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2017 Technical Drawing Basics V6 PDF
2017 Technical Drawing Basics V6 PDF
N.B.
Francis D.K. Ching, Architectural Graphics, New York, Wiley, 2003, 4th ed
Rendow Yee, Architectural drawing : A Visual Compendium of Types and Methods, Hoboken, Wiley, c2007, 3rd ed
J K
L M
A: Stump I: T-square
(for blending when rendering - can be used on J: Circle Template and Compass
pencil and charcoal drawings) K: French Curve
B: Tortillon L: Triangle (adjustable and/or fixed at 30o/60o)
(for blending and smudging when rendering - M: Scale Ruler (standard scales of 1:100, 1:200 and
can be used on pencil and charcoal drawings) 1:500 etc.)
C: Clutch pencil sharpener
D: Clutch pencil Drawing Board
E: Clutch Pencil Leads
F: Standard pencil
G: Mechanical pencil
H: Mechanical pencil refills
Eraser
Yellow Trace/Butter Paper
Line Weights:
Line Types:
Centrelines are generally used for grid lines to indicate a modular or structural system
Drawing Scale:
The scale of architectural drawings are often smaller than life-size, an architect’s scale features multiple units of length
and proportional length increments.
An architect’s scale is a specialised ruler designed to facilitate the drafting and measuring of architectural drawings,
such as floor plans and orthographic projections.
No single scale is used in architecture. The scale used depends on the level of detail required in the drawing.
Commonly used scales and some of their likely uses are:
1:1000 for site plans or masterplanning
1:500 for site plans
1:200 or 1:100 for plans and elevations
1:50 for plans, sections and elevations
1:20 for part plans, sections and internal elevations
1:10 for details and joinery
1:5 for details
Plan, Section and elevation views are the primary architectural drawings. They are orthographic in nature, that is the
observers line of site is directly perpendicular to the picture plane. They are a series of related views that contribute to
the understanding of the overall composition of the form being drawn.
Facets of a form that are parallel to the drawing surface retain there true size (are to scale), shape and proportion.
The floor plan is a sectional view looking down after a horizontal plane has been cut
through a building and the top section removed.
The primary purpose of floor plans is to illustrate the forms and relationships of positive
and negative spaces and the nature of the overall layout of the form.
Floor plans are general drawn at 1:100 or 1:200. The larger the scale of the floor plan the
more detail has to be shown.
Plan View
step 1: step 2:
draw the major outline and lines that regulate the give a thickness to your structural elements - walls,
position of structural elements and walls columns etc.
step 3: step 4:
define doorways, entrances, windows, stairways define fixtures, doors and door swings, stair treads.
step 5: step 6:
a plan view drawn with a single line weight does varying lineweights convey depth, the heaviest
not give adequate depth to the drawing, space and lineweight is used to outline those elements that
heirarchy is not defined. are cut and therefore closest to the viewer.
step 7: step 8:
tonal value or colour can be used to emphasise the when floor finishes and furniture are added, a
elements that are cut in a plan view - a grey tone greater degree of contrast between structural/
can be used to fill in the cut elements. primary elements and secondary elements is
required. Cut elements can be rendered in a solid
tone.
Thin
Thicker
Thickest
Figure 3-3
Line weights differ for the walls, doors, arcs, and furniture.
side of the lead on a sandpaper block and rotating the point as you draw. When inking, vary
line weights by choosing different size pen tips. Avoid drawing over one line multiple times to
ARCT1010 - Drawing History widen it, as this often results in poor line quality. Recommended pen: 0.25–0.70 mm. p_10
Hidden Object Hidden object lines define an item that is not visible in the reader’s cur-
rent view but needs to be acknowledged anyhow (see Figure 3-4a). For instance, floor plans
Architectural Drawing Conventions: Elements Below and Above the Line of Cut
step 1:
define the location of the cut from the
plan, draw a grid down from the line of
cut on the plan to setup the preliminary
structure of the section.
heights can initially be defined by standard
room heights or by a grid.
step 2:
define the basic internal structure of the
form using the plan and overall internal
and external height.
lines can be drawn down from the cut
point in plan to define where the structure
is cut through.
step 3:
add secondary forms like windows and
doors.
locations are taken from the plan and
heights are taken from desired heights or
a grid.
step 4:
define lineweight hierarchy
where the building is cut through lines are
at their heaviest.
additionally you may wish to block out the
line of cut in the section as a single colour.
Site sections aid in illustrating the environment and physical context of a building. They are also pivotal to seeing the
relationship between structures and the exterior spaces they define.
Single view or paraline drawings illustrate the three dimensional quality of the form. This allows for a quicker
understanding of the composition of a form through one single pictorial view.
45o 30o
An isometric view of an object will provide a view of three sides. It is important to choose the best view to provide the
most detail.
- All lines are at either 30 degrees except for vertical lines (90 degrees)
- All lines are drawn to scale and can be measured of other orthogonal drawings.
- An isometric view can be used to illustrate an orthogonal drawing
1. Use grid paper as an underlay on your drawing board to provide the axes to sketch the object being
represented.
orthographic drawings
The most common pictorial drawing is the isometric drawing. The isometric
view provides a likeness of the 3D object and should be drawn to provide
as much detail as possible. The lengths of lines are generally the true
length of the object. (Sometimes the view may be scaled)