Adelle Bert G.

Diaz December 6, 2019

Methodology Unit Plan

UNIT PLAN- Representative Festivals and Theatrical Forms of the Philippines – Grade 7 Unit IV

Session Topics Musical Context MUSICAL CONCEPTS Musical Principles

Dynamics Timbre Rhythm Melody Form
1

*How the history and lifestyle of every

Cordillera Music region affect their music and vocal music.
(Owayat) The connection of the art of dancing in
LUZON FESTIVALS music in Philippine Festival.
*Free Form *Single and
Pinagbenga Festival Meter Harmonic *The use of music as a instrument in telling
Festival tones. the history of every region.
Pahiyas Festival *Different *The
*Dark and
Aliwan Festival tempo or *The use of genuine form
Bright sound
sudden overtone. of the music
of the music
VISAYAS FESTIVALS change of of every
of every
tempo. *The use of region.
region.
2 Sinulog Festival monotone in
Ati-Atihan Festival *The use of the vocal *The use of
*Different
Dinagyang Festival different music. rondo and
vocal
Pintados Festival meter and Single ABA form.
technique of
tempo in key/tonality AB form in
every region.
MINDANAO FESTIVAL every region. (harmonic different key.
(Assignment) Moderate progression
Triple-time & even
meter modulation)
PRACTICE FOR
PERFORMANCE TASK
 DANCE OR MUSIC
To have a personal experience of the lesson
PRESENTATION
that we’ve tackled.
(Performance Task)

3
*Epic poetry has been one of the oldest from of
theatrical forms, but in modern days they now put
music and songs in this art.
*Single and
Harmonic *Duplo is a peotic presented through song and
tones. *The dance, which originated from indigenous
different courtship customs.
*Free Form *The use of forms in
Epic Poetry *Moro-moro, it is a street drama that usually
Meter overtone. every
Philippine Duplo
Moro-moro
*Soft and Loud
*Different
theatrical lasted for several days.
*Different *The use of forms.
Theatrical Senakulo
Traditional Folk Dance
*Dynamic Level
connection to the
vocal
technique
tempo or monotone in
*Senakulo dramatisation of the life and death of
Christ.
sudden the vocal *The use of
Forms Bodabil
Sarswela
emotional side of
the song.
change of music. free form *Traditional Folk Dance originated from the
tempo. Single and Maranao people of Lake Lanao.
key/tonality modern/west
(harmonic ern forms. *Bodabil featured a variety of musical numbers,
comedic and dramatic skits, and song and dance
progression
numbers.
& even
modulation) *Sarswela a melodrama, that uses spoken and
sung words.
4

PRACTICE

Presentation of
ORIGINAL To experience and present their artistic
SARSWELA modern presentation of Sarswela.
(Performance Task)