Professional Documents
Culture Documents
SEACS 2020 Program
SEACS 2020 Program
SEACS 2020 Program
On behalf of the organizing committee, it is my pleasure to welcome you to Charlotte for the
inaugural conference of the Southeastern Association of Cultural Studies. The officers are
excited that you have come to the University of North Carolina at Charlotte Center City to
present your research to your colleagues. This conference would not be possible without your
continuous support. You may have noticed that some things have changed. Last February the
officers decided that it was time for a fresh start. A lot of time and energy has been invested into
the founding of SEACS, a tax-exempt organization dedicated to scholarship in modern
languages and literature, including linguistics, pedagogy, and cultural studies. A regional
organization with an international scope, SEACS holds annual meetings in the Southeast that
draw participants from neighboring states and beyond. As a smaller non-profit organization,
SEACS strives to promote scholarly exploration in a collegial spirit. The organization is
dedicated to maintaining a strong community of educators, scholars, and graduate students and
to providing early professionalization opportunities for undergraduates. Thank you for being part
of this endeavor and we hope that you enjoy the conference and that you will join us again next
year.
Acknowledgments
Many thanks to the Officers for their vital work on the program and conference planning:
We wish to express our gratitude to Dr. Paul A. Youngman, Associate Provost and Redenbaugh
Professor of German at Washington & Lee University, our keynote speaker.
We also would like to thank the chair, Dr. Michèle Bissière, and the faculty, students, and staff of
the Department of Languages and Culture Studies at the University of North Carolina at
Charlotte for their support.
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Program Overview
Friday, February 7
Saturday, February 8
Time/Location Room 904 Room 905 Room 906 Room 1105
8:00-11:45 am Registration Lobby
Session I Panel 1 Panel 2 Panel 3 Panel 4
8:30-10:00 am New Approaches to Representations of Indigenous Horror Studies
Pedagogy I Female Agency in Literatures
German-speaking
Literature and Film
10:00-10:15 am Coffee Break 9th Floor
Session II Panel 1 Panel 2 Panel 3 Panel 4
10:15-11:45 am Reimagining North Spanish in the Face-to-Face Stylistics and Rhetoric I
Carolina Literatures Upstate of South versus Online
Carolina Learning of
Spanish
Language
12:00-1:30 pm Banquet and Keynote: Center City Atrium 2nd Floor
Session III Panel 1 Panel 2 Panel 3 Panel 4
1:45-3:15 pm Interdisciplinary Latinx New Approaches Cultural Studies Women and Gender
Studies in Pedagogy II
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Detailed Program
Friday, February 7
Session I - 12:30-2:00 pm
“Inclusive Language and Language Change: The Case of Teaching Spanish in the USA”
Olga Padilla-Falto and Concepción Godev, The University of North Carolina at Charlotte
“West German Gothic Cinema: Repressed Horrors in Harald Reinl’s Die Schlangengrube und das Pendel”
Kai-Uwe Werbeck, The University of North Carolina at Charlotte
“Love Is Never Happy: Observations on the Role of Food in the Films of R. W. Fassbinder”
Robert C. Reimer, The University of North Carolina at Charlotte
“Wolfgang Herrndorf’s 2010 Novel Tschick (Why We Took the Car) and Fatih Akin’s 2006 Film Tschick”
Kirsten Krick-Aigner, Wofford College
“From Paris to New York: The French Influence on American Art, 1860s-1930s”
Emma Driggers, Francis Marion University
“Still Hidden: Influences of the ‘Juste’s’ Historic Heterotopia Based on Space’s Agential Capacity”
Emma Cowen, University of North Carolina Wilmington
“Who Gets the Prison Blues? A Cross-Cultural Comparison of the US-American and German Penal Systems and
Their Effects on Society”
Chelsea M. Silvia, East Carolina University
“Language Nutrition”
Ralf Thiede, The University of North Carolina at Charlotte
2:00-2:15 pm - Coffee Break, 9th Floor
Session II - 2:15-3:45 pm
“Translating Latin American Translation Studies: El Revés del Tapiz as a Case Study”
Christopher D. Mellinger, The University of North Carolina at Charlotte
“Corpse Birds and Cooling Boards: Appalachian Death Ways in Ron Rash’s Short Stories”
Randi Adams, Independent Scholar
“American Obsession with Firearms and the Rhetoric of Fear: A Cultural Studies Approach to Deep-Seated
Anxieties Surrounding Liberty”
Aaron Toscano, The University of North Carolina at Charlotte
"What Makes Markiplier Tick: Breaking down the Rhetorical Situation of the YouTube Giant"
Graham Copes, Francis Marion University
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Saturday, February 8
Session I - 8:30-10:00 am
“Using Flipped Learning 3.0 to Promote Cross-Cultural Critical Thinking in a Beginning German College Course”
Birgit A. Jensen and Chelsea M. Silvia, East Carolina University
“Creating an Active Learning Classroom: YouTube Subtitling in German Translation Classes--an Experiment”
Anabel Aliaga-Buchenau, The University of North Carolina at Charlotte
“Death by German Woman in Karoline von Günderrode’s Hildgund and Zacharias Werner‘s Attila”
Amy Emm, The Citadel
“In the Words of the Real People: Multilanguaging and Decolonization in Robert Conley’s War Woman”
Paul M. Worley, Western Carolina University
“Creative Writing, the Genre of Horror, and Story Logic: Applying Catherine Brady's Craft Theory to Brian
Evenson's Song for the Unraveling of the World”
Crystal Ellwood, Cumberland University
“‘Life, uh, Finds a Way;’ The Artists’ Voice in The Overstory as Humanity’s Key to Survival in a World that Belongs
to the Trees and its Presence in Apocalyptic Horror”
Diana New, Western Carolina University
Student presentations on Álvar Nuñez Cabeza de Vaca, Juan Pardo, and Omar Ibn Said
Katelynn Brown, Jennifer Escalera Lara, and Melissa Rogers, Western Carolina
University
“Attitudes toward Bilingualism from Spanish Speakers in the Upstate of South Carolina”
Stephanie Knouse, Furman University
“Diverse Types of Students with Different Learner Types in the Spanish Classroom”
Luis Fernando Mejia Diaz, The University of North Carolina at Charlotte
“Analyze the Oral Proficiency of Face to Face Students versus Online Learning at the Introductory Level”
Maria Ramos-Perozo, The University of North Carolina at Charlotte
“C&C and Fandom Squee: The Language, Purpose, and Effect of Reader Commentary on Works of Fan-Written
Fiction”
Jordan Frederick, The University of North Carolina at Charlotte
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Banquet and Keynote Address
In her newest book, The New Education: How to Revolutionize the University to Prepare
Students for a World in Flux, Cathy Davidson points out that Mosaic 1.0, essentially the
beginning of the Internet, has been around since 1993, begging the question what have we, in
the academy, done in the face of this digital transformation. Fresh off of a Fulbright Senior
Leadership Fellowship on digital transformation, Professor Youngman will discuss the series of
deep and coordinated culture, workforce, and technology shifts that make up this digital
transformation, and ponder their impact on our accepted educational and operational models.
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Session III - 1:45 - 3:15 pm
“Perspectives on Facilitating English Language Learning among Immigrant and Refugee Children: The Role of
Social Connectedness”
Afra Mahmood and Christopher D. Mellinger, The University of North Carolina at Charlotte
“Literature Course on Hispanic Women Writers: Student Perceptions of Writing-intensive Assignments using a
Partially Flipped and Active Learning Pedagogy”
Paloma Fernández Sánchez and Mónica Rodríguez-Castro, The University of North Carolina at Charlotte
“Some Kind of Madness: Millennial Crises in Spanish Films Made Abroad (2014-2019)”
Hugo Pascual Bordón, The University of North Carolina at Charlotte
“Sally and Paige: The Daughter’s Identity in Mad Men and The Americans”
Alison M. Walsh, The University of North Carolina at Charlotte
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“Negotiation and Negation: The Mystery Behind Feminine Modes of Discourse”
Kristen Vann, Western Carolina University
“Tell Them A Story: Using Storytelling in the College Classroom to Encourage Engagement, Effective
Codeswitching, and Authentic Voice in Academic Narrative Writing”
Raven M. Gadsden, Winthrop University
“Public Interpretation of Private Spaces: The Nineteenth-Century Dressing Room in Charleston, South Carolina”
Caroline Cashion, Research Assistant and Historical Interpreter, Charleston Museum
“From the Double Personae to the Divided Self: The True Genius of Sutton E. Griggs as a Novelist”
Harish Chander, Shaw University
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“Angry Young Men, Revisited: The Loneliness of the Long Distance Runner and Finding Forrester”
Sara Oswald, The University of North Carolina at Pembroke
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