FaloerWind Band Series
MASQUE
for symphonic wind band
(2000)
ie.
3
OR
Kenneth Hesketh
FABER ff MusicPROGRAMME NOTE
HE MASQUE has had a varied history, certainly a varied spelling (‘masque’,
a ‘maske', even ‘maskeling’). However, the historian E K Chambers in his book
The Medieval Stage defines the word in the following way: ‘A form of revel in
which mummers or masked folk come, with torches blazing, into the festive hall
Uninvited and call upon the company to dance and dice.’
The above description, | think, can also serve as a description to the piece.
The main theme is certainly bravura and is often present, disguised, in the
background. The form of the piece is a simple scherzo-trio-scherzo. Colourful
scoring (upper wind solos, trumpet and horn solos alternating with full bodied tuttis)
with a dash of wildness is the character of this piece—I hope it may tease both
player and listener to let their hair down a litle!
Kenneth Hesketh
INSTRUMENTATION
piccolo
2 flutes
2 obves (second doubling cor anglais)
Eb clarinet
3 Bb clarinets
Bb bass clarinet
2 bassoons
2 Eb alto saxophones
Bb tenor saxophone
Eb baritone saxophone
4 homs in F
3B} comets
2 Bb trumpets
2 tenor trombones
‘bass trombone
2 euphoniums
2 tubas
string bass
timpani
percussion (3 players)
bass drum, glockenspe tangle, snare dum, aretam, vbraphore,afophone, cash cymbal,
‘ship, woodblock temple block upended cymbal, tambourine
PERFORMANCE NOTE
This work really requites two tuba players. Where two tuba players are not available
an alternative tuba partis included which combines the two parts.2 Atos
Ter Soe
ed
2
mp
Jost
To Adrian Comell
Masque
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