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PANTOMIME

By ANNA PORTER
In this unit, students explore how to communicate with their body by exploring elements of physicality and Pantomime.
Lesson one helps students explore body awareness as well as the use of the senses and details in pantomime performance. In
lesson two, students explore body language and how it is used to communicate by examining the art of flirting. Lesson three
helps students create a distinct physical characterization. Lesson four introduces students to the quality of Pantomime –
Consistency. In lesson five, students explore the quality of exaggeration in pantomime. In the final lesson, students prepare a
pantomime story for performance.

Through this six lesson series, students will use journals, participate in class discussions and practice the elements taught by
performing for their peers and as a class. Assessment tools include both informal assessment as well as a final Pantomime
performance.

1 - Introduction to Pantomime 5 - Exaggeration


Students will warm up using a pantomime interview and a Students will play with exaggerated resistance through a
relaxation exercise. Students will go on a pantomime hike and pantomime Tug of War and Object Toss. Students will further
participate in a “pretend you are walking” game at the end of explore exaggerated emotion through a mirror exercise with a
the lesson. partner where they will progressively exaggerate an emotion
physically. They will demonstrate their understanding of both
2 - Body Language exaggerated resistance and emotion by performing a short
Students will explore body language by examining the art of skit based on over the top soccer injuries.
flirting. Body language is further examined and explored
through a living museum, as well as frozen scenarios that 6 - Pantomime Story and Performance
students will create. Students will create a simple pantomime story and prepare a
pantomime for performance.
3 - Posture and Characterization
Students will explore characterization by examining posture
and playing a version of Musical Chairs with “proper” posture.
Students will also explore specific character physicality by
playing a relay game where they must take on and then pass
along the physical characterization of specific characters.

4 - Objects and Consistency


Students will explore the details associated with objects
through a “Magic Box” activity. Students will then explore the
importance of consistency in pantomime by preparing a
simple action for performance. They will practice ensemble
work and consistency by preparing a group task pantomime,
then performing it in synchronized form.
Standards Connections
Alberta, Canada routines
9 - communicate a clear beginning, middle and end in
Junior Goal I Objectives
spontaneous and planned scenes
develop a positive self-image
12 - make logical choices within the boundaries of situation
develop self-discipline
and character
develop self-confidence
strengthen powers of concentration Improvisation/Acting Level II - Intermediate
extend the ability to think imaginatively and creatively 15 - use the body and body language to enhance
characterization
extend the ability to explore, control and express emotions
20 - enter and exit in character
develop the willingness to make a decision, act upon it and
accept the results 21 - sustain a character throughout an exercise or scene
develop a sense of responsibility and commitment Senior Goal I Objectives
develop the ability to initiate, organize and present a increase self-discipline
project within a given set of guidelines increase self-confidence
develop the ability to interact effectively and constructively extend the ability to concentrate
in a group process extend physical and vocal capabilities
develop the ability to offer and accept constructive criticism
Orientation Drama 10
Junior Goal II Objectives share ideas confidently
develop the body and voice as tools of communication concentrate on the task at hand
explore specific techniques demanded by various dramatic demonstrate effective use and management of time
forms
listen to self and others
Junior Goal III Objectives solve problems imaginatively and creatively
develop awareness of various conventions of theatre demonstrate self-discipline, self-direction and a sense of
responsibility
Junior Orientation
demonstrate a willingness to take calculated and work cooperatively and productively
reasonable risks offer and accept constructive criticism with a desire to
share ideas confidently with others progress
focus concentration on one task at a time Movement Drama 10
listen effectively 10 - demonstrate focus, concentration and energy in all
generate imaginative and creative solutions to problems movement and gesture
meet deadlines and follow through on individual and group 23 - demonstrate non-verbally the who, what, where, why
commitments and when of a story
demonstrate trust by becoming comfortable, physically and Improvisation Drama 10
emotionally, with others 9 - use appropriate stage directions
work cooperatively and productively with all members of 10 - demonstrate appropriate rehearsal methods
the class in pairs, small groups and large groups
13 - communicate meaning without words
support positivity the work of others
26 - use body language to add physical dimensions and
offer and accept constructive criticism, given specific depth to a character
guidelines, with a desire to improve
32 - sustain a character throughout a scene or exercise
recognize the purposes of and participate in warmup
activities Acting Drama 30
move in a variety of ways 20 - physicalize character through selected and economical
show awareness of story sequence movement and gesture
22 - display appropriate character relationships with all
Movement Level I - Beginning other characters in a scene
2 - demonstrate awareness of personal and shared space
6 - use proper posture
7 - demonstrate awareness of his or her own body and its British Columbia, Canada
movement potential Drama 8
8 - display increased freedom of movement demonstrate an appreciation for the diversity of others and
13 - control focus and energy in movement and gesture their various perspectives
demonstrate the unique ability of drama to unify a diverse
Movement Level II - Intermediate group
22 - use exaggerated movement and gesture demonstrate trust through collaborative drama
25 - communicate environment, character and situation make choices among a variety of ways to express thoughts,
nonverbally feelings, and beliefs
Movement Level III - Advanced identify ways to advance dramatic action
28 - coordinate movement and movement patterns with make and act on reasoned and thoughtful decisions
other students suggest and try a variety of appropriate solutions to a given
Improvisation/Acting Level I - Beginning problem
7 - use stage vocabulary: stage areas, body positions and use given criteria to assess and evaluate their work
crosses identify a variety of movement possibilities that could be
8 - demonstrate appropriate rehearsal behaviours and used to create a specific effect
create a unified drama with a distinct beginning, middle, 1.2 - Comprehension and Analysis of the Elements of
and end Theatre - Document observations and perceptions of
use appropriate vocabulary to describe drama and theatre production elements, noting mood, pacing, and use of space
elements through class discussion and reflective writing.
apply theatrical conventions to dramatic forms GRADE 9-12 PROFICIENT - 2.0 CREATIVE EXPRESSION
demonstrate respect for the nature of their audience 2.1 - Development of Theatrical Skills - Make acting choices,
using script analysis, character research, reflection, and
Drama 9 revision through the rehearsal process.
demonstrate the unique ability of drama to unify a diverse
group GRADES 9-12 ADVANCED - 1.0 ARTISTIC PERCEPTION
demonstrate trust in others through class activities and 1.1 - Development of the Vocabulary of Theatre - Use the
individual and ensemble performances vocabulary of theatre, such as genre, style, acting values,
make movement choices that create a specific effect theme, and design, to describe theatrical experiences.
demonstrate a commitment to suspending disbelief GRADES 9-12 ADVANCED - 2.0 CREATIVE EXPRESSION
identify effective dramatic forms for representing particular 2.1 - Development of Theatrical Skills - Make acting choices,
ideas and experiences using script analysis, character research, reflection, and
demonstrate familiarity with stage vocabulary and apply revision to create characters from classical, contemporary,
theatrical conventions to dramatic forms realistic, and nonrealistic dramatic texts.
demonstrate respect for the nature of their audience GRADE EIGHT - 1.0 ARTISTIC PERCEPTION
demonstrate responsibility to the group and self in 1.1 - Development of the Vocabulary of Theatre - Use the
rehearsal and performance vocabulary of theatre, such as ensemble, proscenium, thrust,
and arena staging, to describe theatrical experiences.
Drama 10
demonstrate the unique ability of drama to unify a diverse GRADE EIGHT - 2.0 CREATIVE EXPRESSION
group 2.2 - Creation/Invention in Theatre - Perform character-
demonstrate trust in self and others through class activities based improvisations, pantomimes, or monologues, using
and individual and ensemble performances voice, blocking, and gesture to enhance meaning.
define and use criteria to assess and evaluate the work of
self and others
make reasoned choices with the boundaries of the dramatic California VAPA Standards (2019)
situation 6.TH:Cr1 Generate and conceptualize artistic ideas and
make movement choices to create a specific effect work
6.TH:Cr1.a - Identify possible solutions to staging challenges
apply stage vocabulary and theatrical conventions to
in a drama/theatre work.
dramatic forms
demonstrate a commitment to the team approach in 7.TH:Cr1 Generate and conceptualize artistic ideas and
rehearsal and performance work
7.TH:Cr1.a - Investigate multiple perspectives and solutions
Drama 11 to staging challenges in a drama/theatre work.
critique their own work and that of others
demonstrate a willingness to take performance risks in a 8.TH:Cr1 Generate and conceptualize artistic ideas and
variety of situations work
8.TH:Cr1.a - Imagine and explore multiple perspectives and
demonstrate engagement in performance
solutions to staging problems in a drama/ theatre work.
use appropriate terminology to describe theatre
performance Acc.TH:Cr1 Generate and conceptualize artistic ideas
use appropriate stage terminology and work.
demonstrate appropriate performance etiquette Acc.TH:Cr1.b - Use personal experiences and knowledge to
develop a character that is believable and authentic in a
set personal goals for theatre performance
drama/theatre work.
Drama 12
7.TH:Cr2 Organize and develop artistic ideas and work.
critique their own and others' performances
7.TH:Cr2.b - Demonstrate mutual respect for self and others
maintain engagement in performance and their roles in preparing or devising drama/theatre work.
take performance risks in a variety of situations
Acc.TH:Cr2 Organize and develop artistic ideas and
use appropriate terminology to describe theatre
work.
performance
Acc.TH:Cr2.b - Cooperate as a creative team to make
use appropriate stage terminology interpretive choices for a drama/theatre work.
apply knowledge of theatre styles to performance
demonstrate appropriate performance etiquette 6.TH:Pr4 Select, analyze, and interpret artistic work
for presentation.
demonstrate commitment to the rehearsal and performance
6.TH:Pr4.b - Experiment with various physical choices to
process
communicate character in a drama/theatre work.

7.TH:Pr4 Select, analyze, and interpret artistic work


California VAPA Standards (2001) for presentation.
GRADE 9-12 PROFICIENT - 1.0 ARTISTIC PERCEPTION 7.TH:Pr4.a - Consider various staging choices to enhance
1.1 - Development of the Vocabulary of Theatre - Use the the story in a drama/theatre work.
vocabulary of theatre, such as acting values, style, genre, 7.TH:Pr4.b - Use various character objectives in a
design, and theme, to describe theatrical experiences drama/theatre work.
8.TH:Pr4 Select, analyze, and interpret artistic work Critical Thinking & Reflection
for presentation. TH.912.C.1.5 - Make and defend conscious choices in the
8.TH:Pr4.b - Use various character objectives and tactics in creation of a character that will fulfill anticipated audience
a drama/theatre work to overcome an obstacle. response.
TH.912.C.2.7 - Accept feedback from others, analyze it for
Prof.TH:Pr4 Select, analyze, and interpret artistic work
validity, and apply suggestions appropriately to future
for presentation.
performances or designs.
Prof.TH:Pr4.a - Examine how character relationships assist
in telling the story of a drama/theatre work. TH.912.C.2.8 - Improve a performance or project using
various self-assessment tools, coaching, feedback, and/or
Acc.TH:Pr4 Select, analyze, and interpret artistic work constructive criticism.
for presentation.
Acc.TH:Pr4.a - Discover how unique choices shape Organizational Structure
believable and sustainable drama/ theatre work. TH.912.O.2.4 - Construct and perform a pantomime of a
complete story, showing a full character arc.
6.TH:Pr5 Develop and refine artistic techniques and TH.912.O.2.8 - Create a scene or improvisation to
work for presentation. manipulate and challenge the conventions of the
6.TH:Pr5.a - Recognize how acting exercises and techniques performer/audience relationship.
can be applied to a drama/theatre work.
Skills, Techniques & Processes
7.TH:Pr6 Convey meaning through the presentation of TH.912.S.2.8 - Strengthen acting skills by engaging in
artistic work. theatre games and improvisations.
67TH:Pr6 - Create through improvisation a drama/theatre TH.912.S.3.2 - Exercise artistic discipline and collaboration
work that will be shared with an audience. to achieve ensemble in rehearsal and performance.
8.TH:Pr6 Convey meaning through the presentation of TH.912.S.3.3 - Develop acting skills and techniques in the
artistic work. rehearsal process.
8.TH:Pr6 - Perform a rehearsed, scripted scene from a
drama/theatre work for an audience.
Georgia Performance Standards
Common Core 2010 - Theatre Arts
GRADE 6
Speaking and Listening
TAMS6.3 - Acting by developing, communicating, and
CCSS.ELA-LITERACY.CCRA.SL.1 - Prepare for and participate
sustaining roles within a variety of situations and
effectively in a range of conversations and collaborations with
environments, a. Demonstrates effective verbal and non-
diverse partners, building on others' ideas and expressing
verbal communication skills, b. Demonstrates the relationship
their own clearly and persuasively.
between a character’s background and the character’s
CCSS.ELA-LITERACY.CCRA.SL.3 - Evaluate a speaker's point method of communication, c. Interprets motivation for a
of view, reasoning, and use of evidence and rhetoric. character’s behavior, d. Demonstrates appropriate
CCSS.ELA-LITERACY.CCRA.SL.4 - Present information, interactions between characters, e. Explores the variety of
findings, and supporting evidence such that listeners can relationships between characters
follow the line of reasoning and the organization, TAMS6.7 - Integrating various art forms, other content
development, and style are appropriate to task, purpose, and areas, and life experiences to create theatre, a. Identifies
audience. similarities between theatre and other art forms, b. Draws
Language conclusions about the relationships between theatre and life,
CCSS.ELA-LITERACY.CCRA.L.1 - Demonstrate command of c. Identifies theatre’s multi-disciplinary aspects, d. Utilizes a
the conventions of standard English grammar and usage variety of sources to create original theatre, e. Demonstrates
when writing or speaking. a variety of types of theatre performances
CCSS.ELA-LITERACY.CCRA.L.2 - Demonstrate command of TAMS6.11 - Engaging actively and appropriately as an
the conventions of standard English capitalization, audience member in theatre or other media experiences, a.
punctuation, and spelling when writing. Models appropriate audience behaviors, b. Analyzes the
relationship between an audience and a performer, c. Creates
CCSS.ELA-LITERACY.CCRA.L.3 - Apply knowledge of
guidelines for behaviors appropriate to a theatre experience
language to understand how language functions in different
contexts, to make effective choices for meaning or style, and GRADE 7
to comprehend more fully when reading or listening. TAMS7.3 - Acting by developing, communicating, and
sustaining roles within a variety of situations and
Language
environments., a. Identifies and demonstrates effective
CCSS.ELA-LITERACY.L.9-10.1 - Demonstrate command of the
communication skills, b. Compares the physical, emotional,
conventions of standard English grammar and usage when
vocal, and social dimensions of a character, c. Analyzes the
writing or speaking.
motivation for a character’s behavior, d. Demonstrates
CCSS.ELA-LITERACY.L.9-10.2 - Demonstrate command of the appropriate interactions between characters, e. Explores the
conventions of standard English capitalization, punctuation, variety of relationships between characters
and spelling when writing.
TAMS7.7 - Integrating various art forms, other content
Writing areas, and life experiences to create theatre, a. Compares
CCSS.ELA-LITERACY.W.9-10.4 - Produce clear and coherent and contrasts theatre with other art forms, b. Articulates
writing in which the development, organization, and style are relationships between theatre and life, c. Utilizes a multi-
appropriate to task, purpose, and audience. disciplinary approach to create original theatre, d.
Synthesizes theatre styles and other media to create
performances, e. Adapts a variety of literary forms into
Florida Sunshine State Standards theatre productions
TAMS7.11 - Engaging actively and appropriately as an TAHSFTII.7 - Integrating various art forms, other content
audience member during theatre and other media areas, and life experiences to create theatre, a. Identifies the
experiences, a. Demonstrates appropriate audience various art forms which may be integrated into theatre (e.g.,
behaviors, b. Summarizes the relationship between the dance, music, visual arts, graphic arts, and electronic media),
audience and performers, c. Predicts how audience b. Recognizes the arts as an effort to interpret and intensify
relationships will differ with venue and performance type experiences, c. Examines the contributions of the other arts
in the creation of a role or the production of drama, d.
Grade 8 Synthesizes observation, imagination, and research to create
TAMS8.3 - Acting by developing, communicating, and characters, environments, and situations, e. Combines
sustaining roles within a variety of situations and elements of other disciplines to create theatre arts
environments, a. Analyzes character development within the
TAHSFTII.11 - Engaging actively and appropriately as an
theatrical contexts, b. Demonstrates the physical, emotional,
audience member in theatre and other media experiences, a.
vocal, and social dimensions of a character, c. Analyzes
Demonstrates appropriate audience behaviors, b. Articulates
character motivation and behavior, d. Compares the
why the relationship between the audience and performers is
relationships and interactions between characters
critical to the success of the production, c. Examines how
TAMS8.7 - Integrating various art forms, other content audience relationships differ with venue and performance
areas, and life experiences, to create theatre, a. Analyzes and type, d. States and supports aesthetic judgments through
explains common themes, content, and structure among experiences in diverse styles and genres of theatre
theatre and other disciplines, b. Compares theatre and media
presentations to human experiences, c. Incorporates multi- Grade 9-12 - ACTING I
disciplinary aspects into theatre productions, d. Uses TAHSAI.3 - Acting by developing, communicating, and
recurring cultural motifs and social themes as a basis for sustaining roles within a variety of situations and
theatre presentations environments, a. Examines the voice, body, and imagination
TAMS8.11 - Engaging actively and appropriately as an as tools of the actor, b. Explores observation, research,
audience member in theatre and other media experiences, a. cultural development, and personal experience as potential
Demonstrates appropriate audience behaviors, b. Articulates resources available to the actor, c. Implements the tools and
why the relationship between the audience and performers is resources of acting in the development and presentation of
critical to the success of the production, c. Examines how formal and informal monologues and scenes
audience relationships differ with venue and performance TAHSAI.7 - Integrating various art forms, other content
type areas, and life experiences to create theatre, a. Examines the
relationship between actors and other collaborators in a
Grade 9-12 - FUNDAMENTALS OF THEATRE I theatrical production, b. Assesses the relationship between an
TAHSFTI.3 - Acting by developing, communicating, and actor's life experience/knowledge and the actor’s
sustaining roles within a variety of situations and development as an creative artistic, c. Synthesizes concepts
environments, a. Investigates mental and emotional methods and/or skills from other disciplines to create a role or theatre
of actor preparation, b. Observes and incorporates details of piece
common human activity, c. Demonstrates awareness of
TAHSAI.11 - Engaging actively and appropriately as an
verbal elements of acting (e.g., voice, breathing), d.
audience member in theatre or other media experiences., a.
Demonstrates non-verbal elements of acting (e.g., posture,
Examines the relationship between actor and audience in
facial expression, physical movement)
history, b. Explores the impact of various acting styles (e.g.,
TAHSFTI.7 - Integrating various art forms, other content historical and contemporary) on the actor/audience
areas, and life experiences to create theatre, a. Identifies the relationship, c. Analyzes and discusses the "chemistry"
various art forms which may be integrated into theatre (e.g., between actors and audience
dance, music, visual arts, graphic arts, and electronic media),
b. Integrates various art forms into a cohesive theatre Grade 9-12 - ACTING II
performance, c. Recognizes the arts as an effort to interpret TAHSAII.3 - Acting by developing, communicating, and
and intensify experiences sustaining roles within a variety of situations and
TAHSFTI.11 - Engaging actively and appropriately as an environments, a. Examines the voice, body, and imagination
audience member in theatre and other media experiences, a. as tools of the actor, b. Explores observation, research,
Demonstrates appropriate audience behaviors, b. Articulates cultural development, and personal experience as potential
why the relationship between the audience and performers is resources available to the actor, c. Implements the tools and
critical to the success of the production, c. Examines how resources of acting in the development and presentation of
audience relationships differ with venue and performance formal and informal monologues and scenes, d. Researches
type and assesses the development of skills for character creation
and performance
Grade 9-12 - FUNDAMENTALS OF THEATRE II TAHSAII.7 - Integrating various art forms, other content
TAHSFTII.3 - Acting by developing, communicating, and areas, and life experiences to create theatre, a. Examines the
sustaining roles within a variety of situations and relationship between actors and other collaborators in a
environments, a. Investigates mental and emotional methods theatrical production, b. Assesses the relationship between an
of actor for preparation, b. Demonstrates awareness of verbal actor's life experience/knowledge and the actor’s
elements of acting (e.g., voice, breathing), c. Demonstrates development as a creative artist, c. Synthesizes concepts
non-verbal elements of acting (e.g., posture, facial and/or skills from other disciplines to create a role or theatre
expression, physical movement), d. Acquires and incorporates piece
sensory and emotional recall in character development, e.
TAHSAII.11 - Engaging actively and appropriately as an
Constructs authentic characters through observation of
audience member in theatre or other media experiences., a.
human behavior, f. Demonstrates the goals, observations,
Examines the relationship between actor and audience in
actions, and tactics of characters, g. Differentiates between
history, b. Explores the impact of various acting styles (e.g.,
acting methods (e.g., Stanislavski, Uta Hagen), h. Revises
historical and contemporary) on the actor/audience
performance based on self-critique, i. Defends acting and
relationship, c. Analyzes and discusses the "chemistry"
character choices, j. Analyzes critiques of fellow classmates to
between actors and audience
create improved performance
Grade 9-12 - ACTING III actor and audience
TAHSAIII.3 - Acting by developing, communicating, and
sustaining roles within a variety of situations and Grade 9-12 - ADVANCED DRAMA III
environments, a. Examines the voice, body, and imagination TAHSADIII.3 - Acting by developing, communicating, and
as tools of the actor, b. Explores observation, research, sustaining roles within a variety of situations and
cultural development, and personal experience as potential environments, a. Examines the skills and tasks associated
resources available to the actor, c. Implements the tools and with acting on stage, b. Explores the development of an
resources of acting in the development and presentation of actor's skills and resources, c. Creates characters using the
formal and informal monologues and scenes, d. Researches tools and resources of acting to a variety of formal and
and assesses the development of skills for character creation informal performances, d. Analyzes and applies observation
and performance skills for character creation
TAHSAIII.7 - Integrating various art forms, other content TAHSADIII.7 - Integrating various art forms, other content
areas, and life experiences to create theatre, a. Examines the areas, and life experiences to create theatre, a. Examines
relationship between actors and other collaborators in a how theatre incorporates all art forms via a collaborative
theatrical production, b. Assesses the relationship between an process, b. Explores the relationship between theatre and
actor's life experience/knowledge and the actor’s other non-arts disciplines, c. Synthesizes concepts and skills
development as a creative artist, c. Synthesizes concepts from other disciplines to create theatre
and/or skills from other disciplines to create a role or theatre TAHSADIII.11 - Engaging actively and appropriately as an
piece. audience member in theatre or other media experiences, a.
TAHSAIII.11 - Engaging actively and appropriately as an Examines the historical relationship between actor, script,
audience member in theatre or other media experiences., a. and audience as basic elements of the theatrical experience,
Examines the relationship between actor and audience in b. Explains and demonstrates proper decorum as an audience
history, b. Explores the impact of various acting styles (e.g., member, c. Explores and analyzes the chemistry between
historical and contemporary) on the actor/audience actor and audience
relationship, c. Analyzes and discusses the "chemistry" Grade 9-12 - ADVANCED DRAMA IV
between actors and audience TAHSADIV.3 - Acting by developing, communicating, and
Grade 9-12 - ADVANCED DRAMA I sustaining roles within a variety of situations and
TAHSADI.3 - Acting by developing, communicating, and environments, a. Examines the skills and tasks associated
sustaining roles within a variety of situations and with acting on stage, b. Explores the development of an
environments, a. Examines the skills and tasks associated actor's skills and resources, c. Creates characters using the
with acting on stage, b. Explores the development of an tools and resources of acting to a variety of formal and
actor's skills and resources, c. Creates characters using the informal performances, d. Analyzes and applies observation
tools and resources of acting to a variety of formal and skills for character creation, e. Applies knowledge of theatre
informal performances production and management in an actual production
TAHSADI.7 - Integrating various art forms, other content TAHSADIV.11 - Engaging actively and appropriately as an
areas, and life experiences to create theatre, a. Examines audience member in theatre or other media experiences, a.
how theatre incorporates all art forms via a collaborative Examines the historical relationship between actor, script,
process, b. Explores the relationship between theatre and and audience as basic elements of the theatrical experience,
other non-arts disciplines, c. Synthesizes concepts and skills b. Explains and demonstrates proper decorum as an audience
from other disciplines to create theatre member, c. Explores and analyzes the chemistry between
actor and audience
TAHSADI.11 - Engaging actively and appropriately as an
audience member in theatre or other media experiences, a. Grade 9-12 - THEATRE LITERATURE I
Examines the historical relationship between actor, script, TAHSTLI.3 - Acting by developing, communicating, and
and audience as basic elements of the theatrical experience, sustaining roles within a variety of situations and
b. Explains and demonstrates proper decorum as an audience environments, a. Analyzes the character relationships, b.
member, c. Explores and analyzes the chemistry between Compares and analyzes the character interaction and
actor and audience motivation, c. Examines the character role and significance to
the meaning of the play
Grade 9-12 - ADVANCED DRAMA II
TAHSADII.3 - Acting by developing, communicating, and Grade 9-12 - THEATRE LITERATURE II
sustaining roles within a variety of situations and TAHSTLII.3 - Acting by developing, communicating, and
environments, a. Examines the skills and tasks associated sustaining roles within a variety of situations and
with acting on stage, b. Explores the development of an environments, a. Analyzes the character relationships, b.
actor's skills and resources, c. Creates characters using the Compares and analyzes the character interaction and
tools and resources of acting to a variety of formal and motivation, c. Examines the character role and significance to
informal performances, d. Analyzes and applies observation the meaning of the play
skills for character creation
TAHSADII.7 - Integrating various art forms, other content
areas, and life experiences to create theatre, a. Examines National Core Arts Standards
how theatre incorporates all art forms via a collaborative TH:Cr1.1: Generate and conceptualize artistic ideas
process, b. Explores the relationship between theatre and and work - Grade 6
other non-arts disciplines, c. Synthesizes concepts and skills TH:Cr1.1.6.a - Identify possible solutions to staging
from other disciplines to create theatre challenges in a drama/theatre work.
TAHSADII.11 - Engaging actively and appropriately as an
audience member in theatre or other media experiences, a. TH:Cr1.1: Generate and conceptualize artistic ideas
Examines the historical relationship between actor, script, and work - Grade 7
and audience as basic elements of the theatrical experience, TH:Cr1.1.7.a - Investigate multiple perspectives and
b. Explains and demonstrates proper decorum as an audience solutions to staging challenges in a drama/theatre work.
member, c. Explores and analyzes the chemistry between
TH:Cr1.1: Generate and conceptualize artistic ideas
and work - Grade 8 Intermediate High School Standards - Communication
TH:Cr1.1.8.a - Imagine and explore multiple perspectives I.C.1.1 - Use non-verbal expression to illustrate how human
and solutions to staging problems in a drama/ theatre work. motivations are prompted by physical and emotional needs.
I.C.2.1 - Use improvisation and acting skills, such as
TH:Cr1.1: Generate and conceptualize artistic ideas
observation, concentration, and characterization, to
and work - High School Accomplished
demonstrate given situations.
TH:Cr1.1.HSII.c - Use personal experiences and knowledge
to develop a character that is believable and authentic in a I.C.2.2 - Interpret scenes through formal and informal
drama/theatre work. presentations.

TH:Cr2.1: Organize and develop artistic ideas and work Intermediate High School Standards - Culture
- Grade 7 I.CU.2.1 - Understand theatre etiquette that is appropriate
TH:Cr2.1.7.b - Demonstrate mutual respect for self and for a variety of theatrical spaces, styles, and genres.
others and their roles in preparing or devising drama/theatre Proficient High School Standards - Communication
work. P.C.1.1 - Use non-verbal expression and physical self-
TH:Cr2.1: Organize and develop artistic ideas and work awareness to communicate movement elements and
- Grade HS Accomplished characterization, including size, weight, and rate of
TH:Cr2.1.HSII.b - Cooperate as a creative team to make movement.
interpretive choices for a drama/theatre work. P.C.1.3 - Create original works, such as monologues, scenes,
or performance pieces.
TH:Pr4.1: Select, analyze, and interpret artistic work
for presentation - Grade 6 Advanced High School Standards - Communication
TH:Pr4.1.6.b - Experiment with various physical choices to A.C.1.1 - Use non-verbal expression and physical self-
communicate character in a drama/theatre work. awareness to communicate movement elements and
characterization, including differentiation between multiple
TH:Pr4.1: Select, analyze, and interpret artistic work characters.
for presentation - Grade 7
TH:Pr4.1.7.a - Consider various staging choices to enhance Advanced High School Standards - Culture
the story in a drama/theatre work. A.CU.1.2 - Exemplify a variety of theatrical forms, such as
TH:Pr4.1.7.b - Use various character objectives in a puppetry, musical theatre, and pantomime, from Non-Western
drama/theatre work. cultures and a variety of historical periods through the
creation of theatrical works.
TH:Pr4.1: Select, analyze, and interpret artistic work A.CU.2.2 - Integrate conventions and structures of theatre
for presentation - Grade 8 when creating formal or informal theatre productions.
TH:Pr4.1.8.b - Use various character objectives and tactics
in a drama/theatre work to overcome an obstacle.

TH:Pr4.1: Select, analyze, and interpret artistic work Ontario, Canada


for presentation - Grade HS Proficient Foundations - Concepts and Terminology
TH:Pr4.1.HSI.a - Examine how character relationships assist C.1.2 - demonstrate an understanding of and use correct
in telling the story of a drama/theatre work. terminology to refer to the forms, elements, conventions, and
techniques of drama, with a focus on ensemble drama works
TH:Pr4.1: Select, analyze, and interpret artistic work (e.g., chorus, protagonist, ingénue, supporting role, act,
for presentation - Grade HS Accomplished scene, climax, resolution, improvisation, mask, freeze-frame
TH:Pr4.1.HSII.a - Discover how unique choices shape image)
believable and sustainable drama/ theatre work.
Foundations - Responsible Practices
TH:Pr5.1: Develop and refine artistic techniques and C.3.2 - identify and apply the skills and attitudes needed to
work for presentation - Grade 6 perform various tasks and responsibilities in producing drama
TH:Pr5.1.6.a - Recognize how acting exercises and works (e.g., use active listening and cooperative problem-
techniques can be applied to a drama/theatre work. solving skills; practise punctuality; use tact in suggesting
changes and improvements; demonstrate willingness to
TH:Pr6.1: Convey meaning through the presentation of
accept criticism and build consensus)
artistic work - Grade 7
TH:Pr6.1.7.a - Participate in rehearsals for a drama/theatre C.3.3 - demonstrate an understanding of theatre and
work that will be shared with an audience. audience etiquette, in both classroom and formal
performance contexts (e.g., as a performer: show willingness
TH:Pr6.1: Convey meaning through the presentation of to take direction and behave appropriately towards other
artistic work - Grade 8 actors; as a viewer: demonstrate respect for performers and
TH:Pr6.1.8.a - Perform a rehearsed drama/theatre work for other audience members by paying attention, not interrupting
an audience. or talking, and applauding when appropriate)

North Carolina Essential Texas Essential Knowledge and


Standards Skills for Theatre Arts
Beginning High School Standards - Communication HS 117.315 LI - Foundations: Inquiry and
B.C.1.1 - Use non-verbal expression to illustrate how human Understanding
emotion affects the body and is conveyed through the body. C.1.B - develop and practice theatre preparation and warm-
B.C.2.1 - Use improvisation and acting skills, such as up techniques.
observation, concentration, and characterization in a variety C.1.C - develop and practice stage movement techniques
of theatre exercises. such as mime, pantomime, stage combat, Laban, Lecoq, or
Viewpoints consistently to express thoughts, feelings, and
actions non-verbally.

HS 117.315 LI - Creative Expression: performance


C.2.E - employ physical techniques consistently to express
thoughts, feelings, and actions non-verbally.

HS 117.315 LI - Critical evaluation and response


C.5.C - offer and receive constructive criticism of peer
performances.

HS 117.316 LII - Foundations: Inquiry and


Understanding
C.1.A - develop and practice theatre warm-up techniques.
C.1.B - develop and practice stage movement techniques
consistently to express thoughts, feelings, and actions non-
verbally.

HS 117.316 LII - Creative Expression: performance


C.2.E - develop physical techniques consistently to express
thoughts, feelings, and actions non-verbally.

HS 117.316 LII - Critical evaluation and response


C.5.C - offer and receive constructive criticism of peer
performances.

HS 117.317 LIII - Foundations: Inquiry and


Understanding
C.1.A - apply theatre preparation and warm-up techniques
effectively.
C.1.B - experiment with stage movement.

HS 117.318 LIV - Foundations: Inquiry and


Understanding
C.1.B - devise and model stage movement.

MS 117.211 LI - Foundations: Inquiry and


Understanding
C.1.B - expand body awareness and spatial perceptions
using mime.
C.1.E - identify theatrical vocabulary and terminology,
including basic anatomy of theatre spaces.

MS 117.211 LI - Critical evaluation and response


C.5.A - identify and apply audience etiquette at all
performances.

MS 117.212 LII - Creative Expression: performance


B.2.D - create stories collaboratively and individually that
have dramatic structure.

MS 117.212 LII - Critical evaluation and response


B.5.A - understand and demonstrate appropriate audience
etiquette at various types of performances.

MS 117.213 LIII - Foundations: Inquiry and


Understanding
B.1.B - explore preparation and warm-up techniques.
B.1.C - create expressive movement and mime to define
space and characters.
B.1.E - apply knowledge of theatrical vocabulary and
terminology.

MS 117.213 LIII - Critical evaluation and response


B.5.A - understand and demonstrate appropriate audience
etiquette at various types of live performances.

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