The document provides an analysis of Percy Bysshe Shelley's 1818 poem "Ozymandias" in multiple sections. It begins with an overview of the poem's symbols, imagery, and wordplay. It then discusses the poem's form as a sonnet written in iambic pentameter. Following this, it examines the different speaker voices in the poem and the multiple settings. Subsequent sections analyze the poem's sounds, the meaning behind its title, its long complex sentences, and its difficulty level. Later parts provide additional context and references related to the poem.
The document provides an analysis of Percy Bysshe Shelley's 1818 poem "Ozymandias" in multiple sections. It begins with an overview of the poem's symbols, imagery, and wordplay. It then discusses the poem's form as a sonnet written in iambic pentameter. Following this, it examines the different speaker voices in the poem and the multiple settings. Subsequent sections analyze the poem's sounds, the meaning behind its title, its long complex sentences, and its difficulty level. Later parts provide additional context and references related to the poem.
The document provides an analysis of Percy Bysshe Shelley's 1818 poem "Ozymandias" in multiple sections. It begins with an overview of the poem's symbols, imagery, and wordplay. It then discusses the poem's form as a sonnet written in iambic pentameter. Following this, it examines the different speaker voices in the poem and the multiple settings. Subsequent sections analyze the poem's sounds, the meaning behind its title, its long complex sentences, and its difficulty level. Later parts provide additional context and references related to the poem.
Who said: Two vast and trunkless legs of stone Stand in the desert. Near them, on the sand, Half sunk, a shattered visage lies, whose frown, And wrinkled lip, and sneer of cold command, Tell that its sculptor well those passions read Which yet survive, stamped on these lifeless things, The hand that mocked them, and the heart that fed; And on the pedestal these words appear: “My name is Ozymandias, king of kings: Look on my works, ye Mighty, and despair!” Nothing beside remains. Round the decay Of that colossal wreck, boundless and bare The lone and level sands stretch far away. Ozymandias Analysis
Symbols, Imagery, Wordplay
Welcome to the land of symbols, imagery, and wordplay. Before you travel any further, please know that there may be some thorny academic terminology ahead. Never fear, Shmoop is here. Check out our... Form and Meter Sonnet in Pentameter"Ozymandias" takes the form of a sonnet in iambic pentameter. A sonnet is a fourteen-line poem, whose ideal form is often attributed to the great Italian poet Petrarch. The Petr... Speaker There are several different voices in this poem that put some distance between us and Ozymandias. First there is the speaker of the poem, you know the guy who meets the traveler from an "antique la... Setting This poem has several settings. It begins with a strange encounter between the speaker and a traveler from an "antique land" (1). We have no idea where this rendezvous takes place, which is very we... Sound Check "Ozymandias" sounds a lot like the conclusion of a Shakespearean tragedy; the final lines of the poem are especially reminiscent of something you might hear as the curtain is about to fall at the e... What's Up with the Title? "Ozymandias" is an ancient Greek name for Ramses II of Egypt. It is actually a Greek version of the Egyptian phrase "User-maat-Re," one of Ramses's Egyptian names. Why not just call the poem "User-... Calling Card Long, Complicated SentencesShelley loved to write really long sentences, and this poem is no exception. The second complete sentence, which begins in line 3, is a good example. The sentence has a l... Tough-O-Meter (2) Sea Level "Ozymandias" is a relatively straightforward poem; there aren't many strange words, except for "mock'd." At times the syntax can be a little tricky; for example, the first eight lines... Brain Snacks Napoleon tried to steal the statue that inspired "Ozymandias" and left a hole in its right side. (Source)Shelley was part of a larger group of friends that frequently engaged in sonnet- writing cont... Sex Rating GThis poem doesn't really have much to do with sex. Shout Outs Literature, Philosophy, and Mythology DiodorusSiculus, Historical Library Book 1, Chapter 4 (Lines 10-11)HistoricalReferencesOzymandias, a.k.a. Ramses II of Egypt (Lines 10-11)