PIANO VOCAL SCORE “Pienep FREAKY FRIDAY ANEW MUSICAL © Book by Music by Lyrics by Bridget Carpenter Tom Kitt Brian Yorkey Based on the novel Freaky Friday by Mary Rodgers and the Disney films MUSIC THEATRE INTERNATIONALNOTICE: DO NOT DEFACE! Should you find it necessary to mark cues or cuts, use a soft black lead pencil only. NOT FOR SALE — DO NOT COPY OR REDISTRIBUTE This book is rented for the period specified in your contrac. It eemains the properly of: ‘MUSIC THEATRE INTERNATIONAL FOR RETURN SHIPPING ADDRESS, PLEASE VISIT OUR WEBSITE: Wwww.mtishows.com Published by Tom Kitt Music and Lonely Satellite Music (BMI) Administered by Warner-Tamerlane Publishing Corp. All rights reserved, Copyright © Disney (Last Revised — August 2018)Disney’s Freaky Friday: The Musical Piano Vocal Score Act One 0. 1. 1A, 2. 2A. 3. 3A. 3B. . Adam’s Theme... Adam... Adam... .. . Shoppin’ With My Mom . Adam... Adam... (Reprise 1). . Warch Your Back! (Playoff) . Drivin’ With My Mom . Just One Day (Reprise) . Prologue Just One Day ‘The Hourglass... 1 Got This ‘The Cake . What You Got. What You Got Playoff) ‘Adam's Theme... Oh, Biology .... Vows .. Busted Somebody Has Got to Take the Blame ..... Blame (Playoff) I Got This (Reprise) ... Warch Your Back... Parents LieDisney’s Freaky Friday: The Musical Piano Vocal Score Act Two 12. Entracte 13. I'm Not Myself Today . 13A. ‘Transition to Bus Stop .. 14. Women and Sandwiches 14A. Just One More Sandwich 148. I Hurt Him.. 15. Bring My Baby (Brother) Home... 173 15A. Adam's ‘Theme... . 185 15B. Adam... Adam... (Reprise 2) 186 16. Go. . 187 17, After All of ‘This and Everything. 213 17A. Back to Hunt . 221 17B. Savannah Sets You Straight... . 223, 18. No More Fear 18. 19. ‘The Other Hourglass 20. Today and Ev'ry Day ... . 239 21. Bows ... 22. Exit Music 261 Orchestrations by Michael Starobin and Tom KittPIANO|VOCAL Freaky Friday #0 ‘Music by Tom Kit/Lyries by Brian Yorkey (Cues (in Black.) ‘Orch. by Michael Starobin Prologue Grand, Fanfare Pla sub ere poco a poco ~~ (ELLIE BLAKE ~smart, funny, our hero — bounds onto the stage. She's a tomboy: baggy, rumpled clothes, hair that hasnt aise set tcomb today Or yesterday. She addresses the autience) = ELLIE: So you're never going to believe me. Noone in their right mind could ever possibly believe me. ELLIE: (cont'd.) But what 'm about to tell you is true. One-hundred-percent true. (pauses to make sure the ausienceis with her) 8 « 15 6 Freaky FridayPIANO/VOCAL 2+ 40. Prologue ELLIE: Everything started the day before my mom got married. KATHERINE: (oftage) Honey..(GO ON) v 1s Safety (KATHERINE BLAKE — decisive, lovely, punctual — enters.) KATHERINE: (overlapping) ELLIE: (ignoring KATHERINE) The day that had ~ I'm talking mind-bending. Bananas.—What?! Ellie. Elie. Elie! 9 20 a 2 | mp Fr), 2 KATHERINE: Hi, sweetie ELLIE: (to audience) This is my mother. KATHERINE: waves cheerfilly, notices someone inthe audience.) Hi there! You look adorabl (to ELLIE, pointedly) See, she made an effort. She looks nice. You could do that. 2 ™ 2% 26 ELLIE: I'm in the middle of a story KATHERINE: I know. I'm being supportive, ELLIE: Could you do that somewhere else? = Freaky Fray#0. Prologue PIANO/VOCAL KATHERINE: What if you started by introducing the family— ELLIE: Im getting there! Its my story! a 2 Bbyp =o ee KATHERINE: (to audience) She used to be so sweet. ELLIE: Mom, KATHERINE: Fine, I'm going, ELLIE: Good. ELLIE: (cont, to audience) So it was the second Friday in April, and every moming is pretty chaotic in our house, Bo. ae » ELLIE: Mom! (ELLIE tooks daggers at Katherin toho exits, acing one last time a ELLIE: cont'd.) but this was even more crazy than— (KATHERINE digs a bobby pin out ofher pocket and smooths ELLIE’s hair to the side.) Mom, wiat are you doing?? KATHERINE: I want to beable to see your pretty face. (t audience) She hides her face! the audience. ELLIE takes the (GOON) audience back in time.) ‘Vamp, out on any beat oof. ha oak 3: @es" ge a [SEGUE AS ONE] Freaky FridayFreaky Friday #1 Music To Kilby ria Yt (Ont at Sot Just One Day Fletcher Ensemble Cue: Segue as one from No. 0 “Prologue” Bright, Warm —J=156 ELLIE: That morning. she was really up in my geil 1 2 "e that's all. Wt one day, beg I plead,__— but the drag just keeps on drag Free to slouch and sulk and mum-ble and be mes-sy and be me. All I Amus Am AM/g 4 Pry FridayPIANO/VOCAL a ask is for twelve ho-urs TORREY: The florist is outside ‘making the arch of roses- — to live my life my way. (Ellie walks into the kitchen a beehive of activity. KATHERINE is barking orders at TORREY, her high-strung assistant, and several CATERING STAFF.) #1, Just One Day ELLIE: Mom, can I ask you something— KATHERINE: Honey, I need you to hold that thought. 2 2 En IFsus? Gus KATHERINE: Torrey, no, not roses— CATER WAITEI peonies, ranunculus. Fix that! ‘Gray aprons okay? KATHERINE: Yes, but not the short ones. Freaky BrideyPIANOIVOCAL #1. Just One Day (TORREY directs the FISH VENDOR, KATHERINE looks at ELLIE.) KATHERINE: Oh, Ellie didn't you wear that yesterday? It hasnt been improved by time. I FISH VENDOR:I got halibut! KATHERINE: Torey! wish you'd change. esting) Please change! Where do you want the coolee Focus! The fish (Goy ELLIE: Ugh Vamp 20 BS eee re Fig 4 (ELLIE): Ea 6 a * an ~ One more day, she's on___ my back She's been rid ~ ing me__ for - “Cause Tm lazy and I'm av-'rage, and I'm — slop-py, for a start know she'd like a daughter who was y age, ed Danae) 6 Freaky FridayPIANOIVOCAL 4 #1, Just One Day (KATHERINE renters, surrounded by TORREY and STAFF) = 2 Ey 52 3 KATHERINE: Dsus G75 = mor-row is the wed-ding, and to - night is the re-hears-al, and there is no room for error, I mean BM? 2taads) o 2 ~ ~ We've got guests in just ten hours, dress the tables, trim the flow-ers, I want 2 © C2(add6) ‘BoMa7#11 ‘BbMaj7411 3 2 Lue Prey FridayPIANO/VOCAL #1 Just One Day @ eo TORREY: beauty and per-fec-tion, I want And with WeddingsMag - a - zine here for a C2(add6) c2(add6) feature on the scene here, the _—bus-'ness is. de-pend-ing on this one suc ~ C2(add6)/p, « Abitslower © gg accel. breathe, but thank you, Tor-rey, and in fact, that is the sto-ry, so get mov-ing, move this pro-duce, and re - D7 py ——— TORREY: You heard her! Movel (The STAFF disperses.) © jp Atempo = Fray FridayPIANO|VOCAL #1, Just One Day 7 KATHERINE: n nm I mean look, I love my kids, I love my his wife, And TH Freaky FridayPIANO/VOCAL #1. Just One Day 4 85 86 fect wedding and Ill throw lov - ing, (FLETCHER, Ellie's eccentric 10-year-old brother, enters. On his hand isa purple hippo puppet, ANGRY BOB, who holds a large hourglas filled with pink sand, ELLIE ruvis at FLETCHER, oho evades her) ELLIE: Fletcher, that is mine! Dad gave it to me! KATHERINE: Fletcher, give it back. ~» Vamp (ELLIE snatches the hourglass out of FLETCHER's hands.) (GO ON) a ELLIE: Mom, there's a thing tonight that basically FLETCHER: (as ANGRY BOB) "Angry Bob wants to hold the hourglass!" ELLIE: Angry Bob can shut it. Weirdo. KATHERINE: (warning) Elie! Just put it dows 98 (Go on) —10— Freaky FridayPIANO|VOCAL #1. Just One Day (MIKE, a contractor and Katherine's fanct, enters.) MIKE: I brought donuts! FLETCHER: Yay! MIKE: And coffee for the bride. (KATHERINE and MIKE have a sweet, smoochy moment.) Morning, Ellie. ELLIE: Uh-huh, | Doig, be. MIKE: Fletcher! Up here, buddy! (ANGRY BOB and MIKE high-fie), Have you been practicing your wedding toast? FLETCHER: (as ANGRY BOB) “This guy’s toast is gonna kill, and then it’s straight to Hollywood!” » 98 100 101 102 lores) ELLIE: Mom, seriously, I need to ask you something important— (ANGRY BOB imitates ELLIE'S every move.) FLETCHER: (2s ANGRY BOB) “Moooom, KATHERINE: seriously, Teed t ask you something important!” cep eemag (600! ELLIE: nid) Mother! Fletcher is puppeting me again’ Hop xaling! (40 ON) Vam, 104 105, PP Fh ayer. poco poco. = Ghy ay 7. poco poco = res. poo a poco |] cbviy agi 107 108 109 day shell fight and. fuss —u— Freaky FridayPIANO/VOCAL #1, Just One Day no, m mz ‘Cause Ton - ly want her hap -py and, well, - prateai punc-tu-al, and clean, but she mum-bles and she grum-bles, and at times she's out-right mean. She's Bhsus(add2) Bom Dsus? a4, bright and so in-sight-ful, but those traits aren't on ds-play. 2 Prey FreyPIANO/VOCAL = 10 #1, Just One Day m 1 4 Sia Pay Siar Pay | Prab Phas (GRANDPA GORDON and GRANDMA HELENE, Katherine's parents, enter.) GRANDPA GORDON: How's my gr? KATHERINE: Mom! Dad! You're here early! GRANDMA HELENE: We can't check into ELLIE: Hannah! Gretchen! We can leave in one sec. the hotel yet so we came over tohelp. (HANNAH and GRETCHEN take ELLIE aside.) KATHERINE: Oh, great. HANNAH: Have you asked your mom about the Hunt? GRANDMA HELENE: I'l go find your father something to eat. KATHERINE: Ask me what? GRANDPA GORDON: She's not going to have anything I like. ELLIE: There's a thing ton'ght. (Enter Ellie's best friends: GRETCHEN — intense, and emotional — KATHERINE: Tonight, asin, the rehearsal dinner that is being, ‘and HANNAH — hacker-geck nerdgir.) (GO ON) photographed by Weeldings Magazine? That tonight? (GO ON) 15, 6 iw, Vamp 125 HANNAH: Mrs. Blake ~ Ellie, Gretchen, and me have formed a team to do the Hunt! KATHERINE: Oh no. Iknow about the Hunt. Kids stay up all night taking pictures of themselves doing crazy, dangerous things all over the city Its unsafe! And it scazes me to death, GRETCHEN: My mom said it was okay. KATHERINE: You'te Swedish. Everything is okay. (GO) 129 Vamp 10, - Doses yy 3 rey FridayPIANO/VOCAL =u #1, Just One Day ELLIE: (to udience) Okay, really fast: Tonight is the Hunt. IU an epic scavenger hunt. Every year there's ‘anew list of impossible things to do and crazy things to find, and every year there's a new Listmaster. 1 12. 133 ws P (D.2nd x only) =o ELLIE: (cont'd) This year, the Listmaster... is Adam. (smiles at his name) The Hunt has been happening, at my high school forever. It's the mother of all seavenger hunts. It's so much fun. And, 15, 136 wy 18 e (A2nd x) ELLIE: (cont'd. I really want to win, Vamp Tt sisstone issues (GO) 1% ae w Mf cresc. poco poco -As7sus a ELLIE: we 18 Just one Prony BridayPIANO/VOCAL ~2- #1, Just One Day w, 18 ww 4 — — = at + Se —— SSS 3 Se night to speak pre - cise = ly And the Hunt is not a stunt, its my on - ly shot at fame. To be some-one who is some-thing, not just ‘What's her name’ 155, 154 155 can win it} if shed on Weld be off and run-ning —gun-ning for one fun and per ~ 15s Prey FridayPIANO/VOCAL es #1. Just One Day (KATHERINE is beset on all sides as EVERYONE begins talking at once’) TORREY: They brought hothouse tomatoes, not heirloom, which [requested CATER WAITER: (overlapping) Where should I put the linens? FISH VENDOR: (overlapping) The sea bass is fresh! Smell it MIKE: (overlapping) Katie, which one do you like? ELLIE: Mom. FLETCHER: (overlapping) Mom, where's my permission slip for the field trip? GRANDMA HELENE: (overlapping) Just give me an apron. KATHERINE: (overlapping) Mom, no no no, don’t touch that Mom. GRANDPA GORDON: (overlapping) Got anything normal to eat around here? GRETCHEN: (overlapping) Maybe you could call my mom? Mom! 19 160 161 12 i KATHERINE: — day! Ellie ap os peepreee| seennee g (Wo CATER WAITER) 16 164, (to FISH VENDOR) 166 — = dear, it's not the time No, that ap-ron isa crime, and that sea-bass is - nt fresh, it's three SS really need to know if I can. Wait, now, where'd she go? God, il CMaj7(adde) a CMaj7(add6) 16 Freaky FridayPIANOJVOCAL nev -er draw her foc - us SS thing just a silely rite of — ries-ling to the rings but T — oh, one oth-er thing. FLETCHER: See, the jewel-er -u- #1. Just One Day Mom, it's just a lit - de — lit = He things from the MIKE: mil - on, HAN, GRETCH, — spring and I would-nt e- ven ask you, but, um, well, TORREY, GMA, CW2, 3 got this, ‘ceuse I live to work this way— ss sized the ring Ws a —17— Prey FridayPIANO/VOCAL 6 now, don't 4+KATHERINE, Ed yell. CATERWAITER 4, GRANDP! Mon RE OEM Dig What a day— +FLORIST: #1, Just One Day Sim-ply say “O-kay" +GRANDMA, CATERWAITER 1: What a day— -+CATERWAITER 2, 3: Hey Mom WOMEN (CW1, GMA, FL) MEN (CW23,4, (concert) Franky FiePIANOIVOCAL. 16 #1, Just One Day 2 aN © - kay?, ‘TORREY, KATHERINE: EL. HAN, GRETCH, GMA HAN, GRETCH, _ TORREY, G'MA, TORREY, FLORIST, CW 1, & ELL: cones a, 1s 186, 187 Just one day, thats all_ we get, the Hunt, the sto = FLETCHER, CW2 MIKE, CW 3, FISH VENDOR, G'PA: Just one day that’s all___we get "Bl the vows; KATHERINE: 3 oS et dees Absus? Bbysus B Absus? — Bi7ses Freaky PriPIANO|VOCAL -w- #1. Just One Day EL, HAN, GRETCH, G'MA. HAN, GRETCH, 89 180 a ELL: 4a5 TORREY, FLORIST, CW 1, 4: Just one day, sun - rise, Just one day,___sun - rise, ‘Then that night | 3: Absus? — Bb7sus ry ws GRET__ iy ao HCW say the word and welll be on our way, fon our way. (FLETCHER up) for one tt Were on our way for one TORREY KATHERINE: = to show what I can do, and say what I can say in just one day; -—for_ one Absus? crese, poco a poco mp —20— rely FridayPIANO/VOCAL -1B- #1. Just One Day ELLIE, HANNAH, GMA per-fect, ——winening, stel-lar, ick-ass, cal oy 2 per fet, win-ning, kick-ass, high-stakes, anf’ Acres ooo apoco 1 Freaky FridayPIANO/VOCAL Freaky Friday Ellie Katherine #1A The Hourglass Ore by Met So Cie: KATHERINE: That's enough. (to FLETCHER) You're not a weirdo. (lo MIKE) Coutl you take him to school? MAKE: Yeah. mon, Fletch. Eleven-thirty hack hereto go over the ceremony? KATHERINE: Yes! (MIKE and FLETCHER ext. ELLIE flips the hourglass) ELLIE: (der her reat hate you. KATHERINE: Excuse me? ‘The Calm Before the Storm J=150 ELLIE: hate you. KATHERINE: I hate your attitude! 1 2 ELLIE: SS i need to live all large. Td just like to be incharge of the things 1 do and eat 6 KATHERINE: : 7 SS — Oh, my — dear, wish you knew all the work I have to do just to, 2 rocky FridayPIANOIVOCAL #1A, The Hourglass (ELLIE lips the hourglass, defiantly) ” —= your__ mess, Put that down! If you knew what I go ELLIE: keep you in your munchies and. — If you. knew what I go through walked a oe gee peo epee SOF SS — through, worked a day in grown-up shoes, you should see all of the rea-sons why I can'tsay— "yes = day in my oldshoes__ well, then may-be you would see and you would just a smPlad, (ada) Bait py ACAI Cy Bi 154 ARMY cy (ELLIE and KATHERINE both grab ahold of the hourglass. It stars to glow.) KATHERINE: 7 8 6 hellish -ly unfair. 23 Freaky FridayPIANO/VOCAL » #1A. The Hourglass —— ———— —— —— se = day with-out a for just one just_one maf crs poco a poco pow care, How 1 wish day, day; + SS SSS you'd un-derstand and see____ the world my way you'd un-derstand and see. the world my way Be If Ses. pocos pace em for just one just_one A7/y (The Switch: ELLIE and KATHERINE feel ther souls exit one ody and enter the other. From this point forward, "ELLIE" designates Katherine's seul in Ellie's body, and "KATHERINE" designates Elie’ soul in Katherine's body ) ‘Vamp (until ELLIE and KATHERINE switch notes) x 7 rok FridayPIANO/VOCAL Katherine Ellie ‘aches I Got This Savannah (Cue: KATHERINE: Uhh... my life is complicated! And tiring! And hard! ELLIE: You go to school. You come home. Easy. KATHERINE: You make party food and then you go to the party, Wow. 5 : KATHERINE: (cont) Don't worry about me. 'm good Samba, light at first (Geni) Det cmsy sborat mes Ego 2 3 Freaky Friday #2 Masi Tom Kt y Brian Yorke ‘cy Tn Kt Mt St KATHERINE: ren FridyPIANOJVOCAL 1s, Gaining confidence... a laugh — #2. 1 Got This: — can fake like 1 3 make stuff_ like you. Ic Fem) Pl Fm@2)] Am have my cof-fee half - caff, and then yell at the staif— on your—— be - half. T Che? 1B? Beg B7/cq hen | Bie ime Freaky FridayPIANO/VOCAL 3 #2. 1 Got This stick up my butt— to say "What? That, not this.” don't need your di - me - tion at — Se Jot Fém(a?) Film Film(®4!)) Am Call me a slob— Frey FridayPIANO/VOCAL 4 #2. 1 Got This ia) B13(b9) ELLIE: (con). You can see what it means to have aj. Ti go to school. (ELLIE sterts to put on a matron seater) KATHERINE: Stop! Not wearing that (KATHERINE holds outa hoodie 1 ELLIE, who puts it on. i's smelly.) ‘Mom, Swear to me that you will keep your head down. Don't Jook at anyone, don’t talk to anyone, and don’t embarrass me! ELLIE: know i’s hard to believe, honey, but I atended high school and I did jst fine. (GO) Be Jo, BELIE: Good _, Vamp (out on any bat) o — a ce ge Et Bg |e BEB Prk FridayPIANOIVOCAL #2. Got This hair with some care, Gbnoe#) Gime) Cirous2 cH | re FH FB cy [re et DT yp KATHERINE: 3 2 —3— oy It’s not right you're ex - for _sctool —3I— Gan) Gt Gten@2)| Bm ss ELLIE; if you may,— it’ part I can play, and it's on-ly aday— and 2 Dionjcy FP icy —29— Freaky FridayPIANO|VOCAL #2. 1 Got This bright and de-mure act right ‘til Tm sure theyve bought this. Ginrace) GH?) CHysus2 | FH BE FHS cy Fe Fitpis | DT yp No, + Gb! Gm Gent H)] Bm 30 Pronk FriPIANO/VOCAL -?- #2. 1 Got This Leave it to me ‘cause how hard can it. be? When I've got my de-gree—_ and Ace FRc Dim cy FR icy % 26 7 ¥ Sem icy ——chi3(b9) f r (When ELLIE exits, KATHERINE takes defiant mouthful of donut. ELLIE enters Grover Cleveland High School It loks so nice. * ” so a ELLIE: Bet FA og ere Rg cg [Pe i Freaky FridayPIANOIVOCAL a3| think Tm — look-ing day a - mid the thou-sand — fel-low en-er - gy— cit-ed just like #2, 1 Got This Freaky FrayPIANOJVOCAL #2. 1Got This learn-ers, mf? res. poco a poco = (The hallway erupts with STUDENTS and TEACHERS in their usual morning frenzy.) Darker, with attitude wos FEMALE STUDENTS: 33 Freaky PrayPIANO/VOCAL 10- #2. 1 Got This (ELLIE mates her way through the frenay. She sees GRETCHEN, HANNAH, PARKER, and WELLS.) ELLIE: (a tit distracied) Good morning, Good morning. WELLS: Hey! Here comes the Listmaster! (GO ON) Mm Ww us 344 Prony FridayPIANO/VOCAL -u- #2. 1Got This (ADAM emerges from the crows paragon ofadorable cool.) (STUDENTS creed around as ADAM holds up his phone.) STUDENTS: 19, 120 ma ADAM: faz] ‘Pop Swing Feel, swing .)'s (like Andy Grammer "Keep Your Head Up") 25 lis - ten up, you hunters, here's the rules. and here's the deal, 35 Frey FridayPIANOIVOCAL 2 #2. 1Got This schmooze for clues,- “ fon - ly do— what's right do. Tm List - mast - er a mp =] Original Feel Yeah, to-night’s. the night = ‘To-night's— 36 Freaky FridayPIANOIVOCAL. #2. 1 Got This w rr rm - (GROUP D: ALL WOMEN: Neg (Group 2: 37 Frey FridayPIANOIVOCAL -u #2. 1 Got This (ENSEMBLE): control. We got please talk fast - er. At last the Hunt 38 Freaky FriyPIANOIVOCAL 15- #2. 1Got This PARKER, Give us the news and a clue to the clues ‘cause IN die if 1 loses c th da due to the ‘stu: (ADAM adéresses GRETCHEN, HANNAH, and ELLIE!) nal ADAM: Hey Gretchen, Hannah, Parker, Wells. Hey Ellie. Elie? 165 166 167 39 Freaky PryPIANOIVOCAL ~ 16 #2. 1Got This ELLIE: (delayed reaction) Good morning, c 109 10, wm (gestures to Ellie's lunch bag) rah ADAM: What sandwich did you bring today? ws 7 ws ELLIE: Oh, 'made~_my mom made ham, ‘chutney, and shallots on a brioche uy v7 va 1 (ADAM tots expectantly) ELLIE: Do you..wantit? ADAM: You know it X 181 2 ——$———__ ain —40— Freaky FridayPIANOIVOCAL -17- #2. 1Got This ELLIE opens her bng, finds the sandwich, and hands it to ADAM. He takes a bite, swoons, then talks with iis mouth full) ADAM: (cont’d.) Amazing, Catch you later. (ADAM exits.) * a wie tthe & » 04." ee ELLIE: 1 give him my lunch every day? GRETCHEN: Like you're feeding a unicom. 1 all comes the school's most intimidating student ELLIGs Hannah. t don’t “lke” hig Do tt CELLEE sighs, (Dow the hall comes the school's most intimidating student, SAVANNAH 2 coed ~ perfect posture, aggressive a winner ~ accompanied by MINIONS.) amp HANNADE (last) (GRETCHEN: ys 1 2 Oh god, it’s Sa-van-nah. SAVANNAL: Ellie Blake, ELLIE: 7 Straight J) Swing J's SAVANNAH: | heard something funny, Ellie lake, Theard someone say that you said that you thought you could win the Hunt this year. c 200 201 am 41 Frey FridayPIANOIVOCAL ~~ #2. 1Got This. ELLIE: (king charge) Savannah. It’s obvious that You'teat the lop ofthe social Marcy here Kudos. eetae Som 25, 4 mba SAVANNAH: You better ‘believe it. (GO ON (cont'd.) But there's been a misunderstanding — (coon) (holds up a hand) = 208 20 SAVANNAH: (ast x only) Queen of the Hunt, — f+? I of i 2 Freaky FrayPIANOIVOCAL -19- #2. 1 Got This you choose to re ~ fuse, —3— should-nt be-gin— with a war you can't win ‘cause Tm smart-er than sin,— Tm rich and 'm thin. Sav- far (SAVANNAH acquires some backup singers from among the STUDENTS.) 28 29 = an - nah, vox hu - man - a, ALL STUDENTS: Be Freny rityPIANOJVOCAL, -20 #2. 1Got This cock of the walk, Watch the Hunt end with just 44 Freaky FridayPIANOIVOCAL -a- #2, 1Got This I nev-er fail No, al-ways pre - vail, Ask Har-vard and Yale So weep— 45 Prey FridayPIANO/VOCAL -2 #2. 1 Got This (SAVANNAH sucker-punches ELLIE and exits. The bell rings. STUDENTS run to clas.) (trying to 245] (SAVANNAH): 26 ov 248 ELLIE: herself) (DR. FHRIN enters. He looks ALELLIE, taps kis watch.) DR. ERIN: Elie Blake. Whereare you supposed tobe rght now? ELLIE:I don't know. (GO ON) GP. 2 251 a2 253 a 55 oN rall. 257 28 259 [256 (Scene change transition) sky BriaThe Cake (Cue: DANIELLE: Your assistant told us that you and Mike met when he refinished yourkitchen cabinets. That's adorable. KATHERINE: Is it? (TORREY enters, wheeling ina big, Droautfl wedding cake atop a cart.) ‘TORREY: Ta- (DANIELLE and LOUIS ook and ahhh.) KATHERINE: ‘Oh my god, Imade that2”? (off their Tooks) (Music our) made that! Bam! Freaky Friday #2A Freaky FridayPIANO/VOCAL Freaky Friday Katherine Bar What You Got i Mas tT KLricby in Ye ‘rch ty Tom Ril (Cue: DANIELLE: Katherine, ifm going to write a Weildings Magazine cover story, need to know the woman behind the bride behind the wedding. KATHERINE: (ul-o) Right DANIELLE: Who isthe real Katherine Blake? KATHERINE: [2] Rubato (bluesy and soulful) a 3 ‘ Tm up-tight and neur - com-plete con - trol za a Big Arpeggio@ la “I Wil Survive” mix - ing bow-o - owl. stay this skin-ny while bak = ing gi —48— Freaky FridayPIANOJVOCAL #3, What You Got a] A bit slower at first, but starting to groove... 6 16 v that's just’ = my — jam, ehh. crese. poco « poco (As KATHERINE dances around the kitchen, she repeatedly places the cake in mortal danger, each time _gioing TORREY a heart attack es she rescues it and LOUIS snaps photos. KATHERINE starts to show Ellie's real spirit) 2a] d=u2 —49— Fry FridayPIANOJVOCAL #3. What You Got ea (to LOUIS) bad - ass damn good - look - ing. Right? » (to TORREY) but give me sage. —50— Freaky FridayPIANOIVOCAL #3, What You Got You bake your cake with KATHERINE: I'm the kind of bride who likes a fun party! And this is a killer cake. Thanks to you. o Vamp (out any beat) a 2 (Gliss Ist x only) 2nd.xon) ‘TORREY: Thanks to me? ‘You designed the cake, I's yourrecipe! (GO ON) 6 “ and Torrey si ron FridayPIANO/VOCAL #3, What You Got there, the per - fect lit-tle peaks! dic - tate like she some - how makes it 32 Prey FridayPIANOIVOCAL 6 #3. What You Got (With this acknowledgement, TORREY stars to loosen up.) KATHERINE: TORREY: KATHERINE: a @ @ o what you 53 Freaky FridayPIANO/VOCAL #3. What You Got n , (lo DANIELLE) TORREY DANIELLE: the cre-dit goes —s4 Freaky FridayPIANO/VOCAL #3. What You Got (back TORREY) g, ® with what ‘TORREY DANIELLE: What I got You. DANIELLE: Freaky FridayPIANO/VOCAL #3, What You Got met ‘TORREY DANIEL —s6— Prenky FoyPIANO/VOCAL e wed-ding the = 10- the (to DANIELLE) —s7— 01 best you'll #3, What You Got Prony FridayPIANO/VOCAL -u- #3, What You Got KATHERINE TORREY DANIELLE: i i 108 1085, 106, 7 | give this girl a knife, then hold on for dear life, ‘cause she can cook! | Ah +DANIELLE: ALE 3: == 109 m_ TORREY: 112 —58— Prey FridPIANO|VOCAL R- #3, What You Got ug 7 us 19 KATHERINE: 2 DANIELLE: Right free spir - itt my m m 59 Frey FridayPIANOIVOCAL -B- #3, What You Got 3 4 TORREY: 125 16 KATHERINE: You're jud-gy not to men - tion... wy 8 cE 130 You bake your cake with what you. got. 31] 12, 1 134 135 16 What yon got!____ What you got! What you got! What you got! Hoo What you got! —60— Freaky FryPIANOIVOCAL ~ #3, What You Got What you got! 4 oy us 14 —61— rook FridayPIANOIVOCAL -15- #3, What You Got (KATHERINE 5, gestioes in triumph.) 6 ww us —62— Freaky FreyPIANO/VOCAL Freaky Friday #3A What You Got (Playoff) by Tom Kit y Bra Yrkey ‘rth by Tom it (Cue: KATHERINE: That actually went really well! LOUIS: One more? (KATHERINE poses for a picture. but knocks over the eake. Disaster!) (Bass FD) { trtr Bs. aL vv Frey FridayPIANO/VOCAL Frecky Friday “nee Adam's Theme #3B Musi by Te try Bran Yor ‘rh by om Ke (Cue: GRETCHEN: Since when do you want todo anything for your mother? HANNAN: You said thatall she cares about i the wedding. ELLIE: I said that? HANNAH: EI, we're, team, We have to do the Hunt together, Please don’t give up. MR. BLUMEN: Nice of you to join us. Groovy (ADAMentes) STUDENTS: 64 Freaky Fi yPIANOVOCAL Freaky Friday = Oh, Biology a Savannaa (hi. Bhamen) Db Tim tg i iy Si Cue: ELLIE: You knows, Savannah, today [feel pretty comfortable with a kai CGLLEE taser sale and dftively slices the fog right dn he mile) MR. BLUMEN: Very good, Miss Blake! (ELLIE continues to dsc expertly) ADAM: Whos. (ADAM lens puts his hand om Eli's Sie lot np. Hs hn tye They oo a ak other ADAMSorry Gecsre oosien ee, or asplt second, ten she moves eoay) ELLIE: Um. Thats okay! but her mid is lsehere) Pop #=122 ELLIE: nd) face at all an-a-tom-ies,. 2 mast-er of dis-sec-tion, an expert chef who wields an ex - pert simile © a = But still I sense a grem-lin in this sys-tem of _ per-fec-tion. There —65. Frey FridayPIANOJVOCAL #4, Oh, Biology B a 2 clear-ly are— still mys-ter-ies to life. 15 king-dom, phy -lum, class, and then — it’s STUDENTS: or-der, fam-'ly, en-us. It all comes back to me— like chi-Id's play. e simile Dh - ver my should - er there, —66— Fraly FridayPIANO|VOCAL -3- #4, Oh, Biology my hard - earned know - ledge try to keep a foc-used mind and stead-y Ooh, Keep fo-cused. Ooh, Keep stead-y. —671— Frey FridayPIANO/VOCAL thy-thm of my heart is like a ol - o-gy, #4, Oh, Biology 2% ” country west-ern_ band. Whoa, whoa, Able) what have you done to me? Why can't my grown up brain con-trol_my teen-age P/E bm? Bsus ib ey why won't you let me Why can't you 68 Freaky FridayPIANOIVOCAL -5- #4, Oh, Biology » 36 a be hum-ane_ and still our beat - ing be-fore the cut-ting— hc F Gn ADAM: (deeply impressed ly Elie’ work) Huh, Shyeah. Ellie. Checkit! Whu hu hu huh, Man, ‘ a ELLIE: (ELLIE): = mm ert and in-ar - tic- ulate, a spec-i-men of tru-ant. And though we're both six-teen, he's much too STUDENTS: 69 Freaky FridayPIANOIVOCAL -6 #4, Oh, Biology My a= myg-da-la— is falyformed, my frontal lobe is fusent, then Much too young pher-o-mones go futz-ing with my tongue That's totes am-aze, Tm way im - presssed, OO Ah —1n— Frey FridayPIANOIVOCAL -7- #4. Oh, Biology ELLIE: (ADAM) 53 to herself) 31 sr sweet, tech - nique. Um, like tot - al-ly,—um, thanks. Lord, now, can't 1 Ia la la la la la la la la fa la la Oh bi - —1— Freaky FridPIANO/VOCAL #4. Oh, Biology ol - o-gy, what have you done to me? My o-ver- for-ty soul is in a teen cli-ché. Oh, bi- ol - o-gy, Why won't you set_me free? ‘Cause Im not in. con-trol. when hun- ger has its mp <2 Freaky FridayPIANO/VOCAL 9 and and hor-mones. ger its say 7 HANNAH: 79 does this lab- work great! Kermit there, #4. Oh, Biology ELLIE: Focus, Blake, focus « hor - mones have their look at n SAVANNAH: he had no chance. ‘That Freaky FridayPIANOIVoCAt. -10 #4, Oh, Biology PARKER: n a a girl is on my nerves to-day. I bet-ter set her straight. It's fun to make a dead frog dance. 2 | Chousyp Chih —— Ghausjch lobeusje cy haustich —chus cb that El-lie Blake was such a sci-ence whiz. smart, of, cy some-thing’s up with her to-day. I don't know what it is. She's, like, on fire, she's 60. in- tense. m4 Frenky FridayPIANOIVOCAL -u- #4, Oh, Biology (PARKER: ELLIE: He's so in - tense, STUDENT! ol 0-gy, look what you've done to me. My heart is in a pan, my brain ol - o-gy, look what you've done to me. My heart is in a pan, my brain is out to sus G> Dis 5 ry FridayPIANOIVOCAL #4, Oh, Biology ol-o-gy, why won't you let me be? Please help me if you can, Please hear my pain-ful plea, ol-o-gy, why won't you let me be? Please help me if you can. Please hear my pai Ghous Gh Get cpp C9 py Chg 35| cresc. poco a poco i ol = 0- gy, crese. poco a poco ——— ol = 0-gy,— ese. poco pocoPIANOIVOCAL -B- #4. Oh, Biology (Che bel rings STUDENTS disperse.) ‘ADAM: Later ELLIE: Sup. (GO) Freely . 7 won ~ 1m AQ ELLIE: Please set. me— [103 Ate 7 mpo 104 105 rall. 106, na <1 Freaky FridayBIANOWVOCA, Frecky Friday (Katherine) #5 Vows Cue: MIKE: Kati, now hove important itis vntiyhostypstpmen foryou tohave all the deta prec: The vows ot aay ry tre portant foe. [want tana up ere tath you tomertow front of everyone we love, Tadey wna a outa sek ‘MIKE: (cont'd.) Why don’t read you what I've got so far. KATHERINE: Oh no no no no! That's okay— (MIKE unfolds a sheet of paper.) 3 : 1 > MIKE: Tm not a man— of ma-ny words, and KATHERINE: Thats really nice none that can con-vey— ex- act - ly how— t when I first saw your face. that day. or flouts a fan - cy rhyme, 8 Pray FridayPIANOIVOCAL #5. Vows KATHERINE: : 0 11 Thatwasso good, (MIKE): all that 1 can say some-how I know— you like Ive known no one be-fore, (TORREY and PASTOR BRUNO are riveted. KATHERINE is dying.) 4, 6 still, I know, 19 Fry FridayPIANOIVOCAL 3 #5, Vows who writes a book. that gift, a thou ~ sand books, ‘ty book would tell___—of_ you, — and what our life will___ be, 80 Freaky FridayPIANOJVOCAL -4 45, Vows through it all, you'd stay a stunning mys-ter-y___ to. me._ feel some-how. T know— you like Ive known no one be-fore,— though I there al - ways will be more, “cause 1 Fray FrifayPIANO/VOCAL #5, Vows the know-ing, and the wish ing that you knew. my Kath-erine (KATHERINE squeezes MIKE’S hand, trying to end this aokward moment) rit. 37] i oO = o o [APPLAUSE SEGUE] 82. Freaky FridayPIANOIVOCAL Freaky Friday (are (Torey) Busted me Katherine ‘Adam Mini Tom Kt by Bion Yor Savannah ‘rch ty Students Parents Cue: Applause segue from No. 5 "Vows" (High School, Halzoay. ELLIE tooks in her locke ad coms her hair AUREL, a student, passes by and sees ELLIE's back) LAUREL: I think you might ‘ELLIE: (ELLIE twists to see in the mirror. ELLIE: What is that? ave ston sme gu. Great Asher hit ifs he spots Whats tha! lo LAUREL) Somatng on he oe? back What do you see right there?? Pop/Blues J=93 % , vousee rig LAUREL: tattoo of.. think if 3 a ELLIE: Why? Why would To this? dandelion? Cute, (GO ON) {Upnervnt LAUREE continues on fer 20.) we a tattoo. on my underage backside! ‘Vamp (out any beat) Thavea tat Wy underage you could nev = er 83 rok ErideyPIANOIVOCAL -ts #6. Busted truth-ful-ly_ be trust-ed. A tat - too? What were you think-ing? Perfect skin is not for ink-ing I won't @ (Heavy B, vitratol) have you be. the star of Girls Gone Wild Oh, no, you're bust-ed, (Blake House, Kitchen, ‘TORREY: We are offically fifty-five minutes behind the master schedule, We need to prep the salads, marinate the fish, start wrapping the figs with bacon— KATHERINE: Uuuuuuuuugh. This all hurts my head, TORREY: Do you need your... you know? KATHERINE: Yeah, Where is my "you know"? TORREY: Top cabinet, Earl Grey tin, (KATHERINE opens the tn and discovers a stash of cigarettes.) KATHERINE: These are cigarettes! I smoke?? (GO ON) 7 ‘Vamp (out any beat) ‘i ” 8 child, 84 Freaky FridayPIANO/VOCAL #6. Busted KATHERINE: Throw these away! Enabler! KATHERINE: Ugh, (KATHERINE gives the ofending pack to TORREY, that's why my mouth wh exits, baled.) Vamp tastes like carpet! 9 Gtr. » a fz ; 2) karaernve: » » Bust-ed! You're bust-ed! Tm shocked, my world is rocked, and Im— a lit-tle bit dis-gust - ed. And it's not like it's no big-gie. Ev-ry time you sneak a cig-gie, you are set-ting off a ti-ny can-cer “Fs bomb. But now you're bust - ed, bust - ed, dear B sky FridayPIANOIVOCAL #6. Busted (KATHERINE goes through a kitchen cabinet.) aT And what else are you hid - ing (Split scene. ELLIE goes through the locker.) 2, 2 ao nev-er thought Td. see?— ELLIE: And what else are you hid - ing from the princ-i-pal and me? 28 (KATHERINE sorts throug pile of bills.) 26 ELLIE: bills are 0 —86— Freaky FridayPIANOJVOCAL #6. Busted (ELLIE pulls out some library books.) KATHERINE, (ELLIE and KATHERINE dig deeper.) books are o- ver- due. blatant waste of cash ‘And here, a sec-ret _ spot— (ELLIE and KATHERINE each pull out a Twinkie.) a 2 your stash! This is so not or-ganvic. as KATHERINE: (ELLIE and KATHERINE open and start to eat the Toinkies.) You're bust - ed! hosed, now Tye exposed — You're bust - edi! —87— Frey FridayPIANOJVOCAL 6 through, you're done and dust - ed thank you for the ‘Twink - ie, thank you for the Twink - ie, Al - though you're Al- though you're This is bust-ed, bust-ed, all need some need some cream busted a bust-ed fil-ling fil-ling now- 46. Busted al- though Fray FridayPIANO/VOCAL. #6. Busted (STUDENTS appear elsaohere in vignettes ‘with their PARENTS.) ADAM: Mom? Seriously? Calm down. ADAM [53 2 MOM: found your sec-ret munch-ies, so where'd you hide the bong? ADAM: I don't do drugs! Teat Cheetos in bed because GRETCHEN's MOM: they comfort me Cevaring an ndergarmetin hr hi) 55 56 4 I thought this was a serun - chie, Tums out it was a thong!— GRETCHEN: Mom! Get that out of your hair! ry SAVANNAHE 59 o T found your sec-ret_stash- can-dy com, Mom? Lame. 39 From FridayPIANO/VOCAL #6. Busted SAVANNAH'S MOM: It should be available year-round, looking for truth, Dad, cs @ 3 ot HANNAH: checked your brow-ser cache. Fox News? For shame! I saw that look.. oh jeez, Dad- you're hot for that au pair! 1 found all your CD's, Dad. Knew that you liked Cher. — PARENTS, STUDENTS: And dis -hon-est-y— can hurt, and lies we can't ac = cept. But thePIANOIVOCAL #6. Busted (PARENTS, STUDENTS): — biggest thing— I snoop-ing while— +ELLIE, KATHERINE: 75 moms and dads and kids, se-crets should be kept! But 1 Frey FriPIANO/VOCAL -10 #6. Busted KATHERINE, Stopes bust-ed! You're bust-ed!_ Your fine and ev-er- shin - y rep - tation has been rust-ed, KATHERINE, ” ‘s STUDENT cheek-y and you're sneak-y and a lit-te mal-ad-just-ed. I'm muddled and be-fud-dled and en F amyf crese poco a poco —92- Freaky FridayPIANO/VOCAL -1- #6. Busted PARENTS ALL: ti-re-ly non-plussed-ed told you when you're old-er you would wish we had dis-cussed it. Now, I'm ‘ALL: off to find the rest that you con ~ ceal— ‘Oh, no, you're busted Wssssees 2 2 f (As PARENTS and STUDENTS exit.) WELLS'S DAD: Cher is an award-winning artist (KATHERINE finds a bracelet sized box) KATHERINE: A box filled with old pasta That's just weird. lifts out a necklace) 3x 8 ~p 9 __ KATHERINE: Qoh-ooh, you're bust-ed, bust-ed for real. —93— Frenky FridayPIANO/VOCAL -2 #6. Busted (ELLIE takes out a notebook, snd a photo flutters out) ELL a] Poco rubato (ook at phos) nneck-lace that Imade her... huh, its ac-'tully not—half-bad. The journ-al that T gave— her... and the KATHERINE, (ELLIE stars to open the diary, 6 ELLIE: og Hien changes her mind.) fam.'ly, with her dad. All these sec-rets that she keeps, all these things I wish I'd known, (ELLIE places the journal back inthe locker, KATHERINE puts the box aay.) rit, A bit slower rall. 98, * 0 101 ca some I'm glad I know now, but some should stay her own, mf D> [SEGUE] —94—PIANO/VOCAL Freaky Friday (Adam) a Adam's Theme #6A Mas by Toe iy Br ky ‘ra by ein Sea Cue: Segue from No.6 "Busted (KATHERINE walks quickly dwn the hallway. Late to clas, ADAM enters and knocks a big purse off her shoulder. Stuf goes everywhere.) 1 2 3 ‘ so ADAM: Whoa. Dude— KATHERINE: Oh my god could you watch where you'se— (reayguizes him) ‘ KATHERINE: Fray FridPIANO/VOCAL Freaky Friday Students Katherine #6B Adam... Adam... Cue: ADAME Your sandwiches are the Man by nities best thing I've ever tasted. Ellie's lucky. ey Mie Sone KATHERINE: Yeah, (ADAM exits, KATHERINE throws the audience a soomy Took: “Can you even haute how hot this guy 2” ‘She exits walking on air arid an angelic chorus.) Dreamlike, romantic, Beach Boys vocals 2 STUDENTS: KATHERINE: 9 Soul riff) 6 a 6 ; » Molto rit. Hey. 96 Praty FridayPIANO/VOCAL ra Behan Somebody Has Got Mrs Luckenbill to Take the Blame ‘Cue; DR. EHRIN: Sometimes Hike to role-play. Elle, you pretend ‘to be your mother. Katherine, you be Ellie. Le’ talk KATHERINE, ELLIE: No. KATHERINE: | can tell you what's weong. KATHERINE: [2] Breezy, cabaret style, rubato Tin - fan - ti mic - ro - mic - ro man- age. Freaky Friday #7 ab By ey Ta ize my daugh-ter. Tm con - tolling, Ima pill. ELLIE: It’s called parenting. a KATHERINE: aly FridayPIANO/VOCAL give my ~2- #7. Somebody Has Got to Take the Blame All that pres-sure! ~All’ that fuss! Don't you think so? dar - ling moth-ex, and for-get———_ each thing she said. blame where it belongs square-ly on my head Tim reck-Iess and Tim feck = ess. 1 98 Frey FirPIANO/VOCAL #7. Somebody Has Got to Take the Blame (ELLIE sero stow tof) ‘TEACHERS, KATHERINE: No! KATHERINE. aricastake devon? ; Soke Like me Lsmoke!(©O) molto rit. Atempo ” ELLIE: 5 2 ” a g0 and get tat-toos! 1 think it's called atramp. stamp. I can show you if you choose. My 18 (ELLIE: ) KATHERINI faulis are much too num-er-ous— to_name. ad- mit, but that’s the aS ELLIE: KATHERINE: some-bod - y has got to take, — 99 Frey FridayPIANOJVOCAL #7. Somebedy Has Got to Take the Blame KATHERINE, . ELLIE: poco rit, Freely DREHRIN: Ah DR, EHRIN: som-bod - y has got to take the — blame. [2] (DR. EHRIN): a SENOR O'BRIEN: gle so you both are filled with rage. ar - rest - ed atthe pre - pre = verb - al stage. (Can aso spenk this next line) —100— renky FridayPIANOIVOCAL #7, Somebody Has Got to Take the Blame KATHERINE: Soy cheese? ELLIE: (overlapping) Thisisasinine SENOR 2 a x O'BRIEN: = ; gest that you try Rit-a-lin, She's Ba Atempo » KATHERINE: 33 func-tion-al-ly un-punc - tu-al, She's rau-cous and she's rude. Ex - cuse me, es mi hi-ja so per- » © (KATHERINE): der Ia at-ti - tude, You hear that? MRS. LUCKENBILL: DR. EHRIN: —101— Freaky FridayPIANO/VOCAL 7 - _, #7. Somebody Has Got to Take the Blame molto rit. a a KATHERINE: 2 ~ She does not! 1 swear. ELLIE: DR. EHRIN: used, bare-ly there. I think she smokes. the gan-ja.. 4] KATHERINE: KATHERINE 4s % ELLIE: Its not her fault if she's too bright to. tame, OR. FHRIN): wast-ing her po-ten-tial just the same. aa a poco rit. MRS, LUCK: i o 50 ENBILL: (KATHERINE, ELLIE): some-bod-y has got to take, some-bod-y has got to take, some-bod-y has got to take the. (ERIN, O'BRIEN): some-bod-y has got to take, some-bod-y has got to take, some-bod-y has got to take the... vy has ge y has g0t_to ta y got —_ —102— Prony FridayPIANO/VOCAL -7- #7. Somebody Has Got to Take the Blame aa A bit faster (MRS. LUCKENBILL): (SEROR O'BRIEN wrest interec.) ough with all the blam-ing, and the sham-ing, no, you hush, The arm-chair an- al - y-zing and the psy-cho-bab-ble mush. Tm a teach-er, I should reach her, 0 the fail-ure here is mine. Colla voce bright and she's ar-tic-u-late, her heart and mind are fine. In allthis fin ger point-ing, this cru - rno one thought to check to see she's strug-gled for a while. — —103— Frenky FridayPIANO/VOCAL #7. Somebody Has Got to Take the Blame ELLIE: The year Dad passed away. 8 a 6 KATHERINE: Justsay died" Hedied. —xag; [7] Colla voce 6 (aie o KATHERINE) 6 hhon-ey, thought-less, and for years « (ELLIE): nev-er thought your an - ger stood for tears. Is dear tome I have tw take the— A tempo KATHERINE: Lis-ten do we have to do this now? Td rath-er not dis-cuss it an-y - hew. —104— Freaky FridayPIANO|VOCAL #7. Somebody Has Got to Take the Blame poco rit. hhigh-school-coun-selor b. 5. ‘cause no-bod-y—— has got to take- the 7] poco rubato KATHERINE: I don’t want to talk about it ELLIE: You don't have to. Let's wrap this up. 80 st 2 KATHERINE: (to SENOR O’BRIEN) ELLIE: cont'd.) (to TEACHERS) .. | appreciate all the feedback. Your class sounds really boring. From now on, Tim going to be really good. (ELLIE exis.) (Having scored a good one, KATHERINE hres out) §EROR & a ss 86 7\_O'BRIEN: ‘MRS. LUCKINBILL: Oh, can it, Kevin. DR. EHRIN: Bi Operatic!!! Slow and Grand some-bod-y has got to take... the— wold) = ISEGUE] —105— Frey Fridey wePIANO/VOCAL Freaky Friday Orhan $7A, Blame (Playoff) Mus by Toe Kil by in Yara ‘Onin ait Stats Cue: Segue from No. 7 "Somebody Has Got To Take The Blame” Tempo di "Blame" Oboe TF _ . . — —106— Freaky FrayPIANO/VOCAL Freaky Friday (eather) #7B Shoppin’ With My Mom Cue MS, MEYERS: I'm waiting on you, Blake. don' ike waiting. KATHERINE: You go to clas, I'l go get the thing. See you at homet (KATHERINE exits leroing ELLIE ‘ith MS. MEYERS.) (KATHERINE and FLETCHER approach the exterior ofan antique shop: Secondlind Mose. I addition to ANGRY BOB, FLETCHER now has a plununy Brits strisk puppet, CASPIAN, on his other hand.) Light, bouncy, annoying (swing 5's) J=95 FLETCHER: shop - pin’ with my mom... KATHERINE: Shat Up! Shut up shut up shut upt (beat) Can you shut up for five minutes? : 0 n 2 3 = == in - t0 stores, stores with fan-cy doors. and _fan- cy floors. Shop-pin’ with my — mooooom!— a —107— Fray FridPIANOJVOCAL Freaky Friday Ensemble see #7C Adam... Adam... (Reprise 1) Masih Tn Kirt Bran ore ‘rc iy cht Stat KATHERINE: There are a million antique stores in this city! There's no way I could get to all of them before tomorrow. FLETCHER: (as ANGRY BOB) “Quit complaining and go hunt for it, toots.” KATHERINE: Go hunt for it? Dreamlike, romantic, Beach Boys vocals 1 (in the clear) KATHERINE: The Hunt! Fletcher. “ a KATHERINE: (contd) if | get the hourglass on the list for the Hunt, everyone will be looking for it! rall, KATHERINE: [SEGUE AS ONE] —108 Freaky FridayPIANO/VOCAL Freaky Friday I Got This (Reprise) #8 (Fletcher) ‘Mic To Kili by Bron okey ‘rs yi! Sob (Cue: Segueas one from No. 7C Adam... Adam... (Reprise 1) Samba, light at first 1, KATHERINE: 2 3 ‘ know what to do The List = c78)6 9] — Gaining confidence... 0 oe 2 mas - ter can re-lieve this dis - as = ter— for _—_ sure, Hell - mas?) Gm Giese?) Bh. —109—PIANOIVOCAL <2 #8. Got This (Reprise) half ofthe school will hunt for the glass. and (chooses a different word for Fletcher's benefit) a wv 8 KATHERINE: Come on! I gotta cll your sister (KATHERINE and FLETCHER ext.) FLETCHER: (os CASPIAN} "Sounds good, old gil! OMS. MEYERS blows «whistle as KATHERINE: Lets g0. 4, STUDENTS prtforr ence) (WHISTLE) i 2 a [SEGUE AS ONE] —110— roky FridayPIANO/VOCAL Freaky Friday Ms. Myers Students (Sivan) Watch Your Back! #9 Ellie uit Takis by Bra rk ‘rc by a Cue: MS. MEYERS: Today you will attempt the Meyers Extreme Fitness Obstacle Challenge. You don’t pass my fitness challenge, ‘you don’t graduate. Rubato 1 MS. MEYERS: Get rea-dy all you los-ers, you T-V-din-ner-win-ners and snack - pack - snooz-ers, No ex-cep-tions or ex-cus-es, you. stom-ach-ach-er-fak-ers. No, I don't buy your —11— Freaky FridayPlaNo|vocat, ~ 2 #9, Watch Your Back! (ELLE enters while tlking on her cell phone) ELLIE: Get the hourglass on the ist for the lunt..? Fine. MS. MEYERS: (ious while) Blake! No devices, (MS. MEYERS holds ont her han ELLIE gies up her phone.) Everybody drop and giveme twenty push-ups because lke Blake brought her device into gym clase (Groans. The STUDENTS drop and take pusi-up positions.) MS. MEYERS: cond) You too, Blake (bows whistle) (GO ON) Funk/Soul J= 108 rit. Vamp (out any beat) (ELLIE does push-ups with the STUDENTS. 2 ‘MS. MEYERS strolls around, a tyrant, It's miserable.) MS. MEYERS: Watch your back Bet-ter watch your back. some - one mov - ing some - one on— 12 Prey FridayPIANO/VOCAL - #9. Watch Your Back! bab-ies, watch your tail — pass or fail, and Tm_— no. hit the ropes and_—_ watch your (The STUDENTS move tothe next strenuous obstacle activity. ELLIE, cut of breath, approaches SAVANNAH. GRETCHEN and HANNAH overhear them.) ELLIE: Savennah, I was just thinking, (breathing hava) Maybe we... could work together.. for the Hunt SAVANNAL: Be on a team, With you? ELLIE: Look, to be honest, l don't care about the Hunt. need something on the list, You want to win, Team up? ‘SAVANNAN: Savannah and Ellie together? Super-nutrtious food for thought. (Whistle! CRETCHEN and HANNAH approach ELLIE) (GO) ‘Vamp (out any beat) au, (MS. MEYERS): » 2B GRETCHEN: back! ENSEMBLE: —113— Frenky PridnyPIANOIVOCAL 4 #9. Watch Your Back! Fa HANNAH: GRETCHEN: what_ you're do - ing. Say you have— a plan HANNAH, HANNAH: GRETCHEN: the Hunt_ now? You could-n't,_— now. you can? now you asked part - ners, What's the truth? », ELLIE: Girls! Ican explain, HANNAH: Don't bother! MS. MEYERS: (blows zoistle) Ifyou can talk, GRETCHEN Blake, you're not breathing hard enough! 2 HANNAH: HANNAH: 2 2 What's the plan? What's your deal? 4 renky Fry#9. Watch Your Back! PIANO/VOCAL (STUDENTS move om tothe next obstacle, ELLIE tries fo catch up #0 GRETCHEN and HANNAH, but alls behind.) STUDENTS: a Watch your back! Bet-ter watch your back! With a Took o-ver your shoul-der, with a look back down the track To run with wolves now, ba - by, you. —_got-ta please the pack. Fes tT ¥ Bet-ter run like heck. Save your neck. Bet-ter watch your by i —1s— Fray FrPIANO/VOCAL ~6~ #9. Watch Your Back! (Atte next obstacle ELLIE approaches ADAM.) ELLIE: Adam, hi ADAM: Hey. ELLIE: I heard about this cool, oversized hourglass filled with pink sand, fone of a kind, it’ right herein the city and, long story short, since you're the Listmaster, could you put iton the list for the Hunt? ADAM: (taker aback) But... you'd already know the elue. That's cheating, Vamp (out any beat FLLIE: That’ ridiculous! (GO) wo (STUDENTS): [5] iP beat) is ADAM: Tdon't take. re - quests. — ° FLUE: bs totes = —16— Freaky dayPIANO/VOCAL #9. Watch Your Back! 2 st ADAM: a lark,— at most, ELLIE: Adam, wait— (Once again, ELLIE follows ADAM, but th activity and song get inthe wy.) ma] Saupe STUDENTS: Watch your back! Bet terwatch —17— Prenky FridayPIANO/VOCAL #9. Watch Your Back! ‘cause you're flail - ing and you're fail - ing E sail-ling for a smack Don't piss off the- List mas - ter ‘cause he'll nev-er _cut_you anda rule's a rule, So, kid, be cool and watch your —118— Freaky FridayPIANOIVOCAL 9 #9. Watch Your Back! (ELLIE semi-collapses, needing 10 rest.) (a In my day I re-mem-berthat our phys-ed ed-u- ca - tion was de-light- 6 o 6 —ful, ut this is on-ly pain, This teach-er_ is in-sane. The kids are so un - friend-ly, so un-feel- STUDENTS: —119— Frey FriPIANOJVOCAL = 10- #9. Watch Your Back! @, (ELLIE): oo n MS. MYERS: so un-help ful ands spite-ful, and, oh,_my_muse-les brings the hurt! les-son that you Ieam is worth the burn ‘cause life is hard and that's a— fact. —120— Freaky FridayPIANOWVOCAL n- #9. Watch Your Back! (MS. MEYERS approaches ELLIE, stil resting.) ELLIE: (tremendously relieved) MS. MEYERS: Are you okay, Biake? You want to take a rest? Twould. Thank you! (GO) 73] STUDENTS: » » aA watch your back! Watch your back! —ai— rey PryPIANO/VOCAL -2- #9. Watch Your Back? MS. MEYERS: There is no rest in my fitness challenge! (biows whistle) Everybody, listen up! Ellie Blake thinks she's earned a break! ‘You know what that means? Blake is going to start from the beginning! (holds upa stopzutch) You got one minute. (GO ON) (ELLIE is forced to do the entire sequence by : herself es the STUDENTS contch with sin) 2, Vamp (out any beat) (STUDENT! , 8 GRETCHEN: [sa] Ms. MEYERS: cs MOELLIE) nig! 1S: MEYERS Watch your back! —_Bet-ter watch your back! Al-ways some-one com-ing af - ter, al - ways STUDENTS: Watch your back! Bet-ter watch your Al-ways some-one com-ing af - te, al - ways 12 Franky riday-13- #9. Watch Your Back! PIANOIVOCAL SAVANNAH: (to ELLIE) Loser, (MS. MEYERS): some-one on at with wolves now, ba by, some-one on— at with wolves now, ba - by, got-ta please the pack._____ Better run like heck. Save your neck. Better ooo got-ta please the pack Bet-ter run like heck. Save your neck. Better —t~ roy Frdny —129—PIANO/VOCAL #10. Parents Lie P A tempo : San-ta’s the shiz... and San-ta knows just how it ) F2ypy crs Fib(adat3) par-ents lie________be-cause they can, So learn the truth, — bright, young man. ‘They lie with words they lie with hugs. Par-ents. lie, Bsus(add2) —130— Frey FridayPIANO/VOCAL -4- #10. Parents Lie [es] 2 More rhythmic. parents will tell you you're great and special and stuff’ when clear-ly you're not. say that one day you'll feel nor-mal, but that’s not e - nough. It's not by a-lot ‘They'll e hold you and tell you they love and they care, but they lie when they tell you they'l al-ways be there. I A tempo know it's up - set-ting, And par-ents die, —131— Frey FridayPIANO/VOCAL 5 #10. Parents Lie tell you they won't... but they lie. Oh, par ~ ents lie. — W's hard to hear. It's sad, 1 know Bsus? [DE Gn Fr Fr (quits te car up at tome) rall. a 7 ‘s “ par-ents lie, but par-ents lie. 3 Bsus, (KATHERINE puts te car in park. FLETCHER is crying.) KATHERINE: Fletch? (FLETCHER gives KATHERINE a heartbroken look, then rans out ofthe cr) KATHERINE: (coud) fm jst telling you what I wish someone had told me. & 6 rit, om ~ [SEGUE] —132— Frey FridayPIANO/VOCAL Freaky Friday Fietcher . #11 Katherine Just One Day (Reprise) Ellie Ensemble Macc by an yrs i rk Only Ml! Sr Cue: Segue from No. 10 "Parents Lie” In the kitchen, TORREY unondson por WAITER.) Grand, celebratory “ roe K2: Hp/Tub.Bells ‘Ipt 2 —_-,: Tp rorrey. ‘Colla voce To-mor-row is the wed-ding and to - night is the re - hear sal, but there's 8 a been no sign of Kath-erine. She's been gone all day. And I. tried to make de - ci-sions, but I —_ —133— Freaky FrayPIANOIVOCAL #11. Just One Day (Reprise) (Leaving school, GRETCHEN and HANNAK confer) wo, 7 GRETCHEN: have-n't_got her vis-ion, so I 0 = ver-seared the scal-lops with the péche gel-é © Sr'sly, 1 [HANNAH GRETCHEN; what's the deal with El- lie? She's a to- tal Mach -vel-li and nev-er to be trust-ed, no, not py pons FLETCHER: (in his room, FLETCHER packs his suitcase with ane hand. ANGRY BOB ison the other) i (as ANGRY BOB) 17 (as himself) 1g (as ANGRY BOB) an-y - more. "Mom-my lies, and El-lie’s cruel’ and they're mean to me at school “and there's gt —=—~ & = (nthe bald the WEDDING GUESTS futher, ning GRANDMA HELENE. SRAniDPA GORDON, PASTOR BRUNO, ; ashinssp oy [Bi] DaNtETTE ons Louis) no - bod - y who gets you" so we're out the door! 134 Freaky FridayPIANOIVOCAL #11, Just One Day (Reprise) WEDDING GUESTS: 2 That's the day_ we've wait = (MIKE enters, a tit anxious.) MIKE: We'll sit down for dinner soon, Tm sure the bride will be down any minute, We've got to rehearse, right? (GO ON) GRANDMA » 2» x fall 2 HELENE: —135— Frey EriePIANO/VOCAL #11. Just One Day (Reprise) GRANDPA GORDON: 4, DANIELLE: where's our dar - ling Kath-erine? the deuce has din - ner been? This 37, (GRETCHEN): set on tel - ling EL - lie? There's a © fut - ter = in. = my_—bel - ‘yan GRANDPA GORDON: [(GRANDMA HELENE: od - dest gosh dam MIKE: wed - ding. Hea - ven knows just where its Say, Tor, have you seen Kath - rine? Or . res. poco a poco —1B6— Freaky FridayPIANOJVOCAL #11. Just One Day (Reprise) », [HANNAH: «0 hope that she won't hate Gretch - en, TORREY: head - ing. Peo - ple, champ-ers ‘cause its all we (MIKE): clue where El - lies +GRETCHEN: GRANDMA HELENE: GRANDPA GORDON: +GRANDMA, TORREY: —___9 Kath-erine? And where the heck has El - lie been? And where the devil But where the dev-il's -” ‘Cause my bride is al-ways punct-ual but to-night she's P - Just one P. e say hello to. Kath-erine, then tell old Ell the truth and then, but where the heck is El - lie? And o 5 —137— ray FridayPIANO/VOCAL -6- #11. Just One Day (Reprise) 4, (HANNAH, GRETCHEN): where the heck has El - lie been? And where the heck iss lie? (GRANDMA, GRANPA, TORREY): Kath - erine? Ahd where the heck has A - Where the dev - il's (MIKE): El - lie (ENSEMBLE): the dev ~ i's Kath - erine? dev - il's Kath - erine? —138— ren FridayPIANO/VOCAL 7 #11. Just One Day (Reprise) (ELLIE and KATHERINE ke ig entrance, oth elif KATHERINE, ELLIE: the WEDDING PARTY.) Where the heck is EL ~ the dev - i's, where the Where the dev - il's Kath-erine? Where the Kath-erine? Where the dev - i's Kath-erine? Kath-erine? Where the dev - ills Kath-erine? Kath-erine? KATHERINE: (to ELLIE) So, was Adam cool about putting the hourglass on the ls? ELLIE: (covering) Yep. Where's Fletcher? 9] A tempo 0 st 8 3 139 Frey FridayPIANOIVOCAL #11. Just One Day (Reprise) KATHERINE: Around TORREY: Katherine, where have you been? here, Im sure he's fine! Because I made some executive decisions st 56 7 TORREY: fea-tured the hy-dran-geas in the ta-ble-top ar-range-ments and the nap-kins are all fold-ed in a Bbvajy "it KATHERINE: Gah, Torrey, relax! Who's ‘even looking at the napkins!?! Who cares? = TORREY: I do! I work for you because we care about napkins! That's who we ace. ‘What's wrong with you today?? Lam going inside to plate the salads ~ and then I quit! (TORREY storms into the kitchen.) PASTOR BRUNO: (to he FAMILY) Let's walk through our places forthe ceremony, (GOON) €2(ada6) (GRETCHEN and HANNAH enter ancl approach ELLIE arid KATHERINE.) [23] KATHERINE: You guys! Good timing’ Elie is ready to gocon the Hunt! changed my mind, she can go. Off you go. 6 a 66 —140— Pray FriaayPIANOIVOCAL #11. Just One Day (Reprise) HANNAH: Flic. We GRETCHEN:Today KATHERINE: (nerwus) GRETCHEN: HANNAH: She kissed KATHERINE: have to talk. (GOON) was not okay. Whathappened?” Shealienated Adam. uptoSavannah. _ Ohnoshe dict Vamy a a P @ 7 ba KATHERINE: Wait let's GRETCHEN: HANNAH: Wecame — We'redoingthe~ GRETCHEN: We wish (HANNAH and talk about this... You guys! Oh yes she did. to tell you in person: Hunt without you. itcould be different. GRETCHEN exit) (turns to ELLIE) 2, 2 7” B Bell Chime a KATHERINE: Did you KATHERINE: My best fiends hate me? What did you dot? PLLIE: Nothin even get the hourglass Rana cutee sth is URE apes) honey Geheht SKE: Kate final! (CO ON) ao a 7% » a —141— Freaky FrPIANOIVOCAL -10- MIKE (conti): You need to tell me if we have assigned seats, (MIKE puts his arms around KATHERINE! toast) accel. st ELLIE: (lo KATHERINE) You did that on purpose. KATHERINE: You messed up my life on purpose! ELLIE: You are so irresponsible! (GO) With tension . @] Vamp (vocal last x) KATHERINE: ® best. A dis - as - ter, &6, (KATHERINE): w ant test, —142— #11. Just One Day (Reprise) KATHERINE: inthe lear) Gah, back off, hands! ELLIE: (harp a warning) Hey! Mom, ttn dovn the volume! MIE: (o ELLIE) Lets no gue opt KATHERINE: Don tak toh ike thal! You are totaly patronizing! MIKE: Babe, Ate you okay? KATHERINE: You know what Mike? Vn realy not. Ym rethinking this whole wedding thing! All fit MIKE: You ares huh After everything that? You know what? Never mind (MIKE exits) ELLIE: Mike, Mike! She didn't mean that! (coon, faced “it, you might have Frey FridayPIANOIVOCAL -u- #11. Just One Day (Reprise) And I tried to get the hou -r-glass, the tea-sure that you missed. And you I plead -ed. res. poco a poco could-n't_e-ven fig-ure how to get it on the list. Now we're al-most at the wed-ding and these we need-ed.— Now show some grace. guests won't go. —143— Freaky FridayPIANOWVOCAL -2- #11. Just One Day (Reprise) (KATHERINE and ELLIE put on a show for the GUESTS, KATHERINE under her breath, ELLIE forall) 98 2 ” stu- pid, crap- py, stu - pid love - ly, thril-ling, you al-rea-dy said that 709] day__ day. WEDDING GUESTS: Just one di we thought, ‘til the bride walks down Just one day or so we thought, til the bride walks down, —144— Freaky FryPIANOJVOCAL -B- #11. Just One Day (Reprise) (The WEDDING PaRTY ise to smile) ELLIE: Where is Fletcher? LOUIS: WEDDING GUESTS: (WEDDING GUESTS): 105 10s w Just one day, Hey, ev - ‘ry bod-y smi ! ‘Though the Just one day,— KATHERINE: He was! ELLIE: (to KATHERINE) ELLIE: Fletcher?! You said he was here! (ELLIE runs inside the house.) 19 uo m 108] din-ner may have met a de-lay, it’s the wed-ding we've been wait-ing for in just one_ din-ner may have met a de-lay,— its the wed-ding we've been wait-ing for in just one KATHERINE: Fletcher? Fletch! 13 n3 mu ns Fast one hun = gry, y where's-the = din-ner Just one hun - gry, Just one where's-the - din-ner zee, ‘ff cresc. pocoa poco | —145- Frey FridyPIANO/VOCAL - #11. Just One Day (Reprise) (ELLIE returns nd ru to KATHERINE) ELLIE: He's notin his room, His puppet suitcase is gone! (MIKE rs) MIKE: four this note on my tuck KATHERINE: “don't want tobe where Tm not wanted Buave a great wedeing Love Hatches” (GOON) 1 ~ Just one (ELLIE, KATHERINE, and MIKE are aghast. The GUESTS are oblivious.) End Of Act I 0 a 119] By Just one, just one day! Just one day! —146— Freaky FidePIANOIVOCAL Freaky Friday {Katherine ‘t13 Entr'acte om iy Ml Sic (KATHERINE enters and addresses the audience.) Dark, Agitated, with tension 3 KATHERINE: Everyone is freaking out because Fletcher is missing. (The GUESTS enter in “search” mode) 7 KATHERINE: (cont) Now, all the wedding guests are out searching, my Grandma and Grandpa are offering advice, and mom called the police. Everyone keeps asking me questions, Vamp ro let ving [SEGUE —147—PIANO|VOCAL Freaky Friday Katherine = I'm Not Myself Today #18 Ensemble Mi by Tw Rte Bren Yr. (rch by Tn Cue: Segue from No. 12 "Entr'acte” Funky, Soulful Pop 4=86 KATHERINE: (cout) and I don’t know the right answers! + 2 KATHERINE: as SS SS = SSS Ss rea-dy to be grown up, just i Tes waitsing for the day, and now I am, I'm freak-ing. Does Mom-my feel this way? See, they we — ve poco rit. think that I have an - swers. They look to me— to guide. ‘They see this old, old —148— ray FriayPIANOIVOCAL #13. I'm Not Myself Today wo a tempo a a but there's KATHERINE: Well fel free to run away now! (MUSIC OUD) 1s 6 v —149— Frenky FreyPIANOJVOCAL “3 [P] 2» a not my - self — to-day. not the thing they think pha mom-my. They want a wom-an #13. I'm Not Myself Today Frey FridayPIANO/VOCAL 38 ‘Vamp (out either bar) #13. I'm Not Myself Today (MIKE and TORREY poss by.) ELLIE: Torzey, we need to put up fiers— (TORREY turns away, on the phone.) ELLIE: Mike, where are the police?! ‘MIKE: (disticted) They're on the way, El, shhh— (MIKE moves off. GRANDMA HELENE aud GRANDPA GORDON pass by.) CRANDPA GORDON: H's probably riding the rails, having the time of his life! (GRANDMA HELENE: (to ELLIE) Im sure Fletcher's fine. We're handling it, sweetheart. (GO ON) ELLIE: » (ast) res. last x only — could feel so damn dis-missed. —151— Frey rlyPIANOIVOCAL #13. I'm Not Myself Today 2 smile and call me sweet - heart. feel ike this? this search on think Tm talk = back, I'm —152— Pry FriyPIANOJVOCAL 52] e = not my - self to-night — Fletch-er's lost and But I want and more than me's —153— not #13. I'm Not Myself Today Freaky bcPIANOIVOCAL #13. I'm Not Myself Today to-night (TORREY emerges and addresses the audience.) n TORREY: had a kid and the kid ran a-way, Td hunt ry what a thing bf —1s4— Frey Friday#13. I'm Not Myself Today PIANO/VOCAL 1 had a kid andthe kid ran a-way [would find him, I would hold him, and then Td Kill him, (KATHERINE goes to ELLIE.) 88 KATHERINE: 2 Hey, —155— Frey riaPIANO/VOCAL #13. I'm Not Myself Today op, (KATHERINE): e kray. (ELLIE): = ven with all of this messed up between us, —156— Frey rayPIANOJVOCAL ~10- #13. I'm Not Myself Today 104 0 106 7 Tma mess of a per-son, cant get my crap to - geth-er.. 112 (KATHERINE): we ha my - self to-day. TORREY: —157— Freaky FreyPIANO/VOCAL -u- #13, I'm Not Myself Today Tt) cxaTHHERINE): not omy (ELLIE: (Torrew: know Tshould be stand ~ ing. I would put up pos - ters and —158— Freaky FridayPIANOIVOCAL -2- #13. I'm Not Myself Today young and small when there's noth-ing When theee's noth-ing i Tm not the —— —159— Frey PrideyPIANO/VOCAL -13 #13. I'm Not Myself Today 131] Tm not the wom-an T thought 1 not my - self to-day. Tm not my-self not my - self to-day. — — Tm not my-selé cs Inf re pcs ape —160— ren Friday-u- #13. I'm Not Myself Today PIANO/VOCAL ia] [APPLAUSE SEGUE] —161— Frey Fridaymaxoivocat Freaky Friday ee #13A Transition to Bus Stop May om Kyi Bi Ye (Cue: Segue on applause from No. 13 "I'm Not Myself Today” , Funky, Soulful Pop * f (FLETCHER sts alone, suitcase ahs fet, staring at ANGRY BOB and CASPIAN om his hands. ADAM enters) "Parents Lie" ‘ADAM: Hey, man. (holds the phone ou!) a —162— ray FridayPIANO/VOCAL, Freaky Friday (ve #14 (Savannah) Mosby Tm Klis by Bin Yoray etcher Women and Sandwiches Cue: ADAME Aw, I'm sure she doesn't hate you. Women, kid... women are like sandwiches. FLETCHER: (looks at ADAM for along beat.) What? Rubato J=106 1, ,ADAM: 3 Wom-en and sand-wich-es, they al-ways sur - prise. They're more com-plicat-ed than a . a , Groovy, soulful J= 106 sand - wich-es, some-'re cold and some— —163— Freaky FriPIANO/VOCAL 2 #14. Women and Sandwiches and you'll learn— a You're doubt-ful, or dread - bumed you be - fore — but trustme, my broth - er you'll line up— for more. For they may be crust - or salt-y, or sour but wom-en and sand - wich-es al - —164— Freaky Friday#14. Women and Sandwiches PIANOIVOCAL ways have the power. And some-times there's a sand-wich with a taste that dis-a - grees. maybe makes you an- gry, gives you ag-i-ta, the quease. But go with it, at least a while, and soon its not so strange. With time, and un - der-stand can change. (SAVANNAH enters wearing a backpack aud fatigues, She sees {puts on her mask, cuts the sign down the bus stop sign and pulls out a welder's mask aud blowotorc.) ‘nd Hhrows ADAM a trivmphant look) a SAVANNAH: 52 3 Step back —165— ry ridPIANOIVOCAL #14. Women and Sandwiches (SAVANNAH exits) — [35 % FLETCHER: 8 Cross it off the list. Wow. Wom-en and sand - wich-es,— like choc~'lates and— strange are just the most look at the out - side, the face, or the bread.— You don't know what's there— in that roll —166— Prey Friday#14, Women and Sandwiches PIANO/VOCAL — or that but odds are you'll like what's & ° 0 Wo-men and sand - wich-es, 1 so love them all And some-times there's a sand-wich that you looked at just one way. Then it sud-den-ly sur-prised you, say, a lot, and say, to-day, and then asked you to do some-thing that you thought was just a cheat. The _ex-plan-a-tion was-n't $0 com- —167— Franky FridayPIANOIVOCAL #14. Women and Sandwiches But still and all, it’s just a sim ple feat, may = be you should help her, ‘cause she's sweet, and her broth-er's —pret=ty neat FLETCHER: (stoves at ADAM, as ANGRY BOB) “So... you dropped the metaphor and FG] You're just talking about a woman at this point, That's what’s going on here, right?” % a ADAM (int te clear) You got me. al 8 ADAM: a Well, long may their heav = en-ly mys - ter-ies live! And all of the joys— and the sor- —168— Freaky FridayPIANO/VOCAL #14. Women and Sandwiches n, n a . we wish-ing men roam. FLETCHER: 7 FLETCHER wo-men and sand - wich-es,,———_________ SS S557F F ADAM: Should we get out of here before the cops come? a a, ADAM: will al - ways bring us —169— Fry FryPIANO/VOCAL #14. Women and Sandwiches (ADAM and CASPIAN bump fists.) a” o 3 FLETCHER: (as CASPIAN) ADAM: 8 "Bril-liant, mate!” Brilliant, mate! [APPLAUSE SEGUE] —170— Fenty FridayPIANOWVOCAL Freaky Friday (ike) Gui) #144 (Ofrerkoes) Just One More Sandwich Musi Ta Klis by ron Yoke ‘rok yt! toch Cue: Segue on applause from No.14 “Women and Sandwiches” 7 Groovy Sandwich Tempo (ELLIE and KATHERINE look through photos of Fletcher. MIKE enters with OFFICER SITZ and OFFICER KOWALSKI.) MIKE: Katie, the police are here. ELLIE: Finally! Ihave photos! (to OFFICER KOWALSKI) Here's his school picture. "Hey, Are You Okay?" « is 7 8 9 mp ELLIE: (cont’d.) His hair is longer now. You should put out an APB. OFFICER KOWALSKI Toney, [need to talk to your mom. —11— Froky ridBIANOWOCAL Freaky Friday (Katherine) {OticerSi2) #14B (Mike) tele) I Hurt Him (Officer Kowalski) Masi by Tom Kt grey Bin rey ‘Gall ic! Stor ‘Cue: OFFICER SITZ: Has Fletcher experienced any recent emotional trauma? KATHERINE: (guilty) Emotional trauma? MIKE: Fletch was his regular happy self today. KATHERINE: Except... KATHERINE: (cont'd.) did hurt him, MIKE: You hurt him? KATHERINE: Today in the car. OFFICER SITZ: You hurt him. ELLIE: You hurt him? OFFICER KOWALSKI: (into ratio) We may need backup. Freely ‘ KATHERINE: No, no! I didn’t physically hurt him! Thurt his feelings. Itwan an accident! OFFICER KOWALSKI: ELLIE: Of course it wasn't physical! My mother adores Fletcher She spoils him rotten, Uh-huh. (GO ON) 5 rall. 6 7 a KOWALSKI: (contd) (pointedly) That ever make you mad? ELLIE: No it does not make me mad! Everyone loves Fletcher! I love Fletcher! KOWALSKI: You seem mad A Tempo ELLIE: (breaking) You think I'm mad”? (GO ON) ; ‘Vamp, out any bar 2 [SEGUE AS ONE] 12 Prey FridayPIANOIVOCAL Freaky Friday ete Kowa Bring My Baby (Brother) Home #15 Cue: Segue as one from No. 14B "I Hurt Hi OFFICER KOWALSKE Yeah, MIKE: Elle, ELLIE: He thinks I'm mad! (to OFFICER SITZ) You need to find Fletcher! (GO ON) Old School, Wail-y Rock and Roll ; Vamp leu . : ont OFFICERS: —173— Freaky FreyPIANO/VOCAL #15. Bring My Baby (Brother) Home ba - by broth - er home. - cious it~ tle boy, moth-er's____ pride and joy, her_bright-est 174 Freaky FridayPIANO/VOCAL #15. Bring My Baby (Brother) Home 24] (KATHERINE jumps in to support ELLIE.) KATHERINE: 2 2g. (rockstar) MIKE Oh KOWALSKI: —115— renky FridayPIANO/VOCAL #15. Bring My Baby (Brother) Home KOWALSKI: dar - ling ba - by home— sITZ: so sweet! +MIKE: —176— Freaky FridayPIANOIVOCAL -5- #15. Bring My Baby (Brother) Home shoes, Im really not the Messed up feet! type to sing the blues. An- fuss! —77— Fay riPIANOIVOCAL #15. Bring My Baby (Brother) Home 2, 8 “ as e KOWALSKI He's prob-'ly just lost, or else down in a well la-dy, re-lax, and sit down for a spell, ab - duct-ed by al - i-ens. took the wrong bus, or the wrong stran-ger's car, —178— Freaky FridayPIANOJVOCAL -7- #15. Bring My Baby (Brother) Home was that one kid who was carved limb from limb! (KOWALSKD: They say that his sis-ter done did it to him. KATHERINE: 9 oo 5 2 sent-ful and jeal-ous, or so the mom said. The kid is a pain but I don’t want him dead! ELLIE: 179 Freaky FridaPIANO/VOCAL #15. Bring My Baby (Brother) Home don't want him, don't want him MIKE don't want him, don’t want him KOWALSKI: Bring my ba - Bring my ba = by —home,— bring their ba. = by by broth - er; — —180— reaky FriPIANO/VOCAL #15. Bring My Baby (Brother) Home , (KATHERINE): ~ 5 7 (0e Fletcher) (ELLIE): (to OFFICERS) get to work — Well get to work — Shoo-by doo wop. Such a jerkt KOWALSKI: Please come back home, and soon, and please don't die. please dont, don't you de. Please don't cry. Ahhh. MIKE KOWALSKI —~{ —181— Freaky FridaPIANOWOCAL ~10- #15. Bring My Baby (Brother) Home (CATHERINE: can you be - ee - ee - ee? Please bring where can you be? Ah oe moa molto rit. Long drawn out riffing... (either note great! 8 s— 5 my— ba-by home, bi home... to..— —182— Freaky FridayPIANO|VOCAL (KATHERINE): Sf (Big Drum (st1Z} bring, -u- #15. Bring My Baby (Brother) Home (&ATHERINE, ELLIE, and MIKE a iff over heen t.) Over the top emotional (Aretha, Otis, Janis etc.) a o ‘ad lib fing ~~ (eLup: cad Ui. riffing (s112y Please bring their ba-by home, pre - cous basby home. KOWALSKI: their pre-cious sine Fil) ay eb KATHERINE, ELLIE, MIKE: a a their baby home, {KOWALSKD; Ya got-tabring him Freaky Fridoy —183—PIANOWOCAL -2- #15. Bring My Baby (Brother) Home (ADAM and FLETCHER enter) wea hr CFLETCHER asp ELIE w Serer emy(coom Sew kahuna ATHERINE) a KES oa home! ad lib, a y f Drs. Solo, 184 Freaky FridyPIANOIVOCAL Freaky Friday a , £15A Mike Adam's Theme Otfcer Kovralsi Geen) Mealy oe far OR ill ee (Cue: MIKE: Fletcher, thank god! (emiraces FLETCHER) Don't do that again, Fletch! ELLIE: We've been going crazy, we love you! KATHERINE: I'm so glad you're okay. (Group hug...) SUTZ, KATHERINE MIKE, KOWALSKI: 1 (then EVERYONE notices ADAM) 2 ADAM: Yo. —18s— Freaky FridayPIANO/VOCAL Freaky Friday (Katherine) Bren #15B Adam... Adam... (Reprise 2) asym Ky by rie Gy ha Sts Cue: ADAM: I rather talk about it with her. Would it be cool if Lasked her out? KATHERINE: (suppressing her oy) That would be fine. ADAM: ...Okay. KATHERINE: And Adam, You're probably still in the middle of the Hunt. But if you did put the hourglass on the lst, that would be worth lot of sandwiches tome, (GO ON) Dreamy rit, 2 3 ‘ — a (ADAM nods and exits. KATHERINE does a happy dance. ENS: Molto rit. ELLIE enters with MIKE and the OFFICERS, who exit, 5 Whoo Whoo Whoo. rey FridayPIANO/VOCAL ‘Adam Ellie Students Katherine Torrey Fletcher Mike Alexandra (Gavannah) Cue: ELLIE: You'll figure it out. I trust you. HANNAH: Let's go! Alt Pop, with movement J=153 GRETCHEN: We need tofind ELLIE: Let's focus on ‘some of the easier things. the hourglass first! Go (ELLIE, GRETCHEN, and HANNAH exit.) 3 Freaky Friday #16 ey Brin Yr ‘rch by Tom Masi by Ran it (ADAM appears KATHERINE: Have fun! ina spot, making Tiljust be... here. sa video cine.) 4 ADAM: (last x) Hey, Now I've got—you on the run. give it all__ you —187— and don't stop run-nin’ ‘til it's done. Prey FridayPIANOIVOCAL #16.Go last one? T've got each tough-er —than-_be-fore,— PB! so all fallin know just where you're 5] (The Hunt, ELLIE, HANNAH, and GRETCHEN race through the Windy City) 26 been. So. Go where you nev-er thought—you'd go —188— Frey FreyPIANO/VOCAL - 3. #16. Go (PARKER and WELLS run on wth backpacks cramomed wit z oot lend fondo the Ht) the thing you have to find — you are.— (SAVANNAH enters) SAVANNAH: Ellie Blake. ELLIE: That's right. I'm with 4 Look who's out after curfew. my friends now. My real friends. = 38 2» 38 where you I: Oooh, I'm seared. am alert on ter phone) Later, buterfacest (SAVANNAH exits. GRETCHEN holds up her phone.) a ” s i —189— ray FridPIANOIVOCAL #16. Go GRETCHEN: Look! Take a of ride on the L around the Loop! ELLIE: Aroofride? Asin, or top ofthe L? That sounds very, very unsafe... Safety (ADAM enters.) ® 2 2, 51 ADAM: Hey, hunt-ers! Yup, List Now if you're fall-ing be-hind,— GRE, HAN, ELL, STUDENTS: Yeah. PARK, WELLS, STUDENTS: —190— Frenky FriPIANOIVOCAL 5- #16. Go breath and look — in - side You nev-er know what you might find. high-way hits. a curve, find the cour-age, find the nerve, —191— ren FryPIANOIVOCAL #16.Go get what you de-serve—— and then fight. os, (ADAM): o (Gloke House. KATHERINE, MIKE, FLETCHER, and DANIELLE standin te kitchen.) DANIELLE: (shaking her hend) KATHERINE: No look, ‘This is a catastrophe. Fletcher's here. He's fine! —192— Freaky FryPIANOIVOCAL #16. Co DANIELLE: Not your son. ‘The rehearsal dinner didn’t happen. Your wedding. The cover story! saw your assistant quit. oe eek ee (TORREY enters, carrying her belongings ina box.) KATHERINE: Torey, Iwasn'tat my TORREY: (notion) best today. Could you maybe not quit? wish could quit you. © 2 DANIELLE: DANIELLE: (cont'd) This wedding is simply need to be candid. nota cover story for Weddings Magazine. 86 KATHERINE: You are kidding me. I was about to say that! even have a cake anymore, 7, a # * Sa ee —193— Fray FreyPIANOJVOCAL #16.Go FLETCHER: Yeah! Mom, can I make them too? TORREY: No— KATHERINE: Yes, FLETCHER: Really? TORREY: Really? KATHERINE: Really. (to DANIELLE) You want 0... put on an apron? DANIELLE: Ilove seven-layer bars! (GO ON) Vamp KATHERINE: (cont'd) TORREY: ‘Weare gonna make sever-layer bars. Whaaaaauaat! o 93 a (Che Hunt, ADAM enters.) [95] ADAM: [ where you nev-er thought you'd go.— TOR, KATH, FLETCH: Go! Gol. MIKE, DANTELLE:_ —194— rey FridayPIANO/VOCAL #16. Go (ELLIE, GRETCHEN, and HANNAH rite te L.) HANNAH: Grave robbing at Graceland Cemetery. GRETCHEN: Extra points for a wreath, Vamp We're not doing anything illegal, are we? (GO ON) 106, w 105 a a a ree. poco a poco 108] HANNAH: 109 0 GRETCHE! m SANNATE Go where you nev-er thoughtyou'd go. go— all PARK WELLS: —195— Fen FryPIANO/VOCAL 10- #16.Go 1. (GRETCHEN and HANNAH run from the train. and ELLIE follows.) (ADAM appears in a spot.) 17 18, 19 ADAM: Be where you've nev-er been. —196— Fray FriPIANO/VOCAL -n- #16.Go 120) m ma m find-ing but the search - ing— what you find youlll nev-er ALL: = me ps 18 a be-com - ing— once you are, you'll nev-er —————————— —197— Fray rayPIANOIVOCAL -12- #16.Go win-ning, wish-es end when m 133 Not the end-ing, —198— Franky Friday-B #16.Go PIANO|VOCAL on = ly just be-gun— ao re 419) q ELLIE: (reads the list of her phone.) ‘Tango with a boho, Samba with a Delta. 1 simile —19— ray idPIANOIVOCAL -u- #16.Go Safety 't forget the hourglass! HANNAH: We're catching up! (GO ON) a SPLIT SCENE (KATHERINE, FLETCHER, MIKE, TORREY, and DANIELLE make seven-layer bars. ELLIE, GRETCHEN, HANNAH, PARKER, WELLS, SAVANNAH, and other STUDENTS rien through the city) 145] TOR, KATH, FLETCH: Got Go! ADAM, MIKE, DANIELLE: lcre, HAN, euL:S°" Got PARK, WELLS: a a and —200— Fray FridayPIANOIVOCAL -15- #16. Go here we go! —201— Fry FrayPIANOIVOCAL = 16- #16.Go Go! On your mark, get set, and Go! On your mark, get set, and (On your mark, get set, and (Big, as fsuspended in midair.) Fa (ELLIE and KATHERINE, alone in their thoughts:) 1, —— KATHERINE: —202— Freay FridayPIANOIVOCAL - 7 #16. Go = for who youll be—— Not the find - ing, its the search - ing. Ws the hunt Not the find - ing, ifs the search - ing. Ws the hunt for who youll be ey 163 (KATHERINE): see = ing, (ELLIE): ded Blake Howse, FLETCHER licks the bot! while KATHERINE finishes up.) 70) m2. you just can't you just—— can't —203— rey FreyPIANO/VOCAL = 18- #16.Go KATHERINE: Fletcher, I'm sorry for what I said in the ect. 'm sorry about this whole day FLETCHER: Mom! took a bus by myself! We ust made seven layer bars. hung out with Ellie's boyfriend, KATHERINE: (ite gigly) Huh, Boyfriend. FLETCHER: Mom, this has been the best day of my life! KATHERINE: Yeah? ~. Freely vs 76 a 178 ADAM: [2] Poco rubato know-ing, eam, you nev-er_know. It’s not the having, —204— ren FridayPIANOJVOCAL ~~ #16. Go Atempo 385 (ADAM: 199 then—hold— on, "cause here we — g0.— Freaky Fry —203—PIANO/VOCAL 20- #16.Go (The Hunt, ELLIE, GRETCHEN, HANNAH, PARKER, and WELLS arrive at Buckingham Foutain.) GRETCHEN: Stop! There's a clue we HANNAI have to do right here atthe fountain! 193 1 I: (reading) “Strip down to ‘your skivvies and swim.” Noooo way. 195 mf GRETCHEN: 'm not showing you my HANNAH Itake ‘thighs. They look like cottage cheese showers inthe dark. * 7 198 19 ELLIE: Whoa, whoa... hold on! Girls, your bodies Listen to me. Do not squander this time of ~ourbodies - are beautiful! We are all perfect. ‘your lives being ashamed of your bodies! 2, 201 om 203 mp 2 [Because this isas gand as it gots! We're going totake a photo night now! (Geegins stripping) (ovundershart and underwear) a 205 206 ow —206— Prenky Friday#16. Go PIANO/VOCAL -2 ELLIE: (cont'd) .. And you are going to took at that photo and love yourselves! (GO ON) ‘Vamp (out on any beat) ADAM: 210] hunt-ers. Yep, List --mas-ter. GRE, HAN, ELL: on PARK, WELLS; you're through?. If the night is get - ting old - then it's time —207— Frenky FridayPIANO/VOCAL -2- #16.Go (EVERYONE strips, Exuberant.) PARKER: You get ear infections! WELLS: But I love myself! ADAM: — _ for some-thing new. 219] 0 ‘bout all the clues___——_you've read, HT 4 = selves ‘cause that's the goal Aw —208— ray FrideyPIANO/VOCAL -B- #16. Go —_ There is GRE, HAN, ELL: |, Go! PARK, WELL! —209— Freaky FryPIANOIVOCAL ae #16. Go (ALL dance in the fountain.) 231) ELLIE: Grercnen 6° where you nev-er thought you'd go.— HANNAH: +ADAM: 2s (concert) thing you have thing you have to find —210— Freaky FridayPIANO/VOCAL oe pas) ~ B- #16. Go 2 (o way did you figure out this clue before me! GRETCHEN: Blow it out your ear, Barbie! (ELUE, HANNAH, GRETCHEN, PARKER, and WELLS exit, smiling.) (ASECURITY GUARD enters) ‘SECURITY GUARD: SAVANNAHE I get this clue too! I'm taking off my shirt! Look, lm doing itt, Hey! Out of the fountain! SECURITY GUARD: Get outta here! (SAVANNAH appears.) SAVANNAH: Dammit! (SAVANNAI exits.) (GO ON) oy Vamp as Rubato ADAM: nev -er thought — you could. 2 treaty FriPIANOJVOCAL ~ 26- #16. Go thought you'd Vamp & fade A tempo (ADAM ext) ass (under scene) 253 258 22 Freaky FridayPIANO/VOCAL Freaky Friday (Mike) oterne After All of This and Everything #17 May Tam Kyi by Brin Yorke “Gch ty Ta at (Cue: MIKE: No ene needs to forget him. Hier or you. Are we okay? KATHERINE: Yeah. We're good. (KATHERINE initiates a fist bump. MIKE bumps her fist.) MIKE: All right, then. Rolling, with feeling J=75 MIKE: I'm gonna go iron my shirt. (MIKE exits, emving KATHERINE with FLETCHER sound asleep on her lap.) KATHERINE: 6 7 8 Lis-ten to me, it - tle sleep - ing. mon - ster. Se Ns [ee OSS NS NS NS ONS You there, with the sug-ar = crust - —213— Frey FridayPIANOIVOCAL -2- #17. After All of This and Everything 3, “ 15 6 1 un ~ derstand the ome Nuke Ne [NOS NS OSS a OSS and you might Some-day you'll be. and too old for the pup-pets, Ms ME [SS ONS NSE Ne Ne Ne —214— Frenky PrdPIANO/VOCAL -3- #17. After All of This and Everything » » at a ‘And you may feel SS NSS See NS Ne ON and grownups + thing, 1 can tell you we | SO Ne —1us— rey FridayPIANO/VOCAL 4 #17. After All of This and Everything a of this. and ev = ‘ty - thing [promise you'll get through. eS Ne SU SS Se Mom and Mike, you'll cut——some slack, ‘cause both of them have got your back.— What-ev-er crap may come our —216— Freoky FridayPIANOIVOCAL -8- #17. After All of This and Everything o a a 6 And you may feel like Mommy —_ does - n't. eS Ne Ne NE Ne and you just feel, just, ang-ry ev-'ry day, and mad as hell at_ Dad —27— Frey FridayPIANOIVOCAL -6- #17. After All of This and Everything % ” 7 your - self to feel ee ee ee OE Tecan tell you of your, own ev-'ry_- thing, you'll learn to let it 7 1 know this Ne NS | NS —28— ny FridayPIANOIVOCAL -7- #17. After All of This and Everything t o 93 through, So 7 F NSSF [NSF 447 up love— you. s] Slower KATHERINE: Oh, cap ° —219— Frey FrayPIANOIVOCAL -8- #17. After All of This and Everything 116 ww But, yeah, rall. —220— Preky FridayPIANOIVOCAL Freaky Friday lie) (Gretchen) #17A was Back to Hunt Macy Tm Kili y Bian Yr ‘Gey om Cue: KATHERINE: Oh my god. I'm the mom. Thave to clean up. "Go" (Carty morning outside an antique shop: “Mrs. ELLIE: Seven shots of espresso in four minutes! Time.” ELLIE, GREICHEN, and HANNAH GRETCHEN: You're scaring me. race in. GRETCHEN videos ELLIE downing a ELLIE: Push send! Go go g0 g0 go! shot of espresso. She crumples the paper cup.) (GRETCHEN does.) HANNAH: We got the Cubs cap? ELLIE: Check, HANNAH: Bears ball? ELLIE: Check. 8 9 HANNAE: Bulls jersey, puck from the Blackhawks, White Sox socks? GRETCHEN: Check, check, check! —221— Freny ritayPIANO|VOCAL 2 #17A. Back to Hunt (PARKER and WELLS enter) WELLS: You guys are tied with Savannah for the lead! ELI 8 16 " IE: We need the hourglass. 8 HANNAH: Ellie. We have checked every secondhand place in the city. I don't think we're gonna find that hourglass. What time is it? ry 2» ELLIE: (ses stop sign) ELLIE: Mrs. Time, ‘That's funny. "Mrs, Time.” Oh my god I'm so tired! watch shop. Of course. a 2 ™ 5, NRE] LS NS] LE a ee 222 Frey FridayPIANO/VOCAL Freaky Friday (Savannah) he #17B _ Savannah Sets You Straight Masi Tam iyi Brae ork rc yi hr (Cue: ELLIE: From one small business owner to another, this favor matters, Please let us borrow it. MRS. TIME: (hands the hourglass to ELLIE) It's justa loan. Swing 8ths (SAVANNAH appears. GRETCHEN and HANNAH gasp.) 2 (1c Dus meTRO FOR SAVANNA SAVANNAH: I want that hourglass ELLIE: Too late! SAVANNAKH: (to MRS. TIME) My father is an alderman. If [don't get the hourglass now, he can call the IRS to audit your books. For the next five years MRS. TIME: (takes te hourglass from ELLIE, hands it to SAVANNAH Sonry, girls, Business. HANNAH. She's a ninja, (MRS. TIME shuts the door and exits.) (GO ON) ° a ‘ a 223 Freaky FridayPIANO/VOCAL -2- #17B. Savannah Sets You Straight Straight 8ths - "I Got This" HANNAH: That's not fair! SAVANNAH: So cose., 5 6 7 8 SAVANNAH: (cont'd) ..and yet, at the end of the day, you are who you are, Somewhat free ELLIE: Savannah, we got here first. Give it back. w nye 2 SAVANNAH: Little girl, why don't you (SAVANNAH keeps gripping it as call your mommy foraride home. ELLIE: My mommy wants me to stay. ELLIE grabs the hourglass and pulls.) SAVANNAH: Let. It. Go. (GO ON) b Slowly, with rising tension, Bn _——————d a = . a ISEGUE AS ONE] 24 Freaky FridayPIANOIVOCAL, El Freaky Friday (Gavannah) #1 (Grechen) No More Fear 8 May a iar by Be by ee Ser Cue: Segue as one rom No. 17B "Savannah Sets You Straight (Acton freezes as ELLIE turns to the audience.) Colla voce, quickly a ‘ELLIE: 2 What is this feel-ing that I'm feel-ing? Like I've shot right through the ceil-ing? 3 E — 5 on - ly the caf-feine? And the sug-ar? had three slic - —25— ren FridayPIANOIVOCAL -2- #18. No More Fear 8 5 carbs the feel-ing that Tm feel - ing? Like Im los - ing it, but deal - ing? Urgent, in the moment (ELLIE turns back ote ngafaoer) d= 92 ELLIE, SAVANNAH: (Wego into sl-mo ana back ARRRRRRRR! (GOON) into Ellie's tought.) 10 1" 2 arming, but ap-peal-ing, and some-how _heal -ing. How long has it been — heart has skipped ‘a beat? gee gee see eee sine long have I —226— Prey FridayPIANOIVOCAL #18. No More Fear hard have 1 worked ——tokeep_ our life. good does this freak - ing cha-os, don’t have the first i - dea what else may be in T won't be fright - ened an- y= more! —21— rely FridayPIANOJVOCAL 4 #18. No More Fear 25] Vamp (out on cue) (Necome out SAVANNAHE It's time for you ELLIE: Savannah, you have a chance right now to bea kinder afslo-mo) to dowhat losers do and lose! person! This is a personal-growth oppertunity, (MUSIC OUT) » x GP. (SAVANNAH is surprise ora moment, and ELLIE gains (Te ug-ofsoar steps int epic mode wit STUDENTS. the adoontge bi elmost pulling the hogs xy toning, as we go ack inf lomo, ELLIE steps out of See ee eae it oo one theacton wile SAVANNA bate an noise” Elie) a1 ~ 2 ELLIE: —28— reky PriteyPIANO/VOCAL More movement, bounce au taught my daugh-ter be made her some -how be a-fraid? held too up this mess I've made? cau - tious at all cost? #18. No More Fear rey FridayPIANOIVOCAL #18. No More Fear 4 2 clear - ly I can't. promise things. will all___ turn out o -_ kay, —_ + “ (legato again) here's the most im - por - tant — thing I'l —230— Freaky Friday#18. No More Fear PIANOJVOCAL and tough (ELLIE releases a hand and pops (As ELLIE puts her hands back SAVANNAH righ inthe ise) ‘on the hourglass, slam ack SAVANNAH: (ir he clear) {nto regular motion, HANNAH owwww! lind GRETCHEN cheering.) ELLIE: My SAVANNAH: (through gritted daughter is perfect! tect) Lan even stand looking SAVANNAH: » ‘Vamp (out on cue) at you. Your face is repulsive. (GOON) What? (GO ON SA ELLIE: ee ad (on punch) ‘0 more AA —BI- Fry eyPIANO/VOCAL 8 #18. No More Fear (Phe tugefsvar continues in slo as SAVANNAH attends to her nose andthe other STUDENTS take sides to join the butte.) Ey em = bar-rass - ment, dif -f-dence, ‘That self - con - scious - ness and anx - jous-néss. Just throw that stuff right thought I taught you manners, but T may have made— you meek, girl can be a good. girl with-out ev-er__be-ing weak. If you have to fight, then fight and Til —232— Prey FridayPIANOJVOCAL -9- #18. No More Fear wait - ing — Are we clear? (ELLE gives one final tug and ret he hourglass from SAVANNAH's ‘non gp, HANNAH GRETCHEN, PARKER and WELLS der) HANNAH: We won! We did it! GRETCHEN: We won the Hunt Al Atempo n ys Fall him s Ww Ol9) [SEGUE] —233— renky FryPIANO/VOCAL Freaky Friday Transition to Wedding #18A (Katherine) Cue: Segue from No, 18 "No More Fear” Mk by om by i ry Grand, fanfare (KATHERINE, in wedding dress, paces.) 1 2 3 (FLETCHER, wearing a suit, enters.) 4 6 KATHERINE: Fletcher, tell Mike that FLETCHER: ‘we'll start when we start. 1 oA Just one day. til Mike's my dad and he says, "When are- we start - ing?” 24 Frey FreyPIANO/VOCAL #18A. Transition to Wedding 2] Atempo 8 « Just one day til,_:=Mike’'s-| my dad and I'm the on-ly boy in the (FLETCHER exits. ELLIE races in, hourglass in hand. ‘She stops witen she sees KATHERINE, They stare at eachother.) ~ 16 v 15 —235— Frey FryPIANOWVOCAL Freaky Friday The Other Hourglass #19 Mab To Kt by Ba rk Orc by rt Sr (Cue: (KATHERINE and ELLIE try to re-create the positions they were in wien the switch happened.) ELLIE: And I was holding it with my right. KATHERINE: (overlapping) I was holding itin my right. ELLIE: Okay. Ready? KATHERINE: Really ready. (KATHERINE and ELLIE grasp the honrglass.) Safety (repeat only if needed) 2 (Vocal last x) ELLIE: ‘mp (repent only if nected) 5 KATHERINE : ‘And the mag-ie came to pass.. Blah blah got the mag-ie glass ‘And we leamed im - por - tant things. —236— Freaky FridayPIANOIVOCAL #19. The Other Hourglass ma - ny things and 1 walked in-side her shoes, I saw the world her way. In -side her shoes, I saw. the world her way. laf eres. poco poco just one In just one day! In just one day! In just one mf cresc. poco a poco Neh ape RATHERINE ond ELLIE ry apna) 2, 3 “A 8 just 237 Prey PridyPIANO/VOCAL #19, The Other Hourglass KATHERINE: Nothing happened, i ELLIE: Try again (G0) ” rN —238— Fronky FridPIANO/VOCAL Freaky Friday Katherne Hehe Today and Ev'ry Day #20 Torrey ‘Adam May Te arc Bin Yorke Savannah yoy by Me Sa Ensemble (Cue: (ELLIE stares in shock at the hourglas.) KATHERINE: Mom... why isnt this working!? ‘This stupid magic doesn't know when to quit! ELLIE: ... don’t know what to do. Rubato, shell shock what if this means day's now ev-'ry day? That we're stuck like this for-ev-er? If Thad known I nev-er would have aD raky FridayPIANOJVOCAL -2 #20. Today and Ev'ry Day >] Now with urgency wished the way 1 did. [want to stay a kid! And nota grump-y grown-up with these wrink-les, and this stress, the _pres-sure, and that Fletch-er, oh my god, it’s such a mess. did-n't e-ven get to see life flash be-fore my eyes. It just went a - way, —240— Freaky FridayPIANO/VOCAL #20, Today and Ev'ry Day 2, a 2 But we both know that we're screwed. 2 hhold you and pro-tect you. T won't let this thing af-fect you. ‘There's this whole long life Ill nev-er live— my col-lege years, and more. kind of at-ti-tude... all that Ill go through a-gain— that hurt so much be-fore. I want to make things right a-gain— and —MI— Pro FridayPIANO/VOCAL -4 #20. Today and Eo'ry Day at 2 3 3 e tell you it's. all fine, I just don't see a way Or ev~'y ev-'ty day. to-day or an-y day. To-day and ev-'ty day. (Wealding music.) KATHERINE: ELLIE: KATHERINE: ELLIE: Tean't do this. can't get married! Of course you can’t. Mommy, I'm scared. I'm so scared, Mommy. We have to tell Mike. [3] "Wedding March" a 2 2 “ —242— Freaky FridayPIANO|VOCAL #20, Today and Eo'ry Day KATHERINI ELLIE: Just. walk up there and dump him? Like ripping off a Band-Aid. (GO) 4s A 6 a aA (KATHERINE and ELLIE exit to the backyard, ELLIE holding the hourglass. MIKE, PASTOR BRUNO, FLETCHER, ‘nud GUESTS are assernbled. KATHERINE ana ELLIE enter and walk down the aisle) » * 5 mp —eresc. ooo poco 52 2 KATHERINE: 5 ‘The long walk down — the aisle. ELLIE: Should we nod, and wave, and smile, 243 Freaky FridayPIANOIVOCAL #20. Today and Ev'ry Day aisle is like a mile! I'm glad you're here with me, Jet them know dis - as - ter struck? (GRANDPA GORDON stands 1a the bottom ofthe aisle.) ai] Freely And I can nev-er be. Mike will sure-ly see you're not the wo-man he once knew. GRANDPA GORDON: Still my sweet (GRANDPA GORDON hands KATHERINE to MIKE and takes ‘There she is. Look at you. lite gil his seat with GRANDMA HELENE. ELLIE stands nearby.) a, 6 “ i” «6 o 244 Freaky FridayPIANOIVOCAL -7- #20, Today and Ev'ry Day PASTOR BRUNO: Dearly beloved— KATHERINE: Hil Hold that thought. One sec: (neroous, to MIKE) We... need to talk MIKE: Kate, let’s just do this. We'll talk afterwards. (oPASIOR BRUNO) Go ahead. MIKE: (ont) Lknow GLereHER. Ge ANGRY 80B) “Harsh ear our re nervous, but = eepbreath) Tis i920 KATHERINE: Sip! Even fhe ay go ahead dont KATHERINE: TAT rederihael Gousha naa s. The ast tent avebeen sys Tmt ea todo this du Because bie uth in (GO ON) Vamy « P ° » a a forget evrything that care before: wa wrong KATHERINE: (cont'd. ...you're a great person. Teturte out pou do belong with us in this fam ‘And did want ano great person fo bein our family. Ce em aE Serica Because tha happened thought tat Tight forget my— eee ma] Freely n mm Ae (The hourglass begins to glow.) ELLIE: Wait. KATHERINE: What? ELLIE: Say that again. KATHERINE: What? PHERINE: (The hourglass glows more brightly ELLIE: Tove you." (GO) KATHERINE: (The hcurglass gh ightly) Tlove you. (GO) ELLIE: Honey... (GO ON) 7] Slower at first, then accel. to tempo > 7 8 ratty raieyPIANO/VOCAL #20. Today and Ev'ry Day ELLIE: (cont'd). listen to me. at , 30 ELLIE: 2 ‘To-day and ev-'ry day, I will be here, I will love you, I will Put no one a-bove- you ‘cause I love your mes-sy hai, and I ove your grouch-y_ glare. way you dress and all your mess, I love them though and through. What - ev-er makes you hap-py, I accel. want for you, I do,___ I'm tel-ling you, it's true, res. pocoa poco” —246— Freaky FridayPIANO/VOCAL #20. Today and Ev'ry Day 23] Faster a KATHERINE: 45 And you know — L love you for— you— fp 765. pocoa poco zy thing you — do,— (The magic triggers as KATHERINE: Eli KATHERINE and ELLIE ELLIE: Mom? switch bak to their ou bodies.) KATHERINE: Is that imo] Vamp (until Ellie and Katherine switch notes) really you? (GO ON) 7 a om —247— Freaky FridPlanolvocat - 10- #20. Today and Ev'ry Day (KATHERINE and ELLIE take each other's hands.) [ida] Colla voce Xu 103 > KATHERINE: 105 You should nev-er.. don't be sor-ry, Slow 4 know it, and I love thought I didn't love you. Tt took this molto rit. 109, m It took this day, to-day and —248. Fray Friany