Cameron Mackintosh Presents ee ars Boublil and Schonberg’s Les MisérablesCameron Mackintosh Presents PIANO/VOCAL Boublil and Schénberg’s Les Misérables A Musical by Alain Boublil & Claude-Michel Schonberg, Lyrics by Herbert Kretzmer based on the novel by VICTOR HUGO Music by CLAUDE-MICHEL SCHONBERG Lyrics by HERBERT KRETZMER Original French text by ALAIN BOUBLIL and JEAN-MARC NATEL Additional material by JAMES FENTON Orchestral score by JOHN CAMERON Production Musical Supervisor ROBERT BILLIG Musical Director JAMES MAY Sound by ANDREW BRUCE/AUTOGRAPH Associate Director and Executive Producer RICHARD JAY-ALEXANDER Executive Producer MARTIN McCALLUM Casting by JOHNSON-LIFF & ZERMAN General Management ALAN WASSER Designed by JOHN NAPIER Lighting by DAVID HERSEY Costumes by ANDREANE NEOFITOU Directed and Adapted by a TREVOR NUNN & JOHN CAIRD *%4 THE MUSICAL SENSATION 1987 TONY® AWARD BEST MUSICAL es Miserables opened at the Broadway The original meron Mackintosh and hespeare Coa eA AAA LARLAL a The idea of turning Les Misérables into a musical came to ye one evening in 1979 during a visit to London, where I had A Wane aantties 2 et iY ANY national monument, and I was well aware at the outset seamen 10 be regarded by the guardians of our heritage _as an act of SCAR ‘Nonethe! ye Claude ae It ey i here a: most exciting challenge, and a unique opportunity to work sie ofthe ental convention of very es nine sieel rhs ‘work we had r : "age book. into an opera libretto of three acts, seven tableaux — description of the music and lyrics ofthe ined it. After much revision w poet Jean-Marc Natel. 2 pened at the Palais des Sportsin Paris if? ber 1980, for an eight-week season. It was extended for a cight weeks, and would have been extended further sill ot been for kings. The first production was seen half million people. In 1982, Cameron Mackintosh heard the French album of Les rrables, and invited Claude-Michel and 1 (0 revise our show create an English version with James Fenton, the English and journalist, and directors Trevor Nunn and John Caird. Kretzmer joined us to create English counterparts of the inal French lyrics, adding in the process some new lyrics ally for the English production. es Misérables opened again the Barbican ‘Theatre, London, on 8 October 1985. It was an instant success, and transferred on 4 December to The Palace Theatre, where it has been sold out ever since. The Broadway production opened to enormous acclaim on 12 March 1987 ~ Les Misérables the musical, like Les Misérables the book, has reached a worldwide audience having played worldwide to more than forty million people, ‘with many productions still playing and additional productions still to come. This sheet music selection contains fourteen of our favourite songs from the Broadway production. [ hope that these words and notes somehow convey the turmoil of France in the 1820s and 30s, and especially the epic, romantic quality of those times = so vividly captured by the genius of Victor Hugo — that feed cu gestion of Mey me. — ALAIN BOUBLIL = LONDON, 1998 we cece] At the End of the Day Unemployed and factory workers I Dreamed a Dream Famine Who Am I? Valjean Castle on a Cloud Cosence Master of the House Thénadier, his wife and customers Stars Javert Do You Hear the People Sing? Enjolras, the students and the citizens In My Life Cosette and Marius A Heart Full of Love Marius and Cate On My Own a A Little Fall of Rain Drink With Me Grantaire, students and women Bring Him Home Valjean Empty Chairs at Empty Tables Tiins 28 2 45 76Prologue: 1815, Digne Jean Valjean, released on parole after 19 years on the chain ‘gang, finds that the yellow ticket-of-leave he must, by law, display condemns him to be an outcast. Only the saintly .op of Digne treats him kindly and Valjean, embittered by years of hardship, repays him by stealing some silver. Valjean. is caught and brought back by police, and is astonished when the Bishop lies to the police to save him, also giving him two precious candlesticks. Valjean decides to start,am .rraaed 1823, Montreuil-sur-Mer Bight years have passed and Valjean, having broken his parole and changed his name to Monsieur Madeleine, has risen to become both a factory owner and Mayor. (No.1, ‘Atthe End of the Day’). One of his workers, Fantine, has a secret illegiti- mate child. When the other women discover this, they demand her disrhissal. The foreman, whose advances she has rejected, throws her out. (No.2, ‘I Dreamed a Dream’). Desperate for money to pay for medicines for her daughter, Fantine sells her locket, her hair, and then joins the whores in selling herself. Utterly degraded by her new trade, she gets, into a fight with a prospective customer and is about to be taken to prison by Javert when ‘The Mayor’ arrives and demands she be taken to hospital instead. ‘The Mayor then rescues a man pinned down by a runaway cart. Javert is reminded of the abnormal strength of convict 24601 Jean Valjean, a parole-breaker whom he has been tracking for years but who, he says, has just been recaptured. Valjean, unable to see an innocent man go to prison in place, confesses to the court that he is prisoner 24601. At the hospital, Valjean promises the dying Fantine to find and look after her daughter Cosette, Javert arrives to arrest, him, but Valjean escapes.1823, Montfermeil Cosette has been lodged for five years with the Thénadie who run an inn, horribly abusing the little girl whom they use as a skivy while indulging their own daughter, Eponine (Nos. 3 & 4, ‘Castle on a Cloud’ & ‘Master of the House’). in finds Cosette fetching water in the dark. He pays the ‘Thénadiers to let him take Cosette away and takes her to Paris But Javert is still on his tail... . (No. 5, ‘Stars’).Nine years later, thereis great unrest in the city because of the likely demise of the popular leader General Lamarque, the only man left in the Government who shows any feeling for the poor. The urchin Gavroche is in his element mixing wi the whores and beggarsof the capital. Among the street-gangs is one led by Thénadier and his wife, which sets upon Jean Valjean and Cosette. They are rescued by Javert, who does not recognise Valjean until after he has made good his escape. The Thénadiers’ daughter Eponine, who is secretly in love with student Marius, reluctantly agrees to help him find Cosette, with whom he has fallen in love. Ata political meeting ina small café, a group of idealistic students prepares for the revolution they are sure will erupt ‘on the death of General Lamarque. When Gavroche brings the news of the General’s death, the students, led by Enjolras, stream out into the streets to whip up popular support. (No.6, “Do You Hear the People Sing’). Only Marius is distracted, by thoughts of the mysterious Cosette. Cosette is consumed by thoughts of Marius, with whom she has fallen in love (Nos.7&8, ‘In My Life’ and ‘A Heart Full of Love’). Valjean realises that his ‘daughter’ is changing very quickly but refuses to tell her anything of her past. In spite of her own feelings for Marius, Eponine sadly brings him to Cosette and then prevents an attempt by her father’s gang to rob Valjean’s house. Valjean, convinced it was Javert who was lurking outside his house, tells Cosette they must prepare to flee the country. On the eve of the revolution, the students and Javert see the situation from their different viewpoints; Cosette and Marius part in despair of ever meeting again; Eponine mourns the Joss of Marius; and Valjean looks forward to the security of exile. The Thénadiers, meanwhile, dream of rich pickings underground from the chaos to come. ‘The students prepare to build the barricade. Marius, noticing that Eponine has joined the insurrection, sends her witha letterto Cosette, which is intercepted at the Rue Plumet by Valjean. Eponine decides, despite what he has said to her, to rejoin Marius at the Barricade. (No.9, ‘On My Own’ ‘The barricade is built and the revolutionaries defy an army warning that they must give up or die. Gavroche exposes Javert as a police spy. In trying to return to the barricade, Eponine is shot and killed. (No.10, ‘A Little Fall of Rain’). Valjean arrives at the barricades in search of Marius. He is given the chance to kill Javert but instead lets him go. ‘The students settle down for a night on the barricade (No.11, ‘Drink with Me’) and in the quiet of the night, Valjean prays to God to save Marius from the onslaught which is to come (No.12 ‘Bring Him Home’). The next day, with ammu- nition running low, Gavroche runs out to collect more and is shot. The rebelsare all killed, including their leader Enjolras. mn ot gf yp”Valjean escapes into the sewers with the unconscious Marius. After meeting Thénadier, who is robbing the corpses of the rebels, he emerges into the light only to meet Javert once more. He pleads for time to deliver the young man to hospital. Javert decides to let him go and, his unbending principles of justice shattered by Valjean’s own mercy, he kills himself by throwing himself into the swollen River Seine. A few months later, Marius, unaware of the identity of his rescuer, has recovered and recalls, at Cosette’s side, the days of the barricade where all his friends have lost their lives (No.13, ‘Empty Chairs at Empty Tables’). Valjean confesses the truth of his past to Marius and insists that after the young couple are married, he must go away rather than taint the sanctity and safety of their union. At Marius and Cosette’s wedding, the Thénadiers try to blackmail Marius. Thénadier- says Cosette’s ‘father’ is a murderer and as proof produces a ring which he stole from the corpse in the sewers the night the barricades fell. It is Marius’ own ring and he realises it was Valjean who rescued him that night, He and Cosette go to Valjean where Cosette learns for the first time of her own history before the old man dies, joining the spirits of Fantine, Eponine and all those who died on the barricades. a a SNAt the End of the Day Mosc tyCLAUDE-MCHEL SHONBERG ‘nn To by ALAN ROUHIIL nd EAR MARCNATER, Fm Bbm/F At the end of the day you're ‘At the end of the day you're Fm Bb/F = g —_ — = — $ = — = z fy Roa A So SLMS, BE id pen p= ae See fe i z a: 4: 4 4 # we a a se * 7 _ Tice pis ey i a vices ii bra O84 Adare y Ace Bina ASCAP, co supe Ces By ae Mahe ra Aa aga Caprice niin Rowe. Tasman rec Pepa ep ‘ivettrman hp Rate- gle its a war. ‘And there's noth- ing that an eous—_hur-ry past. They don't hear" the it~“ Bb/F ‘And the sun in the mom-ing is wait-ing to with e-nough in your pock- et to last for a storm that - "ll break an = y se a cond, @raft- ing as long as. you're Ble. there's a Keep on on- ing stil, to be rack - oned. to eck - back the crumbs off the ta - ble.‘At the end of the day you get noth- ing for Sit- ting flat_on your butt does-n't buy an- y ® 5/6 el 8 WORKERS 1 & 2: There are chil - dren__back at home.6 Ab Eb/G fe Bis chil-dren have got to be fed. Fous rn fe DS. al Coda a fi ‘At the end of theI Dreamed a Dream " Mate ty CLAUDE MICHEL SCHONBERE ‘sy HERBERT KRET-AI Anidaaee ce & B/D cm /6 A Ab/B ‘= ii} , Ea Hey ‘e & B/0 Cm Eb/Bb & BiG “ae Fl ‘= : FANTINE: dreamed adream indays gone by ‘whenhope washigh and life worth i ORF OS ff Fm7 Bb ED B/D Cm7 E>/Bb mm i e Ey ie | dreamed that God would be for - giv - ingcm Eb/B> Ab AIG Fm7 Be — ‘and dreams were made and used and wast-ed. & L/D m7 Eb/B> Ay lg ‘i a i & ‘ Therewas no ran- som to be paid, no song un- sung no wine un Fm7 Bb with their voic - es soft as. thun- der. ‘As they tear yourhope a -Ab/Eb Fe B> they tum yourdream to B/D Bee cm Eb/B> A> AolG ‘BE “ee a tempo B/D & ns as He took my child-hood in his stride, He filed my days with endless won- der. m7 EE bitsy Ab Bb6 But he was gone when au-tumn20 E> Bb/D Bom6/D> poco accel. ¢ crese F F/E ie Hf ‘And still | dreamed he'dcome to. me, that we would live the years to - erates, | mf piu mos F i ‘and there are storms we can- not weath- if appasionatoFIC Bb Bo/A a Gm7 Bic OC rd a i | had a dream my life would be 3 F F/E Dm7 ing, — 50 dif-frent now SF dim. te has killed the dream | dreamed. a so. Gif-frent from this hell I'm FC poco rall.“ Who Am I? stud CLANDE cue scHOnERS wai Andante nina ta Bb BoIA Bb wa a eas a & FE B&B Cm Cm/F By BoA Gm Gm/F BR VALJEAN: filt ee ey at Can | con-demn this man to slav-er- y, pre-tend 1 do not see his @ tempo poco rit. E> B/D Cm7 FT =e a as at This _in-no- cent who wears my face who goes to judge-ment in my place. Whoam BIA Gm io * Can | con-ceal my-seif for - ev- er more, ppre-tend 'm not the man 1 Mc ad ge Cop 8 y Elon Mn An Bhi ‘ga Capra ey Aa toa aca ASEM "Ruredion Coppi b kine enn uae USCA) Mein Pubes Rh te US. Adana y Na Bel Mk La ASCAPY co Supbn nent Cun FP robe ine rl Heya eB Fas 2217 Tnerao Copied: A eh Maen hepa Pepe wae.23 B/D Cm7 F7 was be-fore? ‘And must my name un- til 1 die be no more than an al-i- bi? Must | my fellow men? My soul be-longs to God, | know, | made that bar-gain long a-go. He Gm = Gm/F_ Em7-5 ? 8 @ ‘gave me hope when hope was gone. Hegavemestrength to jour-ney on. Who am 1? Ff rall4 ” O7/Fe Gm Gm/F C/E, Bb/F o at & i 8 E es 80, Ja- vert, you see it's true. That manbears no more gui than you. Whoam I? a Sf a tempoCastle on a Cloud ° ancy CLAUDE ANCHEL SCHONBERE yOUBLILand JAN SARC NATE, sleep. ‘gis, Patty ud an ve Cop © 0 by is Mea Ane oa "gin gs Cor © hy an Bo ene La py ey Ai ec haean - y floors bod y shouts Bb a She's nice to see and she's soft| love you ver y much.” | know a place where no - one’s28 Master of the House stacy CLAUDE CE ScHONEE ‘ery MERE KE ‘rin sy ALAIN ROUNLTL dJEAN MIARCNATEL, Moderato ‘Amyadds) ‘Am(agos) fit: ‘THERNARDIER: ee Sit your - self down the best inn - keep- er Lay down your load, yourboots and rest from Mak nd re Cor © 19 by Eo Mak en Bs ‘gan grscaprp © busy Na Bob MoteLa ABCA “Rice Copy 1 by A eal aa a ase Spa ama ans nen sen A EH Pa EY Tncrancal Copy! ete. At gh Renrea. Taman Acopyen Php eeAmyaues) ai: ‘e00k- ing the books.— light- en your purse. ‘Am(ase9) hon- est men tke Here the fat is 29 A i Mas - ter of the house, Food be - yond com - pare, rea- dy with a hand-shake and op - an mix it in a min- cer and pre- tend30 Tells a sauc-y tale, makes a lit- le stir, Kid-ney of a horse, l= er of a cat, Glad to do a friend a ta - Res-i-dents are more than wel - But oth: ng gets you noth = ing: ev 5+ hs Tia has got a, i tle Rea-son-a- some lit’ tle ex- tras on the Mas - ter of the house, keep-er of the 200, Charge ‘em for the lice, ‘ex- tra for the mice,31 rea-dy to re-dievethem of a sou Wa- ter- ing the wine, two per-cent for look-ing in the mir Here a iit tle slice, picking up. ther krck-nacks when they can't see straight three per cent for sleep - ing can't the win - dow shut. ‘A Tonext strain |? Fem & ae do what-ev-er pleas - es, Je - sus, don't | bleed ‘em in the end!32 ey fit (i How it all in-creas - es, all___ them bits and piec - es, Je - sus, it's a-maz-ing how it grows! 1-2 Mas-ter of the house, Quick to catch your eye, nev - er wants a pas-ser- by to 3 Mas-ter of the house, mas-ter anda half, ‘com: for - ter, phi-los - 0 - pher. Don't Ser-vant to the poor, but-ler to the great, Ser-vant to the poor, but-ler to the great. 87 at i To coda- com-for- ter, phi- los- 0- pher and life - long mate. Ev-ry-bod-y's boon com-pan_ ion, Hyp-o- crite andtoad-y and in - e - bri - ate! Ev-'ry-bod-y bless our land-Coles Fam 7 age fi THERNARDIER: [ff yee 1 Ev. 'ty-bod-y's chap - er-one.— But lock up your va-lis - es, Je 2Give ‘em ev ‘ry-thing I've got. — Dir- ty bunch of geez- ers, 33 + us, won't | skin you to the + sus what a sor-ry Iit-tle But, God Al- mighty have you seen what's hap-pened since? aof the nouse? Isn't worth my spit! Com: for - ter phi- los - 0- pher and Cun-ning it = tle brain, FAT, B Thinks he's quite a lov- er but there's not What a cu-el trick of na -copa Er a DLS. al Coda 6 + ing with this bas- tard in the house! Hem Ev ~ry-bod-y bless his spouse. Ev- "ty: bod- y raise D 7 Pa wt Q MADAME THERNARDIER: Raiseit_up the mas - ter’s ass! Ev-'ry-bod-y raise a glass 35Stars ty CLAUDE. Mice SCHOBER: {yb ENDER KRETZMER and ALATN BOUBLIL Fem9 E Fema i ti Allegretto E E Gim/D$ Cim E/B Ea 8 JAVERT: out in the dark - A Fam7 87 fall- en from graca,———— Gém/ot Cim EB : ee im God be my. wit- ness Mn novi Cop © 16 Anal Mae LAL ASC “Pr ton Cop © ty An Bi La ASCAP)7 A Fsm7 fie til we come face to face, it Heknowshis way in the dark, butmine is the way of the Fem it ‘Andthosewho fol- low the path of theright-eous Am fy ‘And if they fallgE tr 4 Ae ae | in your mul- ti- tudes, 4 A Fem7 87 fill- ing the dark - ness m Gsm/D¢ Cem EB 4 ae You are the sen- ti- nels,—keep-ing watch in the night, keop-ing watch in the Youknow yourplace in the skies. ‘Youhold yourcourse and your ‘And each in your sea-son re - tums and is al-ways the And if you fall as Lu-ci- fer fall,«i 2 Am/C eB FA/AR Fag fe fal - ter and thosec a let me find him, This | swear by theDo You Hear the People Sing? Msc ty CLAUDE ‘ong Tenby ALAIN HOU Ata Marca, randioso (Jv eres) ) F(no3rd) F fa ENJOLRAS: & Do you hear the peo - ple sing, sing-ing the Bb/F e Cc i fi it fi & song of an- grymen? It is the mu - sic of apeo- ple who will not beslaves a-gain! When the F Bb/F F if 2 a beat - ing of your heart @-choes the beat - ing ofc7 F E ie a a am = land stand ner may COMBEFERRE: will 3, oa Be - yond will “fall with me? ‘ad vanice? Se the bar and some Zn the tight hat of the mar tyrs join in our cru-sade? Who wil be Give all you can give so that_our - fe cade will live. is there a Wil_you____stand Om7 il will give will wa -F C/E Tam Om a ing of the drums, FEUILY: wil,In My Life . D sey am Bm/A EL andante ad ae Beg i COSETTE: In my fe 3 ques tions and an- swers that so 3 3 there are times when I catch in the the sigh of a far-a- way Mad tg Cop © Eton Mace ne ebm a cin an sna ipa te Abney ice Bot coset rey shy Nk ae a ‘areata he ig3 just a whis-per a - way, waiting for 3 Bb/C F Does he know. Im a- live? Do 1 know. if Bb/C ao Did he see— what | saw?_ Does he feel what me.a7 osc D/A Bm ie ER aH 3 lone. Now the love of my fife is so 3 ESF 1 have al that 1 want. You are loving and gen- te and 3 | am just tke 2 cid no is wst in a48 Bb Bb/Ab s = VALJEAN: 3 3 No more words. a time that is dead, the ‘truth that you Gm7-5 & HeAbm/Co ae 9 E>m7 Ab 3 =I & ‘e 3 3 Truth is giv-en by God to us all in our time, 3 3 MARIUS: z 3 ‘she has burst like the mu-sic of an- gels, the light of theEm/O AT. ft i i Z 3 ‘seems to stop as if some-thing is © vag_and some-thipg has scarce “yy be you're the friend that has brought me here. Thanks to = Bb/C s C34 7 And 1 —3— soar throygh a world th piu mossoBb/C EPONINE; 3— i. ERE 3 3 Ev- ‘ty word that he says al _ 5 8 ono tie set rT —3— Bm/A si 3 ce 7 3 there's been no one ike him an - y~ where. Ap - y where EPONINE ‘& MARIUS: m3 A tani {ie 3 there is some-one who touches my Ife, wait-ing near, wait-ing here. a* A Heart Full of Love vice sci scnontene ‘ng tat by ALAIN BOUBLIL an JEAN MARC NATE, All tegretto . E/GR Fem i A e6/as Fim mars: ie i A E6/G¢ FT.53. e thing all_ wrong! F i é ¢ (MARIUS) Wil34 COSETTE: FAT. Bm My name is Mar- lus Bb Dm 88 manus: g 1 don't know = what to say.38 (COSETTE:) A . “(MARIUS:) A _ And you must (COSETTE:)We'rea, poco rall.an) Fim & i MARIUS & COSETTE: > F of you. A (EPONINE:) Why.MARIUS: E> cm et anus e COSETTE: 7 37 Bb El COSETTE: > tS ro r Ev- ty day, toma.” (eRONINE:His “meno mosso. A Little Fall of Rain FIC C+ Om FI/Eb5 ™PI | pitt mosso ztet60 Gm F/A Bo ee Eo i EPONINE: Just hod me now and let You would lve. Om FI/Eb Bb, Gm/C aSyou wil keep me close. B mf pite mossopit lentocy ch ‘Ab/Db & itt eponne: i Gbmaj7 Abm Gb/Bb C ‘ fi i you will keep me And you will keep me close, Gb/D> AbIOb md om G/B cb Gb/D> ‘Ab/Db Ge HHDrink With Me (To Days Gone By) Moderato F Gm7 eee FEUILLY: Gm7 7, fy ‘Sing with me Cant” be To the Iife Mus nd ye Cope © yA Bata Mae La ASCP) “Pseaan Cop ©1987 ln Bl Mn Mechanic an Patten Nigh te A dt tpn nr Ct ra Nero at a a) 246217 Tne Cpr Swe Nie Mane eae PeET a8 be wine y your of y's who jeath means friend - ship ‘3 MEN: 6 ‘Gm7 0 2 | | F HEE GRANTAIRE: ies 2 more lie?66, Bring Him Home ach craupeamensentnnan Andante F Bb(adds) Fmaj7 Bbiadaa) F Bb(aaas) i al if = ae p t p Frnaj7 Soe varscan — y F o Fmaj7 > gS F Bb Fmaj7 Bb a5 have al- ways been there.— is on- ya nn Lt Con yt nica Aca an Cpr Mecha an Pots Rr 05. ater a La ASC osm ema 8 ee ier rational Copyright Secored. AM Rights Reserved. This wso7 F Gm7/F Fmaj7 Bb/F F Gm7/F Fmaj7 Bb/F AT. => Om Dm/c Bb poco pi mosso c7 atGm i i ie He's ike the son 1 might have known pig mosso mf if God had grant-ed me a son. F/R Bp F/A rit_dim.P | atempo Fmaj7 Bb/F if Fmaj7 Bb/F F/A Bb Fimaj Bb(adaa) b(add9) dim. ral. moto Fai? He Bb(add9) FEmpty Chairs at Empty Tables Mei cLaue ee scuonnexe toa Moderato Amyages) ai! —— MARIUS: There's a grief that can't be ‘There's a pain goes on and on. Emp-ty chairs at emp -ty ta- bles, Aha Bal ae (ASAP)n ‘Amiadd9) itt —_ Here theytalked on rev- 0 - Wu - idn pitt mosso73 Dm Om/c Bb Bo/A Gm sai 7 a that they a7 F/C c6 fon the lone - ly bar = fi ‘Amyaas) as ———— Oh my friends, my frends, for- give me————_ live and you —S—— There's a grief that can't be74 Om Ctm ™f —apassionato Phan-tom fa-ces at the win - dow, phan-tom sha-dows on the pitt mosso Fem ie Elm 91 Emp-ty chairs at emp-ty ta- bles Ge Cem ‘Oh, my friends, my friends, don’t O tremolo75 ite mosso Where my friends wil sing. On My Own see gammscc scr ee Andante D Em Em7 Em/D D och are pre - tend - ing he's be - side_ me. the pave - ment shines lke sil ver. walk with him mis = ty Mu ad yt opr © 80 Pane Mae Aa aa "yhscace Coppi iby kimbo ac ASE80) Medusa ed Petco gr eS Ane yn eae ASCAP «fotpan eae Cs ness ro, ae ow ea a) a Fea AST Tas pia ai Ret hn Perego” G Fy. Bm A Ebm/Bb ia f Gm/F if mf pitt mossoAm7 c7 LS F Gm/F F F/E aatrees are bare and ev ty- where the streets are full of trang - ers, Dm G7 c/B2 > Om HEEB c ae Word is full of hap-pi- ness that | have nev-er — known. ~ Om7 Bbm/D> F af aPNT ferro Re tocar ren ecg x Dene ene ee eT ‘The spectacular, enchanting ‘Les Misérable: Nas such a production’ Bere rn mre ent sm tee nT et ive haere ars petra io Me CCE eect Se een “A mega-success blockbuster musical’ permccenenes euro = aS gee ORCA STO iin US. $18.95 ISBN 0-88388-577-0 ALAIN BOUBLIL MUSIC LTD. _ ey HL00360286