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Perception
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In turn the brain will interpret these sensations. It is only after such
interpretation we understand what the stimulus is.
Figure-ground Relationship:
According to this principle any figure can be perceived more
meaningfully in a background and that figure cannot be separated
from that background. For example, letters written with a white chalk
piece are perceived clearly in the background of a blackboard.
In the Figure 3.2, two faces can be seen in the background of a white
colour. So also the white background can be perceived as a vessel in
the background of two faces.
b. Similarity:
Stimuli need not be nearer to each other for perception. If there is
similarity in these objects, they are grouped together and perceived,
even if they are away. For example, in this Figure 3.4 grouping will be
done according to similarity, i.e. all circles, squares and triangles are
grouped separately.
c. Continuity:
Any stimulus which extends in the same direction or shape will be
perceived as a whole Figure 3.5A and B. For example, (A) in this figure
though the curved line is broken, it is perceived as a continuous line,
so also straight line is not seen with semicircles but as a continuous
line (B) the dots are perceived as existing in the same line of direction
continuously.
d. Closure:
When a stimulus is presented with gaps, the human tendency is to
perceive that figure as complete one by filling the gaps psychologically.
For example, in the Figure 3.6, the gaps are filled psychologically and
perceived as letters M and A, circle and a rectangle.
e. Symmetry:
Objects which are having symmetrical shape are perceived as groups.
For example, the brackets of different shapes shown in the Figure 3.7
perceived meaningfully, because they are grouped together and
perceived as brackets.
Perceptual Constancy:
This refers to stableness in perception. We have a tendency to perceive
the objects as relatively stable and unchanging in shape and size,
inspite of a change in the image that we receive.
For example, when we see a person from 5′ distance, the size of the
image in our eyes differs from the image of the same person from 100′
distance.
Even then we perceive him as the same person. When we see people
and houses from the top of hill, the images will be very small like
Lillyputs. But we do not get confused by this. We perceive them
correctly according to their actual size.
Depth Perception:
Ability of a person to perceive the distance is known as depth
perception. This is very important ability to judge the distance
between us and other people, objects and vehicles moving particularly
when we are on roads. This is also known as third dimension. The
other two dimensions are left and right, and above and below.
Cues:
Depth perception is possible due to certain cues. These cues help us to
understand the distance between one person and the other person or
object.
Linear perspective:
The distances separating the images of far objects appear to be
smaller. For example, imagine that you are standing between railway
tracks and looking off into the distance. It appears that the tracks
would seem to run closer and closer together at the other end.
Aerial perspective:
The nearer objects appear clearer than the distant objects. For
example, a hill in far of distance appears farther away because the
details do not seem clearly.
Interposition:
When one object obstructs our view of another, the front one appears
nearer than the partly covered one. For example, in the Figure 3.8—
the hill which appears full is definitely nearer than the partly seen.
Gradient structure:
A gradient is a continuous change in something- a change without
abrupt transitions. Usually the regions closer to the observer have a
coarse texture and many details. As the distance increases, the texture
becomes finer and finer.
This happens very gradually and gives a cue about the depth or
distance. In Figure 3.9 the structures which are nearer appear larger
than the distant one which appear smaller as the move away.
There are some other monocular cues also viz., movement, shadow,
etc.
b. Binocular cues:
Sometimes the depth can be perceived when both eyes are used. This
is called binocular cue. There are 2 binocular cues:
1. Retinal disparity:
The image of the object which falls on both the retinas differs.
Disparity will be more when the object is closer than when it is far
away. Depending upon the correspondence between the distance and
the amount of disparity, the depth can be perceived.
Perception of Movement:
When a particular object appears in different places at different times
we understand that the object is in movement. This process is called
perception of movement. Such an ability to perceive movement is
gained from birth itself as a natural process.
Apparent motion:
Sometimes we perceive that the objects are moving. In fact the objects
are stationary, i.e. they will not be moving. Hence the perception of an
object which is not moving, as an object moving is an illusion. For
example, when we are moving fast in a bus, the trees, plants and other
non-moving objects appear to move in the opposite direction.
b. Mental set:
Set refers to preparedness or readiness to receive some sensory input.
Such expectancy keeps the individual prepared with good attention
and concentration. For example, when we are expecting the arrival of a
train, we listen to its horn or sound even if there is a lot of noise
disturbance.
d. Cognitive styles:
People are said to differ in the ways they characteristically process the
information. Every individual will have his or her own way of
understanding the situation. It is said that the people who are flexible
will have good attention and they are less affected by interfering
influences and to be less dominated by internal needs and motives
than or people at the constricted end.
Errors in Perception:
As seen above perception is process of analysing and understanding a
stimulus as it is. But it may not be always possible to perceive the
stimuli as they are. Knowingly or unknowingly, we mistake the
stimulus and perceive it wrongly.
a. Illusion:
Illusion is a false perception. Here the person will mistake a stimulus
and perceive it wrongly. For example, in the dark, a rope is mistaken
as a snake or vice versa. The voice of an unknown person is mistaken
as a friend’s voice. A person standing at a distance who is not known
may be perceived as a known person.
Most of our illusions are visual and auditory. But illusions pertaining
to other senses are also possible. See Figure 3.10 for some of the
examples of visual illusions.
b. Hallucination:
Sometimes we come across instances where the individual perceives
some stimulus, even when it is not present. This phenomenon is
known as hallucination. The person may see an object, person, etc. or
he may listen to some voice though there are no objects and sounds in
reality.
This article throws light upon the six main principles of perceptual
organisation. The principles are: 1. Closure 2. Pragnanz 3. Proximity 4.
Similarity 5. Continuity 6. Inclusiveness.
Principle # 1. Closure:
Gestalt psychologists claimed that when we receive sensations that
form an incomplete or unfinished visual image or sound, we tend to
overlook the incompleteness and perceive the image or sound as a
complete or finished unit. This tendency to fill in the gaps is referred
to as closure.
Show figure 7.2 to your friend for a brief time. The partial outlines of
the figure will be filled out and your friend might say that it is a
square, though it is not, in-fact, one. But even if it is seen as an
incomplete square it shows that your friend first saw a square and
later registered its incompleteness. This illustrates that the principle of
closure was in operation. This shows a tendency to perceive
meaningful objects.
Principle # 2. Pragnanz:
The term pragnanz indicates fullness or completeness. Gestalt
psychologists are of the view that the process of perception is dynamic
and goes on changing until we reach a stage of perceiving with
maximum meaning and completeness. Once we reach this point, the
perceived gestalt remains stable. Such a stable gestalt is called a good
gestalt.
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The reader should not confuse between perceiving a good gestalt and
the accuracy of perception. The term good gestalt means that at that
stage the perceptual process is stable and that under given conditions
a clear figure-ground demarcation has been arrived at.
Apart from the above principles, other principles which play a role in
the organisation of perception are proximity, similarity, continuity,
etc. They explain how perception takes place in the presence of a large
number of stimuli. Perceptual organisation, under such
circumstances, is determined to a great extent by the laws of
association-similarity, continuity, etc. These principles are explained
with the aid of illustrations below.
Principle # 3. Proximity:
When objects are close to each other, the tendency is to perceive them
together rather than separately. Even if the individual items do not
have any connection with each other they will be grouped under a
single pattern or perceived as a meaningful picture (Fig. 7.3).
Principle # 4. Similarity:
Similar elements tend to be perceived as belonging together. Stimuli
that have the same size, shape and colour tend to be perceived as parts
of the pattern as shown in Fig.7.4
Principle # 5. Continuity:
Anything which extends itself into space in the same shape, size and
colour without a break is perceived as a whole figure (Fig. 7.5). For
example, when several dots form a curved line, an individual may
perceive the figure as two different continuous lines irrespective of the
factors like proximity and similarity of the dots. Thus, the whole figure
is organised into a continuum though the dots are unconnected
(Fig.7.5).
Principle # 6. Inclusiveness:
The pattern which includes all the elements present in a given figure
will be perceived more readily than the other figures. For example, in
Fig.7.6 the hexagonal figure formed by all the dots may be perceived
more readily than the square formed by the four middle dots. Single
dots at either end act as a fence or enclosure within which all the other
elements are included.
We have here examined some of the factors which play a role in the
organisation of perception. These principles explain how perception is
often independent of characteristics of individual stimuli.
While discussing the phenomena of sensation it was mentioned
that often our perception bears very little connection to the actual
stimulus situation. We now know that this is because of the fact that
perception is a complex and active process influenced by many factors
other than stimulus characteristics.
Home ›› Perception ›› Perceptual Organisation ›› Principles of Perceptual Organisation ›› Psychology
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Similarly, people who want our help try to create an impression that
they have been cheated and put to undue suffering. In view of this, it is
not surprising that psychologists have taken to a serious study of
various factors which influence impression formation. The processes
are very subtle.
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This article throws light upon the three main factors that influence
formation of impression. The factors are: 1. Appearance 2. Physical
Attractiveness 3. Cognitive and Learning Styles.
Factor # 1. Appearance:
Appearance is believed to be an important factor in forming an
impression. Many among us try to put on a special appearance for
occasions where we are likely to meet people who are influential, who
have power, and can satisfy our needs and help us reach our goals. In
fact, even at an institutional level this practice has been adopted. It is
often found that people put on special clothes and an appearance to go
to a religious place even though they are far from religious.
Evidence of this type goes against the assumption held by people that
if certain traits are attributed to people they try to improve and live up
to the predictions. Mckeachie in a study found that people tended to
judge women wearing lipstick as more frivolous.
The term style has been used in a number of ways. In common sense
use the term style is used to discuss superficial and visible
characteristics of behaviour like style of talking, style of walking, style
of smiling etc. But from the point of view of psychology, the
implication of the term style goes much deeper.
One may go on listing other implications of style. But this may not be
necessary. Suffice it to say that in many individuals, one finds
persistent and consistent modes of organizing and reacting to
experiences whether social or non-social irrespective of the actual
contents of experience. In a way, one may describe the style as an
integrated orientation including cognitive, affective and behavioural
components.
On the other hand Siegel & Coop view learning style as an integrated
concept that bridges the personality and the cognitive dimensions of
the individuals. Gibson on the other hand argues that learning style
and cognitive style are synonymous.
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After reading this article you will learn about social perception and
person perception.
Social Perception:
The term social perception is very freely used by psychologists. Yet it is
a very difficult term to define. Sometimes, it is used synonymously
with person perception, which may not be strictly correct. Similarly,
one can also mean that perception of any stimulus issue or event
which has either a social origin or implication, constitutes social
perception. This is a contextual approach.
On the other hand, one can also take a causal approach which means
that any act of perception, which is or is likely to be influenced by
social and cultural factors can be brought under social perception.
Defined this way, almost every act of perception may be categorized as
social perception because very often, even the perception of physical
stimuli is influenced by social factors.
All of us are familiar with the classical experiments, where rich and
poor children have been shown to differ significantly in their estimates
of the sizes of the coins. Nevertheless, while this definition may lead us
to bring within its scope a large number and variety of social facts, it
has the advantage of being more comprehensive and inclusive.
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The study and analysis of social perception serves two functions from
the viewpoint of the psychologists. First, it helps us to understand the
role of social, cultural and experiential factors in leading to individual
and group differences in the perception of the same situation or
object, among different cultures, societies, classes and communities.
Such studies can explain the similarities of social perception within a
homogenous social group and at the same time the differences and
variations among groups.
A second and probably a more crucial point is that it has been shown
that our perceptual processes are influenced by needs, values, interests
etc. and are not just dependent on the physical characteristics of the
stimuli. The above factors, probably there are many more, lead to
selectivity in perception.
It has been shown that at both these stages, individual and cultural.
variations play a determining role thus highlighting the role of
‘motivations’ and intentions in shaping the processes of perception.
Many of the social factors are motivational factors, are acquired and
can find satisfaction only in a social context. Thus from both these
angles we can see the influence of social and cultural factors in
perception.
Traditional psychologists for a long time held the view that the same
laws, principles, dynamics and mechanisms involved in perception of
physical objects should be adequate enough to explain what we
describe as social perception also.
But very soon this view ran into difficulties as researchers began to
generate evidence that social factors and experiences to a large extent
influence perception in a social situation and further, that socially
determined perception influences even non-social acts of behaviour.
But there were other views also contributing to the linking up of social
perception to perception in general. Bruner observed that ‘if
perception in general necessarily involves processes of categorisation
and also the evolving or arriving at an adequate system of
categorisation which would serve as a frame of reference or anchor
point for perceiving, judging and matching the kinds of stimuli, then
there is no reason to doubt that such a system of categorisation will
influence instances of perception of social objects, issues and events
which are more complex and both require and admit a wide and large
number of possibilities and lend themselves to more amenable
classification’.
From this, we can see that the term social perception has
come to include three major types of perceptual phenomena
or activities:
Firstly, it refers to the perception of people or other persons;
And finally there have also been studies which could tell us more
about cognitive phenomena and the linkages and relations among
different types of cognitive processes like inference, judgement,
categorisation etc. The question of defining social perception gets
more complicated if we take into account the interests of
anthropologists like Kluckhohn in cultural differences in perception
and thought concerning even physical factors like space and time.
Person Perception:
Interests in the study of person perception probably received scientific
attention from the work of Charles Darwin. It was perhaps his
observations on the emotional behaviour of men and animals that
probably gave an impetus to the study of perceiving others.
Later, towards the early part of this century, the interest was extended
to study the processes and mechanisms involved in coming to know
the characteristics of others. Naturally this was extended to study the
possible variations and errors in judging the characteristics of others
and an analysis of the various factors which contribute to such errors.
Let us take a look at the various factors which are likely to influence
our perception of another person. At the outset, we may say that the
process of person perception is influenced by certain characteristics in
the perceiving person or the perceiver. Then there are factors in the
situation, or context, under which the perception of the other person
takes place.
a. If one may list them, they are the characteristics and conditions of
‘Y’ like his intelligence, his emotional conditions, his intentions, his
attractiveness etc.
c. The cues from ‘Y’ are behaviour cues which are available to ‘X’, cues
from the outside environment, outside the person ‘Y’, these
characteristics can be distant or proximate to ‘X’,
2. Any perceiver in arriving at his judgement very rarely uses all the
sensory cues; some are more useful and others are less useful. In
arriving at his judgement or perception, the perceiver employs a
number of behavioural perceptual processes. Researchers have been
interested in analyzing the process and also finding out the differences
if any in the process involved in the person perception and object
perception.
Unlike judging or perceiving a physical object where very few and that
too overt and physical cues guide the perception, person perception
involves multiple cues which are much more in number, more diverse
and many of them are implicit and covert. No doubt externally
observable physical cues like gestures, degrees of perceptible anxieties,
facial expression etc. are used by the perceiver, but things do not stop
there.
An actor can very well portray these things without there being a
corresponding internal state. It is because of this that real person
perception depends on the use of other types of cues which are not so
visible, dependent on the context and circumstances which differ and
which are not very consistent.
The judge puts himself into the shoes of the perceived individual. Most
judges assume similarity between themselves and the perceived
person, given a situation. Thus principles of similarity and empathy
contribute quite a bit in arriving at judgement. Similarly, the tendency
to attribute enduring dispositions or characteristics results in the
ascription or attribution of in variance to social or person perception.
This tendency to attribute invariance, perhaps results from the general
trend in cognitive processes to maintain and maximize ‘cognitive
balance and minimise dissonance’. Some theories known as balance
theories have emphasized this point. Thus, the perceiver arrives at an
integrated totalistic perception of a person who is perceived as being
consistently and homogeneously of a certain type-good, bad, bright,
dull, irritable, pleasant etc. It is here that what are generally referred
to as halo effect and logical effect come into operation.
Very often, this process comes into operation even when the objective
behaviour of the person does not warrant this. This tendency to
attribute intentions helps us to see the other person as the origin or
initiator of action. In fact, one major process in arriving at an
integrated view of the other person and his actions is the tendency to
judge whether the cause of action is located within the person, thus
making him responsible or whether the cause is outside and beyond
his control.
Thus, the location of the cause ultimately decides how the behaviour of
the other person is perceived and inferred. In view of this it is not
surprising that very often identical types of behaviour are judged as
being different and also different types of behaviour are often judged
as being similar in meaning. In fact intention is an important
component even in deciding the magnitude of an offence in court of
law.
An important feature which has not been taken much notice of is that
when continuous interactions are involved, the observer or perceiver
first tries to arrive at a baseline or minimum characteristics and
attributes of the other person and then all subsequent actions are
judged against this baseline and as deviation or variations of this.
Messick and his associates classified the dimensions under two major
categories.
Under the second category Messick and his associates include speed of
concept formation, reflection vs impulsivity, early generalization vs.
gradual generalization, compartmentalization, complexity vs
simplicity and leveling vs. sharpening
They raise the questions of ‘why’. They are also very much influenced
by their own personal values and integrate cognitive experiences with
their beliefs, feelings etc. This type can be called Cognitive- Reflective
(C-R). The second category who may be described as Abstract-
Reflective (A-R) are primarily oriented towards integrating experience
with what they know.
The fourth type, the Concrete-Active (C-A) rely very much on concrete
sensing and feeling. At the same time, they are active. They are
oriented towards assessing relationships and connections among the
different elements. They seek to facilitate cognitive process in others.
Thus, the phenomenological approach distinguishes different
cognitive styles, based on the general orientation and attitude of the
individual.
Further it has also been shown that such stylistic preferences are very
much related to personality types, attitudes, emotionality and values.
It is here that the stylistic variations in cognition assumes importance
particularly in social psychology.
After reading this article you will learn about the role of stereotypes in
perception.
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Now we can see that impressions acquired earlier based on one’s own
limited experience or impressions transmitted by others and not based
on one’s Stereotypes lead us to attribute certain qualities to others.
Very often, this results in wrong perception and judgement, making us
insensitive to individual differences. But occasionally stereotypes do
provide a helpful base for perceiving and judging others. Stereotypes
can be positive or negative.
Similarly, they may influence not only our perception of other persons
but also sometimes of even physical objects. Thus, brand loyalty is an
example of a stereotype. Many people come to believe that a certain
branded tea is good and go on hunting for it. This is also an example of
stereotypes.
After reading this article you will learn about the differences in person
perception.
Sex Differences:
Research investigations have indicated that there are differences
between boys and girls in person perception. It has been shown that
girls tend to describe adult figures in a less differentiated manner and
also in a more favourable light compared to boys.
Boys tend to lay emphasis on aggressiveness, non-conformity etc.,
while girls have been shown to be inclined to emphasize nurturance,
physical appearance and social behaviour. Women on the whole have
been shown to rely more on stereotyping, be less analytical, more
intuitive and more concerned with psychological attributes than men.
Women interestingly appear to depend more on visual cues compared
to men.
Individual Differences:
Besides basic and general issues in person perception, there is enough
evidence to show that there are considerable degrees of individual
differences, depending on a number of factors. Thus personal
cognitive styles appear to affect person perception as much as
perception of non-social stimulus.
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(1) Sensations are the integral elements in perception. They are the
simple awareness of qualities e.g., colour, sound, taste, odour, heat,
cold, etc. due to the excitation of the sense-organs and interpretation
of the meanings of sensations in the light of past experience and
awareness of objects in the environment, and of their relations to one
another.
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Home ››
Role of Sense Organs in Receiving
and Transferring Information to
Brain
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It is a well known fact that the human being has five sense organs, viz.,
eye, ear, nose, tongue and skin. These sense organs are the
instruments by which the mind is brought into relation with external
world. Without these sense organs no information can reach the brain.
That is the reason they are called as the ‘Gateways of knowledge’.
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The latest studies have shown that in addition to the above five, there
are three more sensations viz., static sensation for body balance,
kinesthetic sensation for muscular movements and organic sensation
for inner organs.
The receptors of sensory organs like eye, ear, nose, tongue and skin
are placed superficially and can receive stimuli from outside the body,
whereas the receptors in static, kinesthetic, and organic are placed in
inner portions of the organs.
They are stimulated by conditions within the organism and its cavity.
There are some receptors which are located between the internal and
external surfaces in muscles, tendons, joints, semi- circular canals and
vestibules of the ear. They give rise to kinesthetic and static
sensations.
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Home ›› Organs
Weber's Law
The number in this example are made up; your values may vary in practice.
If you lift up and hold a weight of 2.0 kg, you will notice that it takes some effort. If
you add to this weight another 0.05 kg and lift, you may not notice any difference
between the apparent or subjective weight between the 2.0 kg and the 2.1 kg weights.
If you keep adding weight, you may find that you will only notice the difference when
the additional weight is equal to 0.2 kg. The increment threshold for detecting the
difference from a 2.0 kg weight is 0.2 kg. The just noticeable difference (jnd) is 0.2
kg.
Now start with a 5.0 kg weight. If you add weight to this, you will find that the just
noticeable difference is 0.5 kg. It takes 0.5 kg added to the 5.0 kg weight for you to
notice an apparent difference.
For the weight of magnitude, I, of 2.0 kg, the increment threshold for detecting a
difference was a I (pronounces, delta I) of 0.2 kg.
For the weight of magnitude, I = 5.0 kg, the increment threshold I = 0.5 kg.
The ratio of I/I for both instances (0.2/2.0 = 0.5/5.0 = 0.1) is the same. This
is Weber's Law.
Weber's Law states that the ratio of the increment threshold to the background
intensity is a constant. So when you are in a noisy environment you must shout to be
heard while a whisper works in a quiet room. And when you measure increment
thresholds on various intensity backgrounds, the thresholds increase in proportion to
the background.
The fraction I/I is known as the Weber fraction (aka Fechner fraction). If we
rearrange the equation to I=IK, you can see that Weber's Law predicts a linear
relationship between the increment threshold and the background intensity. Below is a
plot of some hypothetical data showing Weber's Law. The slope of the line is the
Weber fraction.
A TVI plot
Threshold Versus Intensity
sometimes called a TVR plot for thresholds
for detecting light (threshold versus radiance).
Weber's Law is not always true, but it is good as a baseline to compare performance
and as a rule-of-thumb.
On a plot of log( I) vs log I, the slope of the resulting line is one if Weber's Law
holds.
where a is a constant, usually small that represents a baseline level of activity that
must be surpassed.
Here is real data from Aguilar and Stiles (1954) plotting increment thresholds.
Each curve plots the same data in a different way using the two y-axes. See if you can
interpret the data? Where is Weber's law approximately true?
Introduction
The Difference Threshold (or "Just Noticeable Difference") is the minimum amount
by which stimulus intensity must be changed in order to produce a noticeable
variation in sensory experience.
Weber's Law, more simply stated, says that the size of the just noticeable
difference (i.e., delta I) is a constant proportion of the original stimulus value. For
example: Suppose that you presented two spots of light each with an intensity of 100
units to an observer. Then you asked the observer to increase the intensity of one of
the spots until it was just noticeably brighter than the other. If the brightness needed
to yield the just noticeable difference was 110 then the observer's difference threshold
would be 10 units (i.e., delta I =110 - 100 = 10). The Weber fraction equivalent for
this difference threshold would be 0.1 (delta I/I = 10/100 = 0.1). Using Weber's Law,
one could now predict the size of the observer's difference threshold for a light spot of
any other intensity value (so long as it was not extremely dim or extremely
bright). That is, if the Weber fraction for discriminating changes in stimulus
brightness is a constant proportion equal to 0.1 then the size of the just noticeable
difference for a spot having an intensity of 1000 would be 100 (i.e., delta I = 0.1 X
1000 = 100).
This lab will allow the participant to measure their just noticeable difference
thresholds for the discrimination of line length using a psychophysical procedure
known as the Method of Constant Stimuli.
Objective
Choose the longer of the two line segment stimuli presented on the screen (for a given
trial). You will be asked to enter approximately 240 judgments (60 each at four
different levels of standard line size).
The bottom of the stimulus screen displays the controls that you will be using for this
experiment. You can indicate which of the lines you judge to be longer by using the
mouse and "clicking" the appropriately labeled button. By doing so, the computer
will lock-in your judgment and automatically display the next pair of line
stimuli. [Keyboard Shortcut: You can also indicate which line segment appears longer
by using the RIGHT-ARROW and LEFT-ARROW keys. If these keys appear
unresponsive at first, try again after using the mouse once or twice.]
Results
Once you have completed judging all of the stimulus pairings, the results will
be automatically displayed. These results summarize the percent of the time
your judgment was correct as a function of the difference in line length (for
each of the four ranges of line length examined). Save a copy of this data in
your lab notebook.
To find your difference threshold for the four ranges of line length examined,
you must first plot the psychometric function obtained for each level of
standard stimulus line size (30, 90, 150 and 210 pixels). This is accomplished
by plotting the "percent correct judgment" on the y-axis as a function of the
"difference in line size" (delta I) on the x-axis. Once plotted, interpolate the
"difference in line size" value that yields 75% correct performance. This point
is the difference threshold.
Once each difference threshold (delta I) has been interpolated convert it to
the Weber fraction equivalent (delta I/I).
Plot the Weber fractions obtained at each of the four ranges of line length and
determine whether Weber's Law holds true for just noticeable differences in
line length.
Notice
Completion of this experiment requires approximately 200 responses (so both
patience and effortful attention are required).
What is psychophysics?
The difference threshold, also known as the just noticeable difference (jnd), is the
minimum difference in stimulation that a person can detect 50 percent of the time. We
experience the difference threshold as a just noticeable difference.
opposite of this?
system?
system?
13. How does information get from the photoreceptors to the visual
cortex?
Pingelap?
afterimages?
18. How does the visual system process and encode yellow light?
about depth?
of movement?
system?
system?
12. How does the mechanism of transduction account for dark
adaptation?
13. How does information get from the photoreceptors to the visual
cortex?
Pingelap?
afterimages?
18. How does the visual system process and encode yellow light?
of this problem?
of movement?