01100011110101111110111100001010

10010111101010110110100010110110
0110010011101010111001000001100
001011111101111111010111001001110
110100010000100000001110010111
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1100100111010101110010000011001
0010111111011111110101110010011101
01000100001000000011100101110
 01100011110101111110111100001010
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001011111101111111010111001001110
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 GROUP 6

INSTALLATION
ART 101100011110101111110111100
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Chan | Warain | Salamat | 0 1|0Feraer
Rodriguez 00001100100101111110111
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 Installation Art
It is a relatively new genre
of contemporary art -
practised by an increasing
number of postmodernist
artists - which involves the
configuration or "installation"
101100011110101111110111100001010
of objects in a space, such as
10010111101010110110100010110110 a room or warehouse. The
0110010011101010111001000001100 resulting arrangement of
1001011111101111111010111001001110 material and space comprises
110100010000100000001110010111
011000111101011111101111000010101
the "artwork".
00101111010101101101000101101100
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0010111111011111110101110010011101
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01011110101011
an installation usually allows
the viewer to enter and move
around the configured space
and/or interact with some of
its elements.
installation is a form
of conceptual art.
installation is usually a
temporary work of art.
also sometimes described as
‘environments’
almost any type of material or
media can be utilized
Brief History
1933
Kurt Schwitters’s Merzbau, an environment of several rooms created
in the artist’s own house in Hanover.

1960s
Creation of installations has become a major strand in modern art.

Late 1980s - 1990s 101100011110101111110111

when the ‘crash’ of the art market in the late 1980s led to a 1 0 1 1 0 1 0 0 0 1 0 1 1 0 1 1 0 0 1 1 0 0
0 0 1rather
reawakening of interest in conceptual art (art focused on ideas 001011111101111111010
0100000001110010111011
than objects). 10101001011110101011011
0101011100100000110010
001110110100010000100
10101111110111100001010
Installation Art Installation art ≠ Sculpture
often envelop the
spectator in the space
of the work.
The formalism of the
composition remains
of secondary Sculpture
importance - it is the
effect on the
spectator's spacial designed to be
and cultural
viewed from the
expectations that
remains paramount. outside as a self-
contained
arrangement of 10110001111010111111011110000101
01111010101101101000101101100110
forms. 1110101011100100000110010010111
11111101011100100111011010001000
0000011100101110110001111010111
 110111100001010100101111010101
001100100111010101110010000011
11101011100100111011010001000
01110110001111010111111011110000
CHARACTERISTICS OF INSTALLATION ART
011011010001011011001100100111
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00100000001110010111011000111
010101001011110101011101100011
001010100101111010

sensory experiences

time-based media
mixed media
1100110010011101010111001000
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10011101101000100001000000
Enchantments
Types
1110010111011000111101011111101
1000010101001011110101011011
1000101101100110010011101010 (filled-space)
of
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1101011100100111011010001000

Installation
1000000011100101110110001111
101111110111100001010100101111
Interventions
Art
1010111011000111101011111101111
0001010100101111010 (site-specific)

Rapprochements
(site-specific)

Impersonations
(filled-space)
 Enchantments
allowed the viewer to be immersed in
and enclosed by the artist’s work.
Schwitter’s Mezrbau, was a site specific,
walk through, installation that overtook
his home created with any object that
became available to him
Interventions
The installation may either be in a
positive or critical position but is most
often in a position to critique to locale. It
directly addresses the literal
surroundings or environment.
The viewer lives in the space with the art
installation, and the artwork may have
such an influence on its environment
that it may even affect the behavior or 1011000111101011111101111000
movement of participants. 010010111101010110110100010
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01011101100011110101111110111
001010100101111010101101101
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0001100100101111110111111101
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Rapprochements

This type of
installation is best
compared to
architecture which Impersonations
requires personal
involvement and duplications of
experience to have real life situations
some in such a way that
understanding of they elaborate on
it. a specific
condition or place
emphasis on
something in real 10110001111010111111011110000101
life by placing it 01111010101101101000101101100110
1110101011100100000110010010111
out of context. 11111101011100100111011010001000
0000011100101110110001111010111
01100110010011101010111001000001100
00101111110111111101011100100111011010
00100001000000011100101110110001111
1011111101111000010101001011110101011
1011000111101011111101111000010101001
011110101011011010001011011001100100
110101011100100000110010010111111011
11110101110010011101101000100001000
00001110010111011000111101011111101111
000010101001011110101011011010001011
01100110010011101010111001000001100
00101111110111111101011100100111011010
00100001000000011100101110110001111 Installation Art in
1011111101111000010101001011110101011
the Philippines
Prominent Artists: Their
influences and Works.
 LEEROY NEW (B. 1986)

HIS VISION
As a response to the issue of art and art practitioners’
(in)visibility in the Philippines, New decided early on
that cultivating a language for large scale public art
was the challenge he had to take on. Despite the
initially limited support and resources, what resulted
were immersive installations that use a variety of
found objects directly sourced from the immediate
material culture of his current environment.

BALETE SERIES
Uses industrial pipes weaved using plastic ties (cable ties) into large-
scale forms and environments
LEEROY NEW (B. 1986)

BAKAWAN PROJECT
In 2016, Leeroy presented ‘bakawan’, an interactive floating island designed to
travel the pasig river in the philippines, which connects laguna de bay to manila
bay. the project functioned as a mobile installation, used to stage various
performances as it travelled and activate the waterfront through visual
intervention.

CYBER-SITE SERIES: ALIENS OF MANILA

Recycles colanders, cables and plastic tubes, to create sculptural armour and
transform ordinary civilians into otherworldly beings. Set on the streets of
manila, Leeroy dresses the capital’s civilians as alien creatures interjecting and
inhabiting public space.
 0100101111010101101101
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0010101001011110101011
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0001100100101111110111
001001110110100010000
0111001011101100011110
1100001010100101111010
00111101011111101111000
01111010

Bakawan Project
 0100101111010101101101
1001100100111010101110
10010010111111011111110
011101101000100001000
01011101100011110101111
0010101001011110101011
0110110011001001110101
0001100100101111110111
001001110110100010000
0111001011101100011110
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00111101011111101111000
01111010

Leeroy New's
immersive installation
 0100101111010101101101
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01011101100011110101111
0010101001011110101011
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0001100100101111110111
001001110110100010000
0111001011101100011110
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00111101011111101111000
01111010

Aliens of Manila
 0100101111010101101101
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0010101001011110101011
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0001100100101111110111
001001110110100010000
0111001011101100011110
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00111101011111101111000
01111010

Rhizome Colony
DINA GADIA (B.1986)
COMMON THEME IN ARTWORKS
Social Issues that are expressed in a satirical/ironic manner.

WORKS
Imaginative subversions of cultural codes, featuring collaged
realities and altered bodies that bespeak of gender issues and
sexuality, taste and identity, of the official and the outsider,
fine art and lowbrow culture, authorship and subjectivity, all
done with a touch of whimsy and a sense of wonder for
everything strange and absurd

CITY PRINCE/SSES
vibrant satin banners called “All States No States” hang from
the ceiling of the museum’s halls
Dex Fernandez (B. 1984)
WORKS
It's simply a slice of life in a manner of whimsical humor. A mixture of
both the deep and superficial..

GARAPATA
rounded, many legged "Garapata" character insipired by infestation of
ticks that explored his childhood home (brought in by his pet dogs)
101100011110101111110111
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ART STYLE 001001011111101111111010
Fernandez’s eclectic compositions challenge the traditional0 1definitions
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of high culture and fine art. 0101011100100000110010
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10110001111010111111011
0100101111010101101101
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01110110100010000100
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001010100101111010101
011011001100100111010
0001100100101111110111
00100111011010001000
0111001011101100011110
110000101010010111101
Sources
http://www.visual-arts-cork.com/installation-art.html
http://hafilahamin.blogspot.com/2011/05/difference-between-
sculpture-and.html
https://www.spot.ph/arts-culture/arts-culture-
peopleparties/67004/10-filipino-installation-artists-you-should-
follow-on-instagram-a00171-20160713-lfrm
https://reinstallingrural.wordpress.com/intro-to-installation/four-
types-of-installations/
https://study.com/academy/lesson/art-installations-definition-
examples.html#transcriptHeader
Photos from Google.com
http://leeroynew.com/
Sources
https://cnnphilippines.com/life/culture/arts/2019/6/25/palais-de-
tokyo-filipino-artists.html
https://www.pna.gov.ph
https://www.designboom.com/art/leeroy-new-aliens-of-manila-06-
18-2019/
http://artandtoday2012.blogspot.com/2012/04/understanding-
installation-art.html