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Project in

Art
Appreciation
Submitted by: Angel Rose B. Verbo
Submitted to: Apryn Jenneve de Guzman Venturina
SPOLIARIUM

ART ANALYSIS:
 VISUAL ELEMENTS:
COLORS: Red, White, Brown, and Black
SHAPES: Circle and square
LINES: straight
 REPRESENTATION:
PEOPLE: fallen gladiators, spectator, and roman soldier
 INTELLECTUAL MEANING: slavery
 EMOTIONAL MEANING: sadness and fear
MEDIA USED
 Oil on canvas
BACKGROUND
 Large painting in the Philippines.
 Made by Juan Luna.
 Winning the First gold medal in the 1884 Exposicion de Bellas Artes(Madrid Art
Exposition, May 1884).
 Period: Romanticism
TINIKLING

ART ANALYSIS:
 VISUAL ELEMENTS:
COLORS: Red, White, Brown, Black, yellow, and Green
SHAPES: Circle, square, rectangle, and triangle
LINES: vertical and straight
 REPRESENTATION:
People and the traditional dance in the Philippines
 INTELLECTUAL MEANING: Dancing
 EMOTIONAL MEANING: Joy and Happiness
MEDIA USED
 Oil on canvas
BACKGROUND
 Made by Fernando Amorsolo Y Cueto
 The Tinikling, 1946
 Size: 63.8x86 cm. (25.1 x 33.9 in.)
THIRD WORLD
ART ANALYSIS:
 VISUAL ELEMENTS:
COLORS: Red, White, Brown, Blue, Black, violet, pink, and Orange
SHAPES: Circle, square, rectangle, and triangle
LINES: triangular
 REPRESENTATION:
PEOPLE: an activist
 INTELLECTUAL MEANING: it reflects the imperialist violence against the starving
people of the third world
 EMOTIONAL MEANING: The destruction of the environment and how people of third
world were treated with inequality and injustice.
MEDIA USED
 Oil on canvas
BACKGROUND
 Papo de Asis (1949-2005) was born in Dumangas, Iloilo. His art has been "socially
conscious" since the 1970s.
 Third World 1981
BAYANIHAN

ART ANALYSIS:
 VISUAL ELEMENTS:
COLORS: Red, White, Brown, Blue, and Black
SHAPES: Circle, triangle, and rectangle
LINES: vertical
 REPRESENTATION:
PEOPLE: the community that work together
 INTELLECTUAL MEANING: the personality and characteristic of a Filipino.
 EMOTIONAL MEANING: the teamwork that Filipinos have is exceptional.
MEDIA USED
 Oil on jute
BACKGROUND
 Made by Vicente Manansala
 Bayanihan 1979
 Vicente Manansala (1910-1981), national artist painting 1981
BOY WITH KITE

ART ANALYSIS:
 VISUAL ELEMENTS:
COLORS: Red, White, Brown, and Black
SHAPES: Circle and triangle
LINES: triangular
 REPRESENTATION:
PEOPLE: a boy with his kite
 INTELLECTUAL MEANING:
 EMOTIONAL MEANING:
MEDIA USED
 Oil on Masonite board
BACKGROUND
 Made by Fernando Zobel
 Size of 49.5x64.5 cm
 Ayala museum collection gift of Jaime and beatriz zobel de ayala
PLANTING OF THE FIRST CROSS

ART ANALYSIS:
 VISUAL ELEMENTS:
COLORS: Red, White, Brown, Black, Blue and yellow
SHAPES: Circle, triangle, rectangle, and square
LINES:
 REPRESENTATION:
PEOPLE:
 INTELLECTUAL MEANING:
 EMOTIONAL MEANING:
MEDIA USED
 Oil on canvas
BACKGROUND
 Made by Vicente S. Manansala in 1965
 Vicente Manansala (1910-1981); national artist for painting 1981
IT STARTED IN EDEN

ART ANALYSIS:
 VISUAL ELEMENTS:
COLORS: Red, White, Brown, Black, Blue and yellow
SHAPES: Circle, triangle, rectangle, and square
LINES:
 REPRESENTATION:
PEOPLE:
 INTELLECTUAL MEANING:
 EMOTIONAL MEANING:
MEDIA USED
 Acrylic on canvas
BACKGROUND
 Made by Edgar doctor
 It started in eden 1969
TAKIP SILIM (TWILIGHT)

ART ANALYSIS:
 VISUAL ELEMENTS:
COLORS: brown
SHAPES: Circle, triangle, rectangle, and square
LINES:
 REPRESENTATION:
PEOPLE:
 INTELLECTUAL MEANING:
Twilight means the soft glowing light from the sky when the sun is below the horizon.
 EMOTIONAL MEANING:
This painting simply implies that there will always be a light, even just a little light in the
dark that the sun will always rise even when it sets.
MEDIA USED
 Cork relief
BACKGROUND
 Made by Danilo Garcia
PORTRAIT OF DR. JOSE RIZAL

ART ANALYSIS:
 VISUAL ELEMENTS:
COLORS: White
SHAPES: Circle and triangle
LINES:
 REPRESENTATION:
PEOPLE:
 INTELLECTUAL MEANING:
 EMOTIONAL MEANING:
MEDIA USED
 Plaster cast
BACKGROUND

 Made by Isabelo Tampinco y Lacandola in 1900


 José Rizal, in full José Protasio Rizal Mercado y Alonso Realonda, (born June 19, 1861,
Calamba, Philippines—died December 30, 1896, Manila), patriot, physician, and man of
letters who was an inspiration to the Philippine nationalist movement.

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