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Vaasa Wildlife Festival 2019 Annual Report FI - SVE - ENG
Vaasa Wildlife Festival 2019 Annual Report FI - SVE - ENG
ANNUAL REPORT
Missyris Ilias
Vaasan kaupunki
10.11.2019
Wildlife Vaasa festivaalin tukiyhdistys ry.
Toimintasuunnitelma 2019
Yleistä yhdistyksestä
5. kansainvälinen verkostoituminen
Toimintasuunnitelma
Tavoitteena meillä on kaksinkertaistaa esitysten katsojamäärä aikaisempiin vuosiin verrattuna ja tehdä näin
Vaasa Wildlife Film Festival ja ympäristönsuojelun sekä ilmastonsuojelun tavoitteet ja mahdollisuudet
tutuksi laajemmalle yleisölle. Meille on tullut jo pyyntöjä asiakkailta jatkaa elokuvaesityksiä hoitolaitoksissa
ja olemme sopineet ensimmäisistä esityksistä vuodelle 2019.
Filmvisning på Svenskadagen
Korsnäs bibliotek 6.11.2018 kl. 19
During Vaasa Wildlife Festival in September 2018, an idea came up that in the autumn
2019, since Vaasa Wildlife Festival has no film competition in the adgenda, they could
co-organize instead a scientific conference on Climate Change, together with Vaasa
University, and Luleå University of Technology in Sweden who could be the main
organizers. "Clean-Tech" companies in Vaasa who thrive in the international markets
nowadays were also targeted since Vaasa is the core of the Nordic Energy Cluster and
connects to similar companies all over Scandinavia.
It’s a positive dynamic for such event to have them involved as a part of the program
or as event sponsors. They could present solutions “Nordic Way” to problems caused
by Climate Change.
Their involvement will offer also a good networking opportunity for nature filmmakers
who could participate at the conference. The first move to reach them was made in
November 2018 when festival representatives participated at Vaasa University’s
Energy Day. There, we met people and discussed the conference idea also with
corporate representatives of Clean-Tech companies who had their info-stands during
that day and they were available for interaction and inspiring dialogue that kept us
motivated to go on further with the event idea and do some planning...
Planning period
In the beginning of December we held the first planning meeting about the event at
Vaasa University where we met and discussed the idea with Vaasa University
representatives, Vaasa city representatives, and academic researchers from different
departments who attended the meeting. They all recognized the need of such event in
Vaasa, that can serve as complimentary event to Vaasa Energy Week which is the
main annual Enegy Event. We agreed also that using also the medium of film as a
vehicle to carry scientific and academic knowledge to ordinary people is something
new to add in this type of academic events and therefore offer potential to spread
scientific knowledge outside the academic and scientific framework.
After the first meeting, we held three more meetings and a video conference with
Luleå University partner Prof. Jan Laue, trying to draw together the picture of the
event as a whole and at the same time applying funding for it, in order to make it
happen.
Dates and time scale of the event
We have faced difficulties to find suitable dates for the event because universities in
Finland open in the beginning of September and therefore the event should be better
to organize it at the end of the month, We agreed to set 26-28 September (week 39)
The event will last 3 days (Thu-Fri-Sat) and first two days will be the Conference days
at Vaasa University and the last day Saturday 28th September will take the conference
to the wider public.
Vasa Klimatförändringskonferens och nätverks forum 2019
Allmänt om projektet
Detta är en ny form av evenemang, i vilket den vetenskapliga konferensen kombineras med konstnärligt
uttryck och information genom naturfilmer samt ett diskussionsforum för företag, forskare, filmskapare,
politiker, kommunala beslutsfattare och allmänheten - allt med en nordisk och internationell dimension.
Projektets aktörer
Evenemanget planeras och organiseras av Vasa universitet (VEBIC), VAMK, Nordic Energy Equality Network,
Vasa stad, Vasa Wildlife Filmfestival och dess stödförening och clean tech-företag har också inbjudits.
Plats
Projektets tillställningar äger rum i auditoriet Wolff på Vasa universitet, Kulturhuset Fanny och Vasa
Stadsbiblioteks Dramasal.
Projektets målsättning
Den viktigaste målsättningen är att utveckla konkreta, fungerande och snabba lösningsmekanismer för att
stoppa klimatförändringen och befrämja cirkulär ekonomi samt sprida kunskap om dessa.
Målet på lång sikt är att utveckla evenemanget till Östersjöområdets ledande miljöpolitiska vetenskapliga
diskussionsforum och nätverks forum, som svar på vår tids mest brännande utmaningar och ge verktyg åt
politiska beslutsfattare, företag, forskare, organisationer och medborgare för ett effektivt och meningsfullt
agerande. Det är viktigt att använda filmens möjligheter att föra ut vetenskaplig och akademisk kunskap till
vanliga människor utanför universitetet.
Vasa Klimatförändrings konferens & nätverks forum 2019 är det viktigaste arrangemanget under Wildlife
Vasa filmfestivals mellanår. Den är ett stöd för den egentliga naturfilmsfestivalen genom att förstärka
kännedomen om festivalen, sprida festivalens miljöpolitiska budskap och locka en större lokalpublik samt
skapa nya samarbetsnätverk. Den har också en nordisk dimension genom samarbetet med Nordic Energy
Equality Network och eventuellt även
andra svenska universitet och företag.
Stödföreningen ansvarar tillsammans
med Vasa stads kulturtjänster och
bibliotek för tillställningens tredje dag
"Festival Summit". Då samlas
filmfestivalernas representanter för
att diskutera och demonstrera filmens
möjligheter att övervinna
klimatförändringens utmaningar och
att skapa nätverk mellan forskare,
filmskapare, beslutsfattare och
representanter för clean tech-företag.
2019-06-25 I höst står Vasa värd för ny klimatkonferens – "Klimatförändringen händer nu" - Vasabladet
+ LOKALT |
Till FB: Använd denna länk när du vill schemalägga artiklar på FB.
(Om det är en Plus-artikel öppnas den inte för alla):
https://www.vasabladet.fi/Artikel/Visa/299160
Till nyhetsbrevet: Använd denna länk när du vill schemalägga Plus-artiklar till nyhetsbrevet.
(Artikeln öppnas för alla mottagare)
https://www.vasabladet.fi/Artikel/Visa/299160?shareID=164078-45e3393985
– Klimatförändringen händer nu, de förändringar den fört med sig syns redan nu på många
olika håll i världen. I konferensens inlägg och paneldebatterna berörs hållbar utveckling ur
vetenskaplig, affärsmässig och samhällelig synvinkel och med hjälp av dokumentärfilmer
skapas en visuell helhet, säger Karirinne.
https://www.vasabladet.fi/Artikel/Visa/299160?preview=1 1/4
2019-06-25 I höst står Vasa värd för ny klimatkonferens – "Klimatförändringen händer nu" - Vasabladet
Professor Wayne Visser från Kaleidoscope Futures Ltd föreläser under fredagen. Foto: Pressbild
Nätverket för energijämlikhet (NEEN), Luleå tekniska universitet och Vasa Wildlife
Filmfestivalens stödförening rf ansvarar för fredagens program. Ämnet för förmiddagens
session är kvinnors roll i ett ansvarstagande energigenombrott.
Under eftermiddagen på fredagen behandlar professor Nadhir Al-Ansari, från Luleå tekniska
universitet, klimatförändringen på jordens torra och halvtorra områden. Senare under dagen
presenteras lokala lösningar för att bromsa klimatförändringen. Huvudtalare där är experten
på hållbar utveckling, professor Wayne Visser från Kaleidoscope Futures Ltd.
Vasa stads kultur- och bibliotekstjänster ansvarar för programmet under lördagen. Målsättningen
med den här dagen är att presentera konferensens teman och innehåll för allmänheten, bland
annat genom naturfilmer. På förmiddagen blir det dockteater och på eftermiddagen
filmvisningar, möten med filmskapare och paneldiskussioner. Under kvällen blir det både en
konsert i Kulturhuset Fanny och världspremiär för filmen om Eero Murtomäki.
Planeringsmöte för konferensen. Från vänster forskare Petra Berg, biträdande professor och forskare Petri Välisuo, Heidi Kuusiniemi,
Suvi Karirinne och Ilias Missyri från Vasa stads kultur- och bibliotekstjänster. Foto: Privat
Var? Torsdag och fredag i Vasa universitets huvudbyggnad auditorium Wolff och Mathildas aula (Wolffska vägen
34). Lördag i Kulturhuset Fanny (Kyrkoesplanaden 34) och i Vasa Stadsbiblioteks Dramasal (Biblioteksgatan 13).
https://www.vasabladet.fi/Artikel/Visa/299160?preview=1 2/4
PROGRAM
The Sea that disappeared ARANU Productions, Ari Häkkinen, YLE, FINLAND, 2018
Closing the Loop by Wayne Visser, Indira Kartallozi, UK, BELGIUM 2018
09.20-09.30 Welcome
Keynote speakers: Hannamaija Fontelland, Pekka Kariniemi / Biolan OySpeakers: Harri Luomala,
11.00 -14.00 Press meetings & Media Room open (Tervahovi D102)
11.30 -13.30 Interactive spaces: Stands for companies and Vaasa Lyceum (Matilda Aula C101 and Tritonia
Aula K222)
12.00-13.00 Lunch
13.00-13.10 Film excerpt from the film “The Big Picture” by Paul Reddish
13.10-15.30 Session 2: The role of IT, data and satellites in fighting climate change
EVENING PROGRAM:
09.15 -11.30 Session3: "How are women accelerating the sustainable energy transition?"
NEEN: NORDIC ENERGY EQUALITY NETWORK
The energy sector has historically been dependent on carbon-based fuels. In the midst of the climate
change debate, rapid transition to a fossil-free energy sector is the primary focus in all the Nordic countries
with discussions on the need of new and innovative ideas required to accelerate this transition. This session
will highlight the role of women in the transition towards a low-climate impact energy system and how
their engagement is crucial for the sector and also for the society at large, in mitigating climate change.
Panel discussion:
- Suvi Karirinne (moderator), Director of Vaasa Energy Business Innovation Centre), Finland
- Viktoria Raft, Senior Consultant at Reformklubben, Founder & Board Member of Kraftkvinnorna, Sweden
- Karina Barnholt Klepper, Chair of Nordic Energy Equality Network, Senior Adviser at Nordic Energy
Research, Norway
PANEL DISCUSSION
Viktoria Raft
Chair of Nordic Energy Equality Network (NEEN), Senior Adviser at Nordic Energy
Research, Norway
Pirjo Jantunen
Marie Münster
Iceland
19 TWh
Thermal 0.04
Hydro 0.3 Finland
Norway 65 TWh
149 TWh
Ther-
mal
24 14
Sweden Hydro Russia
22 5 Wind
159 TWh Nucl-
Faroe Islands ear
0.3 TWh
Other
Regional grid =
Denmark
30 TWh
1. more renewables
The Nordic region is the world leader in regional
Thermal 14
coupling of electricity grids and markets. Intercon-
Solar 0.8 15 nectors join countries across land and sea, while a
Wind common Nordic spot market ensures efficient trade
across subnational price zones. This cooperation
Poland increases security of supply, lowers system costs
and facilitates the integration of renewables.
Thanks to this, the Nordic electricity system is one
of the world’s most secure, affordable and
renewable. Bidirectional trade flows around
Denmark illustrate the role of interconnectors in
balancing variable wind power, alongside local
flexibility (see insight #9). Interconnectors are also
important in balancing hydropower in dry years.
Netherlands Germany
ENERGY MIX
Similar but
Common to all five countries is a high share of renewables, ranging from 32 to 73% in 2016,
2.
relative to the EU28 share of 17%. Another similarity is that transport is still dependent on
different
oil – in fact, oil is the only energy source to play a significant role in all five countries. This
highlights the diversity of the Nordic energy mixes and the benefits of regional integration.
Oil
Coal 20% Coal 3%
9% Coal
10% Geothermal Hydro
37% 39%
Oil Gas
39% 15% Oil Gas Biomass & Other 0.6%
30% 7% waste 0.5%
Biomass Wind
& waste 8% Biomass Hydro
24% & waste 5%
Solar PV 0.3% 33% Iceland’s vast geothermal energy
Imported
electricity 3% Wind 0.8% resources cover most of the
Geothermal 0.2% country’s heat demand, distributed
Other 0.5% Imported
electricity 5% via district heating. Much of the
tapped hydropower potential
Nuclear Other 0.9% supplies energy intensive industries
Denmark has little energy intensive 8% – traditionally aluminium smelting,
industry relative to other Nordic with recent additions of data
countries. Combined Heat and centres and even bitcoin mining. As
Power together with district Iceland is not connected to the
heating provides much of the Finland’s high share of forest-based European grid, industrial energy use
country’s heat supply, often fired bioenergy stems from its forest and enables the embodied export of
with biomass from agriculture. paper industries. Combined Heat renewable energy as products and
Wind power alone covered 43% of and Power and district heating are services, displacing more carbon-
electricity demand in 2017. both central in the energy system. intensive operations elsewhere.
Coal
Coal 3% Coal 10%
3%
Oil Gas
39% 6% Oil Gas
29% 3%
Biomass Hydro
& waste 44% Biomass Hydro
6% & waste 15% Oil Gas
33% 42% 26%
Biomass Hydro 2%
& waste
10%
Wind 3% Wind 2%
Wind 0.8%
Nuclear Solar PV 0.7%
Other 0.8% Nuclear Other 1.3% 6%
12% Other 0.1%
Geothermal 0.3%
Abundant hydropower has fostered
energy-intensive industries and
electric heating. It accounts for 96%
of electricity generation and three Sweden’s energy mix utilises a range
quarters of this is fully dispatchable. of low-carbon sources.
Year: 2015. Source: IEA 2018, Energy balances. Note: Total final consumption is energy consumed by end users such as industry, transport, buildings or agriculture. It
excludes energy used in the energy sector for transformation, such as losses in thermal power generation, and fuel use for international shipping and aviation. The fuel
composition of final consumption of electricity and heat is estimated, assuming the same composition as domestic production. EU28 figure is not to scale.
POLICY FRAMEWORK
Low-carbon
The carbon intensity of Nordic electricity is under 60 gCO2/kWh, compared to the global average
3.
of over 500. The world needs to match the current Nordic level by 2045 in order to realise the IEA’s
ambitions
2°C Scenario. An abundance of low-carbon electricity in the Nordic region provides a stepping
stone to the mitigation of emissions from the more challenging sectors of transport and industry.
0% 0% 0% 0% 0%
1990
2015
1990
2015
1990
2015
1990
2015
1990
2015
Source: UNFCCC, national governments (targets). Note: Norway’s increase in
Total GHG emissions (excluding LULUCF) energy supply emissions is due to oil and gas extraction. Iceland’s target is
currently under revision, its energy supply emissions are insignificant and not
Energy supply (electricity, heat, fuel extraction & refining)
shown, and its increase in industrial emissions is due to aluminium production.
Manufacturing industry (including process emissions) Fluctuations in energy supply emissions in Denmark, Finland and Sweden are
Transport primarily due to thermal generation providing seasonal balancing to
hydropower (wet/dry years) and heat demand (cold/warm winters).
Source: IEA 2016, World Energy Outlook Sources: NMR 2017, Nordic Statistics (left); IEA/NER 2016, Nordic
Energy Technology Perspectives (right)
SOLUTIONS
Mitigating industrial
8. process emissions
Fossil-free steel
Sweden aims to produce fossil-free steel using
District heating systems cover the vast majority of residential hydrogen instead of coke, Potentially cutting
heating services in Iceland and Denmark, and well over half in Swedish CO2 by 10% and Finland’s by 7%.
Finland and Sweden. District heating is a complementary
technology to variable renewables as it is a source of flexibility.
Carbon Capture and Storage (CCS) will be necessary for
Denmark utilises heat alongside flexible thermal generation
industrial emissions that cannot otherwise be avoided. CCS is
and electricity trade to integrate wind power equal to 43% of
also necessary to achieve negative emissions. Norway’s full
electricity demand in 2017. District heating systems are even
scale CCS project has studied CO2 capture from a cement
capable of long-term storage by using large hot water pits.
plant, a fertiliser factory and a waste-to-energy facility. The
CO2 will then be transported by ship to undersea storage.
Too much wind Power prices are low and a large electric
boiler converts excess electricity to heat. New carbon storage technologies:
CO2 Water
Icelandic researchers found that CO2
injected with water into basalt rock
Wind
Power Basalt
formations reacted quickly to form
new minerals, becoming permanently
turbine
stored underground.
Electric
boiler
Combined
Heat &
Power
Heat
The Nordic energy
Too little wind Power prices are high and a CHP plant
10. system’s role in Europe
supplements low generation from wind.
The Nordic region has substantial clean energy resources,
especially hydropower and wind. The sustainable utilisation of
Wind
Power these resources can contribute to achieving EU climate
turbine targets. Firstly, clean power can be exported to displace more
Electric emission-intensive generation. In 2017 net Nordic exports
boiler were 11 TWh, with Norway exporting 15 TWh and Sweden 20
TWh. This is set to increase with deployment of wind power in
the Nordics and a number of transmission cables under
construction and planning. Secondly, dispatchable hydropow-
Combined er in the Nordics can provide balancing services to help
Heat &
Power
Heat integrate variable renewables. This potential was explored in
the IEA/NER report Nordic Energy Technology Perspectives
Adapted from Flex4Res 2016.
This brochure was developed by Nordic Energy Research, an organisation under the Nordic
Council of Ministers. For more information about Nordic cooperation, visit www.norden.org
11.00 -14.00 Press & Media Room (Tervahovi D102)
11.30-13.30 Interactive spaces. Stands for companies and Vaasa Lyceum (Matilda Aula C101 and Tritonia
Aula K222)
13.30 - 15.00 Session 4: "Climate change in Arid and semi-Arid regions"
Qais Al-Madhlom: "Climate Change and its Effect on Energy Consumption: How to overcome
the problem using Underground Thermal Energy Storage System.”
15.00 - 19.00 Session 5: "Climate change - Local solutions that change the world - Our Experiences in
fighting Climate change"
15.00 -15.30 Film: “The Fight for the Arctic” by Andreas Ewels, ZDF, Germany
1.1 15.00 -15.30 Film: “The Fight for the Arctic” by Andreas Ewels, ZDF,
Germany
1.2 Short overview of the topic and of the panel (10 mins) / Stella
- Elina is active in the NGO “Center for Global Non-killing” focused on the promotion of change
toward the measurable goal of a killing-free world. The organisation has a consultative status
with the UN and is a participant organization of the WHO’s Violence Prevention Alliance
- Q1: Elina, can you tell us a bit about the core of your work?
- Q2: How do you link the two dimensions of sustainable development: preventing
violence on the one hand and fighting climate change? How do you bridge “nonkilling”
and environmental topics?
- [NB: Up to 200 species are going extinct every single day.]
- Mika is not only a Finnish classroom teacher, but also the founder of ENO - Environment
Online is a global school network and web community for sustainable development,
established 2000 in Finland. ENO has spread to 10 000 schools in 157 countries.
- Q1: Mika, what made you found this global virtual school and network, and how does it
function?
- Q2: Which are some of the events and initiatives that had most impact? Why did those
become so successful – which were factors of success? Which are the conditions
necessary to scale and replicate ideas?
- The Waterkeepers in Iraq advocate and work to protect the rivers, streams and waterways of
Iraq and support local communities in the sustainable use of these natural resources.
- Waterkeepers is part of “Nature Iraq” an NGO also accredited to the United Nations
Environment Programme (UNEP), and is particularly active in the Euphrates Tigris river basin
area. Nabil Musa, is the countries first Waterkeeper and has its home base in Sulaimani in
Kurdistan, northern Iraq.
- We will watch a short film now, more info (year?), then discuss with Nabil
- Q1: Iraq faces severe water scarcity, and as climate change kicks in, the situation gets
even worse. Please tell us about your approach – how can water management help in
such situation?
- Q2: A rapidly growing population increases water demand even more, and dams on the
main rivers Euphrates and Tigris built by neighboring countries may further reduce
water availability in the future. While today the immediate threat of ISIL may seem
overcome, the country faces the complex challenge of reconstructing a future for the
Iraqi people, and dealing with climate change. What are the challenges in your work
and where do you see your organisation in the future?
1.7 16.20-16.50 Speaker: Wayne Visser/ Kaleidoscope Futures Ltd
- Info on Jukka
- Joukon Voima is a platform to crowdfund money for sust dev initiatives. In times
where we spend several thousand times more on fossil fuel subsidies than on climate
solutions, such a platform seems to be a great instrument to shift investments. It is
clear that we need to move from funding things that destroy nature to things that can
help it.
- Q1: Joukon, can you explain us a bit about how this platform works?
- Q2: Which are some of the initiatives that really took off with crowdfunded money? Are
there any projects which work specifically on climate change?
- Q3: What steps are needed to support the crowdfunding ecosystem and make it even
easier for private individuals to invest in impactful projects, and vice versa to raise
seed funding for social/environmental entrepreneurs and NGOs?
1.10 17.20-17.35 Speaker: Asseri Laitinen / VAMK
- Asseri is teaching Energy and Environmental Engineering in VAMK, Vaasa. He is an expert in:
Renewable energy (Wind, Solar, Bio, Energy Storage), Circular Economy, Sustainable Urban
Planning, Geoinformation Systems (GIS), Environmental Impact Assessments (YVA),
Environmental Legislation, Waste Management.
- Q1: questions on circular economy ?
- Göran is the circular economy expert at Vaasa Region Development Company and in
charge of developing the RENERGI cluster.
- He has also been project manager for the “ Circular Economy Mustasaari” project
during the last two years. For Göran, the circular economy is a way of life. Together
with his wife, he lives in a house built in 1831, and so renovating, recycling materials
and reuse of old materials is a part of his everyday life. He believes that the solutions
of the future can be found in more durable products, their reuse and finally the
recycling of materials.
- Göran enjoys spending time at his summer cottage, hunting, fishing and taking
excursions in nature. Nature is an important in his life
- Q1: What are the basic principles of a “circular economy”?
- Q2: How does the RENERGI cluster function? How does the project succeed in
balancing economic, environmental and social aspects of sustainability?
13.00 –13.15 Metsähallitus- Econnect project “How will the sea look like in 2120?”
13.15-15.00 Panel Discussion: “What is the role of Arts and Culture today in popularizing scientific
information and how film festivals can achieve together a global level impact in fighting climate change?”
15.00-18.00 Interactive public film screenings about Climate Change
15.00-16.00 “The Sea that Disappeared” Ari Häkkinen, FINLAND, 2018
16.00-17.00 “Queen without land” Asgeir Helgestad, NORWAY, 2018
17.00-17.20 “Grassroots” by Frank Oly, AUSTRALIA 2018
17.20-18.00 "Where is Kiribati?" by Christoffer Wiik, Esa Siltaloppi FINLAND 2018
18.00-22.00 World premier! Film Centre Botnia presents: (“Kaarneen siivillä” A film about Eero Murtomäki
by Osuuskunta Lumimuutos, Tero Mustonen and PrettyGoodProductions, Tom Miller, USA (present)
GREEN FILM FESTIVAL SUMMIT
1 How artistic are your festivals, apart from
the films?
Our awards are created by one of the most famous
contemporary German artists. Ottmar Hörl
exclusively produces for us a statue of the Hessian
lion, which will be handed over to the winners of
the festival. With Darina Schmidt, a well-known
Hessian illustrator produces the pictures for the
special awards. She is internationally known for
her realistic animal drawings.
As part of our festival there is also a photo exhibition. In 2018, the best nature photos of the
German Baltic Sea coast were presented here.
7 How the opening and the closing ceremonie attracts the audience and attention to
the festival’s task?
Both events are open to the public and are advertised with the theme. Of course, the films come
from the fields of environment, nature or sustainable tourism.
8 Nature tours?
Yes, 2020 we are likely to offer a ranger-led tour of the Taunus mountain range near Frankfurt.
Last year, the tour led to the ecological vineyards on the banks of the river Rhine. It was
exclusively organized for the jury members and filmmakers.
11 Any ways to featured all art forms in line with the environment (creating art
made of recycled materials and installations in green zonas).
No.
Latest achievement::
https://www.ekome.media/ https://www.filmcommission.gr/
Basic Information:
- festival team: 10-20 persons
- audience: between 2000-10000
- program structure: Screenings, Art exhibitions, workshops, special contributions,
panel discussions.
- Awards (Trophies and Diplomas)
- Ticket strategy (Partly, but environmental contributions had always free
entrance)
- Main venues: ALCYONIS, Cine STUDIO, Culture Centre -City of Athens, Koyinta
Studios, Kakogiannis Foundation and others…
- Funding: less than 25k ,
- Supporters EU, City of Athens, Greek Ministry of Culture, Culture Foundations
and Hotel Sponsors and with lots of voluntary work involved during
implementation.
- logo and imagery
c. Panel discussion: How green film festivals, Culture and the Arts can contribute to the
fight against climate change?
1 How artistic are your festivals, apart from the films? High volume of activity
During the first two editions the festival organized more than 20 art exhibitions in 10
venues and Art Galleries, around the city. In addition, live music and dancing, Theatrical
performances, art installations were also included in the festival program.
7 How the opening and the closing ceremony attracts the audience attention?
Through collective marketing efforts from all media involved and artistic events during
the festival month, live music concerts and dance.
8 Nature tours? No
10 Ways to boost tourism in those places, creating a connection of art and green films?
The festival tries to contribute to that aim by arranging hotel sponsorship for festival
guests who come to attend from abroad.
11 Any ways to featured all art forms in line with the environment (creating art made of
recycled materials and installations in green areas).
No
12 Does festival appeal to multinational organizations to promote an environmental
culture between humans and their environment? Yes, though our cooperation with
green festivals we found sustainable ways to network with scientific and
environmental organizations in Greece and abroad. In 2018, at the 7th edition, a
tribute entitled “RESEARCH AND INNOVATION” was implemented through the
Operational Program “Human Resources Development, Education and Life long
Learning” and it was co-financed by the European Union (European Social Fund) and
Greek National Funds. The film tribute had a free admission and it was was accessible
also to disabled people.
13 Art + environment activity. Ways to connect schools who are attracted by an
interesting and stimulating event?
The festival has been always very close to schools because Koyinta Culture Company
operates also as a school of Arts..Creative co-operation with school teachers and pupils
gave very good results, throughout the years.
14 All year events in other cities?
- Yes, quite many, screenings at Cine clubs in Athens, Thessaloniki, Crete, schools
all around Greece and abroad, UK, Germany, Cyprus, Canada, Russia and
Finland.
CHINA GREEN FILM WEEK, 2007-2012 at YA’AN Sichuan, headquarters in BEIJING, 2017
SHANGHAI GREEN FILM WEEK, 2018-2019 at LHASA, CHINA
State funded environmental Film Festival, the biggest of its kind in China, backed also by the
Chinese government, the Chinese Film Archives and tens of other supporters and big celebrities.
The festival administrated by YD-Communications as the main organizer, and it has a dramatic
history and a long journey from from host city to host city, ending up in Lhasa, Tibet during the last
two editions in 2018 and 2019.
The festival started in 2007 in the land of the Giant Panda’s in the city of Ya’an in Schichuan
province, with great annual editions, until 2013 when a powerful earthquake hit the city of Ya’an
and the region and put an end to Ya’an Panda Animal and Nature Film Festival.
Organisers were forced then to start looking for another host city for the festival until 2017 when
they managed to organized a great festival edition in Shanghai while from 2018, they moved to
Lhasa in Tibet. This year’s festival edition will take place again in Lhasa in October 23 – 27.
Representative: Vesa Heinonen, (Two times International Jury Member, co-operator)
e-mail: saaristoretket@gmail.com (Vesa) ( festival: animalandnature@outlook.com)
basic info needed:
- program structure
China International Green Film Week in China is organized by the Organizing Committee of
the China International Green Film Week in China, in collaboration with YD Communication
and many public and private organizations.
2. The Organizing Committee is responsible for the selection of films, organizing festival
events (exhibitions, presentations, forum debates, opening and award ceremony The
International Nature Film Competition concludes with the results by an International Jury.
- funding, supporters
Mainly State, Chinese Film Archive, and they got tens of media companies sponsoring the
event, including TV channels, Chinese Social media and top Chinese celebrities.
- artistic approach
High level approach in both quality, quantity, investment and in human resources
(celebrities)
c. Panel discussion: How green film festivals and culture and the Arts can contribute to the fight against
climate change?
1 How artistic are your festivals, apart from the films? Very artistic festival (video)
Yes, mainly premiers of new Chinese FILMS, International Country themes, for example, in 2017 they had
Finland and Australia.
3 Art Exhibitions during the festival? Yes, mostly set up during the opening and the award ceremony,
including green fashion shows with celebrities and much more
No
6 VIPs and celebrities attending the festivals? Tens of them, with tens of millions of followers each one of
them. In that way, the festival achieves every time tremendous impact to the general audience all over
China.
7 How the opening and the closing ceremony attracts the audience and attention to the festival’s task ?
Through celebrities, international guests and investing a lot of money in marketing.
Yes, in Ya’an in 2011, the festival arranged a huge 3D Sound and Light exhibition, a red carpet gala for
celebrities before the award ceremony and mega firework shows at the closing of the festival. All were
arranged outdoors.
10 Ways to boost tourism in those places, creating a connection of art and green films? During Ya’an
festival years, the festival had a strong connection with tourism development . As a result, the region had
more than 60million visitors every year.
11 Any ways to featured all art forms in line with the environment (creating art made of recycled
materials and installations in green areas).
No
Yes, and in many ways, networking with environmental organisations in China and abroad.
13 Art + environment activity. Ways to connect schools who are attracted by an interesting and
stimulating event? They have arranged a lot of screening and environmental events in schools and
universities all over China specially back in the old days.
Links: https://www.youtube.com/watch?v=MCiGFRgas1E&list=PLC22ED95672F44252
7. How the opening and the closing ceremonies attracts the audience and attention to the
festival’s task?
The opening and closing events feature films and speakers that are in line with the WCFF
mission. To inform, engage and inspire wildlife conservation through the power of film.
8. Nature tours?
Yes, a field trip to the Jamaica Bay National Wildlife Refuge and Gateway National Park within
the New York City.
10. Ways to boost tourism in those places, creating a connection of art and green films?
The WCFF attracts attendees from Across North America, Asia, Europe, Australia and South
America. They come to New York specifically for the festival and enjoy the many cultural
attractions that are unique to the city.
11. Any ways to featured all art forms in line with the environment (creating art made of
recycled materials and installations in green zonas).
This is something that WCFF does not do at this time.
13. Art + environment activity. Ways to connect schools who are attracted by an interesting
and stimulating events?
WCFF hosts a robust education outreach program with schools in both the USA and abroad.
The International Wildlife Nature Film Festival is held in Vaasa, on the west coast of Finland, every second
year. Since its conception in 2002, the festival has grown in stature receiving commendation from
participants, delegates, Media and also by the public. Last time in 2018, Vaasa Wildlife Festival received
more than 900 film contributions from 85 different countries and a total of 60 delegates came to attend it
from 15 countries. Successful implementation of previous festivals, have widened its network with partners
and collaborators worldwide.
Basic Information:
- festival team: 15-30 persons
- audience: between 3000-6000
- program structure: Nature Film Competition, Screenings, Children & Youth Film
Competition (2006-2012), media education project, panel discussions, art
exhibitions and nature trips.
- Awards (Trophies and Diplomas)
- Ticket strategy (free entrance)
- Main venues: Culture House Fanny, Vaasa City Library Drama Hall
- Funding: 45000-60 000,
- Supporters: Vaasa City, Wildlife Vaasa Festival supporting association, Culture
Foundations, Regional Funding, Sponsors
- logo and imagery
c. Panel discussion: How green film festivals, Culture and the Arts can contribute to the
fight against climate change?
1 How artistic are your festivals, apart from the films?
The festival has always included in its program, artistic exhibitions such as Nature
photo and painting exhibitions, live music concerts, bonsai exhibition
Basic Information:
- festival team: 150-180 persons
- audience: between 20000-30000
- program structure: Nature Film Competition, Screenings, Children & Youth
Film Competition, seminars, workshops, pitching sessions and nature trip.
- Awards (Money Awards (30 000e)Trophies and Diplomas)
- Ticket strategy ticket
- Screening venues: 6-10
Funding: 200,000-300,000e
- Supporters: City of ECKERNFÖRDE numerous financers and sponsors
- logo and imagery
-
1 How artistic are your festivals, apart from the films? Exhibitions, Live Music and
outdoor installations during the festival
Festival director and television presenter Dirk Steffens says: "Each year the films show us
the beauty of nature with their awesome pictures. One trend is becoming clear: nature with
its biodiversity is under enormous pressure today. Through the combination of aesthetic
images and explanation of the ecological background, nature documentation becomes
more political. Therefore, the Green Screen Festival consciously sets political signals ".
In addition to the five festival days, Green Screen is on the road for twelve months a year:
special events throughout Germany and Denmark reach another 22,500 nature-loving
visitors. Of the total of 44,800 spectators, 8,700 schoolchildren will visit the festival's nature
education programs this year.
PRESS ARTICLES about VCCNF in Germany during Green Screen Festival
Green Screen Festival has visitors from Vaasa / Invitation to climate change conference with festivals
worldwide
Filmmakers, producers and nature film professionals from the whole world visit Green Screen. USA, South
Africa, Afghanistan – for the makers of the international nature film festivals this is normal. But two visitors
this year have a special position: Vesa Heinonen and Ilias Missyris, who lead a nature film festival in Finnish
Vaasa and want to reach more. At the Vaasa Climate Change Conference, nature festival makers from the
world are invited to learn from each other and learn about solutions to climate change. They hope that
Green Screen as largest nature film festival from Europe will also come.
The city of Vaasa is special. With 68000 inhabitants located on Kvarken peninsula, it is a unique area. The
narrowest area of the Gulf of Bothnia between Sweden and Finland, is still affected by the latest ice age 10
000 ago. The ice pressed the surface ……… [a lot of info about how Vaasa is impacted by this ]
Vaasa is also special, because it aims to be carbon neutral by 2035. For that, they have busses and trucks
driving on biogas, a heating system and e-cars, cycling traffic is encouraged and useless streets are re-
forested.
One central point was international cooperation with other festivals. To China Vesa has very good relations,
he ws jury member of China Green Film Week. Also Green festival is invited to participate in Vaasa, also
USA-based, Greek, German and Finland. Nature film festivals shall reach a new level, not just pictures or
films which point to the threats to nature, but actually becoming active. How can we encounter climate
change, which role plays digitalization? And how can an international network help? The exchange of
festival professionals shall help. Vaasa Wildlife Festival offers a video library – a room with many computers
where one can watch films. “this would also be something for us” says spokesperson of Green Screen. He
had been in Vasa once and hopes he can come to the conference in Vaasa.
Climate play big role in Vaasa – Finnish representatives of befriended Wildlife Festival visit Green Screen
Ilias: It is so sad to leave out films. Each time, a message is lost”. Vaasa Film Festival is from Wednesday to
Sunday. While in Eckenförde, there will be around 22 000 visitors, in Finland it is regularly between 5000
and 10000 . The reason is that most films are in English or German language.
Day 3: Saturday 28 September EVENING PROGRAM
20.00 -22.00 Film: "Closing the Loop" by Kaleidoscope Futures, Dr Wayne Visser, Indira Kartallozi (present)
22.00-23.00 Music concert: “Rock for Climate” is a selection of 12 ecological songs written by legendary
musicians from 1969 until 2018. Performed by Watermelon Slice Band (Jukka Isomäki, Jorma Heinonen,
Sixten Sandvik, Jussi Pohjola, Hans Ahlsved) with special guests Kukka-Maaria Kallio and Ilias Missyris.