SSE Bee tes Cel A Tea Peale i iD = = en aeleee tele Iate| = Etude for Each SrMel Bay and Warner Bros. Publications Present...Brazilian Jazz Guitar B G Chard Solo and Comping Etude for Each Song Lead Sheets Included « Lyrics Included - CD Included Arranged by Mike Christiansen & John Zaradin 1234567890 BMI MADE AND PRINTED MUSA Visit us on the Web at www.melbay.com — E-mail us at email@melbay.comse CD Tracks Eq A Day in the Life of a Fool (solo) ...... A Day in the Life of a Fool (rhythm) .. Chega de Saudade (solo) . ‘Chega de Saudade (rhythm) . Desafinado (solo) Desafinado (rhythm) A Felicidade (solo)... ‘A Felicidade (rhythm) . Gontle Rain (solo) ...... Gentle Rain (rhythm) ‘The Girl From Ipanema (Solo) .. 0.0... 26. The Girl From Ipanema (thythm) «0... 22... ...65 How Insensitive (solo) . 70 How Insensitive (rhythm) ......... 4. ee Meditation (solo) D Meditation (rhythm) One Note Samba (solo) One Note Samba (rhythm) Rosen Quiet Nights of Quiet Stars (solo)... 96 Quiet Nights of Quiet Stars (rhythm)... . 100 Sabia (010) ave geste tee eer reer CO} Sabia (shyythm) we eceeell So Nice (solo) : pet Gees ls) So Nice (rhythm) 222120) The Island (solo) . ... S126) ‘The Island (rhythm) ....... 66. cee eee elegy( PECUCRCOEEDEUEEESEESEEEEEEEEEEE EEE EEE Eee ee Table of Contents Introduction . A Day in the Life of a Fool lead fen) A Day in the Life of a Fool (solo) acr, Mike Ch A Day in the Life of a Fool (rhythm) arr, Mike Chi Chega de Saudade laheet) @-E ph cae Chega de Sauce (solo) ‘abt. Mike Christiansen . Chega de Saudade (rhythm) arr. Mike Christiansen Desafinado (lead sheet) <2... me Desafinado (Solo) arr. John Zaradin ..... ‘Desafinado (rhythm) arr. John Zaradin A Felicidade (lead sheet). 6... 6.0... 66.65 A Felicidade (solo) arr. John Zaradin A Felicidade (rhythm) arr. John Zaradin . . Gentle Rain (lead sheet) . . Gentle Rain (solo) arr. John Zara Gentle Rain (rhythm) arr. John Zaradin The Girl From Ipanema (lead sheet) ........ +045 The Girl From Ipanema (solo) arr. Mike Christiansen . ‘The Girl From Ipanema (rhythm) arr. Mike Christiansen .........., 65 n How Insensitive (lead sheet) . . How Insensitive (solo) arr. Mike Christiansen . How Insensitive (rhythm) arr. Mike Christiansen... B Meditation (lead sheet) a en 16 Meditation (Solo) are. Mike Christiansen... 19 Meditation (nythm) am. Mike Christiansen. 82 One Note Samba (lead sheet) . 84 One Note Samba (solo) art, Mike Christiansen . 86 One Note Samba (rhythm) arr. Mike Christiansen 89 Quiet Nights of Quiet Stars (lead sheet)... 2 Quiet Nights of Quiet Stars (solo) arr. Mike Christiansen a5e1 096 Quiet Nights of Quiet Stars (rhythm) arr. Mike Christiansen ........ .100 Sabia (lead sheet) oe - 103 Sabia (solo) art. John Zaradin . - 106 Sabia (shythm) arr. John Zaradin sll So Nice (lead sheet)... Phen = 116 So Nice (solo) arr. John Zaradin A118, So Nice (rhythm) arr. John Zaradin ; 120 ‘The Island (lead sheet). . Shaieenrecutstiee temnen 120 ‘The Island (solo) aer. John Zaradin. . . 126 ‘The Island (rhythm) arr. John Zaradin 2. 6.2622 cee vee eee eee 129 About the Authors ........ PU arloe cesar seis +132Introduction Mel Bay Publications, Inc. and Warner Bros. Publications are happy to publish this collection of Brazilian music arranged by Mike Christiansen and John Zaradin for guitar. Because two arrangers were united in this collection, the nomenclature reflects the thought process of each artist. In some cases the fundamental chord may be listed rather than the exact embellishment. Also, chord placement may vary. Some of the chords symbols in the lead sheet may be placed over beat one in a measure when the chord is actually sounding on the second half of beat four in some of the arrangements. Guitarists should analyze these arrange- ments and compare them to the original lead sheets to learn how the arrangers approached their pieces. These are the quintessential pieces from the Brazilian songbook. The arrangements will give any guitarist hours of pleasure from both practicing and performing this wonderful music.a es id ad ei ek ahd hat ba es aadA Day in the Life of a Fool ge “Tpoke ty Tans Bona Bm7bs) £769) an —— in the Ife rr Bm7b5) £79) am bmz G13 cmaj7 lonely day. a sad anda Chaim? —-a7b9) Om7 a7 maiz 3 hop-ing to run in Faiz Bm7bs) E7bo) Am mrs) £79) 2 — = =—— a f * oF ememies 2a ae ee: F the welcome sight of OU com-ing my way m © 1969 by NOUVELLES EDITIONS MERIDIAN © 1964 (Renewad) by ANNE-AACHEL MUSIC CORP and UNITED ARTISTS NUSIC CO., INC. Al Rights Administored by CHAPPELL & CO. ‘Al Rights ReservedEE a ee RE a ea age a ee SN ee ee ee ee eee a ee ; Am Bm7bs) E769) Am Bm7bs) £7 Em7bs) 3 — T Just a ~ cross. stop. fromyour door, but -you'ro— never (claim) ATb9) Dm Dm DmiC —_Bm7(5) E70) Am — AmiG ) . — there an-y = more, = So back to my room and here in the Fisdiiy Fmai7 Bm7bs) EZ Am i == a ear Am7>5 769) Q — nde pee as you 1 ets) secs etd inser elon de mz Amr? Am??? Am comeback to me,that’sthe way it willbe ev-ry day inthelife of a foolGa A Day in the Life of a Fool (solo guitar) ; - words by Carl Sigman arr. Mike Christiansen Mac WEEE FS Env = Slava we ty J | a—10—8 7 —§— 10-8] 7 7 Br7bs; © 1959 by NOUVELLES EDITIONS MERIDIAN (© 1964 (Flenewed) by ANNE-RACHEL MUSIC CORP. and UNITED ARTISTS MUSIC CO., INC. AAllights Administered by CHAPPELL & CO. ‘All Rights ReservedEr Bmris) Ant a a a al es hi heim maiz G7 Dmt Am Ev Bris) Dm E7 Bm) Fuair ik ca im Bares) ey Ani P Bmr(bs) ev Am mrs) e7 3 a) i wd E Em7(s) ar DerBUBB 1—|-g-10-8—J—s-7--8—10 8 7-5 - En? Am Bmtis) 7 Amat) =] = = * * E > : amar a ad di di ae a a a a aa A Day in the Life of a Fool / (rhythm accomp. study) Cie words by Carl Sigman arr. Mike Christiansen sie by Luiz Bonta Bmi(s) E7 Am feeds re 5 5 3 j —— SS 3 Binns) E7 Am Dev Gis “4 N , pistes) 4b) 4 ds a ee Ph ene pe ee eS = © 1969 by NOUVELLES EDITIONS MERIDIAN (© 1968 (Renewed) ty ANNE-AACHEL MUSIC CORR. and UNITED ARTISTS MUSIC CO., INC, All Fights Administored by CHAPPELL & CO. ‘Al Rights ReservedeT ht iy r t 4 ° 7 mrs) Abs) < aN eu = : a SI [eras = Sie lerale 2 ies (IE Pe Hj | a eg Ferd oer a e =| g 2 TRS | occas 2 ae | a ATVI cat * cmar - : ae o "F —4 LELELGCOCOCILELLCECECPC PPC RO RAR OD ee Jntb (> UD SR ID UD UD UR UR UD tb Ob tb eb Ob SB OSLAn AmiG Faiz Bmr(s) ETbo 2% Bmrs) EY Ao Emt Am Armia)NOU EW We IW IIS Wt 2 & FE Z © © POO le el Svooerat Chega de Saudade (No More Blues) original text by Vinicius De Moraes music by Antonio Carlos Jobim A ees English lyric by Jon Hendricks and Jessie Cavanaugh Al(om e7) Dm Dic E7/B 6 SS Sz = SSS ia Nat more= busy Om go OGG tomo, b (arc to) (enrés) a7) Bbms Dm ebo di) = more— blues I prom - be nomore roa bm Bm7bsE7, Am Home where———— the hearts The tun - ny part Bbmaiz Bbs A7b9) = 5 5 = a = & 4 7 SSS Yow Las ; = ny hhean’sbeen right there all a - long (om e7) [B] Om Dmvc E78 No more tears_______and no ‘more sighs, and no— © 1962 (Renewed) 1967 (Renewed) EDITORA MUSICAL ARAPUA. Sao Paulo. Brazil ‘TRO - HOLLIS MUSIC, INC., CORCOVADO MUSIC CORP and VIM ENTERPRISES. control all pubtcation rights for tho U.S.A. ‘Al Rights for Canada controlled by HOLLIS MUSIC, INC, ‘Al Rights Reserved Used By PermissionDm p7bg) SS = k = say———no more good- byes ‘If_ trav - el beck - am7 AriH5) Dm mic ons "me OTS swear_i'm gon - nave - fuse, I'm gon - ma set- (Erba) ao(as) ) Bdim7 Bbmé Dm7 Em7 A13 tle down, and there'll be no— more blues —________ CC} pmajz B7Gs/0f Em7 am far a - way—— my thoughts. tum home- Ev ry—— day— vhille 1 Agsus AT Ddim7 Dmaj7 ward, for-ev - er home > > = watt trav Fim7 Fdim7 Em7 clled ‘round—the world in searchof hap - pl - nesj—————but all— my hapSE ee ee aa Ea Re ae ee aL eC ee eR Re Nn EY Ae RRR RO Ee REE RE Swe NE ne Sey E9 ame A709) pi- ness 1" found was in my home - — - Dl Dmaj7 Bm7 Ev No more— blues, \ Sa z= =m | through— with all my — wan rin’ now.— TM set - Gmaj7 Gm7 Fim? Bis B75) tle down— and live my life— and bulli—e home—and find —— a wife—Whenwe— E9 A13 Fbm7 B745, setile down, there'll— be no nothin’ but hap-pi- ness. — When we— Eo AQsus 1g att Dees — settle down there'll—be no— more_ blues. 17Mm ‘eases Chega de Saudade ae No More Tears (solo guitar) original text by Vinicius De Moraes : muse by Antonio Carls Jobim arr. Mike Christiansen English lyric by Jon Hendricks and Jessie Cavanaugh Dm park E78 &7 Emr(s) AT Dm Emr AT Dm 7B Am © 1962 (Renewed) 1967 (Renewed) EDITORA MUSICAL ARAPUA, Seo Paulo, Brazi TRO - HOLLIS MUSIC, INC, CORCOVADO MUSIC CORP and VM ENTERPRISES ‘conte! all publication rights for tho U.S.A AAllRights for Canada controlled by HOLLIS MUSIC, INC. Al Rights Fleserved Used By Permission 18am ™ Ambs) ET ovis, E718 bm 19, Dee ar Dm Em7o5 Ny gah 6 LS sh ALD LAND Mast RMD Ml DOS US BSS Bcc SS DS Da Rc Bc 8 Bs ak A Ee LL ssaBm75) Em7bs) Arie) Dm AT 29 emt aT Dain Omar 1D7 Amt Fim E7 2 Bn Dmair Gmajr NO a a ep ee ppp PpppppPppPpPprAPPNNP Pei rieisBt ES Env 222) a) Chega de Saudade No More Tears (rhythm accomp. study) original text by Vinicius De Moraes ‘music by Antonio Carlos Jobim English lyric by Jon Hendricks and Jessie Cavanaugh arr. Mike Christiansen = $—1——1—-1 4 0 T ——— + as $ $ hk 2— Fs 2 i — q ‘B 3 2 Bbme Dm bo Dav Bevis) ab7 mt con st = com I ~— ei) © 1862 (Renewed) 1967 (Renevied) EDITORA MUSICAL ARAPUA, Sao Paulo, Brazil ‘TRO - HOLLIS MUSIC, ING,, CORCOVADO MUSIC CORP. and VM ENTERPRISES control all publication rights forthe USA. AAI Rights for Canada controled by HOLLIS MUSIC, INC. Al Rights Reserved, Used By Permission a39 pds ea eg 38 Rae prey =f 4-3 Saat penls Peeper ¢| |dae a] Gn$34 ae Bone Drraj? Al Dray Peer ay 1d E < 5 ENR dee TL 2 de & ery i i » ay E a (my 0 a 2 jo | ———— ——<—5) 3 o they are warra like the gen-tle rain, Come, —_lir-le © 1965 (Renewed 1993) EMI UNART CATALOG INC. {AlIRights Controlled by EMI UNART CATALOG INC. (Publishing) and WARNER BROS, PUBLICATIONS US. INC. (Print) ‘Al Rights Reserved.Em75) ATO9) pm7bs) 3 i —3— ip? eS one, yon have ne. in the world, and ou love will be (#7) Bm7>5) E79} Am7 D7 Gm7C7 Fmaj7 C9sus C13 3S sweet, will be sad, ike the gen-tle rain, like the gen-tle Fmaj7 Em7 L like the gen-tle rain, vain 53ee Ci 9 Gentle Rain arr. John Zaradin eee music by Luiz Bonfa words by Matt Dubey An? -—s— Ams sg Bf ET eel L eS === aes SS ae (ear oe SS se —— eS ‘ ° 3 a — + 0 —3— pee s) yell yey ya) a dy ye ’ ia a if i} ees ig 4 Vill cv vi cv Vv 7 | 4: i 10-98 ——7 $6 * 8 5: Es =e = = 6 7 7. 3 © 1965 (Renewed 1993) EMI UNART CATALOG INC. {Al ights Controlled by EM| UNART CATALOG INC. (Publishing) and WARNER BROS, PUBLICATIONS U.S. INC. Print) ‘Al Rights Reserved 54E+ E79) —s 55 Wd 87 a re -mnnnnnnnn nnn ever err rer TE LILILCLILILILILILIL EEE EE RRP RD RDP PD= 9-3-0. — 3 9 Z = 2 3 35 3 = 3 2 $ a 7 % a= 3 ot 0-1 — 56ECUUCCUCCCCCUCUOUECHECKEVUOEOEEEEEEEEEEEEEEESEEEEEE EE eee arr. John Zaradin Amz Gentle Rain (rhythm accomp. study) Ame BY music by Luiz Bonfa words by Matt Dubey E7 © 1965 (enevied 1993) EMI UNART CATALOG INC. Al Rights Controlled by EM UNART CATALOG INC. (Pubisting) and WARNER BROS. PUBLICATIONS U.S. INC. (Prit) All Righis Reserved 57be G7 Amt E+ E79 58am Evo) Am? E7#s) Amt Amt F8 o7 59 BY G7 pe Fo Amt t i cg ii aThe Girl From Ipanema musie by Antonio Carlos Jobim Bossa Nova original words by Vinicius De Moraes English words by Norman Gimbel Fmaj7 ats Ph Ee ey Fl SF ES aol Tall and tan and young———and love - ly the gid_—from I - pa-ne- (am7 bra Gm7 ebrbs) Fmaj7 twa goes walk ~ ing, and when— she pass - es, each one she pasS~- es goes a aise al) eb7bs) Faiz G13 | St = = f - 3 ss ce a When she walks she's tite a sam- ba that swings so. cool and sways_— Gm? & = . 3 oo ts so gen - tle that es, each one she pass - es goes Fajr a Gbmaj7 = ch —— but I watch her 30 (© 1969 by ANTONIO CARLOS JOBIM and VINCIUS DE MORAES G Renewed 1891 ard Assigned in the U.S.A, 10 UNIVERSAL - DUCHESS MUSIC CORPORATION and NEW THUNDER MUSIC CO, ‘Al Rights Reserved 60oo ’ > w = = 3 = > > 7 3 > 7 * 7 > 7. , 7 y 2 7 7 y = =) 7 ~ q a y a ~ oi = =) 5 =| * = yy * ~ A Bo Fimo Se How———__ can I tell her 1 bg Gm9 love her? —____ Yes. 1 would give my heart Ebi3 Am7 D7( ig “3 I glad - y,_—________but each day when she walks to the sea, she c bg Gm7 C7 fs) Fmaj7 looks sirlight a-head not at me. Tall and tan and young— — and love ~ ly, the girl G13 Gm7 from 1 - pa-ne ma goes walk - ing, and when she pass-es 1 smile, ahh —__Fruir ["chrbal|cbabo main cho) alr butshedoesn't see Shejustdoesa't see Noshedoesa't see. 61Oe The Girl From Ipanema (solo guitar) music by Antonio Carlos Jobim arr. Mike Christiansen orig. words by Vinicius De Moraes, eas crise Enslish words by Norman Gimbel ‘© 1963 by ANTONIO CARLOS JOBIM and VINGIUS DE MORAES (© Renewed 1991 and Assigned in the USA. to UNIVERSAL - DUCHESS MUSIC CORPORATION and NEW THUNDER MUSIC CO. All Rights ReservadGm Fam? 63 B87 oe epee ACR Cb ER hot bot bot bok bik bk bok bos beck beck beck bust back ook bck bad bck bad bot bot bo bot SEL EIL IESE IEE JES ESE SEI Ee EVE VESDS.ai Coda An 75 Gmr Crista) gata —s— ey a cho. ry aa ta ) Coda mr 7s) Fmar co7bsiab ig 34 —3 Fair cresyab 64PUPPEPPPPPEPVPEEPPLLADLELLEEEEUBUEEGHEEEES SS bUVPepgeraers Ct 12 The Girl From Ipanema (rhythm accomp. study) music by Antonio Carlos Jobim arr. Mike Christiansen orig. words by Vinicius De Moraes English words by Norman Gimbel Fajr Go T- 4 4 ix a 3 8 1 zr om won ihe ae SSS ve ie 7 === == == j === es —— —i —— z © 1968 by ANTONIO CARLOS JOBIM and VINCIUS DE MORAES © Rionowed 1901 and Assigned in tho U.S.A. to UNIVERSAL - DUCHESS MUSIC CORPORATION and NEW THUNDER MUSIC CO. Al Rights Reserved 65Amt D7b9)D.C. al Q Coda Faiz c7barab oT cribs) ortavab Fmajr Faz 1 sey ep er > Pe OP Pe ee ce CE CR SESE CE SRS SLSR SR SSS ES BI Ba a Ba Ba ba es es beat ea et ea Ba Bes BsHow Insensitive music by Antonio Carlos Jobim original words by Vinicius De Moraes Bossa Nova English words by Noman Gimbel A] Om7 a7boych =a ts He Fe bos o a e Tio in ar ee ee eee Now. he's Ygone— a = way and Pm a= tone ney cme a7 when fhe % told me tha She} loved— me. she she with “Me” mem='ry of — Shiv | last. er Bbmaj7 ebmajr = tun ~ moved. ed ai er 1 must— have seemed- and drawn and sad see tlt, Em7bs) A7b9) Dm? a when {Mold me so sin core by at AMS teartreak x tarts loo: © 1963 by ANTONIO CARLOS JOBIM and VINICIUS DE MORAES ‘© Renewed 1981 and Assigned in the U.S.A. 19 UNIVERSAL - DUCHESS MUSIC CORPORATION and NEV! THUNDER MUSIC CO. ‘Al Rights Reserved 68Bee eee eee ee a a a a ae as aa F7/C Bm7(5) Bbmaj7 wh teYmusi— hare asked, did 1 fut tun and : Cig : How he hms Ine ated, could 1 jut wn and she (aia) Em7(>5) A7(9) Dm7 F7/C nce? — What was 1 to ? Whot (sbmajz ) (m7 (hs) Ar(bo) ) Bmi1 E7(b3) ame/ab ars) —=. What can— you say — when a toe of ~ fair is 0- Whar can— you do — when a lowe af - far is o- 1 23 Dm7 az || Dmz 69Carlos Jobim inal words by Vinicius De Moraes English words by Norman Gimbel aribovict [Ti Ge p © cu eye Pie 3 How Insensitive (solo guitar) arr. Mike Christiansen 7. 8 (© 1959 by ANTONIO CARLOS JOBIM and VINICILS DE MORAES ‘©Renened 1991 and Assigned in the U.6.A. to UNIVERSAL - DUCHESS MUSIG CORPORATION and NEW THUNDER MUSIC CO. ‘Al Rights Reserved 70anba, Emr) uCmisus Bmrsus 2OUCGCUCCUUCCUTFCECFCECCEbEOOOHOHHHEEEEHEE HEHEHE HHH HHHHEHSS St ve How Insensitive (rhythm accomp. study) ‘music by Antonio Carlos Jobim arr, Mike Christiansen original words by Vinicius De Moraes English words by Norman Gimbel Dama azich oma oe Bhnajt © 1963 by ANTONIO CARLOS JOBIM and VINICIUS DE MORAES (© Renewed 1991 and Aseigned in tho US.A. to UNIVERSAL - DUCHESS MUSIC CORPORATION and NEW THUNDER MUSIC CO. All Rights ReservedEmr) Ares) Dm Cmrsus 74Bent Arb) 15 @moip> Cmrsus rnnnnnnonnonnnnn rere PePPePeePePe RPP RRP RRererPerrerrerPRrrerrPrPrPrPrRrPrrRerPrrRrMeditation music by Antonio Carlos Jobim inal words by Newton Mendonca English words by Norman Gimbel Bossa Nova Tempo Iniro FHm7(b5) B7sus Bbmaj7 ATsus om7bs) bo to G7bs) Cmaj7 G7 #3) Fim (B7sus ) B7 + 6 co a my bne == egg thon youre Though you're far. oe 1 “have (om7 —ehain7 em7 azsus) ' 6 9 c§ a ary) 3 goue and Pm all by my = sef and 1—— need your ca - ress, on ly 10 clse—my ees and you— are back to stay. Dm7 Fm6 bg and the —— and the = _ jist think — of you, SSS Se doe ny oe © 1962, 1953 (Copyrights Renewed) by ANTONIO CARLOS JOBIM ‘and MRS, NEWTON MEDNONCA. |All Rights for English speaking counties Controlled and Administered by UNIVERSAL DUCHESS MUSIC CORPORATION and NEW THUNDER MUSIC CO. ‘Al Rights Reserved 76Dia ioe ei re ee ee ee ee ee eee ee ee ms ae OMT Em7, arito) ads) EN Aes Seer: se MN ss thought of you hold-ing me near makes my lone = li- ness soon dis - ap ~ pear sad)» nessthat miss- ing yon rings soon is gone antl this heart of mine sings B Fg (ho ) = — a o— 2 te —— ¥ Yep pope rc ae and ther Em7 ebaim7 Dm7 cos) — for me— is alt 1 need haow [c] (tin) of Bsus B7 —3— é — sis +}: 3 [pes = 5 3 f aa pe tas pare yo (0m7 chin? em? Arcus) o§ Em7 anf) a a ds sw falls fiom ou of the sky for whar— else ean 1 do. L will wale for you Me - dibo Em7 A7 He) Dm7 a13b9) 8 ta-tinghow sweet ife lll be when you comeback tom Optional Tag Fam7bs) B7sus Bbmajz A7sus Dm7bs) tan G79) Cmai7 BMeditation (solo guitar) arr. Mike Christiansen music by Antonio Carlos Jobim orig. words by Newton Mendonca English words by Norman Gimbel Emi Arsust Dm 6s Em? ATousd Dev an % co Pee ee eee eee eee rae (© 1962, 1953 (Copyrights Renewed) by ANTONIO CARLOS JOBIN ‘and MRS. NEWTON MEDNONCA, Al Fights for English speaking countries Controlled and Administered by UNIVERSAL-DUCHESS MUSIC CORPORATION and NEW THUNDER NUSIC CO. All Rights Reserved 79 e@gereouart@tagnngnco mr Env Az 80@ Coda PS.al: Dav arks al BTA Emr ‘rT TTTTCC CC OVP OPP Pee neKenAenNnnnnnneeeerPrPeRPpPpRPRPRPR PRP PChi 10 Meditation (rhythm accom, study) music by Antonio Carlos Jobira iy iginal words by Vinicius De Moraes arr. Mike Christiansen English words by Norman Gimbel 87 FF Hi SS — aA 5 5. 4 4: 4 B a 3 3 zoe Z Dmr Em7 pba 0 © 1962, 1993 (Copyrights Renewed) by ANTONIO CARLOS JOBIM ‘and MRS, NEWTON MEDNONCA {Al Rights for English speaking countries Contiolec and Adminstared by UNIVERSAL-DUCHESS MUSIC CORPORATION and NEW THUNDER MUSIC CO. ‘All Righ's Reserved| g Twi arp S te ' ain. |i g S NI ayp]o z S ah S tai (LEE) nile She. : 83 ATs) beim 8 e a, = 7 En? : caiminieilisaieniiieniieaen iiiOne Note Samba music by Antonio Carlos Jobim original words by Newion Mendonca ee English words by Jon Hendricks Dm7 vbr This is jut ast - le sam - ba bute ap = cm7 B7b5) Dm7 on asin = gle nove Oth - er notes are bound t0——fol - vbr cm7 B7bs) low but the root is stl that noe this (br) Fm7 E7b5) Ebmai7 T the con = se-quence ofthe one we've just eon through, — (om7 oby cm7) abr Dm7 obz = as Im bourd to be. the n= a = wid - a ble (87b5)) B om? B7bs) abe ebmz con - se - quence— of you. Theres soma - ay peo ple who can ao7 Dbmaj7 talk and talk and talk and still say noth - ing, or near-ly noth ~ ing. (©) 1961, 1962 by Antenio Carlos Jobim and Mrs. Newton Mendonca. Copyrights Renewed All ighis or Engish speaking countries contioled anc administered by Universal - Duchess Muse Corporation and Universal - MCA Music Pubishing, ‘A Division of Univarsal Studios, Inc. Al Rights Reserved 4CHP MPssFsFsFsssFsSs sss sss sss sso nunnynysygyygy si dsssb (a7 bz T have wsed up all the scale 1 know and at the end I've come 10 eS cm7bs) B7bs) Bmaj7) noth = ing. or sim-ply Dm7 0b7 oth - ing, So«—=scome back to this one note abr om? B7bs) Dm? == ht —— = SSS a ‘must come back— t0—yom, and TU pour in to this one (ebm aj7 ) (enbs) ) bbz cm B75) = wie all the fave feel for you Arey (or) Fm7 75) Ebmajz = See o = (¢_¢ ps man camming? — gam ba, ee abr obs c7 a for‘ man fo sing. a tue" _note fer fim sing — i [2 1 A Bmaj7 pbs 75, Bmaj7 abe : x Pe: —— Sal 85eo One Note Samba (solo guitar) music by Antonio Carlos Jobim orig. words by Newton Mendonca English words by Jon Hendricks % Amaiz orbs fn Cr * 1y, de, al arr. Mike Christiansen ie 5: S- $: $- ia at Ee {B C+ Bmrsus eT toh J) JJ. ah 8— = : 2 eae: F 2 To alloy the use of open strings and facilitate certain chord veicings, the key ofthis solo arrangement has been changed from the original (©) 1961, 1992 by Antorio Carlos Jobim and Mis. Nowion Mendonca. Copyrights Renewed. {All ights for English speaking counties controlled and administered by Universal - Duchess Music Corporalion and Universal - NGA Musio Publishing, {A Division of Universal Studibs, nc. ‘Al Rights Reserved 86SHH sss ss Js sss sSsIssFFHHssssssIsIIGVFUFGEUUGUDUUS Emit Ebribs) Fem ‘paged Ih J ypeap O11 gd TD OE eee [ ny a Cmaj7 C6 87DS. al) Coda cm7sus FT Bbmajr B7ba —abris) a foe ane (3 gs 3a. 205 —— $ 7 3 —I Coda os abmaj7 pug Th Nd Ta ¥ i;—_r- re ie — 5. & 3 2 — A 88ae ae aaa ae Sean anaes ade a a) 3808 84 a daa A Aa ar ap a ar ahaa share e ena arr. Mike Christiansen Dav v One Note Samba (rhythm aceomp. study) music by Antonio Carios Jobim original words by Newton Mendonca English words by Jon Hendricks Cmirsus i bt Baad yeaa Fe 6 § | See =) = SS as = = — i = f == 3 Ents = Pe Fe sate lem he tae . i aa — 185 1 = = Tt ae r SS = et = == == = ; = = (6) 1901, 1962 by Antonio Carlee Jobim ond Ns. Nowton Mondenca, Copyrights Renewed. Al righis for English speaking countries controlled and admiristorod by Universal - Duchess Musi¢ Corporation and Universal - MCA Music Publishing, 4 Division of Universal Studios, Inc. All Fights Reservedsche tad dnd ddd oak = ebf E95) a g f= ¥ B75) J $ ro? &T Gmrsus 2] is ms rt br h - 4 por es fd. ir ee AT Abts Lh) ebm? Bhs ee wad 2. = 2 3g =e [ obmzBmaj7 OL cr aQuiet Nights of Quiet Stars English Words by Gene Lees original words and music by Antonio Carlos Jobi Bossa Nova iginal 1d music by Ant Jobim Am Absim? am7 c7 Fmaj7 abz Am AmiG ort Foim7 D7iA abdimn7 Qui = ct nights of qui et tars, — qui - et chorls fom my — Gm7 C7sus * — gui = tar flow - ing on the si Tence that sur = rounds © 1952, 1964 Antonio Carlos Jobim Copyrights Renewed and Assigned in the U'S.A. to Universal - Duchess Musie Corporation ‘Al Rights Reserved 92i) PPPIPPEVEULEEVEPTETILLLPrp eee beeen enn? Fdim7 Fmaj7 (E139) E7( As) pbia Em7 aries et dreams,— qui = et walks by qui + et streams, S—= t i SS and a win-dow look - ing on—— the moun = — tains and the sea, Abgim? DT/A = How toe bt This is where 1 wa be. abdim7 Here, with you so close mee the fia at 93C7sus Foim7 Fmaj7 = Slick = er of —— Wife's em = ber (ebodi1) Bs ) Fm7 Fm6 Em7 1 who was lost and fone =, be-liev-ing life was Am7 Dm7 679) on y—_ @ bitter tra-gic joke, have found with you — (obi ) Em7 AT Dm7 a7 istence. Oh my lov the -mean-ing of ex ~ 94‘This page has been left blank ‘o avoid awkward page turns 95 1) 0 ee heel”io Quiet Nights of Quiet Stars {solo guitar) —- English words by Gene Lees or Ce ane orig, words and music by Antonio Czrlos Jobim am Gaz m ) fad) a ls 1 g— 5659 {a = 3 — =| iB 7 Faiz pb7 Amt ore fore Vee ts st hal Sh a ' = gs 2! eS B $ — = F t Of 7 ke f os 3 sa 4 ies | u j Eg ° 3 <= 3 $ a $= r $—o 3 2 1 DIA abaim © 1962, 1984 Antonio Carles Jobim Copyrights Renewed and Assigned in the U.S.A. to Universal - Duchess Music Corporation All Rights Reserved 9697 amr Emr br os Aili Liab hale Roe bal bol bok bol bol LCL Ch RSL SE SESE SESE SESE SECT SE SP SP SP LPS SP CP EP OP OD ID Dn on in iaa e Fair Freajt Fiz Bur Emr 98Emr(s) Gsus 99, Amt rOOnrnrnnn nnn nn nan NV Kn Ae Kr Ke PRP KP KP KN KV nn ev Kr KP Ker Kerr rere Pe PPP PPHet 00 Quiet Nights of Quiet Stars (rhythm accomp. study) : English words by Gene Lees arr. Mike Christiansen orig. words and music by Antonio Carlos Jobim Am abo Gm7 ce Fra? BT Am Am/iG o7vet Fdim7 D9/A fat a Th © 1962, 1964 Antonio Carlos Jobim Copyrights Renewed and Assigned in the U.S.A. to Universal - Duchess Music Corporation All Fights Reserves 100es] ]t ie i * & Sager [fll é = g : 2 g i S = g < Lz: L 5 < § Wa 5 2Em ATS) Dm es a [eos ATS) Dre 63 |[ze8 Gituencs2 = = = = = = = = = = : - E E E E Ei Ee 3 3 x u OuUuswWWWwWt Sabia muse by Anionlo Carlos Jobim Portuguese lyric by Chico Buarque Moderate Bossa English lyric by Norman Gimbel A] em7 A769) DmajziFf Fdim7 Racceraremeee FU go back 1 know now — that Em7 Ft7b9) Bmo aby AG thar my place — is ther and there abr Gmajz_ Fim Em7 Bbdim7, — tt witt at ~ ways be, ‘There where 1 can hear Bm? D7/A abdim7 — Gdim7 Bm7 D7IA Abdim7 — Gdim7 pg Fdim7 © = = Ls: song of the Sa’ - bi - a. I'l go back. Blem7 A769) Fmaj7(ts) Fmaj7Abdim7 Gm7 “3 = 1 know now that TN go back. (© 1968, 1969 (Renewed) Universal - Duchess Music Corporation ‘and New Thundor Music Co, AAI Rights Resorvod 103c7bs) Fm7 Fm7/eb — om7bs) G79) cmz —I— ¢ § 1 will le— in the — shad-ow of @ palm — that's no there, — b abaimz mz F1( to shiz Fame — = ‘and may - be and pice a flower that does nit grow, ebm? Ebgsus CTE Fm E+ lone the: sone one's tove— will speed the night, Abmzie> Bmed cf7 cod) B7sus 87 ly om = want = ed — right — thar may bring me wo o(t11) Agsus Ag Dmaj7irt Fdim7 o Tl go back the new: day. ) Dm(maj7) Dm7 Abdim7 Gm7 C7 —3 —— 1 know now that — Fit go. back. — They were not— in vain, 104SHIPsPsMs ss ss sss ss ss Foss osssssessss sss TCssssvsvvwvewe Fmaj7 FOC Bbmej7 Gm7 — all the plans 1 male t0 de » ceive my ~ self — Dm7 F7/C Bbmaj7 Gm7 ali the rads. 1 made. Just 1 tose. my ~ self Dm7 Gm7 Dm7 Gm7 Dm7 all the tove— 1 made for ~ get my - sel, all mis 1 2, Gm7 Dm7____ am7 Dm7 Fdim7 bm7 Say just t0 find — my -self— TH go back, — takes— 1 made 105Neos Sabia (solo guitar) music by Antonio Carlos Jobim arr. John Zaradin Portuguese lyric by Chico Buarque English lyric by Norman Gimbel Em? Ambo) avr al Em7 Fire) Bm © 1960, 1959 (Renewed) Universal - Duchoes Music Corporation and New Thunder Music Co. AIlFights Fleserved 106Bn7 Bm7 ab: oe? 107 Em7 apo? ~Ta9| [6 ( Fim7 DA DIA [G6 Jana] enon nnononnon nnn enn 8888 8 LL Pf EE PSE PDS SE SE OSE CE CT OESmr pe mr crea) A DTT De G769) cmt Ap nik cm7 3 108= = = = = 3 = 3 = 3 2 > > ~ > > = 2 = 3 = 2 ~ S 3 3 7 2 : rz : wy = : ~ ~ 7 > > = a amsD cr ctva11) c7 Brsus4 B7 E7susa ab765) % 9 = ’ i tt 3. S| |S ——= : s — 3 Se Dm7 Em? A769) Dmo 109 |Frc pba Gm? Dm7 am7 Dm7 Gm? Om7 110PAPAPPPPPPPPPPDPPPPPDALDADTADTIPTADAAAAAADTAPEEEVEEEeevevyys Biioe Sabia arr, John Zaradin (chiytia accom indy) music by Antonio Carlos Jobim Portuguese lyric by Chico Buarque English lyric by Norman Gimbel En por Fn) Bm vie ie if 1968, 1969 (Renewed) Universal - Duchess Musi¢ Corporation ‘and New Thunder Music Co. Al Rights Reserved Mmaber Bm 22 = a, iT iy Mb, youl Cl 7 — = 112OE a a a a ae Fribg) Bbm7 Ft7b9) Bbmz cbr 7IE Fmt ert), Gimzot 13. PLUUELELELUGLLELELPUyvyeyvye eee ssBm chr chan oo? if B7 E7ous4 E765) 14—s— 5 PAP. 4 AW {dl Al 1 iy ° fie ||)( 18 c MN [aL Jew] |e Sy = ls + + aula 11s Z ie Bhs FC B7 Swi mel bol ba be bi Le bi bs be be be bee bi bi bi bin bi bie Bie aS be bi be bk bl Be ck Bk Bk Bk Bk Bu Ba Ba ba, Bak Bd, Bo bol bol bl bol bal bea 8So Nice (Summer Samba) by Nfereos Vale and Paulo Sergio Vall (original words and music) and Norman Gimbel (English words) Medium Bossa Bm7 cs zs e ‘Some-one to hold me tight, that would be ve - ry nice Some-one to love me right, —— Je FES evs Bbmajg 3b§ # Mauna ie = 9 ae ismeeinte naar “May Gls imaneel a ae (Gur eh) bg bo Am7 07 $3) some-one to take my hand, to be a team— with me. So life would be so mr eEm7bs) arg Dm9 Gis kes if one day Ta find some -one who would Gm7 obs co LB} Fmajo take my hand and samba thru life——_ with me. Some-one to cling to me, © 1909, 1990 (Renewed) by MARCOS VALLE and PAULO SEHGIO VALLE All Fights for English speaking countries Controlled and Acministered by UNIVERSAL DUCHESS MUSIC CORPORATION and NEW THUNDER MUSIC CO. Al Rights Feserved 116= = ~ =) > ~ ~) = > 3 =o 2 > 2 > > > > = 3 GUououus mz e7ds) te stay with me rightor wrong, some-one to sing to me some lit- tle sam - ba song. Ga) Bbmaja Bb3 Ebo Some-one to take my heart, then give his heart— to me. Someone who's read -y to by cho Am? pr te am7z 769) that would be so nice, give love a start with me, Oh yes, Fg abia Fox |" cx 8 " Should it be youand me, I could see that would be nice. 7Ciao. So Nice cagnalworieand raise (solo guitar) by Marcos Valle and Paulo Sergio Valle arr John Zaradin English words byNorman Gimbel e bmi Evia ais — ae —s Yevl CLL Y¥cIV aa 6-§—_1-6- 6-6 evil 4. 10-9—7. = 5 4 s0-fo—9. 4. 4 —— =e 7 =e =| 4 — - 4 oben fy hn co 89 © 1965, 1966 (Renewed) by MARCOS VALLE and PAULO SERGIO VALLE All ights for English speeking countries Controlled and Acministered by UNIVERSAL - DUCHESS MUSIC CORPORATION and NEW THUNDER MUSIC CO. Al Rights Reserved 118Bbm7 19 LLL CL SL EL SEER SDSL SL ELLE ‘r fP SE PP OR ER OP EP OOP EP EP OP OOP OP OP OOP OOP OOP SP OOP OP OP OOP OP OEP SP OP OPChea So Nice ad Words ud music (rhythm accomp. study) bY Marcos Valle and Paulo Sergio Valle arr. John Zaradin English words byNorman Gimbel E bm eb7 e 4 cE t it - civ a civ - L = 3 3 r == es ==! = == SSS SS © 1965, 1966 (Renewed) by MARCOS VALLE and PAULO SERGIO VALLE ‘All Rights for English speaking countries Controlled and Administered by UNIVERSAL - DUCHESS MUSIC CORPORATION and NEW THUNDER MUSIC CO. ‘Al Rights Resorved 120eb? Bbmr radi) & 121 A 7) ©) ©) KP KP MP MD FY a )

mo make last for = ee 1 can see te is Dbmajz/eb Ebi3 lant shin = ing in he dis - tance. @bmaj7/ab @bmevab Dbmajo Now we're get - ting clos - er Keep your arms a ~ round — cbmajo Bo Dbmaj7/ab—F7/A Bbmo love, we're al - moss there! rit 124‘This page has been lef blank to avoid awkward page turrs. 125 ; a ome PO OMMOIIOOPKrKrPrrrrerererrrrerrerererereec eee GC OG LOE.Ages The Island (solo guitar) arr-John Zaradin ee Cneand Vor Manns nr he part ew © 1901 KIDADA MUSIC INC., BRAMMUS MUSIC, CAPIM MUSIC, ‘STATE OF THE ARTS MUSIC and THREESOME MUSIC. ‘AI Fights Administered by WB MUSIC CORP. anc WARNER-TAMERLANE PUBLISHING CORP. ‘Al Rights Reserved 126EEE EE E65 U FF 060666666666 6FF6 F066 66 Let ID ob 04 4b 4b b Ub Amtt D76si9) Gms Gn7 Cosuss Co 4 a Cl pbosusa abo ee alttetes Dmtt — pb7is) 127obs | cnn , ets Abed Abnaieh ba. ADS chm c+7 B47 Bb1D cress ome Bad Be iy 128witvetcvuvrvcvvvvvvevievivevervivuvurvrrvrurveuye eee eae Hse 2s The Island (rhythm accomp. study) by Alan and Marilyn Bergman, art. John Zaradin Ivan Lins and Vitor Martins: Bm obur avrt e9 i hy — b db apd saat grep Syme T= | = = we 2 i cu le is f pw B 4 4 2 2 0 o — © 1981 KIDADA MUSIC INC., BRAMMUS MUSIC, CAPIN MUSIC, STATE OF THE ARTS MUSIC and THREESOME MUSIC A Rights Administered by WB MUSIC COAP. and WABNER-TAMERLANE PUBLISHING CORP. ‘Al Rights Reserved 129pba Amt D7ibsbo Gms nv Cesus4 co Fmt Boesus¢ Bho cbs a7bs, cmt Gm Bile 4 YC ACI Dm G79 el r » 4c ev 3 130TB eee eee As aa ee ee eee ee eee er ann eS BOND abiab 131Mike Christiansen Mike Christiansen is a Professor and Director of Guitar Studies at Utah State University. In 1994 he was selected "Professor of the Year" at Utah State. He is the author of numerous. instructional books, has recorded several CDs, and appears on fourteen instructional videos. Ho has had articles published in several magazines including Acoustic Guitar and Soundboard, and hes also conducted many workshops for guitarists and educa- tors. In addition to this work geared toward teaching, he has played in many top bands and ensembles, has written and per- formed radio jingles, has backed up many artists on recordings and has written and recorded music for TV and educational films. Currently, in addition to his teaching and writing duties, Mike does solo work, performs with the Lightwood Duo (a olar- inet-guitar duo), and many studio ses- sions. 132John Zaradin John Zaradin's professional life began per- forming with the violinist, Jan Resek, in Germany and the UK, after which his London debut concert, in 1968, at the Purcell Room, Royal Festival Hall, launched him into the London musical world. Here, he was exposed to a wide variety of music and was called upon to perform in studios, in theatre and on the concert platform. He made, at this time, with the London Symphony Orchestra, the guitar recordings for the television series The Strauss Family. er His London theatre life began at the Royal Court Theatre with Shakespeare's Twelfth Night (director Jane Howells), evolved onto the West End stage at the Piccadilly Theatre with Man of La Mancha and continued into touring with the musicals Hair and Fiddler on the Roof and with the companies Ballet Rambert, London Contemporary Dance and Glyndebourne Opera In 1972 Belwin Mills became his first publish- er and he made his first solo recording Concierto de Aranguez by J. Rodrigo of (EMI/CFP). Later that year, he was invited to join the Royal Shakespeare Company for the word tour of his production of Midsummer Night's Dream. Returning to Europe, John toured as soloist, with Brazilian companies, presented his own group Images of Brazil and recorded a second album Zaradin's Guitar for EMI (1976). This group Images of Brazil, playing original compositions and a kaloidoscope of music from Brazil, made television and radio periormances and performed in venues, which ranged from Ronnie Scott's Jazz Club to the Queen Elizabeth Hall, London. = = = = = = = = = = 133