Guitar Solo.

N.Coste
1805 - 1883

Les Cloches
Souvenirs
(7 morceaux episodiques No.5)
Op.21
 Les cloches
Fugue et Rondeau
N.Coste


Op.21
Allegro Moderato
  
               
       
4 4
1 1
4 4

   
3
Fugue 1 1

  
1 1
2

 2 3


                     
8


                    
1
1 1 4 2 4

 
2

 
4 3

3
 3 4
1

      
14

      

      
       
2 4 4

        

3 3 3 2
1
2 1
2 4 1 4

     
VII CVII
20
          
½CII
 
4

  
1

                 
4 4 4

  
4 4
 1 2

 
0 3 2
3 2 3
3
  2 4 1 1 3 2

   
             C1
    
26

   
4 4 4 1 4 4 1 1 CIII

   
2

 
0 2 3


2 1 4

  
3 3 4 2


3

  
3 1

  
1
4
2 2 3 3
3 1

   
   
32
     
4

    
3


3

  
            
4


1 3

    
1
3

 
2
4 1 2

     
CVII

  
38
    
   
4 4 4 4

    
2

        
3

   
4

 
3 3 1 1

 
0

2 3 1
2

44
        
        
              
1


1 4 2 4

       
1 2
1


2


3 1 1 3 1 3
2 1
3 3 3 1
2 3 3 1
1 1

Transcription by Tony Wilkinson 2009.

 Allegretto
   
            
3

  
50 
Rondeau.    
          
 
            
55
          
        
     
       
 
p
  

               
        
60

            

  cresc.   
65
                     
                
      
 f    
                  
70

                
     
  
             
75
       
  
       
 f    
     
80
           
        
      
3 3
   
        
85
              
      
    
        
Harm
12


                 
90

                
 
95
          
              
             
                   
4 100

        
    
                   

   
106

             
            

  
111

              

 
     
 



               
116

          
      





        
121

                      
           
f

     rall.
               
126
     
   
                   

   
A tempo
               
131

          
     dim. 
          


137
         
 
        
             
               

                       
143

     
                 

 
         
                 
148

                      
          

 5

  
153
              
     
   

 
            
     
cresc.   f

rall.
     
A tempo
       
158


      
      

       
   
      
     
        
162

     
 
         
            
166

   
   
 

   
      
172
    
      
    f 

    

  
   
              
      
178

  
                
    
     
 
              
184

       
  
p
 

  
   
        
                      
188

   
    cresc.

    
  
     
192      
           
      
     

  
6
   
   
              
      
196

    
   
f

        

200
       
         

      
     
204

      
        



208

       
    
 
        
     
  
     
212
    
           
    


 
  
    
    
216 rit. CV

 
     
     
p

 
                  
220

        
   
   

    
rall.
      
224

         
7

     

  
12

   
9
7

  

nat.
Harm.



229
         
       
3 

12


9 4


9  7

Harm.
f
nat. 