1 “Inevitably, plays writen in this new convention will, when judged by the standards and criteria of another, be regarded as impertinent and outrageous impostures. Ifa good play must have a cleverly constructed story, these have no story or plot to speak of, ifa good play is judged by the subllety of characterization and metivation, these are often without recognizable characters and present the audience with almost mechanical puppets; if @ good play has to have a fully explained theme, which is neatly esposed and finally solved, these often have neither a beginning nor an ends ifa good play isto hold the mirror upto nature and portray the manners and mannerisms of the age in finely observed sketches, these seem often to be reflections of dreams and nightmares; ifa good flay relies on witty repartee and pointed dialogue, these often consist of incoherent babblings. ‘But the plays we are concemed with here pursue ends quite different from those ofthe ‘conventional play and therefore use quite different methods, They ean be judged only by the standards of the Theatre ofthe Abin” ~-Martin Essin, The Theatr ofthe Absurd, p. 330ipeRMATT, Caer ging syooj a) aye 30 Bead PUI HG naa Jo emp 3x9" pulg€ Agebod ule ce osiy impiajo span daoq, [upooy iouonyp 1 taal subd a oom) ete! so—BuEg Ueeng gn eyo] sanopin so" mopin & depaas ‘te so que 9 100) s0004 fe sopnns save) ‘ Joctonpuos iorsneg [Yaowopaip oy Sepezyl anv oe oa ag 685400) ae pu uaop 518 ‘490 uo 1 sf aos nou eb son euispmervonerten et! supe ny ni estan de sod 7 wen OW Bye sot ‘suooH wo pauursuea ‘ppe pursnogs ayia Bupssaid 2y2 Jo no sinoy paspung wo2I4>%95 pms | aro7e atts fo hay ud apap [set “nope nel ‘Preto isropenn op Py tet “oo ep a ON sl avn yey Bund rey 3302 2919908 PIEH, Et [ Buos Bussacomb fo 1sunq fauug souo2zs (inns) now evo Fuses 53 194 0s pa Spoor ua "00 puones puoi Ghar {uo soguar spoog fopimemesy ied edad pates unt soeyap on aBeipeg 28 6s ava asva suave