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edited
by
Thomas Schilling
Table Of Contents
Version 5.3
All Rights Reserved
Thomas Schilling © 2019
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Theory
4
5
Modes + Scales
Interval Relationships
Major
I ionian 1 2 3 4 5 6 j7
II dorian 1 2 m3 4 5 6 b7
III phrygian 1 b2 m3 4 5 b6 b7
IV lydian 1 2 3 #4 5 6 j7
V mixolydian 1 2 3 4 5 6 b7
VI aeolian 1 2 m3 4 5 b6 b7
VII locrian 1 b2 m3 4 b5 b6 b7
Natural Minor
I aeolian 1 2 m3 4 5 b6 b7
II locrian 1 b2 m3 4 b5 b6 b7
bIII ionian 1 2 3 4 5 6 j7
IV dorian 1 2 m3 4 5 6 b7
V phrygian 1 b2 m3 4 5 b6 b7
bVI lydian 1 2 3 #4 5 6 j7
bVII mixolydian 1 2 3 4 5 6 b7
Harmonic Minor
I aeolian j7 1 2 m3 4 5 b6 j7
II locrian j6 1 b2 m3 4 b5 6 b7
bIII ionian #5 1 2 3 4 #5 6 j7
IV dorian #4 1 2 m3 #4 5 6 b7
V phrygian j3 1 b2 3 4 5 b6 b7
bVI lydian #2 1 #2 3 #4 5 6 j7
VII mixolydian #1 #1 2 3 4 5 6 b7
Melodic Minor
I ionian b3 1 2 m3 4 5 6 j7
II dorian b2 1 b2 m3 4 5 6 b7
bIII lydian #5 1 2 3 #4 #5 6 j7
IV lydian b7 1 2 3 #4 5 6 b7
V mixolydian b6 1 2 3 4 5 b6 b7
VI aeolian b5 1 2 m3 4 b5 b6 b7
VII super locrian b4 1 b2 m3 b4 b5 b6 b7
(= altered 1 b9 #9 3 b5 #5 b7)
Diminished 1 m3 b5 bb7
Augmented 1 3 #5
6
& . . . . .
I . . .
1 2 3 4 5 6 j7 1
⁄2
1
⁄2
1
Dorian
& . . . . . .
II . .
1 2 m3 4 5 6 b7 1
1
⁄2 1
⁄2
.
Phrygian
. . . .
III & . . .
1 b2 m3 4 5 E6 b7 1
1
⁄2 ⁄2
1
. .
Lydian
. . . .
IV & . .
1 2 3 #4 5 6 j7 1
1
⁄2 1
⁄2
. . .
Mixolydian
& . . . . .
V
1 2 3 4 5 6 b7 1
⁄2
1
⁄2
1
Aeolian
. . . . .
VI & . . .
1 2 m3 4 5 E6 b7 1
⁄2
1
⁄2
1
. . . .
.
Locrian
. .
VII & .
1 b2 m3 4 b5 E6 b7 1
1
⁄2 ⁄2
1
7
& . . . .
I
. . . .
1 2 m3 4 5 E6 b7 1
⁄2
1
⁄2
1
Locrian
& . . . .
II
. . . .
1 b2 m3 4 b5 E6 b7 1
1
⁄2 ⁄2
1
Ionian
bIII & . . . . .
. . .
1 2 3 4 5 6 j7 1
⁄2
1
⁄2
1
Dorian
. . . .
IV & . . . .
1 2 m3 4 5 6 b7 1
1
⁄2 1
⁄2
.
Phrygian
& . . . . . .
V .
1 b2 m3 4 5 E6 b7 1
1
⁄2 1
⁄2
. .
Lydian
. . . .
bVI & . .
1 2 3 #4 5 6 j7 1
1
⁄2 1
⁄2
. . .
Mixolydian
. . . .
bVII & .
1 2 3 4 5 6 b7 1
⁄2
1
⁄2
1
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Tunings
20
Open A
(E, A, e, a, c#, e’)
Position 1
5 b7
3 5
1 m3 3
5 b7
1 m3 3
5 b7
I II III IV V VI VII VIII IX X XI XII XIII XIV XV
Position 2
b7 1
5
m3 3
b7 1
m3 3
b7 1
I II III IV V VI VII VIII IX X XI XII XIII XIV XV
Position 3
1
b7
3 5
1
3 5
1
I II III IV V VI VII VIII IX X XI XII XIII XIV XV
Position 4
m3 3
1
5 b7
m3 3
5 b7
m3 3
I II III IV V VI VII VIII IX X XI XII XIII XIV XV
Position 5
5
m3 3
b7 1
5
b7 1
5
I II III IV V VI VII VIII IX X XI XII XIII XIV XV
21
Open G
(D, G, d, g, b, d’)
Position 1
5 b7
3 5
1 m3 3
5 b7
1 m3 3
5 b7
I II III IV V VI VII VIII IX X XI XII XIII XIV XV
Position 2
b7 1
5
m3 3
b7 1
m3 3
b7 1
I II III IV V VI VII VIII IX X XI XII XIII XIV XV
Position 3
1
b7
3 5
1
3 5
1
I II III IV V VI VII VIII IX X XI XII XIII XIV XV
Position 4
m3 3
1
5 b7
m3 3
5 b7
m3 3
I II III IV V VI VII VIII IX X XI XII XIII XIV XV
Position 5
5
m3 3
b7 1
5
b7 1
5
I II III IV V VI VII VIII IX X XI XII XIII XIV XV
22
Open E
(E, B, e, g#, b, e’)
Position 1
1 m3 3
5 b7
3 5
1 m3 3
5 b7
1 m3 3
I II III IV V VI VII VIII IX X XI XII XIII XIV XV
Position 2
m3 3
b7 1
5
m3 3
b7 1
m3 3
I II III IV V VI VII VIII IX X XI XII XIII XIV XV
Position 3
3 5
1
b7
3 5
1
3 5
I II III IV V VI VII VIII IX X XI XII XIII XIV XV
Position 4
5 b7
m3 3
1
5 b7
m3 3
5 b7
I II III IV V VI VII VIII IX X XI XII XIII XIV XV
Position 5
b7 1
5
m3 3
b7 1
5
b7 1
I II III IV V VI VII VIII IX X XI XII XIII XIV XV
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Exercises
Rhythm Basics
26
$ è. 0ä 0è 0ä . 0 0 0 . 0 0 0 . 0 0 0 $
1
$ è0 0ä .è 0ä 0 0 . 0 0 0 . 0 0 0 . 0 $
2
$ è0 .ä 0è 0ä 0 . 0 0 0 . 0 0 0 . 0 0 $
3
$ è0 0ä 0è .ä 0 0 0 . 0 0 0 . 0 0 0 . $
4
Combinations
Combinations
$ è. 0ä .è 0ä . 0 . 0 . 0 . 0 . 0 . 0 $
5
$ è. .ä 0è 0ä . . 0 0 . . 0 0 . . 0 0 $
6
$ è. 0ä 0è .ä . 0 0 . . 0 0 . . 0 0 . $
7
$ è0 .ä .è 0ä 0 . . 0 0 . . 0 0 . . 0 $
8
$ è0 0ä .è .ä 0 0 . . 0 0 . . 0 0 . . $
9
$ è0 .ä 0è .ä 0 . 0 . 0 . 0 . 0 . 0 . $
10
$ è. .ä .è 0ä . . . 0 . . . 0 . . . 0 $
11
$ è. .ä 0è .ä . . 0 . . . 0 . . . 0 . $
12
$ è. 0ä .è .ä . 0 . . . 0 . . . 0 . . $
13
$ è0 .ä .è .ä 0 . . . 0 . . . 0 . . . $
14
Funky Rhythms
27
$ è. 0ä 0è .ä 0 0 0 0 . 0 0 . 0 0 0 0 . . 0 0 0 0 0 0 . . 0 0 0 0 0 0 $
1
$ è0 .ä 0è .ä 0 0 0 0 0 . 0 . 0 0 0 0 0 . . 0 0 0 0 0 0 . . 0 0 0 0 0 $
2
$ è. .ä .è .ä 0 . 0 . 0 0 0 0 0 0 . 0 . . . . 0 . . . 0 0 0 0 0 0 0 0 $
3
$ è. 0ä 0è .ä 0 0 . 0 0 0 0 0 . . 0 0 . 0 0 . 0 0 . 0 0 0 0 0 0 0 0 0 $
4
$ è. 0ä 0è .ä 0 0 0 . 0 . 0 0 0 0 0 0 0 . . . 0 . 0 . 0 0 0 0 0 0 0 0 $
5
$ è. 0ä .è 0ä 0 . 0 . 0 0 0 0 0 0 0 0 . 0 . 0 0 . 0 . 0 0 0 . . 0 0 0 $
6
$ è. 0ä 0è 0ä 0 0 0 0 0 0 . 0 0 0 0 0 . 0 0 0 . 0 0 0 . 0 0 0 . 0 0 0 $
7
$ è0 .ä 0è 0ä 0 0 0 0 0 . 0 0 0 0 0 0 0 . 0 0 0 . 0 0 0 . 0 0 0 . 0 0 $
8
$ è0 0ä .è 0ä 0 0 0 0 0 0 . 0 0 0 0 0 0 0 . 0 0 0 . 0 0 0 . 0 0 0 . 0 $
9
$ è. .ä .è .ä 0 . 0 . 0 0 0 0 . . 0 0 . 0 . 0 0 . 0 . 0 0 0 0 0 . 0 0 $
10
$ è. .ä 0è .ä 0 0 . . 0 . 0 0 . . 0 0 . . 0 . 0 0 . . 0 . 0 0 . 0 0 0 $
11
$ è. .ä .è .ä 0 . 0 . 0 0 0 . . . 0 0 . . . . 0 . 0 . 0 0 0 . . 0 0 0 $
12
$ è0 0ä .è 0ä . 0 0 0 . . 0 . 0 0 . . 0 0 . 0 . 0 0 0 . . . . 0 0 0 . $
13
$ è. .ä 0è .ä 0 0 . . 0 0 0 0 . . 0 0 . . 0 . 0 0 . . 0 . 0 0 . 0 0 0 $
14
FunkRhythm
Rhythm Guitar
28
1 of 4
Funk Guitar
7 7/9 7 7/9
ı ı ı ı ı ı
A D A D
5th 4th 5th 4th
1a
è. ä0 è0 ä. 0 0 0 0 . 0 0 . 0 0 0 0 . . 0 0 0 0 0 0 . . 0 0 0 0 0 0
7 7/9 7 7/9
ı ı ı ı ı ı
A D A D
7th 9th 7th 9th
1b
è. ä0 è0 ä. 0 0 0 0 . 0 0 . 0 0 0 0 . . 0 0 0 0 0 0 . . 0 0 0 0 0 0
7 7/9 7 7/9
ı ı ı ı ı ı ı ı
A D A D
10th 11th 10th 11th
2a
è0 ä. è0 ä. 0 0 0 0 0 . 0 . 0 0 0 0 0 . . 0 0 0 0 0 0 . . 0 0 0 0 0
7 7/9 7 7/9
ı ı ı ı ı ı
A D A D
14th 14th 14th 14th
2b
è0 ä. è0 ä. 0 0 0 0 0 . 0 . 0 0 0 0 0 . . 0 0 0 0 0 0 . . 0 0 0 0 0
7 7/9 7 7/9
ı ı ı ı ı ı
A D A D
10th 9th 10th 9th
3a
è. ä. è. ä. 0 . 0 . 0 0 0 0 0 0 . 0 . . . . 0 . . . 0 0 0 0 0 0 0 0
7 7/9 7 7/9
ı ı ı ı ı ı
A D A D
7th 7th 7th 7th
3b
è. ä. è. ä. 0 . 0 . 0 0 0 0 0 0 . 0 . . . . 0 . . . 0 0 0 0 0 0 0 0
7 7/9 7 7/9
ı ı ı ı ı ı
A D A D
5th 4th 5th 4th
4a
è. ä0 è0 ä. 0 0 . 0 0 0 0 0 . . 0 0 . 0 0 . 0 0 . 0 0 0 0 0 0 0 0 0
7 7/9 7 7/9
ı ı ı ı ı ı
A D A D
4b
è. ä0 è0 ä. 0 0 . 0 0 0 0 0 . . 0 0 . 0 0 . 0 0 . 0 0 0 0 0 0 0 0 0
Funk Rhythm Guitar 29
Funk Rhythm Guitar 2 of 4
7 7/9 7 7/9
ı ı ı ı ı ı ı ı
A D A D
7th 7th 7th 7th
5a
è. ä0 è0 ä. 0 0 0 . 0 . 0 0 0 0 0 0 0 . . . 0 . 0 . 0 0 0 0 0 0 0 0
7 7 7 7
ı ı ı ı ı ı ı ı
A Dsus2 A Dsus2
10th 9th 10th 9th
5b
è. ä0 è0 ä. 0 0 0 . 0 . 0 0 0 0 0 0 0 . . . 0 . 0 . 0 0 0 0 0 0 0 0
7 add 9 7 add 9
ı ı ı ı ı ı ı ı
A D A D
14th 14th 14th 14th
6a
è. ä0 è. ä0 0 . 0 . 0 0 0 0 0 0 0 0 . 0 . 0 0 . 0 . 0 0 0 . . 0 0 0
7 7/9 7 7/9
ı ı ı ı ı ı ı ı
A D A D
10th 11th 10th 11th
6b
è. ä0 è. ä0 0 . 0 . 0 0 0 0 0 0 0 0 . 0 . 0 0 . 0 . 0 0 0 . . 0 0 0
7 7 7 7
ı ı ı ı ı ı ı ı
A Dsus2 A Dsus2
7th 9th 7th 9th
7a
è. ä0 è0 ä0 0 0 0 0 0 0 . 0 0 0 0 0 . 0 0 0 . 0 0 0 . 0 0 0 . 0 0 0
7 7/9 7 7/9
ı ı ı ı ı ı ı ı
A D A D
5th 7th 5th 7th
7b
è. ä0 è0 ä0 0 0 0 0 0 0 . 0 0 0 0 0 . 0 0 0 . 0 0 0 . 0 0 0 . 0 0 0
7 7/9 7 7/9
ı ı ı ı ı ı ı ı
A D A D
6th 4th 6th 4th
8a
è0 ä. è0 ä0 0 0 0 0 0 . 0 0 0 0 0 0 0 . 0 0 0 . 0 0 0 . 0 0 0 . 0 0
7 7 7 7
ı ı ı ı ı ı ı ı
A Dsus2 A Dsus2
2nd 2nd
8b
è0 ä. è0 ä0 0 0 0 0 0 . 0 0 0 0 0 0 0 . 0 0 0 . 0 0 0 . 0 0 0 . 0 0
30 Funk Rhythm Guitar
Funk Rhythm Guitar 3 of 4
7 7/9 7 7/9
ıı ıı ıı ıı
A D A D
5th 4th 5th 4th
9a
è0 ä0 è. ä0 0 0 0 0 0 0 . 0 0 0 0 0 0 0 . 0 0 0 . 0 0 0 . 0 0 0 . 0
7 7/9 7 7/9
ıı ıı ıı ıı
A D A D
7th 7th 7th 7th
9b
è0 ä0 è. ä0 0 0 0 0 0 0 . 0 0 0 0 0 0 0 . 0 0 0 . 0 0 0 . 0 0 0 . 0
7 7/9 7 7/9
ıı ıı ıı ıı
A D A D
10th 11th 10th 11th
10a
è. ä. è. ä. 0 . 0 . 0 0 0 0 . . 0 0 . 0 . 0 0 . 0 . 0 0 0 0 0 . 0 0
7 7/9 7 7/9
ıı ıı ıı ıı
A D A D
14th 13th 14th 16th
10b
è. ä. è. ä. 0 . 0 . 0 0 0 0 . . 0 0 . 0 . 0 0 . 0 . 0 0 0 0 0 . 0 0
7 7/9 7 7/9
ıı ıı ıı ıı
A D A D
10th 11th 10th 11th
11a
è. ä. è0 ä. 0 0 . . 0 . 0 0 . . 0 0 . . 0 . 0 0 . . 0 . 0 0 . 0 0 0
7 7/9 7 7/9
ıı ıı ıı ıı
A D A D
7th 7th 7th 7th
11b
è. ä. è0 ä. 0 0 . . 0 . 0 0 . . 0 0 . . 0 . 0 0 . . 0 . 0 0 . 0 0 0
7 7/9 7 7/9
ıı ıı ıı ıı
A D A D
5th 4th 5th 4th
12a
è. ä. è. ä. 0 . 0 . 0 0 0 . . . 0 0 . . . . 0 . 0 . 0 0 0 . . 0 0 0
7 7/9 7 7/9
ıı ıı ıı ıı
A D A D
12b
è. ä. è. ä. 0 . 0 . 0 0 0 . . . 0 0 . . . . 0 . 0 . 0 0 0 . . 0 0 0
Funk Rhythm Guitar 31
Funk Rhythm Guitar 4 of 4
7 7/9 7 7/9
ı ı ı ı ı ı ı ı
A D A D
2nd 4th 2nd 4th
13a
è0 ä0 è. ä0 . 0 0 0 . . 0 . 0 0 . . 0 0 . 0 . 0 0 0 . . . . 0 0 0 .
7 7/9 7 7/9
ı ı ı ı ı ı ı ı
A D A D
6th 7th 6th 7th
13b
è0 ä0 è. ä0 . 0 0 0 . . 0 . 0 0 . . 0 0 . 0 . 0 0 0 . . . . 0 0 0 .
7 7/9 7 7/9
ı ı ı ı ı ı ı ı
A D A D
9th 9th 9th 9th
14a
è. ä. è0 ä. 0 0 . . 0 0 0 0 . . 0 0 . . 0 . 0 0 . . 0 . 0 0 . 0 0 0
7 7/9 7 7/9
ı ı ı ı ı ı ı ı
A D A D
12th 11th 12th 11th
14b
è. ä. è0 ä. 0 0 . . 0 0 0 0 . . 0 0 . . 0 . 0 0 . . 0 . 0 0 . 0 0 0
Ú Ú
Em
8th
End
è, ,
Alternate Picking
32
Alternate Picking
Finger Mathematics
34
Note Location On The Fretboard
35
Open Chord Progressions
36
E A D C
1
D A E G
Em Am C D
2
Dm Am Em G
7 7 7 7
E A D G
3
mild mild
7 7 7
E A C F
4
spicy spicy
7 7 7 7
Em Am Dm Am
5
mild mild mild
7 7 7
B Em Am F
6
spicy spicy
Write
Writeyour ownprogression
your own progression
7
Major Arpeggio
37
38
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45
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46
Page Index
1 Studies 25 Exercises
2 Table Of Contents 26 Rhythm Basics
27 Funky Rhythms
3 Theory 28 Funk Rhythm Guitar
4 Note Location String By String 32 Alternate Picking
5 Modes + Scales 34 Finger Mathematics
6 Modes • Major Scale 35 Note Location On The Fretboard
7 Modes • Minor Scale 36 Open Chord Progressions
8 Modes • Harmonic Minor Scale 37 Major Arpeggio
9 Modes • Melodic Minor Scale 38 Major 7th Arpeggio
10 Intervals • 0–11 Half Steps 39 Major 9th Arpeggio
11 Intervals • 12–23 Half Steps 40 Dominant 7th Arpeggio
12 Degrees • Two Voices 41 Dominant 9th Arpeggio
12 Degrees • Three Voices 42 Minor Arpeggio
13 Degrees • Four Voices 43 Minor Major 7th Arpeggio
13 Degrees • Five Voices 44 Minor 7th Arpeggio
14 Degrees • Six Voices
14 Degrees • Seven Voices
15 Chord Formula
16 Writing Chord Progressions
18 Song Title
45 Other Publications
19 Tunings
46 Page Index
20 Open A
21 Open G
22 Open E
23 Open D
24 Tunings • Analysis