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This Earth of Mankind - Review PDF
This Earth of Mankind - Review PDF
- A journey wherein the protagonist (Minke), young Native Javanese man, grows
up in colonial Java that is ruled by the Dutch (end of 19th century)
- This story is a love story: ideas relating to relationships and Minke + Annelies’s
love story. He falls in love with a socially unacceptable girl
- Minke struggles to link what he has been taught in a European-style school with
his life experiences
- Historical fiction that shows the challenges/nature of colonialism and identity
struggles
- ^^ crucible is a historical play so that’s a similarity. They’re both about
justice/injustice, authority/power and unfair treatment
- Minke meets Annelies because his friend Robert Suurhof invited him there
- Suurhof wanted to humiliate Minke but surprisingly he was welcomed into the
Mellema household
- Minke is unsure about the Mellema family, he talks to his friend/business
partner Jean Marais who tells him not to judge someone right away and get to
know them first
- He moves into the Mellema home (Nyai invites him) and bonds with Annelies
- Minke continues his studies at school while living with the Mellema’s
- Minke gets taken away randomly by the police, takes him to his father
- His father was promoted, wants Minke to be a translator at his ceremony
- Minke makes forms new friendships with governing official’s Dutch daughters
- Annelies’s health is getting worse ---> Nyai tells Minke to come back to the
Mellema household
- Minke visits her, the family doctor tells him to help her recover as it seems that
his love is the only hope to cure Anneliese
- He marries Annelies and is happy with her
1) The novel presents Minke with many tests and trials. How does he meet these
trials? How do they shape his character and drive the plot of the novel?
What kind of life is Minke struggling to achieve?
Struggles: Minke was the first native Javanese boy to attend an elite Dutch colonial high school
(he had royal ancestry, powerful family)
But then his life is disrupted when he is invited to live with a highly unconventional family.
Minke meets the Mellema family who force him to confront the “societal norms” built upon
racial and gender oppression.
The household is headed by Nyai Ontosoroh, a native concubine who runs the family’s dairy
business. Her daughter also works with her, and Nyai is so emancipated that she allows Annelies
and Minke to be together in solitude. It is a challenge for Minke to “unlearn” the way he has
been taught Native women and men should be treated/what their roles in society should be
Minke falls in love with Annalies which is a challenge as he is forced to give into his emotional
side over his predominantly science/logic-driven reasoning (ex. De La Croix).
Minke’s own prejudice is a challenge overcome (he had a prejudice toward typically lower-class
concubines before meeting Nyai) and forms a close friendship with her which he wouldn’t do
before as he was consumed with learning all things Dutch only
This also arouses the murderous hatred of Robert which is a challenge as he struggles to keep
himself safe from the threat, and through his relationship with Nyai takes his first steps on the
path that will lead him to become an outspoken opponent of Dutch colonial rule
- Minke is disliked by his friends in school bc they are all European descendants
- His father is a bupati - and they expect Minke to become one (feudal Java delegate) but
Minke is against his father’s way of thinking
- Ways of thinking from modern world vs collonial world
- Minke is influenced by Dutch education while his Javanese family has put in his mind his
Native status bounded by feudal rules
- He opposes his parents way of thinking “forgetting his mother”
- Dutch gave an opportunity to Natives to study (get skilled laborers inexpensively) -->
Dutch controlling the Natives
- National movement awakening
- Minke uses education as a tool to oppose Dutch power
2) This is a novel of broad historical and political sweep and yet at the same time a
moving and intimate story of one young man’s evolving consciousness. How are the
personal and political intertwined in the novel? How far has Pramoedya succeeded in
making history come alive in his characters and their predicaments? Has the novel
heightened your awareness of the nature of colonialism?
Minke and Nyai are both proud, highly educated, strong-willed individuals, who refuse to accept
the hierarchy that parcels out freedom and power according to the amount of European blood
running through one’s veins. Being the two main characters who go against societal norms - a
Native who gets married to a European (both Nyai and Minke), a female who runs the business
(nyai), two educated Natives (nyai and Minke), it questions the validity of hierarchy in
determining one's intelligence or social standing.
Minke doesn’t reveal identity - this story can represent any Native
Furthermore, it heightens the readers awareness of colonialism because it shows that through
developing the novel primarily through the consciousness of these two characters and their
confrontations with injustice, European civilization is largely characterized by hypocrisy.
Nyai, though a concubine with no legal rights over her children or the business she has made
successful, emanates a moral authority unmatched in the novel. And Minke, though his native
limitations are regarded as self-evident to many Europeans, proves through his writings and his
behavior that he is the equal of anyone. The personal and intimate story intertwined with the
political and historical backdrop helps the reader understand the humanistic side of conflict and
how colonialism causes one to question their identity and worth depending on their class and
race.
When Nyai discovers that Minke wants to be a writer, she tells him to “Write always about
humanity, humanity’s life, not humanity’s death. Yes, whether it’s animals, ogres, gods, or
ghosts that you present, there’s nothing more difficult to understand than humanity. That’s why
there is no end to the telling of stories on this earth. Portrayal of both the suffering caused by
colonialism and of human dignity trampled upon, it is also a story of a struggle for freedom.
Therefore TEOM consists of the humanistic side of a political story. The fact that Minke did not
reveal his true identity (chapter 1), and his name itself was conjured by the slip-up of a racial slur
“monkey” which he realized a while later shows that this story can apply to any Native during
the time of the Dutch East Indies and the racial mistreatment endured.
3) Magda Peters, Minke’s favorite teacher, tells her students that “without a love of literature,
you’ll remain just a lot of clever animals.” How are literature and learning important for Minke?
What do they allow him to do? What are the unintended consequences of his European
education?
Literature and learning - Pramoedya was not allowed to write and he had to do it secretly before
getting permission. During mass executions of political prisoners, in the isolation cell he told the
stories to his friends. During official ceremonies, fellow isolated friends told the stories to other
friends who were not being isolated, and that’s how they were spread. This is reflected in
Minke’s character as much of the story centers his education, love for literature and learning.
When the novel's protagonist, Minke, a Native Indonesian living on Java around 1900, is
introduced to the idea of the “modern” by Dutch teachers and friends, he gradually discovers the
inconsistencies underlying Western conceptualizations of the “modern,” in particular regarding
sexuality and gender. The novel argues for a reconsideration of the “modern” from a
non-Western perspective that, instead of defending one homogenous vision of modernity with
roots in the West, allows for multiple trajectories for modernity. Such alternative ways of
conceptualizing the “modern” seek to capitalize on the increased mobility that accompanied
Western colonialism, using this mobility as a chance to come to a multilateral understanding of
what it means to be “modern” that includes a reorientation toward Native culture.
4) In many ways, Nyai is the novel’s strongest character. Why has Pramoedya given a
concubine such a central role in the book? How does her life defy and reverse conventional
expectations? What does the disparity between her legal status and her moral authority
reveal about Dutch rule in Indonesia? How would you describe her strength?
Nyai is the novel’s strongest character and she has been given this role in order to challenge
conventional notions of patriarchy and “male-dominant” success, as well as bringing about
different aspects of Dutch rule in Indonesia.
She was sold as a concubine by her father - depicting the way women were objectified (similar to
Mako, Japanese prostitute)
Her legal status vs moral authority = as a Native, she cannot legally call the children her own and
her marriage is also deemed illegal, however her moral authority in the way people (Herman,
Darsam) as well as Minke learn and obey her is untriumphed by any other character. Her role
signifies the hypocrisy within European rule, as although she is a Native woman she is highly
intelligent and runs the family business single-handedly.
5) Pramoedya composed this novel while in prison and told it to his fellow prisoners in
installments each morning before roll call. In what ways has Pramoedya shaped his story for this
specific audience? What effect do you think This Earth of Mankind would have had on
Pramoedya’s fellow inmates?
6) The novel begins with the narrator, Minke, telling us what other people call him but refusing
to reveal his “real” name. How are names significant in This Earth of Mankind? In what ways is
this a novel about Minke achieving an identity of his own?
7) When Minke is invited to live with Nyai and her family, he worries that his reputation will
suffer. His friend Jean tells him: “I think you should find out for yourself if what people say is
fair or not. To go along with unfair gossip is wrong. You might find you’re judging a family that
is perhaps better than the judge himself.” How is the idea of fair and unfair judgment developed
throughout the novel?
8) Early in the story, Minke thinks to himself: “How beautiful life is when one doesn’t have to
cringe before others.” Who is Minke expected to cringe before? How does he react to these
situations?
9) In what ways does Annelies’ forced departure to The Netherlands at the end of the novel
reenact Nyai’s own fate? How is it different? What is Pramoedya trying to suggest through
this parallelism in the story?
The parrallelism in the story is used because it shows that Natives were unable to escape their
“fate” and that “history kept repeating itself” depending on what your status of privilege was.
Despite gender roles being opposed, social class is still a deciding factor in the fate of Native
women. It is different because
10) Although Minke is the narrator, throughout This Earth of Mankind we encounter other
characters telling their own stories and histories. Why do you think Pramoedya uses this
device? What effect does it have on the narrative texture of the novel? What would be lost
if these stories were all told by a single narrator?
It makes it more personal and convincing if each character has their own account of events -
eliminates the narrow-minded bias that would result from having only one author tell every
event. The events that happened in Minke’s absence would be lost
In TEOM, Toer makes interesting use of stories that interrupt a linear structure and add a twist to
the narration style to tell Minke’s story. The question is why? What impact and purpose do these
serve - may be multiple?
identity/colonialism: Throughout the novel, there are snippets that deal with the ideas of the
plight of the Javanese in the colonial context which can translate beyond that time period.
In turn, this topic enhances Minke’s struggle with his identity. Tracking these ideas allow you to
see Minke’s journey as a character from start to finish.
The death of Herman Mellema sets off a series of events in the novel that have a disastrous
impact on Minke, Nyai and Annelies.
One way to look at the treatment of people is through a country’s laws and courts. As an
extension of Toer’s exploration of working against the systems of the land, the novel features
two separate trails which both impact on Minke and his new extended family. Examining these
trials closely allows you the reader to address several key takeaways of the novel, one being the
idea of injustice and inequality
On writing: Much is said about writing in this novel -- the points reinforce Minke’s character and
development, but also ideas of fighting against inequality and injustice.
Carefully look at the references below (add more if you find them). Identify who is speaking and
the main ideas. Then afterward, look back for patterns in the ideas as presented throughout the
novel. What role does writing have in this novel? (don’t forget the context of when and how this
novel was written as well)
Minor characters: What role do minor characters serve in the novel in terms of plot and thematic
development?
- Thematic development: only Minke’s love can save Annelies from being sick (Dr
Martinet) - emotions to make choices
- Annelies teaches Minke non-school non-European lessons
Themes
Colonialism
Education
Identity
Interpersonal Relationships
Conflict
Power
Emotions vs Reason
- Minke at first (beginning) really relies on science and logic (reason), has little faith or
belief (astrology, etc) and doesn’t really account for emotion
- As he meets Annelies and falls in love he recognizes his emotion and eventually chooses
to give in to his emotional needs by going back to the Mellema family and not becoming
a leader, instead of siding with the de la Croix family
Heritage
Family
War
Structure:
Point of view:
- Primarily in first person narrator, protagonist Minke who observes the Mellema family
from an initially outside perspective
During the course of the 18th century the Dutch United East India Company had established
itself as the dominant economic and political power on Java. Started to develop an interest to
interfere in indigenous politics on the island of Java in the 18th century as that would improve
their hold on the local economy.
- colonial Java, an island, that was colonized by the Dutch Indies (end of the 19th century)
- Within Java, the events usually occur in Surabaya (port city) or Wonokromo district
(outside the city where Mellema’s live)
- Surabaya as a port city ---> higher mix of religions, races, languages, ideas than other
parts of Java
- Set at the beginning of 1898
- Many languages used by characters: Javanese, Dutch, Madurese, Malay, High Javanese.
Indicates country of origin and also theme of class. Malay was the somewhat common
language used by most people to communicate with other races.
- Native Javanese who knew Dutch were not really allowed to speak it because Dutch was
considered a language of the colonizers and the upper-class, depicted in the novel
Patterns/repetition/progression
Treatment of Females
Fighting against system
Different cultures
Stereotypes
Literature/writing
Morals/beliefs
--------------------------------------
Characters
Minke:
- Relatively high class Javanese
- Goes to one of the top high-schools in the Indies, taught by the Dutch
- Pride ---> being well-educated
- Learns a lot outside of school through the novel: through life experiences &
Non-European teachers
- His mother calls him “Gus”, Minke is a name given by his elementary school teacher as
an insult. Was going to say “monkey”, quickly changed it to “minke”
- Minke figured this out years later
Meets Nyai
- Surprised at her
knowledge and power
- Learns from her
although she is Native
Mellema Family:
Annelies ---> beautiful, “love at first sight” for Minke, she aspires to be Javanese, surprisingly
treats Minke with respect although he is Native, has strong/close bond with Nyai. She is Indo but
sides with her mother in the family split and identifies as Native
- When meets Minke ---> shy and reluctant to draw attention to herself especially when he
compliments her. However she bravely takes him away from other people, gives him a
tour of the farm, dresses up for him
- She boldly shows her desire for him but then is shy/embarrassed again when he kisses
her. Annelies is confusing --> she gets anxious and feels sick when Minke is absent from
her, and depends on him + Nyai Ontosoroh to take care of her (she seems fragile)
- However, she is a juxtaposition because despite this, Annelies has actually undergone
many hardships in her life - father’s disappearance, raped by her brother (She is actually
very strong)
- Thematic development: only Minke’s love can save Annelies from being sick (Dr
Martinet)
- Annelies teaches Minke non-school non-European lessons/makes him rely on emotions to
make choices
Robert Mellema (son) ---> Grows increasingly jealous of Minke as he visits the house... in
chapter 8 orders Darsam to have Minke killed . Raped his sister (page 258)
Antagonist to Minke
Sides with the father in the family split (Annelies sides with mother)
Identfies himself with Europeans, even though he is Native
Depicted as ruthless, smart, dangerous, shallow
Actions hurt other characters ---> sister, mother, Minke
Absent from the trial for his murdered father convicts relatively innocent man
Nyai Ontosoroh (concubine) ---> self educated, follows European customs, runs the successful
family business, “liberated like a European woman”, powerful/strong repuation, unconventional
identity/behavior to how Native women were “supposed” to be
Mr Herman Mellema ---> a mystery to Minke at first as no one spoke about him, was not too
happy about Minke’s arrival as a guest for the first time, was rude to Minke but then was sent off
by Nyai. Even as the man of the house, he shows Nyai’s power over him and over the whole
household as she runs the business single-handedly, takes care of Annelies, and Herman listens
to Nyai’s orders
Quotes + Analysis
“I don’t yet really need to reveal who I am before the eyes of others.” - This shows the narrator
is telling a story that, even though it is about himself/his experiences, that it can be related to
any person who holds his identity - His true identity is insignificant because it could be the
story of any young Native Javanese
“That eternally harassing, tantalizing future. Mystery! We will all eventually arrive there ---
willing or unwilling, with all our soul and boy. And too often it proves to be a great despot.”
(p.15) - foreshadowing that his story may not have a happy ending, since “despot” doesn’t
have joyful connotations
However, we are unsure as to if the story turns out happy or sad because the narrator says his
original notes on the events were combined with his “dreams, imaginings” so they have
become “different from the original”
Objects/Places:
Style
Themes:
- Identity
- Education
-
Characters
Chapter 2 Main Ideas
- Minke brags about his education at one of the best schools in the Indies
- His general and scientific knowledge
- Trains, reproductions of photographs
- One specific photograph reproduction: beautiful lady of high class, Queen Wilhelmina
- Robert Suurhof takes Minke to the Mellema household but doesn’t tell him that’s
where they are going
- Robert doesn’t want Annelies because she is not pure european blood but mixed (part
native island and part european) “only a goddess with Pure European blood” is
satisfactory, but for Minke as a native ---> mixed blood or an Indo girl would be
acceptable
- They go to Wonokromo district, Minke meets Mellema fam
- Nyai impresses Minke with her European mannerisms
Quotes + Analysis
“How foolish of us to think that the beauty bestowed by the gods does not always triumph over
the inventions of humans” (p.45)
“There were too many new things, which my teachers had never mentioned, that proceeded
from her lips. Remarkable” (p.46)
- Conflict of class in the colonial system - Robert Suurhof and Minke's conversation
because Suurhof derogatorily states Annelies’ beauty is not for him bc she is Indo or
mixed blood
- Suurhof is an Indo who thinks of himself as European bc he was born on a Dutch ship
- This foreshadows later events --> class and race play a role
Style
Characters
- Confused about his ideas of concubines and their family as immoral/low class
- All races and classes judged Nyai so Minke assumes he should do the same
- Jean Marais tells him not to judge based on only one encounter
- Minke is educated and should be able to decide his opinion for himself, regardless of
what society as a whole thinks or does
Quotes + Analysis
“An educated person must learn to act justly, beginning, first of all, with his thoughts, then
later in his deeds. That is what it means to be educated.” (p.56)
- Marais tells Minke “love is beautiful Minke, very very beautiful, but perhaps a disaster
follows. You must dare to face its consequences” the symbolism of the painting where
a woman is about to be killed by a Netherlands Indies soldier. It is Marais’s wife who
was killed for having contact with “infidels” and this quote foreshadows the tragic way
Minke and Annelies’ love story may end
- Idea of class and race - European Jean is at a higher placement in the army than
Natives/Indos despite not being a better soldier
- His wife was part of the “enemy” and was killed for mixing with infidels
- Struggle between Natives and colonizers: people that Marais fight, Acehnese, have
been struggling for 27 years against the Dutch
- Natives fight for the freedom & love of their country because they fight even if they
know they will be defeated
- Dutch Indies Army is fighting out of duty
- Foreshadows Annelis’s health is tied up in Minke. Nyai says she is worried about
Annelies health --> daydreaming, not working. Minke is the only solution to her
health/happiness --> New responsibility for Minke
Objects/Places:
Style
Themes
Characters
- Dreaming about publishing stories of his experiences --> foreshadows this book
(literature)
- Nyai says she got educated from life, not school
- Minke wants to study the Mellema fam so he can write about them in the future
Quotes + Analysis
“And what can be obtained in this life without payment? Everything must be paid for, or
redeemed, even the shortest happiness” (p. 69)
Objects/Places:
Style
Themes
Characters
Nyai Ontsoroh
Switching of narrators --> used when something happens and Minke wasn’t there. Nyai’s
backstory
Recived her education from herman mellma
They were happy, before herman changed
Didn’t take Herman to mental institution because it threatened their family and their business
- Sanikem
- Her father wanted to get promoted but was unsuccessful in getting more respect and
money to take care of his family
- Her beauty kept her in the house because her father did not want her to get married
- Her father sold her to white leader as concubine so he could get a promotion at his
factory, the wife protested but couldn’t stop him (powerlessness of women), Nyai was
forced to be Herman’s concubine
- Nyai wants Annelies to marry whoever she wants to
- Refused to see her parents again
- Birth of Annelies and Robert story
- She is stripped of her name as the mother of her children
- Mr mellema legally acknowleged the kids as his children not hers, but they are still
illegitimate
- The event that changed herman - his legitimate child from European woman (previous
marriage) made threats and old him to divorce his mother
- Mr Mellema left after his son did, and didn’t come back
- He returned but he had changed
- Nyai took charge of house and business
- Annelies helps with business
- Family split = robert with father, annelies with mother
- Minke met their family in this state
Quotes + Analysis
“Only then did I realize how evil the law was. You obtained a father, but lost a mother” (p. 93)
- Mr mellema “stand there open-mouthed like somebody who’d lost his senses” - Nyai
- “It turned out later that indeed he had lost his mind”
- “bastard children”
- “Your mama just a Native would have no rights over anything and would not be able to
do a thijng for her child; you, Ann. all our backbreaking efforts with never a holiday,
would have been in vain because the law would not acknowledge my motherhood just
bc i was native and not legally married”
- “Even permission for Annelies to marry would not come from me but from that
executor - neither kith nor kin”
- Nyai’s backstroy has been told by Annelies to Minke who then told it to us
- Flashback
- Non-linear narrative
- Context of Annelies learning the story from Nyai when unable to sleep because of her
love for Minke
- Insight into the plight of Javanese and illigemate children, foreshadows future events
- Nyai tells Annelies about why she didn’t take Herman to mental hospital
- Because if he was found unfit - business, money and family would be left in the mercy
of a court and as a native she would be unable to do anything
- Foreshadows that if something was to happen to Herman in the future, Nyai’s
rights/work could be taken away
- Could have happened if Nyai had admitted Herman
- Better understanding of the precarious fate of natives in the colonial indies
- Nyai realizes her children will never be legitimate
- Event that changes Herman - foreshadowed in previous chapters - finally learn what
happened. Theme of legitimacy bc Herman’s legitimate son Maurits is the factor for his
change
- Accusations of herman’s unfaithfulness with Nyai and her “bastard children” are what
cause Herman to lose his mind
Objects/Places:
Style
Themes
Legitimacy
Heritage
Family
Role of women
Gender inequality/colonialism (hierarchy)
Characters
Quotes + Analysis
“Write, Nyo, always about humanity, humanity’s life, not humanity’s death. (Yes...) there’s
nothing more difficult to understand than humanity. That’s why there’s no end to the telling of
stories on this earth. Every day there are more (...). Stories about happy things are never
interesting. They are not stories about people and their lives, but about heaven, and clearly do
not take place on this earth of ours” (p. 111)
- the tension between Natives and Europeans again arises, even though Robert is actually
a mixed-blood Indo. Robert likes to think of himself as European, but Minke reminds
him that in his "veins runs Native blood."
- Minke indicates that he himself is also mixed-blood, in the sense that he has "European
knowledge and learning inside" himself, from studying at H.B.S.
- This theme continues when Nyai talks with Minke about writing, after she discovers
that he wrote an article based on her.
- She mentions authors such as Victor Hugo, which any modern day student would
recognize, but Minke fails to.
- This shows not only the broad range of Nyai's knowledge, but also the failings of the
Dutch educational system, which promotes Dutch works but apparently does not
provide its students a true literary education
- Minke actually doubts the truth of what Nyai said, because he has never heard of it and
because he is formally educated.
- This shows that even Minke, with his generally open mind, harbors some of the
prejudices of the day associated with class and education. This chapter hints that Minke
will become an author. He is published under a pen name, and Nyai encourages him to
continue writing.
- She tells him to write about humanity's life, and the reader gets a hint that is why he is
writing this book. (quote p. 111) She then goes on to say that interesting stories are
never about happy things, which foreshadows the fact that the very story Minke is
narrating may also not have a happy ending, 15 because it is interesting.
- She says that happy stories "clearly do not take place on this earth of ours,"
which help explains the meaning of the novel's name, while also
foreshadowing.
The novel is This Earth of Mankind - so if it is about mankind, the story will be
interesting but not necessarily happy.
Objects/Places:
Style
Themes
Characters
Minke is invited by assistant resident of the town Herbert De la Croix to his house, he is
impressed by Minke’s translations
Meets Sarah and Miriam De La Croix - they are Dutch, they share new ideas with Minke.
Criticize and irritate Minke - they graduated from HBS school and try to show superiority over
Minke
Teaches him about Assosciation Theory --> select educated native Javanese can be promoted
to co-govern with the European government so middle-men between native government and
real government could be removed and cooperation can exist between the two races
Minke’s impression of the sisters ---> annoying
Quotes + Analysis
- “It turned out when they were around their father they were not aggressive but rather
orderly and polite” (p. 148)
-
Objects/Places:
- His town, bupati residence which is a day’s travel from Surabaya
Style
Themes
- Class differences
- Minke’s mother accuses him of being a “brown Dutchmen” or native who has recieved
a European education and who acts European and has forsaken his Javanese heritage
- Minke’s mother, contrast to Robert Mellema, believes this is a bad thing
- “What’s the use of being Javanese only to have one’s rights violated?” Ironic statement
because throughout the novel we see that the Javanese have no rights
- Minke’s question shows that being called European or Dutch is not an insult, because
they have rights
- But he apologizes to his mother, and participates in traditional Javanese customs
- Minke throws off his European clothes, dressed in the attire of Javanese knight for the
ceremony
- Shows ties between Minke and his family & ancestors despite talking down about them
previously, and shows the internal struggle of class & race tensions that Minke has
Characters
Quotes + Analysis
“Minke, if you maintain your present attitude, I mean your European attitude, not a slavish
attitude like most Javanese, perhaps one day you will be an important person. You can become
a leader, a pioneer, an example to your race.” (p.148)
“My earth, this earth of mankind, had lost all its certainty. All the science and learning that had
made me what I am evaporated into nothingness.” (154)
Objects/Places:
Style
Themes
Characters
Quotes + Analysis
- Robert’s downfall
- Events of the day in the brothel from Robert’s point of view
- Insight into prostitution in Java - even among the profession class differences, Japanese
are favored over Chinese ones
- Highlights the fate of women in general
- Maiko has no choice in her prositution and Nyai had no choice in being a concubine
- Underclass women ---> not much independence allowed
Objects/Places:
Style
Themes
Characters
- Minke narrates story again, Annelies and Nyai wait for Robert to return
- Nyai knows he has been at the same place his father goes to (Herman)
- Robert leaves and rarely returns
Quotes + Analysis
- Robert’s downfall
- Chapter 9 tells events of the day in the brothel from robert’s POV, chapter 10 is Ah
Tjong and Maiko’s POV
Objects/Places:
Style
Themes
Characters
Quotes + Analysis
“Whatever else, I still liked school. To mix openly with all my friends. To be free. Obtaining
new, unlimited knowledge and learning. Absorbing everything from this earth of mankind
from the past, the present, and the future” (p. 188)
“
- Minke shows his youth when he imagines being killed/is scared
- Isn’t sure if he should stay away from Mellema or not
- Minke’s 2 options: side with de la Croix’s and become the educated Javanese who
helps lead the country OR go back to Mellema family and satisfy his emoional needs
- Minke chooses Mellema’s and forgets Miriam’s letter
- His emotions win over reason and education
Objects/Places:
Style
Themes
Characters
Quotes + Analysis
“Great artists (...) become great because their life has been crammed with and based upon
profound, intense experiences; emotional, spiritual or physical” (p.205)
Objects/Places:
Style
Themes
Characters
“Because it is not important where you reside. Especially when someone we call a nyai on the
outside, miss, is actually no less than an educated person, indeed she is my teacher” (p.226)
Objects/Places:
Style
Themes
Characters
Quotes + Analysis
Objects/Places:
Style
Themes
Characters
Quotes + Analysis
“I felt that whatever was going to happen, I was dependent on nobody. I felt strong” (p.247)
“Love comes from a source of power that has no equal. It can change people, destroy them or
cause them to cease to exist, build them up or smash them down” (p.251)
“The resilience and strength --- or otherwise --- of a person’s abilities, and his worth, are
directly related to the size and number of the trials he has undergone” (p. 264)
Objects/Places:
Style
Themes
Characters
Quotes + Analysis
“They can’t stand seeing Natives not being trodden under their feet. Natives must always be in
the wrong, Europeans must be innocent, so therefore Natives must be wrong to start with. To
be born a Native is to be in the wrong” (p. 278)
“This is how it is in all the colonies; Asia, Africa, America, Australia. Everything that is not
European, and especially if it is not colonial, is trodden upon, laughed at, humiliated, for no
other reason than to prove the supremacy of Europe and of colonial might in every matter - not
excluding ignorance” (p.280)
Objects/Places:
Style
Themes
Characters
- Minke is expelled from school, he is too adult to mix with his classmates since he has a
sexual relationship with a girl
- He writes an article about relations between Pures, Indos and Natives
- School recognizes the truth in his writings, reinstates him so he can graduate
- Magda Peters is a liberal who could get deported back to Holland bc she supports
independence
-
-
Quotes + Analysis
Objects/Places:
Style
Themes
Characters
Quotes + Analysis
“No one ever imagined that a native could beat Europeans. Such an idea was taboo in the
Indies” (p.301)
- Minke’s mother’s speech ---> tells him that the Dutch are powerful but have not stolen
people’s wives like the Javanese have historically done
- She said that in the past he would not have been able to keep Annelies, but this
foreshadows future events
- His mother berates him for being too Dutch
- Highlights the racial prejudice that is present between Natives and Europeans
- “Suurhof and Fatso kept on harrassing my thoughts” foreshadows that all may not end
well
Objects/Places:
Style
Themes
Characters
- Letter from Robert Suurhof confessing his love for Annelies, he is leaving Java to
forget her
- Nyai and Annelies are brought to court
- Maurits Mellema is claiming his inheritance as Herman’s only legitimate son
- Dutch courts to give his share of the estate and to oversee Annelies and Robert’s shares
as they are not legit
- Annelies is still a minor ---> Maurits is going to take her to the Netherlands, and the
marriage was Islamic (not Dutch or Christian) so it is invalid bc she is illegitimate and
will be separated from Minke
- Minke and Nyai fight this, layer from Herbet De La Croix
- They lose and the courts hold up the decision of the Amsterdam courts
-
Quotes + Analysis
“Years and years of schooling were overturned with just the three short sentences of a nyai”
(p.329)
Objects/Places:
Style
Themes
Characters
Quotes + Analysis
Objects/Places:
Style
Themes
Characters
Minor Characters:
Magda Peters
Robert Suurhof
De La Croix family
Minke’s mother
Jean Marais
HBS
Narration/Sequence
Identity/Communism
On Writing
- She says that happy stories "clearly do not take place on this earth of ours," which
help explains the meaning of the novel's name, while also foreshadowing.
The novel is This Earth of Mankind - so if it is about mankind, the story will be
interesting but not necessarily happy.
How does feelings of superiority that Minke have this further illustrate his character and
conflict?
“Go kneel before your mother, though I know you’re resolved to forget her. Sever your relations
with that nyai who doesn’t know when she’s already well off!” - Minke’s father
This quote shows that Minke has a hostile perception of his mother figure and the father
reinforces negativity surrounding her character because he implies that she’s ungrateful.
“It seems you’ve forgtten politeness too, and so have not gone quickly to kneel before Mother?”
- Minke’s brother
This reinforces Minke’s feeling of superiority through European education because he has
forgotten his politeness and cannot respect his own mother who is Javanese. Erasing his mother
may be symbolic of attemtping to erase the part of his identity that is native/Javanese and
indicate his full transition into wanting to be European
“You won’t even answer our letters. Perhaps you don’t even like me anymore” (page 130)
“Educated by the Dutch you’ve become Dutch, a brown Dutchman, acting this way. Perhaps
you’ve become a Christian.” (Page 130)
“‘Oh, forgive me, Mother,’ Her words had struck me sharply. I dropped to the ground, kneeling
before her and embraced her legs.” (page 130)
Contrasting his experience with his father, he willingly places himself in a lower physical stature
than his mother.
● “She lifted up my chin, looked into my face as if I were a four-year-old child. And her
soft, loving voice moved me. My eyes overflow with tears. This was my mother, just
as before, my own mother.” - she still treats minke as her child
● “She breathed and stroked my cheek as if I was a baby”
● “Ah Mother, how many pearlike words have you burned into my soul”
● Power - “Cats and rabbits”
Throughout the novel, there are several portrayals of mother and father relationships (don’t
forget May and Jean in chapter 3). What parallels and connections can you draw between the
ones above with others in the novel?
Finally, what more is gleaned about Javanese culture through this chapter? (rereading the actual
ceremony on pages 131-135 would help..)
a. narrow: “How do the two writers you have studied foreshadow events or ideas to
come later in their works, and what is the effect of such foreshadowing?”
b. broad: “With reference to the two works you have studied, analyse the techniques
used by writers to evoke an emotional response in the reader.”
c. landmine: “Writing is both an art and a craft, where form and content are
carefully constructed and language and style artistically embellish the whole.
Discuss in what ways at least two works you have studied effectively combine
both art and craft.”
- Set in the Dutch East Indies of 1898, the novel displays an acute awareness of issues to
do with language and ethnicity within a colonial society
- Minke is able to switch between Javanese, Malay and Dutch, depending on the social
situation in which he finds himself, and although he speaks and writes in Dutch, the
language of imperialist power, he also comes to understand that his ethnic status
represents an insurmountable barrier to his human rights and his chances of social ascent
within a colonial society.
- Minke begins the novel believing that European education and technology represent the
highest forms of human achievement, and he accordingly plans to develop his literary
career by writing in Dutch
- Because he so idealizes his European education, he also views his own Javanese culture
as reprehensible for its feudalism.
- But the great educational ‘institution’ in this novel is not Minke’s HBS in Surabaya; it is
a Javanese concubine named Nyai Ontosoroh. Perhaps a more fiery and socially critical
version of the Indonesian nationalist Kartini, Nyai Ontosoroh urges Minke to cease
writing in Dutch, and to adopt the language of nascent Indonesian nationalism, Malay,
which would later become Bahasa Indonesia
- In the novel’s most crucial passage, she exclaims to Minke: “Your writings are so gentle,
like the writings of a teenage girl waiting for a husband. Have you still not become hard
with all your recent experiences … Uncompromisingly hard? … Now you must write in
Malay, child. The Malay papers are read by many more people.”
- Nyai Ontosoroh teaches Minke the most valuable political lessons: that he can only
oppose the injustices of a colonial society by writing for his own people in their lingua
franca. She is one of the great female characters of world literature.
- TEOM’s esthetic form perfectly mirrors its thematic content. Just as Minke moves
beyond his European education by renouncing Dutch for Malay, so too does Pramoedya
use a European form – in order to make a powerful statement about Indonesian
nationalism and political consciousness.