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Abhayamudra
Abhayamudra
and worshipped. Closeley related to Vaishnavism, the Pancaratra literature includes various
Agamas and tantras incorporating many Vaishnava philosophies.
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Shilpashastra (iconography)
Abhayamudra in Shilpashastra glossary... « previous · [A] · next »
Abhayamudrā (अभयमद्र
ु ा) is a Sanskrit word referring to “the gesture of fearlessness”. The term
Source: Google Books: The Book of Hindu Imagery: Gods, Manifestations and Their Meaning
The Gesture of Fearlessness (Abhaya mudra).—The left hand is held up in this gesture of
dispelling fear. Our greatest fear is that of death and personal annihilation. The upheld hand is
Śiva’s assurance of protection and preservation. It also indicates the necessity of cultivating
harmlessness (ahiṃsā) and affording the gift of fearlessness to all other beings that we
encounter.
creative arts (shilpa) such as sculpture, iconography and painting. Closely related to
Vastushastra (architecture), they often share the same literature.
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Abhayamudrā (अभयमद्र
ु ा) is the name of a gesture (mudrā) mentioned in the Śivapurāṇa 1.20,
while explaining the mode of worshipping an earthen phallic image (pārthiva-liṅga) according
to the Vedic rites:—“[...] he shall show the “Śiva-mudrā” with the mantra ‘Eṣa te’; the
Abhayamudrā with the mantra ‘Yato Yataḥ’ etc. and the Jñāna-mudrā with the Tryambaka-
mantra”.
The Purana (पुराण, purāṇas) refers to Sanskrit literature preserving ancient India’s vast cultural
history, including historical legends, religious ceremonies, various arts and sciences. The
eighteen mahapuranas total over 400,000 shlokas (metrical couplets) and date to at least
several centuries BCE.
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India
This mudra, which initially appears to be a natural gesture, was probably used from prehistoric
times as a sign of good intentions - the hand raised and unarmed proposes friendship, or at
least peace; since antiquity, it was also a gesture asserting power, as with the magna manus of
the Roman Emperors who legislated and gave peace at the same time.
In Gandhara art, this mudra was sometimes used to indicate the action of preaching. This is
also the case in China where it is very commonly found in images of the Buddha, mainly in the
Wei and Sui eras (fourth to seventh centuries).
The Abhaya mudra is displayed by the fifth Dhyani Buddha, Amoghasiddhi. He is also the Lord
of Karma in the Buddhist pantheon. Amoghasiddhi helps in overcoming the delusion of jealousy.
By meditating on him, the delusion of jealousy is transformed into the wisdom of
accomplishment. This transformation is hence the primary function of the Abhaya mudra.