An instrumental piece in which the leading theme (A) is repeated, alternating with the others.

A typical
pattern, with letters representing thematic sections would be ABACABA. a. ternary form c. sonata-allegro
form b. rondo form d. none of these _____ 2.

A drama set to music complete with costumes, scenery and staging. a. oratorio c. opera b. aria d. none
of these _____ 3.

A multi-movement or long instrumental form for the orchestra in three or more movements. A sonata
for the orchestra. a. symphony c. sonata b. concerto d. none of these _____ 4.

A distinct style of opera which usually implies heroic or tragic drama that employs mythological
characters. a. opera buffa c. comic opera b. opera seria d. none of these _____ 5.

A free form for solo voice accompaniment in which the vocal melody approximates the natural rhythm
and pitch inflection of the text. a. recitative c. overture b. suite d. none of these _____ 6.

The first section of the sonata allegro form containing the statement of a theme. a. development c.
exposition b. recapitulation d. none of these _____ 7.

A multi-movement instrumental form for piano or any solo melodic instrument; or for piano and any
melodic instrument. a. symphony c. sonata b. concerto d. none of these _____ 8.

Technique writing in polyphonic texture. a. counterpoint c. fugue b. canonic d. none of these _____ 9.

Stereotyped figures of accompaniment for the pianist’s left hand, consisting of broken chords. They

are named for Domenico Alberti, who used them extensively. a. Basso Continuo c. broken chord b.
Figured Bass d. none of these _____ 10.
The most significant single movement form of classical period and most satisfying form because of its
balance of repetition, variation and contrast. a. sonata c. sonata allegro form b. concerto d. none of
these

a concert hall or church without scenery, costumes or action. a.

opera c. cantata b.

oratorio d. none of these _______ 2. Short vocal form. It is a free form for solo voice with
accompaniment in which the vocal melody approximates the natural inflection of the speech. a.

recitative c. cantata b.

aria d. none of these _______ 3. A drama set to music complete with costumes, scenery and staging. a.

oratorio c. opera b.

aria d. none of these _______ 4. Technique writing in polyphonic texture. a.

canonic c. fugue b.

counterpoint d. none of these _______ 5. Composite vocal work in several movements for solo voice
instrumental and accompaniment, chorus. These are written for specific holy days in the Lutheran
Church Calendar. a. cantata c. overture b. suite d. none of these

II.

Direction
: Choose the word that does not belong to the group. Write the letters only. _______ 1. a. Gregorian
Chant _______ 4. a. George Frederic Handel b. Organum b. Giovanni Palestrina c. Aria c. Antonio Vivaldi
d. Madrigals d. Johann Sebastian Bach _______ 2. a. Fugue _______ 5. a. Cantata b. Aria b. Aria c.
Chorus c. Opera d. Recitative d. Oratorio _______ 3. a. Polyphonic texture b. Terraced dynamics c.
Individualism d. Repeated rhythmic patterns