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Writing For Two Horns
Writing For Two Horns
Any melody can be arranged in 4 basic ways, so let’s not over complicate it.
1) In union or octaves.
2) In harmony.
3) Using counterpoint.
4) Homophony
2) Thirds are your friend. Writing in thirds usually the strongest way to imply
imply the basic harmonic progression of the piece.
3) Fourths and fifths are good too, but not a strong as thirds. Use them
sparingly. Good times to use them is at the end of a phrase, or when the
melody note is on a 3rd or 7th so the corresponding 3rd or 7th is a 4th or 5th
away. (this works for 6/9 chords too)
5) Sixths are just thirds up or down an octave depending on how you are looking
at it. They are strongest when the melody is on the root or the two instruments
are not in similar ranges.
6) Sometimes its great to just write a good line below the melody. Remember,
people came with the music first, theory came afterwards.