PARA (edicated to. Jock Stamp) Instrumentation 1 & suspended crotales tuned D EbF GD 2.2 temple blocks 3. 2 suspended tubular chimes tuned CF# d 4 - chromatic pitch pipe (EBFRG)———¥ 3. vrs 4 5.4 single head tom toms tuned CD F#G § + bass drum horizontally positioned 7 - low pitched cow bell (tone slightly deadened) 8 - large suspended triangle 9 + small triangle (to be placed on 6 tom tom in 2nd movt.) 10 + 28" pedal tympano 04 struck with triangle beater 11 . low pitched almglocken (Swiss cow bell) to be placed on tympano in 2nd movt. 12. tam tam 13 « suspended plastic or shell wind chimes (also to be suspended over front surface of tam tam ) 14 . suspended sleighbell stick 15 - wad of cellophane poper 16 . 5 circular pieces of cloth, cut so that they will completely cover the bass drum, tympano, and the C F&6 tom tom heads W.L.Cahn Sticks ond Beaters pair~hard felt tympani sticks pair- medium yarn marimba mallets Pair -wood snare drum sticks with ratton hondles poir - felt bass drum beaters metal triangle beater (or large soft tympani sticks) chime beater Suggested Set-up Score ole Se oH © 1976 William L Cohn vacmont tues ws4thmovt 5th movt & 9 10 1 12 xd rolls on all drums are bounce rolls throughout gliss on crotales with downward motion of triangle beater strike almglocken (which is placed on center of tymp.head) and then sliss the tymp: pedal downwards in pitch wind chimes are on upper part of tam tam surface and suspended so that tam tam, when struck, rings with o buzzing sound wind chimes (removed from tam tam) are to be gently agitated strike the corner point of the tymp. rim (age ) with the tip or neck of the rattan handle as indicated (note- while playing, always move rattan gradually from neck to tip and back) rub corner point of tymp. rim in rapid side to side motion with tip or neck of rattan handle as indicated (note- move gradually trom neck to tip and back) hold snore drum stick about 2 inches from tip in the same manner Os if gripping 0 pencil . keeping the stick at right ongles to tom tom surface, scrape the surface fora squealing sound rim shot ~ stick on stick strike triangle with sn.dr. stick in right hand and then dampen with left hand play on the rim of the drum the left hand dampens the drum head by pressing in the center of the head while the right bond strikes the drum with sn.dr. stick repeat as mony times as necessary se et ee ee ee ee ee ee ee a 4(RRFOD Atel THE: HALL OF sTHE:GREAT-BUDDHA Slowly chime(chime beater) > Deliberately > place sm.tri.on G tom tom =" |[place aimgiock.on tymp. wind chimes should already be suspended over tam tam4. CEREMONIAL DANCE tri. tri. sm. Nl ok Shai , | N A ‘ in &: ie e 1S. Se ies, eg = 2H tri.beater crot# sy Foal 3 =~ RH yarn - ~ == Slow (RH to yam stk.) Te CLH t0 yarn stick) *see page 2a Tempo } RH tri.beat.- - - - LH- lift wind chimes from tam tam before ringing stops and suspend them separately letting them sound all the while = remove almglock. and sm. triangle from drum heads ond set aside RHco Tit. SACRED DEER Freely rattan handles i RH tri, beat. i (temp. biks. rot. 7 z Ps “O- 2 o| Pca esitané Wind chimes LH strike tymp. rim-with rattan hondie* [P< = ‘P neck stip ———prreck yarn stks. tok P RH tri.beat. ee eect hide wad of cell. paper behind drums and. ne gents squeeze for crackling sounds ee PPP — = Bi hs: oe one as above pee r= > = SS SSO Sse SS es (RH to sd.stk.- LH to bd. btr) place cloth covers on CF#G tom tomsIV, NIGATSUDO - THE TEMPLE ON THE HILL 7 Moving Forward RH b.d,btr- ~ = ~3- 3 parte a i itch pipe ftom! = sd.stk.scrape* ~tymp.LH b.d.btr- - - —<—=_—s (| o>e RH b.d. bt /%, (3 (20 PLY EG s.d.stkscrape "LHbd.btr, © S a +a saistkscrope” bain ® bitch pipe P —_= ? y sd, yh serpe oi ‘Gnd shaken st mes m back and forth } *see poge 28 V, SHITENO - GUARDIANS OF THE TEMPLE Moderately Fast toms Se tks, > > cb =p 3 ™p iSlow and Deliberate > > > 3 > > 2 2(RH to sid.sth.) 2 RH s.distk.- ~~ = rit. poco @ poco lHyom- - --------- ee ee = SO ths Tempot REEF (LH put stick down) |i remove bd. rit, fe = I|y - thold in gir and (LH to s.d. stk.)Solo: j NAB Att 976) Duration: ~ 12:00 . ae Publisher: Cahn ‘Number of Percussionists needed: 1 Other instruments: Instrumentation: 4 tuned crotales, 2 temple blocks, 2 sus.chimes, chromatic pitch pipe, 4 tuned toms, bass drum, cow bell, 2 triangles, 1 timp., low- pitched almglocken, tam tam, shell wind chimes, sleighbell stick, wad of cellophane paper, § circular pieces of cloth Bio: WILLIAM L. CAHN Bom: Philadelphia , November 11, 1946 Degree: Eastman School of Music , 1988 , baccalaureate in music education, Percussion Teachers: Joseph Hustlin, Fred Hinger, Alan Abel, Wiliam G. Street and John Beck Composition Teachers: none Positions: Principal Percussionist, Rochester Phitharmonic Orchestra (1968-present) Ferformed with Edgard Varbee, John Cage, Steve Reich, New Music of Toronto, The Paul Winter Consort, The Chuck Mangione Orchestra, Jimmy Durante, Chet Atkin, Carmen Cavalleo, and ‘Awards:FANFARE AWARD for a "significant contribution to music education in Rochester NY", TORONTO ARTS AWARD in Music with NEXUS Books: The Xylophone In Acoustic Recordings 1877-1829 (1978) Rochester's Orchestra - A History of the Rochester Philharmonic Orchestra 1922-1829 (1989) Performing Live With MIDI (1981) Program Notes: NARA ‘1st Performance: 1877 by Jack Stamp 2 CEREMONIAL DANCE 3. SACRED DEER 4, NIGATSUDO - THE TEMPLE ON THE HILL 5. SHITENO - THE GUARDIANS OF THE TEMPLENARA For Solo Multipercussionist HoneyRock 396 Raystown Road Everett, PA 15537 USA