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acest \uc1 \u238 ?n\uc1 \u539 ?eles alegoric.}{\fs22 \kerning2 \dbch \af5 \hich
\af5 \loch \f5 \lang1048 \langnp1048 \cf0 \par }\pard \plain \qj \li0 \ri-640
\sa200 \sl360 \slmult1 \widctlpar \aspalpha \aspnum \adjustright \lin0 \rin-640
\itap0 \fs21 \kerning2 \dbch \af2 \hich \af0 \loch \af0 {\b1 \fs22 \kerning2
\dbch \af5 \hich \af5 \loch \f5 \lang1048 \langnp1048 \cf0 - }{\b1 \fs22
\kerning2 \dbch \af5 \hich \af5 \loch \f5 \lang1048 \langnp1048 \cf13 la
Schopenhauer}{\b1 \fs22 \kerning2 \dbch \af5 \hich \af5 \loch \f5 \lang1048
\langnp1048 \cf0 : GENIUL }{\fs22 \kerning2 \dbch \af5 \hich \af5 \loch \f5
\lang1048 \langnp1048 \cf0 = mintea aplicat\uc1 \u259 ? numai la obiect}{\fs22
\kerning2 \dbch \af5 \hich \af5 \loch \f5 \lang1048 \langnp1048 \cf0 \par }\pard
\plain \qj \li0 \ri-640 \sa200 \sl360 \slmult1 \widctlpar \aspalpha \aspnum
\adjustright \lin0 \rin-640 \itap0 \fs21 \kerning2 \dbch \af2 \hich \af0 \loch \af0
{\fs22 \kerning2 \dbch \af5 \hich \af5 \loch \f5 \lang1048 \langnp1048 \cf0
- spiritul obiectiv care-\uc1 \u537 ?i sacrific\uc1 \u259 ? fericirea
personal\uc1 \u259 ?}{\fs22 \kerning2 \dbch \af5 \hich \af5 \loch \f5 \lang1048
\langnp1048 \cf0 \par }\pard \plain \qj \li0 \ri-640 \sa200 \sl360 \slmult1
\widctlpar \aspalpha \aspnum \adjustright \lin0 \rin-640 \itap0 \fs21 \kerning2
\dbch \af2 \hich \af0 \loch \af0 {\fs22 \kerning2 \dbch \af5 \hich \af5 \loch
\f5 \lang1048 \langnp1048 \cf0 - la el predomin\uc1 \u259 ?
CUNOA\uc1 \u536 ?TEREA}{\fs22 \kerning2 \dbch \af5 \hich \af5 \loch \f5
\lang1048 \langnp1048 \cf0 \par }\pard \plain \qj \li0 \ri-640 \sa200 \sl360
\slmult1 \widctlpar \aspalpha \aspnum \adjustright \lin0 \rin-640 \itap0 \fs21
\kerning2 \dbch \af2 \hich \af0 \loch \af0 {\fs22 \kerning2 \dbch \af5 \hich
\af5 \loch \f5 \lang1048 \langnp1048 \cf0 }{\b1 \fs22 \kerning2
\dbch \af5 \hich \af5 \loch \f5 \lang1048 \langnp1048 \cf0 OMUL COMUN}{\fs22
\kerning2 \dbch \af5 \hich \af5 \loch \f5 \lang1048
\langnp1048 \cf0 = nu poate ie\uc1 \u537 ?i din el \uc1 \u238 ?nsu\uc1 \u537 ?i}
{\fs22 \kerning2 \dbch \af5 \hich \af5 \loch \f5 \lang1048 \langnp1048 \cf0
\par }\pard \plain \qj \li0 \ri-640 \sa200 \sl360 \slmult1 \widctlpar \aspalpha
\aspnum \adjustright \lin0 \rin-640 \itap0 \fs21 \kerning2 \dbch \af2 \hich \af0
\loch \af0 {\fs22 \kerning2 \dbch \af5 \hich \af5 \loch \f5 \lang1048
\langnp1048 \cf0 - e subiectiv}{\fs22 \kerning2
\dbch \af5 \hich \af5 \loch \f5 \lang1048 \langnp1048 \cf0 \par }\pard \plain
\qj \li0 \ri-640 \sa200 \sl360 \slmult1 \widctlpar \aspalpha \aspnum
\adjustright \lin0 \rin-640 \itap0 \fs21 \kerning2 \dbch \af2 \hich \af0 \loch \af0
{\fs22 \kerning2 \dbch \af5 \hich \af5 \loch \f5 \lang1048 \langnp1048 \cf0
- la el predomin\uc1 \u259 ? VOIN\uc1 \u538 ?A}{\fs22 \kerning2 \dbch \af5 \hich
\af5 \loch \f5 \lang1048 \langnp1048 \cf0 \par }\pard \plain \qj \li0 \ri-640
\sa200 \sl360 \slmult1 \widctlpar \aspalpha \aspnum \adjustright \lin0 \rin-640
\itap0 \fs21 \kerning2 \dbch \af2 \hich \af0 \loch \af0 {\fs22 \kerning2 \dbch \af5
\hich \af5 \loch \f5 \lang1048 \langnp1048 \cf0 - }{\b1 \fs22 \kerning2 \dbch
\af5 \hich \af5 \loch \f5 \lang1048 \langnp1048 \cf13 la Constantin Noica : }{\fs22
\kerning2 \dbch \af5 \hich \af5 \loch \f5 \lang1048 \langnp1048 \cf0 - geniul nu
este o simpl\uc1 \u259 ? hipertrofie a eului, cum voia sec. al XIX-lea, e acel EU }
{\fs22 \kerning2 \dbch \af5 \hich \af5 \loch \f5 \lang1033 \langnp1033 \cf0 }
{\fs22 \kerning2 \dbch \af5 \hich \af5 \loch \f5 \lang1033 \langnp1033 \cf0
\par }\pard \plain \qj \li0 \ri-640 \sa200 \sl360 \slmult1 \widctlpar \aspalpha
\aspnum \adjustright \lin0 \rin-640 \itap0 \fs21 \kerning2 \dbch \af2 \hich \af0
\loch \af0 {\fs22 \kerning2 \dbch \af5 \hich \af5 \loch \f5 \lang1033
\langnp1033 \cf0 }{\fs22 \kerning2 \dbch \af5 \hich \af5
\loch \f5 \lang1048 \langnp1048 \cf0 care a aflat }{\i1 \fs22 \kerning2 \dbch
\af5 \hich \af5 \loch \f5 \lang1048 \langnp1048 \cf0 este \uc1 \u238 ?n noi ceva
mai ad\uc1 \u226 ?nc dec\uc1 \u226 ?t noi in\uc1 \u537 ?ine}{\fs22 \kerning2
\dbch \af5 \hich \af5 \loch \f5 \lang1048 \langnp1048 \cf0 \par }\pard \plain
\qj \li0 \ri-640 \sa200 \sl360 \slmult1 \widctlpar \aspalpha \aspnum
\adjustright \lin0 \rin-640 \itap0 \fs21 \kerning2 \dbch \af2 \hich \af0 \loch \af0
{\fs22 \kerning2 \dbch \af5 \hich \af5 \loch \f5 \lang1048 \langnp1048 \cf0
- EUL CARE \uc1 \u536 ?I-A G\uc1 \u258 ?SIT SINELE }{\i1 \fs22 \kerning2 \dbch \af5
\hich \af5 \loch \f5 \lang1048 \langnp1048 \cf0 \par }\pard \plain \qj \li0 \ri-640
\sa200 \sl360 \slmult1 \widctlpar \aspalpha \aspnum \adjustright \lin0 \rin-640
\itap0 \fs21 \kerning2 \dbch \af2 \hich \af0 \loch \af0 {\fs22 \kerning2 \dbch \af5
\hich \af5 \loch \f5 \lang1048 \langnp1048 \cf0 Pentru a ajunge la \uc1 \u238 ?
n\uc1 \u539 ?elegerea intentiei m\uc1 \u259 ?rturisite a poetului, trebuie s\uc1
\u259 ? l\uc1 \u259 ?murim cei doi termeni evoca\uc1 \u539 ?i \uc1 \u238 ?n textul
de mai sus, \uc1 \u537 ?i anume: ce este geniul \uc1 \u537 ?i ce este norocul,
precum \uc1 \u537 ?i ce raport credea Eminescu \uc1 \u238 ?nsu\uc1 \u537 ?i
c\uc1 \u259 ? are cu geniul. }{\fs22 \kerning2 \dbch \af5 \hich \af5 \loch \f5
\lang1048 \langnp1048 \cf0 \par }\pard \plain \qj \li0 \ri-640 \sa200 \sl360
\slmult1 \widctlpar \aspalpha \aspnum \adjustright \lin0 \rin-640 \itap0 \fs21
\kerning2 \dbch \af2 \hich \af0 \loch \af0 {\fs22 \kerning2 \dbch \af5 \hich
\af5 \loch \f5 \lang1048 \langnp1048 \cf0 Privitor la ultima \uc1 \u238 ?
ntrebare, precum se \uc1 \u537 ?tie, poetul \uc1 \u537 ?i-a recunoscut genialitatea
\uc1 \u238 ?n c\uc1 \u226 ?teva r\uc1 \u226 ?nduri, \uc1 \u238 ?ncep\uc1 \u226 ?
nd \uc1 \u238 ?nc\uc1 \u259 ? de la 18 ani: \uc1 \u8222 ?Dumnezeul geniului
m\uc1 \u8217 ?a sorbit din popor precum soarbe soarele un nor din marea lui de
amar\uc1 \u8221 ? \uc1 \u537 ?i tot la acea vreme scria \uc1 \u238 ?n poezia
Replici \uc1 \u8211 ?\uc1 \u8222 ? Eu sunt un geniu,/ Tu o problema.\uc1 \u8221 ?
Astfel, \uc1 \u238 ?n Luceafarul este vorba despre propriul destin al poetului. }
{\fs22 \kerning2 \dbch \af5 \hich \af5 \loch \f5 \lang1048 \langnp1048 \cf0
\par }\pard \plain \qj \li0 \ri-640 \sa200 \sl360 \slmult1 \widctlpar \aspalpha
\aspnum \adjustright \lin0 \rin-640 \itap0 \fs21 \kerning2 \dbch \af2 \hich \af0
\loch \af0 {\fs22 \kerning2 \dbch \af5 \hich \af5 \loch \f5 \lang1048
\langnp1048 \cf0 Aceast\uc1 \u259 ? definire a geniului, prin care, de fapt,
Eminescu s-a explicat pe sine, se afl\uc1 \u259 ? \uc1 \u238 ?n postum\uc1
\u259 ? }{\i1 \fs22 \kerning2 \dbch \af5 \hich \af5 \loch \f5 \lang1048 \langnp1048
\cf0 Povestea magului c\uc1 \u259 ?l\uc1 \u259 ?tor \uc1 \u238 ?n stele}{\fs22
\kerning2 \dbch \af5 \hich \af5 \loch \f5 \lang1048 \langnp1048 \cf0 . \uc1 \u206 ?
n acest vast poem se afirm\uc1 \u259 ? ca geniul este un str\uc1 \u259 ?in \uc1
\u238 ?ntr-o lume str\uc1 \u259 ?in\uc1 \u259 ?. Este \uc1 \u8222 ?o lume \uc1
\u238 ?n lume\uc1 \u8221 ?, \uc1 \u537 ?i anume, \uc1 \u8222 ?g\uc1 \u226 ?ndire
pur\uc1 \u259 ?\uc1 \u8221 ?, o con\uc1 \u537 ?tiin\uc1 \u539 ?\uc1 \u259 ? martor
transmundan\uc1 \u259 ? \uc1 \u8222 ?cobor\uc1 \u226 ?ta \uc1 \u238 ?n trupul cel
ur\uc1 \u226 ?t\uc1 \u8221 ? \uc1 \u537 ?i dublat\uc1 \u259 ? de un eu intramundan,
eul de serviciu \uc1 \u238 ?n lumea empiric\uc1 \u259 ?. Geniul este at\uc1 \u226 ?
t de str\uc1 \u259 ?in acestei lumi, \uc1 \u238 ?nc\uc1 \u226 ?t \uc1 \u8222 ?
Dumnezeu \uc1 \u238 ?nsu\uc1 \u537 ?i se \uc1 \u238 ?mpiedic\uc1 \u259 ? \uc1 \u238
?n cifrul s\uc1 \u259 ?u\uc1 \u8221 ?, pentru c\uc1 \u259 ? \uc1 \u8222 ?sunt
scrieri str\uc1 \u259 ?ine\uc1 \u8221 ?. Geniul este o entitate care nu face parte
din planul Crea\uc1 \u539 ?iei.}{\fs22 \kerning2 \dbch \af5 \hich \af5 \loch \f5
\lang1048 \langnp1048 \cf0 \par }\pard \plain \qj \li0 \ri-640 \sa200 \sl360
\slmult1 \widctlpar \aspalpha \aspnum \adjustright \lin0 \rin-640 \itap0 \fs21
\kerning2 \dbch \af2 \hich \af0 \loch \af0 {\fs22 \kerning2 \dbch \af5 \hich
\af5 \loch \f5 \lang1048 \langnp1048 \cf0 Se mai spune \uc1 \u238 ?n acest poem
c\uc1 \u259 ? geniul nu are nicio stea, o stea cu noroc, a\uc1 \u537 ?a cum au
pam\uc1 \u226 ?ntenii, norocul intr\uc1 \u226 ?nd \uc1 \u238 ?n definitia
destinului uman, indisolubil legat \uc1 \u238 ?ns\uc1 \u259 ? de perisabilitate,
a\uc1 \u537 ?a cum precizeaz\uc1 \u259 ? Demiurgul vorbind despre oameni: \uc1
\u8222 ?Ei au doar stele cu noroc / \uc1 \u536 ?i prigoniri de soarte./ \uc1 \u8230
?Noi nu cunoa\uc1 \u537 ?tem moarte\uc1 \u8221 ?. Exista deci o ireductibil\uc1
\u259 ? antinomie: noroc \uc1 \u537 ?i moarte pentru om, nenoroc \uc1 \u537 ?i
nemurire pentru Hyperion. }{\fs22 \kerning2 \dbch \af5 \hich \af5 \loch \f5
\lang1048 \langnp1048 \cf0 \par }\pard \plain \qj \li0 \ri-640 \sa200 \sl360
\slmult1 \widctlpar \aspalpha \aspnum \adjustright \lin0 \rin-640 \itap0 \fs21
\kerning2 \dbch \af2 \hich \af0 \loch \af0 {\fs22 \kerning2 \dbch \af5 \hich
\af5 \loch \f5 \lang1048 \langnp1048 \cf0 Care este acel privilegiu, norocul,
rezervat oamenilor? \uc1 \u206 ?n viziunea lui Eminescu, norocul este iubirea, de a
carei \uc1 \u238 ?mplinire \uc1 \u238 ?ns\uc1 \u259 ? geniul nu are parte. Pentru
geniu, acel tu al \uc1 \u8222 ?singurat\uc1 \u259 ?\uc1 \u539 ?ii absolute \uc1
\u238 ?n doi\uc1 \u8221 ? nu se afl\uc1 \u259 ? \uc1 \u238 ?n lumea uman\uc1
\u259 ?, afirma magul \uc1 \u238 ?n finalul poemului }{\i1 \fs22 \kerning2 \dbch
\af5 \hich \af5 \loch \f5 \lang1048 \langnp1048 \cf0 Povestea magului c\uc1 \u259 ?
l\uc1 \u259 ?tor \uc1 \u238 ?n stele}{\fs22 \kerning2 \dbch \af5 \hich \af5
\loch \f5 \lang1048 \langnp1048 \cf0 , ci trebuie c\uc1 \u259 ?utat \uc1 \u238 ?
ntr-un transorizont r\uc1 \u259 ?mas nedefinit \uc1 \u238 ?ns\uc1 \u259 ?. Ce rol
conferea Eminescu iubirii, at\uc1 \u226 ?t de pasionat cautat\uc1 \u259 ?? }
{\fs22 \kerning2 \dbch \af5 \hich \af5 \loch \f5 \lang1048 \langnp1048 \cf0
\par }\pard \plain \qj \li0 \ri-640 \sa200 \sl360 \slmult1 \widctlpar \aspalpha
\aspnum \adjustright \lin0 \rin-640 \itap0 \fs21 \kerning2 \dbch \af2 \hich \af0
\loch \af0 {\fs22 \kerning2 \dbch \af5 \hich \af5 \loch \f5 \lang1048
\langnp1048 \cf0 La \uc1 \u238 ?nceputuri Unul, suferind de singuratate,
\uc1 \u537 ?i-a creat, din iubire - kama Vedelor sacre - un alterego, care este
lumea uman\uc1 \u259 ?. Dar Crea\uc1 \u539 ?ia a fost o nereu\uc1 \u537 ?it\uc1
\u259 ?, o gre\uc1 \u537 ?eala, caracterizat\uc1 \u259 ? prin suferin\uc1
\u539 ?\uc1 \u259 ? \uc1 \u537 ?i moarte, a\uc1 \u537 ?a cum se afirm\uc1
\u259 ? \uc1 \u238 ?n poezii ca }{\i1 \fs22 \kerning2 \dbch \af5 \hich \af5
\loch \f5 \lang1048 \langnp1048 \cf0 Mortua est, Rugaciunea unui dac. Confesiune,
Muresanu}{\fs22 \kerning2 \dbch \af5 \hich \af5 \loch \f5 \lang1048 \langnp1048
\cf0 . Or, Eminescu credea c\uc1 \u259 ? iubirea are o menire cosmic\uc1
\u259 ?, \uc1 \u537 ?i anume, prin unirea lui tu cu eu se poate reface unitatea
primordial\uc1 \u259 ? de dincolo de \uc1 \u206 ?nt\uc1 \u226 ?ia Zi a cosmogoniei,
a\uc1 \u537 ?a cum scrie \uc1 \u238 ?ntr-un catren fundamental: \uc1 \u8222 ?
C\uc1 \u226 ?nd fiintele se-mbina/ C\uc1 \u226 ?nd cufund pe tu cu eu/ E lumina din
lumina, Dumnezeu din Dumnezeu.\uc1 \u8221 ? Prin iubire a fost creata lumea, prin
iubire poate fi anulata eroarea care a inaugurat Geneza. Cei doi contopiti devin
Ajunul, Preludiul ontologic, idee leitmotiv \uc1 \u238 ?n filozofia indiana.}{\fs22
\kerning2 \dbch \af5 \hich \af5 \loch \f5 \lang1048 \langnp1048 \cf0 \par }\pard
\plain \qj \li0 \ri-640 \sa200 \sl360 \slmult1 \widctlpar \aspalpha \aspnum
\adjustright \lin0 \rin-640 \itap0 \fs21 \kerning2 \dbch \af2 \hich \af0 \loch \af0
{\fs22 \kerning2 \dbch \af5 \hich \af5 \loch \f5 \lang1048 \langnp1048 \cf0
Av\uc1 \u226 ?nd \uc1 \u238 ?n vedere aceste repere, care este fenomenologia din
Luceafarul ? }{\fs22
\kerning2 \dbch \af5 \hich \af5 \loch \f5 \lang1048 \langnp1048 \cf0
\par }\pard \plain \qj \li0 \ri-640 \sa200 \sl360 \slmult1 \widctlpar \aspalpha
\aspnum \adjustright \lin0 \rin-640 \itap0 \fs21 \kerning2 \dbch \af2 \hich \af0
\loch \af0 {\fs22 \kerning2 \dbch \af5 \hich \af5 \loch \f5 \lang1048
\langnp1048 \cf0 Principiul feminin de la nivelul terestru, - o fata de \uc1
\u238 ?mparat de o frumusete absoluta - are o iluminare, si anume, aspira la unirea
cu o faptura cereasca. Prin urmare, femeia are initiativa unei hierofanii cosmice.
Acest fapt corespunde unor realitati istorice: femei dotate cu o inteligenta
deosebita au avut revelatia unei iubiri inspirata de un geniu, de un mare creator.
La unele din ele tensiunea aspiratiei a trecut p\uc1 \u238 ?na dincolo de viata,
asa cum a avut loc de exemplu, cu iubirea, Heloizei pentru Ab\uc1 \u233 ?lard, sau
a Suzettei Gondard pentru H\uc1 \u246 ?lderlin; la altele \uc1 \u238 ?nsa iubirea a
obosit, a urmat abdicarea. Acest fapt va avea loc \uc1 \u238 ?n }{\i1 \fs22
\kerning2 \dbch \af5 \hich \af5 \loch \f5 \lang1033 \langnp1033 \cf0 Luceafarul}
{\fs22 \kerning2 \dbch \af5 \hich \af5 \loch \f5 \lang1048 \langnp1048 \cf0 . }
{\fs22 \kerning2 \dbch \af5 \hich \af5 \loch \f5 \lang1048 \langnp1048 \cf0
\par }\pard \plain \qj \li0 \ri-640 \sa200 \sl360 \slmult1 \widctlpar \aspalpha
\aspnum \adjustright \lin0 \rin-640 \itap0 \fs21 \kerning2 \dbch \af2 \hich \af0
\loch \af0 {\fs22 \kerning2 \dbch \af5 \hich \af5 \loch \f5 \lang1048
\langnp1048 \cf0 Raspunz\uc1 \u226 ?nd chem\uc1 \u259 ?rii C\uc1 \u259 ?
t\uc1 \u259 ?linei, Luceaf\uc1 \u259 ?rul coboar\uc1 \u259 ? \uc1 \u238 ?n doua
r\uc1 \u226 ?nduri, dar fata \uc1 \u238 ?i repro\uc1 \u537 ?eaz\uc1 \u259 ? de
fiecare dat\uc1 \u259 ? tocmai str\uc1 \u259 ?in\uc1 \u259 ?tatea astrului \uc1
\u238 ?n raport cu lumea pam\uc1 \u226 ?nteasc\uc1 \u259 ?: \uc1 \u8222 ?Str\uc1
\u259 ?in la vorba \uc1 \u537 ?i la port,/ Luce\uc1 \u537 ?ti f\uc1 \u259 ?r\uc1
\u259 ? de via\uc1 \u539 ?\uc1 \u259 ?./ C\uc1 \u259 ?ci eu sunt vie/ Tu e\uc1
\u537 ?ti mort\uc1 \u8221 ?. Consecutiv, ea cere luceaf\uc1 \u259 ?rului s\uc1
\u259 ? renun\uc1 \u539 ?e la nemurire \uc1 \u8211 ? \uc1 \u8222 ?Fii muritor ca
mine\uc1 \u8221 ?. }{\fs22 \kerning2 \dbch \af5 \hich \af5 \loch \f5 \lang1048
\langnp1048 \cf0 \par }\pard \plain \qj \li0 \ri-640 \sa200 \sl360 \slmult1
\widctlpar \aspalpha \aspnum \adjustright \lin0 \rin-640 \itap0 \fs21 \kerning2
\dbch \af2 \hich \af0 \loch \af0 {\fs22 \kerning2 \dbch \af5 \hich \af5 \loch
\f5 \lang1048 \langnp1048 \cf0 \uc1 \u206 ?n vreme ce Hyperion pleac\uc1
\u259 ? spre Demiurg pentru a cere dezlegarea ontic\uc1 \u259 ?, omonimul \uc1
\u238 ?ntru destin al fetei de \uc1 \u238 ?mp\uc1 \u259 ?rat, C\uc1 \u259 ?t\uc1
\u259 ?lin, o p\uc1 \u226 ?nde\uc1 \u537 ?te \uc1 \u537 ?i \uc1 \u238 ?i
serve\uc1 \u537 ?te lect\uc1 \u539 ?a de dragoste care, dup\uc1 \u259 ? a sa minte,
este un lat de prins p\uc1 \u259 ?s\uc1 \u259 ?ri. Totul expeditiv, \uc1 \u238 ?
ntr-un col\uc1 \u539 ? al palatului. C\uc1 \u226 ?t\uc1 \u259 ? diferen\uc1
\u539 ?\uc1 \u259 ? \uc1 \u8211 ? simbolic\uc1 \u259 ? pentru definirea
personajelor \uc1 \u537 ?i a conflictului dramatic - dintre str\uc1 \u226 ?mtul
ungher unde prin\uc1 \u539 ?esa se las\uc1 \u259 ? prins\uc1 \u259 ? \uc1 \u238 ?n
plasa de servitorul regal, \uc1 \u537 ?i spa\uc1 \u539 ?iul infinit \uc1 \u238 ?n
care visa la \uc1 \u238 ?nceputul aspira\uc1 \u539 ?iei ei stelare! }{\fs22
\kerning2 \dbch \af5 \hich \af5 \loch \f5 \lang1048 \langnp1048 \cf0 \par }\pard
\plain \qj \li0 \ri-640 \sa200 \sl360 \slmult1 \widctlpar \aspalpha \aspnum
\adjustright \lin0 \rin-640 \itap0 \fs21 \kerning2 \dbch \af2 \hich \af0 \loch \af0
{\fs22 \kerning2 \dbch \af5 \hich \af5 \loch \f5 \lang1048 \langnp1048 \cf0
Iubirea sa fiind absolut\uc1 \u259 ?, Hyperion vrea s\uc1 \u259 ? renun\uc1 \u539 ?
e la nemurire. Dar Demiurgul \uc1 \u238 ?i refuz\uc1 \u259 ? abdicarea. De ce?
Pentru c\uc1 \u259 ? renun\uc1 \u539 ?area la statutul s\uc1 \u259 ?u de arheu ar
fi atras prabu\uc1 \u537 ?irea \uc1 \u238 ?ntregii ordini a Cerului. Din acest
motiv, Fiinta Suprema \uc1 \u238 ?i spune lui Hyperion cuv\uc1 \u226 ?ntul decisiv:
\uc1 \u8222 ?Ci tu Hyperion ram\uc1 \u226 ?i/ Oriunde ai apune/ Tu e\uc1 \u537 ?ti
din forma cea de\uc1 \u8217 ?nt\uc1 \u226 ?i,/ De ve\uc1 \u537 ?nica minune\uc1
\u8221 ?, strofa \uc1 \u238 ?n litigiu critic, pe care unii comentatori au
eliminat-o din ne\uc1 \u238 ?ntelegerea profundului sens: primordialitatea,
statutul de Idee pur\uc1 \u259 ? transcendent\uc1 \u259 ? constituie suprema
axiologie ontica. }{\fs22 \kerning2 \dbch \af5 \hich \af5 \loch \f5 \lang1048
\langnp1048 \cf0 \par }\pard \plain \qj \li0 \ri-640 \sa200 \sl360 \slmult1
\widctlpar \aspalpha \aspnum \adjustright \lin0 \rin-640 \itap0 \fs21 \kerning2
\dbch \af2 \hich \af0 \loch \af0 {\fs22 \kerning2 \dbch \af5 \hich \af5 \loch
\f5 \lang1048 \langnp1048 \cf0 \uc1 \u206 ?n final, cele dou\uc1 \u259 ?
sfere existen\uc1 \u539 ?iale se despart ireversibil: Luceaf\uc1 \u259 ?rul se \uc1
\u238 ?ntoarce \uc1 \u238 ?n solitudinea purit\uc1 \u259 ?\uc1 \u539 ?ii sale, iar
cei doi muritori \uc1 \u238 ?si afla dragostea \uc1 \u238 ?mplinita \uc1 \u238 ?
ntr-un spatiu feeric al naturii. Dialogurile finale \uc1 \u8211 ? dintre Demiurg si
Hyperion, si dintre Catalina si Luceafar - delimiteaza cele doua lumi: de partea
omului, orizontul \uc1 \u238 ?ngust, apter, \uc1 \u238 ?nsa plin de norocul
efervescent al patimii, de partea eonului uranic transorizontul infinit, \uc1 \u238
?nsa pustiu, lipsit de acea istorie a existentei telurice care \uc1 \u238 ?
nsemneaza ardere si moarte. }{\fs22 \kerning2 \dbch \af5 \hich \af5 \loch \f5
\lang1048 \langnp1048 \cf0 \par }\pard \plain \qj \li0 \ri-640 \sa200 \sl360
\slmult1 \widctlpar \aspalpha \aspnum \adjustright \lin0 \rin-640 \itap0 \fs21
\kerning2 \dbch \af2 \hich \af0 \loch \af0 {\fs22 \kerning2 \dbch \af5 \hich
\af5 \loch \f5 \lang1048 \langnp1048 \cf0 Luceafarul reflecta o \uc1 \u238 ?
ntreita drama: drama onto-axiologica a Creatiei, platita cu moarte; drama
absolutului, adica a geniului, a lui Eminescu, platita cu pururea \uc1 \u238 ?
nsingurare; si drama omul ramas captiv conditiei sale purtatoare de noroc platit cu
prigoniri de soarte \uc1 \u238 ?ncheiate cu pieire. }{\fs22 \kerning2 \dbch \af5
\hich \af5 \loch \f5 \lang1048 \langnp1048 \cf0 \par }\pard \plain \qj \li0 \ri-640
\sa200 \sl360 \slmult1 \widctlpar \aspalpha \aspnum \adjustright \lin0 \rin-640
\itap0 \fs21 \kerning2 \dbch \af2 \hich \af0 \loch \af0 {\fs22 \kerning2 \dbch \af5
\hich \af5 \loch \f5 \lang1048 \langnp1048 \cf0 La aceasta triada se adauga
si drama timpului. \uc1 \u206 ?n Luceafarul temporalitatea se afla \uc1 \u238 ?ntr-
o aporie: ce este de preferat? Bogatia fiintarii omenesti, cu neast\uc1 \u238 ?
mparul, dogoarea si imprevizibilul sau evenimential, dar cu cadere finala \uc1
\u238 ?n abis, prin urmare, sa vietuiesti si sa mori arz\uc1 \u226 ?nd, - sau golul
unei atonii reci, incolore pe toata derularea eternitatii \uc1 \u238 ?n care eonul
straluceste, \uc1 \u238 ?nsa fara viata, asa cum \uc1 \u238 ?i reproseaza Catalina
idolului ei de-o clipa? }{\fs22 \kerning2 \dbch \af5 \hich \af5 \loch \f5 \lang1048
\langnp1048 \cf0 \par }\pard \plain \qj \li0 \ri-640 \sa200 \sl360 \slmult1
\widctlpar \aspalpha \aspnum \adjustright \lin0 \rin-640 \itap0 \fs21 \kerning2
\dbch \af2 \hich \af0 \loch \af0 {\fs22 \kerning2 \dbch \af5 \hich \af5 \loch
\f5 \lang1048 \langnp1048 \cf0 Aceasta multipla drama se desfasoara \uc1
\u238 ?n cel mai amplu spatiu si cea mai multa lumina din lirica universala, spatiu
si lumina care izvorasc ne\uc1 \u238 ?ncetat din ele \uc1 \u238 ?nsele p\uc1
\u238 ?na se ajunge dincolo de orice spatiu si durata, si mai mult, la un dincolo
unde nu mai este nici abisul fiintei nici abisul nefiintei, ci doar o tensiune \uc1
\u238 ?n sine, fara capat. \uc1 \u8222 ?Nu e nimic si totusi e/ O sete care-l
soarbe/ E un ad\uc1 \u238 ?nc asemenea/ Uitarii celei oarbe.\uc1 \u8221 ? Extrema
tensiune a g\uc1 \u226 ?ndirii din aceste versuri este unicat \uc1 \u238 ?n
literatura universala, fapt care diferentiaza Luceafarul de capodoperele-simbol
amintite la \uc1 \u238 ?nceputul expunerii noastre, precum si de diversele creatii
analoage puse \uc1 \u238 ?n comparatie de diversii comentatori.}{\fs22 \kerning2
\dbch \af5 \hich \af5 \loch \f5 \lang1048 \langnp1048 \cf0 \par }\pard \plain
\qj \li0 \ri-640 \sa200 \sl360 \slmult1 \widctlpar \aspalpha \aspnum
\adjustright \lin0 \rin-640 \itap0 \fs21 \kerning2 \dbch \af2 \hich \af0 \loch \af0
{\fs22 \kerning2 \dbch \af5 \hich \af5 \loch \f5 \lang1048 \langnp1048 \cf0
Amintim \uc1 \u238 ?nsa unele principii ale g\uc1 \u238 ?ndirii poetico-filozofice
a lui Giordano Bruno, care coincid cu cele ale lui Eminescu. In cartea sa
fundamentala, De gli eroici furori - despre entuziasmele eroice \uc1 \u8211 ?
filozoful italian afirma ca zborul intelectului celor rari nu sf\uc1 \u226 ?rseste
niciodata; \uc1 \u8220 ?Cei alesi au inteligenta cereasca, poseda lumina divina.
Puterea intelectuala nu se afla niciodata \uc1 \u238 ?n repaus, nu este
nicic\uc1 \u226 ?nd satisfacuta cu un adevar inteligibil, ci aspira mereu si mereu
spre adevarul de necuprins... Ea strapunge bolta cereasca, se av\uc1 \u226 ?nta
\uc1 \u238 ?n nemarginire si, prin eter, patrunde \uc1 \u238 ?n sferele superioare,
parcurg\uc1 \u226 ?nd \uc1 \u8211 ? treapta cu treapta adevaruri tot mai \uc1 \u238
?nalte.\uc1 \u8221 ? }{\fs22 \kerning2 \dbch \af5 \hich \af5 \loch \f5 \lang1048
\langnp1048 \cf0 \par }\pard \plain \qj \li0 \ri-640 \sa200 \sl360 \slmult1
\widctlpar \aspalpha \aspnum \adjustright \lin0 \rin-640 \itap0 \fs21 \kerning2
\dbch \af2 \hich \af0 \loch \af0 {\fs22 \kerning2 \dbch \af5 \hich \af5 \loch
\f5 \lang1048 \langnp1048 \cf0 Ascensiunea mintii lui Eminescu nu avea limita de
oprire, pentru
ca el tenta absolutul, iar absolutul este o fata morgana care fuge mereu si mereu
dinaintea oricarui zbor intelectual. Poetul \uc1 \u238 ?si asumase structural ceea
ce Karl Jaspers denumea - sansa minunata si primejdioasa a Deschisului. A acelui
Deschis tentat de asemenea si de H\uc1 \u246 ?lderlin, ramas \uc1 \u238 ?nsa si
pentru el nedefinit, o tensiune in extasi mentis, care nu are capat.}{\fs22
\kerning2 \dbch \af5 \hich \af5 \loch \f5 \lang1048 \langnp1048 \cf0 \par }\pard
\plain \qj \li0 \ri-640 \sa200 \sl360 \slmult1 \widctlpar \aspalpha \aspnum
\adjustright \lin0 \rin-640 \itap0 \fs21 \kerning2 \dbch \af2 \hich \af0 \loch \af0
{\fs22 \kerning2 \dbch \af5 \hich \af5 \loch \f5 \lang1048 \langnp1048 \cf3 II. }
{\b1 \fs22 \kerning2 \dbch \af5 \hich \af5 \loch \f5 \lang1048 \langnp1048 \cf3
\ul1 TEMA COSMOGONIC\uc1 \u258 ?}{\fs22 \kerning2 \dbch \af5 \hich \af5 \loch
\f5 \lang1048 \langnp1048 \cf3 }{\fs22 \kerning2 \dbch \af5 \hich \af5 \loch
\f5 \lang1048 \langnp1048 \cf1 a constituit o atrac\uc1 \u539 ?ie pentru poet. Este
una dintre temele filozofice ale poeziei eminesciene. }{\fs22 \kerning2 \dbch
\af5 \hich \af5 \loch \f5 \lang1048 \langnp1048 \cf1 \par }\pard \plain \qj \li0
\ri-640 \sa200 \sl360 \slmult1 \widctlpar \aspalpha \aspnum \adjustright \lin0
\rin-640 \itap0 \fs21 \kerning2 \dbch \af2 \hich \af0 \loch \af0 {\fs22
\kerning2 \dbch \af5 \hich \af5 \loch \f5 \lang1048 \langnp1048 \cf1 Geneza \uc1
\u537 ?i apocatastaza universului (reconst}{\fs22 \kerning2 \dbch \af5 \hich
\af5 \loch \f5 \lang1033 \langnp1033 \cf1 r}{\fs22 \kerning2 \dbch \af5 \hich
\af5 \loch \f5 \lang1048 \langnp1048 \cf1 uire a unor situa\uc1 \u539 ?ii
ini\uc1 \u539 ?iale de provenien\uc1 \u539 ?\uc1 \u259 ? originar\uc1
\u259 ?,readucere la stadiu anterior) sunt prezentate \uc1 \u238 ?n imagini-simbol,
de la momentul increatului la na\uc1 \u537 ?terea lumilor \uc1 \u537 ?i c\uc1 \u259
?derea stelelor. Tabloul grandios al haosului, al momentului de increat,
desf\uc1 \u259 ?\uc1 \u537 ?oar\uc1 \u259 ? imagini care nu se pot subordona no\uc1
\u539 ?iuni de spa\uc1 \u539 ?iu \uc1 \u537 ?i timp.}{\fs22 \kerning2 \dbch \af5
\hich \af5 \loch \f5 \lang1048 \langnp1048 \cf1 \par }\pard \plain \qj \li0 \ri-640
\sa200 \sl360 \slmult1 \widctlpar \aspalpha \aspnum \adjustright \lin0 \rin-640
\itap0 \fs21 \kerning2 \dbch \af2 \hich \af0 \loch \af0 {\fs22 \kerning2 \dbch \af5
\hich \af5 \loch \f5 \lang1048 \langnp1048 \cf1 \ul1 Surse de inspira\uc1 \u539 ?
ie}{\fs22 \kerning2 \dbch \af5 \hich \af5 \loch \f5 \lang1048 \langnp1048 \cf1 : 1.
}{\b1 \i1 \fs22 \kerning2 \dbch \af5 \hich \af5 \loch \f5 \lang1048 \langnp1048
\cf12 Imnul Crea\uc1 \u539 ?iunii }{\b1 \fs22 \kerning2 \dbch \af5 \hich \af5 \loch
\f5 \lang1048 \langnp1048 \cf12 din }{\b1 \i1 \fs22 \kerning2 \dbch \af5 \hich \af5
\loch \f5 \lang1048 \langnp1048 \cf12 Rig-Veda}{\i1 \fs22 \kerning2 \dbch \af5
\hich \af5 \loch \f5 \lang1048 \langnp1048 \cf1 : }{\fs22 \kerning2 \dbch \af5
\hich \af5 \loch \f5 \lang1048 \langnp1048 \cf1 - descrie crea\uc1 \u539 ?ia lumii
dintr-un material necunoscut}{\fs22 \kerning2 \dbch \af5 \hich \af5 \loch \f5
\lang1048 \langnp1048 \cf1 \par }\pard \plain \qj \li0 \ri-640 \sa200 \sl360
\slmult1 \widctlpar \aspalpha \aspnum \adjustright \lin0 \rin-640 \itap0 \fs21
\kerning2 \dbch \af2 \hich \af0 \loch \af0 {\fs22 \kerning2 \dbch \af5 \hich
\af5 \loch \f5 \lang1048 \langnp1048 \cf1 -
s\uc1 \u226 ?mburele-aurit r\uc1 \u259 ?sare din apele mari ce cuprindeau }
{\fs22 \kerning2 \dbch \af5 \hich \af5 \loch \f5 \lang1048 \langnp1048 \cf1
\par }\pard \plain \qj \li0 \ri-640 \sa200 \sl360 \slmult1 \widctlpar \aspalpha
\aspnum \adjustright \lin0 \rin-640 \itap0 \fs21 \kerning2 \dbch \af2 \hich \af0
\loch \af0 {\fs22 \kerning2 \dbch \af5 \hich \af5 \loch \f5 \lang1048
\langnp1048 \cf1 universul \uc1 \u537 ?i
creez\uc1 \u259 ? lumea din haos}{\fs22 \kerning2 \dbch \af5 \hich \af5 \loch
\f5 \lang1048 \langnp1048 \cf1 \par }\pard \plain \qj \li0 \ri-640 \sa200 \sl360
\slmult1 \widctlpar \aspalpha \aspnum \adjustright \lin0 \rin-640 \itap0 \fs21
\kerning2 \dbch \af2 \hich \af0 \loch \af0 {\fs22 \kerning2 \dbch \af5 \hich
\af5 \loch \f5 \lang1048 \langnp1048 \cf1 2. }{\b1 \i1 \fs22
\kerning2 \dbch \af5 \hich \af5 \loch \f5 \lang1048 \langnp1048 \cf12 Poemul
naturii}{\b1 \i1 \fs22 \kerning2 \dbch \af5 \hich \af5 \loch \f5 \lang1033
\langnp1033 \cf1 }{\fs22 \kerning2 \dbch \af5 \hich \af5 \loch \f5 \lang1033
\langnp1033 \cf1 de Lucre}{\fs22 \kerning2 \dbch \af5 \hich \af5 \loch \f5
\lang1048 \langnp1048 \cf1 \uc1 \u539 ?iu, care, prelu\uc1 \u226 ?nd ideea lui
Democrit, explica na\uc1 \u537 ?terea }{\fs22 \kerning2 \dbch \af5 \hich \af5
\loch \f5 \lang1048 \langnp1048 \cf1 \par }\pard \plain \qj \li0 \ri-640 \sa200
\sl360 \slmult1 \widctlpar \aspalpha \aspnum \adjustright \lin0 \rin-640 \itap0
\fs21 \kerning2 \dbch \af2 \hich \af0 \loch \af0 {\fs22 \kerning2 \dbch \af5
\hich \af5 \loch \f5 \lang1048 \langnp1048 \cf1
lumii prin mi\uc1 \u537 ?carea atomilor \uc1 \u238 ?n vid}{\fs22 \kerning2 \dbch
\af5 \hich \af5 \loch \f5 \lang1048 \langnp1048 \cf1 \par }\pard \plain \qj \li0
\ri-640 \sa200 \sl360 \slmult1 \widctlpar \aspalpha \aspnum \adjustright \lin0
\rin-640 \itap0 \fs21 \kerning2 \dbch \af2 \hich \af0 \loch \af0 {\fs22
\kerning2 \dbch \af5 \hich \af5 \loch \f5 \lang1048 \langnp1048 \cf1
3. }{\b1 \fs22 \kerning2 \dbch \af5 \hich \af5 \loch \f5 \lang1048 \langnp1048
\cf12 credin\uc1 \u539 ?ele populare rom\uc1 \u226 ?ne\uc1 \u537 ?ti }{\fs22
\kerning2 \dbch \af5 \hich \af5 \loch \f5 \lang1048 \langnp1048 \cf1 - s\uc1
\u226 ?mburele creator a luat na\uc1 \u537 ?tere dintr-un v\uc1 \u226 ?rtej}
{\fs22 \kerning2 \dbch \af5 \hich \af5 \loch \f5 \lang1033 \langnp1033 \cf1 }
{\fs22 \kerning2 \dbch \af5 \hich \af5 \loch \f5 \lang1048 \langnp1048 \cf1
\par }\pard \plain \qj \li0 \ri-640 \sa200 \sl360 \slmult1 \widctlpar \aspalpha
\aspnum \adjustright \lin0 \rin-640 \itap0 \fs21 \kerning2 \dbch \af2 \hich \af0
\loch \af0 {\fs22 \kerning2 \dbch \af5 \hich \af5 \loch \f5 \lang1048
\langnp1048 \cf0 }{\fs22 \kerning2 \dbch \af5 \hich \af5 \loch \f5
\lang1033 \langnp1033 \cf0 }{\fs22 \kerning2
\dbch \af5 \hich \af5 \loch \f5 \lang1048 \langnp1048 \cf0 d}{\fs22 \kerning2 \dbch
\af5 \hich \af5 \loch \f5 \lang1033 \langnp1033 \cf0 e spum}{\fs22 \kerning2
\dbch \af5 \hich \af5 \loch \f5 \lang1048 \langnp1048 \cf0 \uc1 \u259 ? de pe
suprafa\uc1 \u539 ?a unei m\uc1 \u259 ?ri aflate \uc1 \u238 ?ntr-un }{\fs22
\kerning2 \dbch \af5 \hich \af5 \loch \f5 \lang1048 \langnp1048 \cf0 \par }\pard
\plain \qj \li0 \ri-640 \sa200 \sl360 \slmult1 \widctlpar \aspalpha \aspnum
\adjustright \lin0 \rin-640 \itap0 \fs21 \kerning2 \dbch \af2 \hich \af0 \loch \af0
{\fs22 \kerning2 \dbch \af5 \hich \af5 \loch \f5 \lang1048 \langnp1048 \cf0
\uc1 \u238 ?ntuneric f\uc1 \u259 ?r\uc1 \u259 ? margini. }{\fs22 \kerning2 \dbch
\af5 \hich \af5 \loch \f5 \lang1048 \langnp1048 \cf0 \par }\pard \plain \qj \li0
\ri-640 \sa200 \sl360 \slmult1 \widctlpar \aspalpha \aspnum \adjustright \lin0
\rin-640 \itap0 \fs21 \kerning2 \dbch \af2 \hich \af0 \loch \af0 {\fs22
\kerning2 \dbch \af5 \hich \af5 \loch \f5 \lang1048 \langnp1048 \cf0
4. }{\b1 \fs22 \kerning2 \dbch \af5 \hich \af5 \loch \f5 \lang1048 \langnp1048
\cf12 Byron}{\fs22 \kerning2 \dbch \af5 \hich \af5 \loch \f5 \lang1048
\langnp1048 \cf0 - stingerea Soarelui \uc1 \u537 ?i a Universului }{\fs22
\kerning2 \dbch \af5 \hich \af5 \loch \f5 \lang1048 \langnp1048 \cf0 \par }\pard
\plain \qj \li0 \ri-640 \sa200 \sl360 \slmult1 \widctlpar \aspalpha \aspnum
\adjustright \lin0 \rin-640 \itap0 \fs21 \kerning2 \dbch \af2 \hich \af0 \loch \af0
{\fs22 \kerning2 \dbch \af5 \hich \af5 \loch \f5 \lang1033 \langnp1033 \cf3 III. }
{\b1 \fs22 \kerning2 \dbch \af5 \hich \af5 \loch \f5 \lang1033 \langnp1033 \cf3
\ul1 ISTORI}{\b1 \fs22 \kerning2 \dbch \af5 \hich \af5 \loch \f5 \lang1048
\langnp1048 \cf3 \ul1 A}{\fs22 \kerning2 \dbch \af5 \hich \af5 \loch \f5
\lang1048 \langnp1048 \cf3 }{\fs22 \kerning2 \dbch \af5 \hich \af5 \loch \f5
\lang1048 \langnp1048 \cf0 , ca izvor de inspira\uc1 \u539 ?ie al literaturii, este
o descoperire a romantismului.}{\fs22 \kerning2 \dbch \af5 \hich \af5 \loch \f5
\lang1033 \langnp1033 \cf3 \par }}