee re i a =f fe Homa = o —e we ha 4 A 7 G c Ds G : seen 2 el sennrsenseannenesnns . pa a ‘ SS wae -F—2 —| 2 22 tt es a