Theodore Kullak ‘The School of Octave Playing Part IL Seven Octave StudiesPart Second. Seven Octave-studies. The preliminary exercises for this study are found in Part I, Section I, of the School of Octave-playi more especially under Nos. 1 and 4. The study it- self should be executed with the utmost possible re- pose, great lightness, and with elegance and grace rather than passionate vehemence. ‘When one andthe Allegro. same octave is uninterruptedly repeated for a long time, ©. gy at the beginning of the second part of the study, and in the closing part, fatigue will be avoided by observing what was said in the “Preparatory Exercises" concerning the equal rise and fall of the wrist.gao8 a tempo 5 os a— — tempo sotto voce dim. ed un poco riten ——— ssetess lessees & sseee GallI. Same preliminary exercises as for Study N° 1. 1, of the “School of Octave playing.” Pay special attention to N24 in Part 1. Section, Allegro scherzando. >> co A * poaa—a—poconorexc. Ga. simileorexe, motto -° LP furioso| horendo rid. diigas taeses 2 72 te ere T tiisas bee 2 4I. Preliminary exercises, N° 2, in Part 1, Section 1, of the “School of Octave-playing.” Andante legato assai. 5 dx ash ba ae 5A-$ 4 ok By H 483 hes a ray 544 5,83 > a siakeabe (p dulce con express. Seeastes Pee osIv. Preliminary exercises: Scale-playing. ia Part I,Section 2, of the “School of Octave- Allegre_con fuoco. Etece, asses ing. e z PRP? §Regarding the execution of legato octaves in chro- | tion 1, “School of Octave-playing.” matie succession, compare with N92, inPart I, Seo- | Allegro grazioso. dolee, sostenuto —_ Ee -‘Tempo 1. 5 snstennto _When chords alternate with simple octaves, as down(iz,with the pressure -touck),and the simple oc- in this study, play the chords by pressing the Keys taves by striking (i.e. with the wrist-stroke), Allegro maestoso. Setigico fade Zia e4ai asimile% Ped simili. ‘Vil. Preliminary exercines: NES@ and 7, in Part I, Section 2, of the “school of Octavr- playing = Allegro. ae "3Meno Allegro © maestoso. ita tre ae. Sper ' me rs as Pig eae rr if } ede eg ssleaanadan, ..) = cae # r —- =) = = be So * ta, * Sa ata * wf |v 20Pi: mosso. congragia e * ate eh ome a Fa, ® trenggte mise fe Fe «JF fa aappassionato > = > > molto erese. . crenc. moltoMeno Allegro e maestoso: wwpoco rit.Piu mosso. con grasia as ae es as ~dulee a A. age ce m ax aay. * agitate‘Tempo I. = rs 2 = S con bravvra—_———— _ | —_ FE eSa. * Sa, #ta, * Sta. wre mbt | 2 , £ F £F FFF FFFSF 27Dheede