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Amaryllis by Claire Lontis
Amaryllis by Claire Lontis
Amaryllis by Claire Lontis
by claire lontis
amaryllis
by claire lontis
illustrated by tanya scott
cover art by leonie psillis
Please be aware that this anthology
contains content which may be
distressing.
Botany
Marsha M Linehan,
Mother of Borderline,
Matriarch of a distinctly female
agony,
said that borderlines are like burn
victims;
That we have no outer layer of
emotional skin
and that we feel agony
at the slightest touch.
The monochromatic landscape of the
borderline
who waltzes to her own requiem,
cloying purple prose upheaved on
napkins in coffee houses,
spilling blood like verses.
It is so easy to romanticise
the maudlin of self-flagellation
Suffering in legato
Recovering in staccato
Mother,
I am sorry for the maelstrom of my
continuing adolescence
I am sorry for tearing through the
skin of your first born
I am sorry for voiding my vessels
onto mattresses
and for swallowing pills like
prayers
I am sorry for lacerations lain on
muslin
But I lack an outer skin
and this chaotic contamination
is a noose that I was born with;
an umbilical cord
and I haven’ t the strength
to untie it
gilden
cataclysmic glimpses of
a makeshift
ascension
Begotten
Group therapy and the inhabitants of
the room split themselves inside out.
And as the traumas were spoken aloud
the heavens opened. Mabel looked up to
see there was no roof; only bleeding
chrysalises falling from the skies,
leaking constellations of pupae strewn
amongst the similarly semi-formed
beings of the room. Sunk into the
battlefield of the room, wombs
independent of a female form. Traumas
actualised into pulsating cocoons
seeping blood like slivers of beating
hearts. She caught one in her hand and
pulled herself upright from the
bleeding soil of her past, blood swept
saccharine under her fingernails,
palpitating outward from this strange
form. She observed it and knew it
wasn’ t real. She could tell because of
the glimmering on the edge.
That’ s how she could always tell.
“Are you with us, Mabel?”
Her dreamscape shattered and she was
sitting in an armchair and the young
psychology maj or with that damn
sardonic tone was looking at her.
“Where did you go?”
Mabel tells the psychology maj or to fuck
off and leaves the room.
Two decades ago, when she was 30, she
had her first miscarriage. She’ d birthed
it, a floppy-limbed gesture of a human
and had held it to her chest for an hour
before the doctors took it from her. The
corporeal form of her dreams was
starting to decay. Four decades
beforehand her stepdad had slid under
her lavender bedsheets. And she confides
in those in the smoking area that maybe
it was for the best she’ d lost the baby.
How could she have protected a child
from this world and the monsters that
walk its surface?
A broken bone mends itself under
plaster, but the anatomical overlaps of
bone will show under an X-ray years
after. It’ s like golden j oinery on a
ceramic plate; shattered ceramics glued
with glimmering lacquer. People who were
broken, but are now whole. Only some can
see the glint of the adhesive used to
patch them back up.
The children born of the mistakes of
their forbearers. It’ s always people who
break people.
A generation or more of flain-fleshed
victims imbibed with the nectar of anti-
psychotics and still fallen; haunted
father, dysthymic daughter. Type-B herds
heralded by the foulness of half-
forgotten assaults; exuberant messes of
gloriously woeful women.
If a broken bone is still visible under
an X-ray, then psychological trauma
reveals itself under certain similar
conditions.
Mabel was 4 9. Stranded forms, fragments
of what once was and what she wants to
be. The psych maj or had followed her out
the room and her mouth was moving like
an open wound but the heavens were too
loud and Mabel couldn’ t hear her.
Epoch
Foulweather friends, spitfire lovers
we sit haloed in cigarette stubs
and I look at her and know
that she is gestating sadness, that it
is an expanse within her;
as it is
within me.
She sits on the crest of the garden
and in my sun-bathed reverie I imagine
flowers spiraling up her spinal cord
and sprouting from her fingertips
her eyes a paradisiacal, lacquered blue
her heart-shaped mouth tastes like a
confection
and our flayed arms hold one another
and together
we are conquerors, together
we will no longer bleed
like hysterical Catholics claiming
stigmata, together
we will leave this bed of flowery
decomposition, together
we will transcend this void and find
the elysian, together
we will trade stitches for kisses, and,
together,
we will hold hands and recuperate-
-no, not j ust that-
Together, we will eclipse our former
selves and, together
step out of the skins of our agony
and into ecstasy.
Inertia
_______________________________________
Because of this
Here
Sliced out of myself staggered
Into multiplicity
Layers of consciousness lain
Like a dissected cadaver
The skin of my sentience is
like tissue paper on a Rolodex
And I flit through these
like cinematic reels
Fast forward and underwater and
removed
Above myself outside myself
And what’ s in here doesn’ t make
sense
Spliced sense of self
Drugged
With the poison of something
unearthly
Samsara
My psychiatrist asked if it had been a
suicide attempt. I told him it had been
an exorcism. Apparently that wasn’ t very
funny. But honestly, what a stupid
fucking question.
I had de-shelled a formidable amount of
blister-packaged pharmaceuticals
prescribed for my chronic sadness and
cradled handfuls of lolly-hued capsules-
2 56 oblong lavender pills and an
assorted bag of various tried-and-
failed-to-help SSRI’ s and SNRI’ s. These
I chased with a bottle of desperately
cheap champagne. I lay in bed as a haze
formed about me, a pulsating chasm that
vignetted around the room and moved
inward like gravity. Dizzy and with my
heart cluster-ba-booming I felt
everything accelerating, tightening, and
then at pitch-speed it slowed down so
that I felt I was underwater. I blinked
a few times and saw my room, bland,
starch. I’ d cleaned it beforehand. God
knows why. It felt necessary. A part of
the ritual.
The first thing I remember were the
ribbed blue tubes, two of them. Like we
used to clean the pool with. It was a
while before I realised they were
protruding from my mouth like ectoplasm.
And immediately I was angry. My lungs
had listened to me and given up and
someone had forcibly, violently,
mechanically reversed that. It made me
wonder what had happened when I was
unconscious. I’ m not sure, even today. I
never really asked. Just apologised for
the inconvenience and seethed
internally. I had been out for 2 4 hours.
Long enough for mum to look more bored
than distressed. Did you know that they
don’ t allow flowers in ICU? I still
don’ t know why. By the time I got to a
general ward all the bouquets that had
been sent were wilting.
A week or so later I left hospital
barefoot and sat with a coffee outside
the emergency room. The skies had opened
into a torrent; bloated clouds
swallowing the sky upended themselves
upon the city, flooding underpasses and
uprooting trees. And I sat with my weak
flat white on an aluminium-barred chair
and the umbrella above sank inward with
the weight of the rain. There was a
flurry of passage from carpark to the
entrance to the hospital; it was January
and not one person had an umbrella. I
sat there in the aftermath of my second
suicide attempt and it was noon and it
looked like it was midnight. A flash
flood is what they called it. I sucked
on a cigarette and let my coffee go cold
and hailed a cab. The driver spoke in a
thick accent about the bizarre weather
and I fondled the plastic hospital
bracelet.
I sat in the armchair of my
psychiatrist’ s office the next day and
stared at the carpet.
‘ I need to go back into hospital. ’
A different type of hospital. One
without sick bays and equipment that
kept you alive. The type you go when you
want to hurl yourself out of this world
and they placate you with calm voices
and board games and PRN. The night
before I had dreamt I was walking
through the house and in each room
static blared from piles of TVs, each
televising a different disaster;
flickers of floods, fires, war, famine,
riots. I walked through these rooms and
saw disaster in my peripheral and kept
walking.
‘ Yes, I think hospital is a good idea, ’
said my psychiatrist, and I wanted to
ask him how many of his patients had
killed themselves but I thought it best
not to.
And so I was back in. Dragging a blanket
down the hallway with flayed forearms
gulping down clusters of lilac pills
like bird’ s eggs. When I was little a
baby bird had flop-fallen into the pool
and dad pushed me out of the way to
rescue it. I think of some drowning
analogy and dismiss it immediately.
Daddy issues. That’ s the start of it.
It was a month to the day after we’ d
buried Oma. Maybe I was envious of her
passing. My going to hospital wasn’ t as
much an admission as it was an
incarceration. Just like she’ d been put
in that home. We’ d been to say goodbye
six weeks earlier. She had a lung
infection and was on morphine. My
mother, a nurse, stoically advised we
all go and say our goodbyes. There had
been so many close calls- heart attacks
where they didn’ t bother putting a stint
in, strokes where we had to confirm she
was DNR, and she’ d always pulled
through. She started asking us to kill
her. A pillow over the face. She wanted
out and she wanted it bad. I asked mum
why Oma didn’ t j ust kill herself. My
poor mother. Caught between two
generations of women who wanted to die.
Mum said that she didn’ t have the guts
to do it.
Does that make me brave?
We got to the nursing home and weaved
our way through its labyrinthine depths
and nestled at its heart was her room.
Nurses with their heads bowed and us
with words sitting stale on the
underside of tongues. They’ d propped her
head up with a rolled handtowel. She was
grey and green. Her eyes were half open
and her mouth was firmly closed as
though with discontent.
I’ m so sorry. The nurses were
muttering.
Sorry for what? I had thought.
And then it hit me, the weight of that
frail grey body was nothing more than
that, a body.
She passed five minutes ago.
I had never seen a dead body before. It
had a shocking weight to it. A presence,
a gravitas. The air in the room was
permeated with it. Years and years of
being suicidal and here was the reality
of death, thin-lipped and grey-haired
and with a single plastic flower lain
over her chest. She was j ust gone.
Minutes earlier she had been here. Now
she wasn’ t.
She looks like she’ s asleep. My aunt
said through sniffles.
No she doesn’ t, I thought. She looks
fucking dead.