Professional Documents
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Androgynous Fashion Breaking Gender Ster
Androgynous Fashion Breaking Gender Ster
Stereotype
Pearl Academy
New Delhi
Table of Contents
S.no Contents Page no.
1. Introduction 1
2. Androgyny 2
2.1 Background
2.2 Focus of Study
3. History of Androgynous Fashion 2-5
3.1 Across the Globe
3.1.1 Peacock Revolution
3.2 Across India
3.3 Critical Analysis
4. Rising Potential of Domestic Apparel Market 6-7
4.1 Product Categories
4.2 Forecast
5. Domestic Designers Take Androgyny to a new level: gender 8
neutral ethnic wear
6. Emergence of New Man in town 9
6.1 Metrosexual Men Revolution
6.2 Men In search of Individualism: Shopping Pattern of Men
6.3 Critical Analysis
7. Feminine Silhouettes: A new Fashion statement for Men in west 10-11
7.1 Men in Skirts
7.1.1 Skirts for men: Healthy Reproductive life
8. Is Indian Men ready for Androgyny 12-13
8.1 Gender Stereotype: A Comparison of Indian Consumer with
...Other Nations
8.2 Critical Analysis
9. Emergence of Career girl: Expansion of Niche Market 14
9.1 Tuxedo women: Independent women
10. Changing Paradigm: Emergence of Female Dandy’s 15-16
11. Reflections 16-17
12. Conclusions 17
13. References 18-19
Androgynous Fashion: Breaking The Gender Stereotype
MAFMG
Semester 0
Source: Pinterest
1. Introduction
What is the most beautiful in virile men is something feminine,
what is most beautiful in feminine women is something masculine
(Sontag 1961 cf. preface of LOVE Magazine, spring/summer 2011,
227).
Fashion is never static, never fixed, it is ever-changing. Fashion is a concept that signifies
additional and alluring values attached to clothing, which are enticing to, consumers of fashion
(Kawamura 2005, 4).As the new era is evolving so are the changing meaning of fashion and
lifestyle which is furthermore effecting the buying pattern of consumers broadly in terms of
clothing, thereby fashion has a direct relation with clothes . A human body is in contact with
clothes the most, the interaction causes the generation of belief and representation for the
same.(Adelman, 2008). The high level of intimacy with the body makes them a visible
construction of social identity in general and gender in particular (Joyce, 2005). However the
deconstruction of gender binaries and a move towards androgyny is taking root in fashion, and in
particular, retail and advertisements (Daly, 2015). The traditional retail outlets had created a
vision for audiences, segregating clothes according to gender, however with changes in society
where people are fighting for gender equality, focusing on eradication of crime against women
and trying to create gender awareness, styles of clothing can be connected in their relation to
structural changes in society and, thus, they cannot be taken out of the social context.Gender-
Neutral fashion is not a new concept but a creative energy in the stream, it is helping to
revolutionize the current scenario, where the world to some extend is still stuck on pink for girls
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Ashima Khurana
Androgynous Fashion: Breaking The Gender Stereotype
MAFMG
Semester 0
and blue for boys, which contradicts the essence of fashion that stands for individuality of who
we are but when gender boundaries are fenced the option of choosing for one is gone.
2. Androgyny
The famous dandy manifesto; androgynous silhouette walking the catwalks; the huge gap between
yin and yang is no longer there, as the feminine and the masculine present in all of us seem to get
along just fine for once.
British Vogue, March 2010
2.1 Background
The term “androgyny” derives from the Greek words for male and female, and suggests a state
intermediate between masculinity and femininity. To feminists androgyny represents escape
from the prison of gender, from socially enforced preconceptions of ways in which women and
men ought to differ in their psychology and behaviour. (Warren,1980). When we bring in the
context of fashion in androgyny it deals with the blurring gender lines of prevailing gender
oriented clothing stereotypes.
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Androgynous Fashion: Breaking The Gender Stereotype
MAFMG
Semester 0
which started to spread it wings from 1920’s when Chanel introduced the world to the jumper
and it was worn by both men and women. Knitted garments for men really took off in this era
and women eagerly wore the same knits too. Fair Isle patterns became very popular for both
sexes. (Thomas.P 2014)
The dawn of 1960’s brought many changes. Long, huge,
frilly and unmanageable gowns were the clothes of history,
with the movement towards more comfortable garment, a
sweeping change throughout the fashion world was
witnessed and thereby created fashion which still appears
modern today ( for example : Fair isle pattern). Fashion
was considered to be the taste of mouth, of just wealthy,
mature, elite. However a wave of change could be seen in
this era where young people became important. The shape
of clothes was soon transformed by new ideas emerging
from the London pop scene. Source: Pinterest
Men's suits became sleeker and were often accessorised with
bright, bold shirts and high-heeled boots. The flamboyant look was in, signalled by wider
trousers and lapels.
The Mauryan and the Gupta period followed the same ideology, however with the discovery of
new silhouettes and fabrics, the styles of wrapping the cloth changed. In the Gupta period the
stiched garments became the statement of elite class. The Ajanta painting are the evidence of the
anatriya worn by women changed into gagri, which has many swirling effects exalted by its
many folds. The men and women usually covered there lower body and the upper body was left
open at times, even after the emergence of blouses/choli’s the women left the bust part bare.
(Dhamija, 2009)
The change and the separation of clothing according to gender came into play with the Mughal’s
conquering India. The common public had a natural tendency to look upon the king’s and
queen’s and their clothing styles and innovation in the dressing styles came with changing
periods of rule. The Mughal ruled India for approximately 200 years and influenced the dressing
pattern of common public to much extend. The crucial reasons of change to gender oriented
clothing from androgyny was Mughal rule.
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Androgynous Fashion: Breaking The Gender Stereotype
MAFMG
Semester 0
The Mughal dynasty included luxury clothes that complemented interest in art and poetry. Both
men and women were fond of jewelery. Clothing fibres generally included muslinsof three types:
Ab-e-Rawan (running water), BaftHawa (woven air) and Shabnam (evening dew) and the other
fibres were silks, velvets and brocades.(Dey, 2013)
The Mughal queens followed purdah system where wearing of burqua in public was an important
aspect of female’s attire. However even though the luxurious cloth and design they wore were
covered by the burqua but this did not compromise with their fashion quotient. Nurjahan for
example designed clothes and fabrics, dresses in a style all of her own that established the
fashions for many years to come. She introduced the delicate art of white embroidery. The
renoundchikankari now associated with Lucknow, to the Mughal court, where it becomes the
height of fashion. (Dey, 2013)
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Androgynous Fashion: Breaking The Gender Stereotype
MAFMG
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boundaries on their fashion freedom. Henceforth with the women fighting for their rights and
equality in terms of gender did affect the fashion industry, thus India at present recognizes
unisexual apparel as a separate product category and has a potential to grow in further years.
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Androgynous Fashion: Breaking The Gender Stereotype
MAFMG
Semester 0
A section of modern Indian society does not discriminate in the upbringing of male and
female child. With equality in the level of upbringing, a large section of women use male
uniforms. This trend is more pronounced with women professionals who increasingly use
‘male’ outfits such as trousers, shirts, jackets etc. This has created a unique opportunity for
Indian manufacturers to create a separate segment that suits the requirements of both the
genders. The demand for unisex clothing is continually on the rise in India.
4.2 Forecast
The unisexual apparel market is expected to show an increase of 5.6% till 2016 and these
apparels in unisexual wear includes :
Jeanswear
Woolens
Sweater
Pullovers
Cardigans
Casual blazers
Jackets (including leather jackets)
Active sportswear
Socks
Scarfs
With increasing adoption and bend towards western culture the Indian designers have paved way
into gender neutral fashion by giving it a new look , new aspect and a new name other than the
traditional unisexual wears. The domestic designers brought another category to gender free
clothing. And these types of apparels hold fashion as well as social value.
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Androgynous Fashion: Breaking The Gender Stereotype
MAFMG
Semester 0
While many described the look as "atrocious", leading trend analysis’s and fashion stylists say
that the fad is here to stay and that men will try their hand at it. But it will take a man who is
truly confident in his skin and who is sure about his masculinity to join the trend. (Banon, 2013)
Who are these men? Answer’s resides in the upcoming part.
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Androgynous Fashion: Breaking The Gender Stereotype
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reassessment of masculinity and male identity.´ The New Man is a man who is becoming more
fashion conscious and trend savvy when it comes to apparel (Sondhi&Singhvi 2010).
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Androgynous Fashion: Breaking The Gender Stereotype
MAFMG
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"Self-respect is the noblest garment with which a man may clothe himself,
the most elevating feeling with which the mind can be inspired." - Samuel
Smiles
Androgyny has always revolved around the myth of women adapting menswear and that’s what
the past trend has always brought in the limelight, however now turning tables can be noticed
with the designers blurring the lines between the genders. For years runways have shown women
stealing their boyfriend’s shirts, jumpers and most recently ripped jeans deriving the concept of
“boyfriend jeans”, the designers have turned the coin with the emergence of “the girl friend
look”. Famous for its swaggering macho men, Italy was a surprising location for such a moment.
At a recent Gucci show in Milan, louche, long-haired male models sauntered down the runway in
chiffon and lace, pussy-bow blouses and high-waisted flares. It was gender blurring as never seen
before at the venerable Italian fashion house, courtesy of the label’s new creative director
Alessandro Michele. And that wasn’t the only surprise. The Gucci girls, meanwhile, walked the
runway in boyish, geeky styles. (Baker, 2015)
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Androgynous Fashion: Breaking The Gender Stereotype
MAFMG
Semester 0
make it easier to ride a horse. The idea stuck, and this became standard apparel for working men
to stave off cold and abrasion.
It seems that many men are rediscovering the comfort and practicality of the skirt. Men's skirts
are often referred to as kilts, sarongs or pareos for those who are fearful to associate the word
"skirt" with men.
7.1.1 Skirt’s For Men: Healthy Reproductive Life
Skirt’s for men is often confused and imagined with those feminine skirts on male body, and this
makes the idea of “men in skirts” little absurd and unacceptable as it seems to challenge the
heterosexual male making them to look more homosexual. In order to replace the imagination
the designer use to word “kilts” which by definition means “skirts” for men.
In the history of world’s clothing for men, ancient men have always wrapped their lower body in
a cloth,the ancient Egyptians wore dresses and skirts. Going further back, so did the ancient
Sumerians. Alexander the Great conquered the whole world while wearing a skirt. (Steinkamp.S
2014)
Looking at the anatomy of men , a men has a penis and two
testicles suspended in scrotum. The testicles need to be a
few degrees cooler than the rest of the body to effectively
produce viable sperm. Wearing restrictive clothing is bad
for virility. Thus the idea behind underwear was to provide
a smooth, soft garment against the skin instead of the rough
outer garment. Secondly, it was to keep the outer garment
clean. Washing machines and modern fabrics have
eliminated the need for these functions. There is no health
benefit to underwear, and there are possible health
consequences. One of these consequences is sweating and
chafing. Other, more serious consequences can be the
fostering of yeast, fungal, and bacterial infections.
In a study cheekily titled “Real Men Wear
Kilts,”researchers at Erasmus MC University Medical
Center in Rotterdam say men who regularly wear kilts
without underwear have better sperm quality and greater Source: Menswearstyle.com
rates of fertility than the tightie-whitie sporting cohort. While it has long been known that
maintaining a cooler scrotal temperature can aid in reproductive success, the study says the best
way to ensure a healthy sperm count is by wearing garments that keep the genital area at least
three degrees cooler than body temperature. Researchers also found that not only do tight pants
increase the temperature inside the testicles by 3.5C, but the rise in temperature can adversely
affect the rate of sperm production within otherwise fertile men.
According to Scottish medical journal: “Men should wear skirts and avoid trousers, at least
during the period during which they plan to conceive children as men who wear kilts have better
sperm quality and better fertility”
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Androgynous Fashion: Breaking The Gender Stereotype
MAFMG
Semester 0
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Androgynous Fashion: Breaking The Gender Stereotype
MAFMG
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fashion industry. They increasingly are becoming conscious of their looks and are working on
becoming more attractive.
Studies done in other cross-cultural contexts support this finding. For example, Diekman, Eagly,
Mladinic and Ferreira (2005) highlighted in their cross-cultural study that United States
participants are more likely than Brazilian and Chilean participants to perceive men as gaining
feminine characteristics.
Source: Pinterest
Indeed the term metro-sexual has been coined to reflect the subset of men for whom fashion and
appearance are a priority (Roeper, 2003). A study on Japanese students found that male students
had less sex-typed perceptions of themselves than female students (Kasturda& Sugihara, 1999).
This has been attributed to changing gender roles in contemporary Japan.
´A shirt is a shirt; but if you are a guy you will make it masculine, if you are a girl you will make it
feminine, so I think it gives a lot of power to the wearer.´ -ACOINS
In contemporary India, the status of women has been changing because of industrialization,
modernization and urbanization along with the principle of democracy, social legislation and
influence of transnational media. Women now have greater access to educational, employment
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Androgynous Fashion: Breaking The Gender Stereotype
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Semester 0
opportunities, age of marriage has increased, preference for kind of marriage and traits of
marriage partner have undergone a change. Research has also shown that identification with
feminist movement or enrollment in a women’s studies course has also led to gender role change
among women (Smith & Self, 1981; Steiger, 1981).
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Androgynous Fashion: Breaking The Gender Stereotype
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Today with more exposure, increased travel and newer international brands entering the market,
we're seeing a surge in this market," says Vikram Rao, group president of Madura . "Women
demand trendy, younger, fuss-free clothing."
.
Source: India Tv
Thus the slouchy shirts, baggy pants and the increasing craze to boycut inspired from Anushka
Sharma encapsulate the essence of female dandy’s and has led to it’s emergence. In the ancient
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times the common public looked up to king’s and queen’s dressing styles to get inspiration for
their own. However today a look is up for the celebrities either Bollywood or Hollywood and
these people can be regarded as trend setters.
Bollywood as always inspired the common man to step out of the comfort zone and try
something new and more individualistic. Everything you wear is a fashion it’s just the way you
wear it. In the image above two Bollywood Celebrities share the same print on the fabric,
however difference in the silhouettes is much visible. However this can be perceived as a start of
trend and a step ahead towards androgyny.
11. Reflections
India is the nation of diverse culture and languages. North-South-East-West have one
common thread passing, of being Indian-Anonymous
According to history of Indian clothing one thing becomes visibly clear that androgyny has
always existed in India. Inspired from ancestors where men had always wore skirts, naming it
with lungi or dhoti, today’s youth (both men and women) has tried their hand in this style of
dressing but on special occasions, typically under ethnic wear. Where anarkali’s have dominated
Indian female market for over a decade now the domestic designer’s have brought the same line
for men. But it is expected to be a fad where metrosexual men may try it in search or something
new and different to wear but acceptance from the generation X can be a question mark. In future
this dressing style for men may catch fire but that future is bit far away.
Increase in disposable income and fast adoption of western culture has brought lot of changes in
Indian apparel market as well as Indian young consumer in past decade, where now 2-legged
garment or t-shirt is not something masculine but a cloth to be wore by anyone. However today t-
shirts and pants and not considered as western wear either. Androgyny which is considered to be
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Androgynous Fashion: Breaking The Gender Stereotype
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Semester 0
a fashion in west may not grab as much attention in India in near future since the consumer differ
a lot, niche population will try it but can face rejections as being categorized as homosexuals.
Another reason could be that women here are still miles away from the women’s of west in terms
of freedom & opportunity, few sectors of India look down to women as inferior and this has been
the era few decades back, situations are different now but primarily for metrosexual women rural
sector still continue with same set of thoughts thus in such a scenario a male dressing in feminine
silhouettes raises a question of him being part of “being look down” society i.e women questions
his masculinity and we being human beings always look up to follow.
However with women empowerment movements and feminists coming up a better future is
expected for Indian women and thus a better future for series of unisexual clothing which Gucci
has introduced in west now. At present gender neutral fashion has paved it’s way in terms of
shirts, scarfs, pants, boxers to some extend for the sense of comfort and ethnic wear majorly
where dhoti-kurta has become the fashion statement for both men and women.
The acceptance of dhoti/lungi over sarongs or kilts since they are also form of skirts is because
these we have acquired from our ancestors and youth won’t lag behind trying out fashion cycle
keeping societal norms in mind. Henceforth these norms are expected to break and to some
extend generation Y has tried breaking but the strength is limited.
Women nowhere has lag behind adopting menswear, where men hesitate to adopt feminine
dressing considering it to be inferior, women don’t mind ditching their traditional silhouettes. If
wearing suits, covered and socially considered protective clothing doesn’t protect them from
rape rather provoke for the same then adopting menswear and more of what they want to will
atleast give them a sense of individuality and self satisfaction.
12. Conclusion
Thus a new trend can be predicted to enter India and can be a further area of exploring new
opportunities since the potential and the required market is there. The designers have started with
the ideation of the same and the trend setters have ignited the execution as well. The look up to
the west and the influence from the west will cause androgyny to enter India in future but that
future isn’t near since the acceptance of generation X and partially from Generation Y is causing
the delay. The gender stereotypes so strongly influence the clothing pattern that such dressing
style has a chance to face rejection at present but the strong inspiration from western clothing
style will cause the adaption of same in the future.
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13. References
Ace Global Private Limited (2009), ‘The Textile Apparel & Clothing Industry In India,
Market Research.’ Retrieved on September 26, 2015 from
http://italiaindia.com/images/uploads/pdf/textile-apparels-clothing-in-india.pdf
Asante, L (2013),‘ Real men wear kilts': Men boost sperm quality, fertility rates by
wearing traditional Scottish garb, study find.’ Retrieved September 22, 2015 from
http://news.nationalpost.com/health/wearing-a-kilt-boosts-male-sperm-count-study-says
Banon, T (2013), ‘All the rage: Realmen don’t wear pants is the new gender bending
fad’. Retrieved September 20, 2015 from
http://www.dailymail.co.uk/indiahome/indianews/article-2383685/ALL-THE-RAGE-
Real-men-dont-wear-pants.html
Baker, L (2015),‘ His or Her: Will androgynous fashion catch on?’ Retrieved September
22, 2015 from http://www.bbc.com/culture/story/20150331-womens-clothes-for-men
Dey,S (2013), ‘ Fashion, Attire and Mughal women: A story behind the purdah’, The
Journal of Humanities and Social science, Vol 4, pp.105-109
Dhamija, J (n.d), ‘India’. Retrieved on October 6, 2015 from
http://www.bergfashionlibrary.com/staticfiles/Encyclopedia/India-Overview-Fashion-Dress.pdf
Gligorovska, K (2011), ‘Exploration Of The Gender Myth Via Fashion Media:
Androgyny and Dandyism in Contemporary Fashion Magazines’, Magister Thesis,
Stockholm University. Retrieved on September 20, 2015 from Center of fashion studies,
Stockholm University
Jensen, S and Rasmussen, L (2010), ‘Fe(-Male) Fashion: A Feasibility Study of the
Marketability of a Gender Neutral Fashion Brand’ , Bachelor Thesis, BAMMC.
Retrieved on September 23, 2015 from Department of Language and Communication.
Kenoyer, J.M (1991), ‘Ornament Styles of the Indus valley excavations at Harappa,
Pakistan’, Pale`orient, Vol 17, pp: 79-98
Kompanje, EJO ( 2014) ,‘Real men wear kilts- The anecdotal evidence that wearing a
Scottish kilt has influence on reproductive potential: how much is true?’Scottish Medical
Journal, vol 58, pg1-5.
Krishnamurthi,S and Ahmad,O (2009), ‘India is the Impotenet Capital of the World.’ Retrieved
on October 5, 2015 from http://www.outlookindia.com/article/india-is-the-impotence-
capital-of-the-world/239548
Mishra, M (2013),‘ Is India ready for androgyny.’ Retrieved September 20, 2015 from
http://www.dnaindia.com/lifestyle/report-is-india-ready-for-androgyny-1840022
Sen, M (2006), ‘Metrosexuality the changing Indian Masculine’, paper presented at ‘ All
India Sociological Conference’, Kolkata Mulana Azad College, Department of
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