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STEPS IN BECOMING A CREATIVE NONFICTIONIST 15.

Use narrative perspective


 Determine which of the points of view to take
1. DEFINE CREATIVE NONFICTION in writing your work.
 You must know the definition of creative
nonfiction. 16. Shape your voice
 Do not commit the mistake of coming up with
2. FIND A STORY a “purple prose”.
 Creative nonfiction is narrative. Thus, you  Purple prose is characterized by the extensive
must have a story to tell your readers. use of adjectives, adverbs, and metaphors
(Wikipedia)
3. HONOR THE NONFICTION CONTRACT
 It is fact-based writing. It is your responsibility 17. Write the gutter- how to not tell a story
to tell the story objectively with the use of  You don’t have to tell everything to the
your memory and experiences. readers.
4. WRITE GREAT BEGINNINGS 18. Employ dialogue strategies in creative nonfiction
 Good introductions are appetizers. It is a must  Dialogue is one of the essential elements of a
to introduce effectively so as not to lose narrative.
readers.
19. Research creative nonfiction
5. SHOW, DON’T TELL  It is necessary to engage in a fact-finding
 Good writing requires that a narrative be investigation before plunging into the writing
written in such a way that action and speech activity.
are inserted.
2o. How to not have people hate you
6. LAUNCH A NARRATIVE ARC  See to it that only truths see print. Your story
 A narrative arc is a useful tool in designing the must not be fabricated; it must not contain
narrative plot. It serves as a framework of the lies.
story.
21. Revise your work
7. USE CLIFFHANGERS AND PAGE TURNERS TO YOUR  Writing is a process consisting of 3 stages:
ADVANTAGE namely, pre-writing, writing, and rewriting.
 These are the endings of episodes of the serial You must correct all the grammatical,
drama that hold the viewers in suspense. mechanical, organizational, and most
importantly, factual errors you have
8. BUILD DRAMATIC SENTENCES commited.
 Readers get bored when they encounter long
readings. 22. Build your audience
 Your output is your message, but you do not
9. EMPLOY RHETORICAL DEVICES AND CREATE communicate if nobody reads your work.
EMOTIONAL IMPACT
 Rhetorical devices such as figures of speech 24. Get your work published
and literary devices are useful in creating an  Look for a publishing company who will
emotional impact. market your book.
10. PUT IT ALL TOGETHER 25. Be a writer
 One of the principles of good writing is unity.  Because there is always a room for
improvement, assess your strengths and
11. REVEAL THE CHARACTER IN WORDS AND weaknesses as a writer.
ACTIONS.
 To make the characters real, you have to show
their respective traits by using dialogue.

12. CREATE COMPELLING CHARACTERS


 Minor characters must be depicted in such a
way that they also evoke interest, attention,
or admiration.

13. ANALYZE CHARACTER PSYCHOLOGY.


 In developing a character in the narrative, you
have to do an analysis of his behavior.

14. GET INSIDE THE Heads of your characters.


 As a writer of creative nonfiction, you must
have a firm grasp of characters’ mindsets.

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