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Haydn - A Criação (Notas de Programa - Handel Society of Darmouth College)
Haydn - A Criação (Notas de Programa - Handel Society of Darmouth College)
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Haydn - A Criação (Notas de Programa - Handel Society of Darmouth College)
Haydn - A Criação (Notas de Programa - Handel Society of Darmouth College)
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HOPKINS CENTER
presents
(ANDEL 3OCIETY OF $ARTMOUTH #OLLEGE
$R 2OBERT $UFF CONDUCTOR
#ELEBRATION FOR THE 3EASON
&RANZ *OSEPH (AYDNS $IE 3CHPFUNG
#OURTENAY "UDD SOPRANO
-ARK !NDREW #LEVELAND BASS
7ILLIAM (ITE TENOR
AND THE
(ANOVER #HAMBER /RCHESTRA
4HIS PERFORMANCE IS MADE POSSIBLE IN PART BY GENEROUS SUPPORT FROM THE 'ORDON 2USSELL &UND
THE &RIENDS OF THE (ANDEL 3OCIETY &UND AND THE (ANDEL 3OCIETY &OUNDATION OF .EW (AMPSHIRE
4UESDAY .OVEMBER s PM
3PAULDING !UDITORIUM s $ARTMOUTH #OLLEGE
PROGRAM
0!24
/VERTURE
$IE 6ORSTELLUNG DES #HAOS s 4HE 2EPRESENTATION OF #HAOS
3CENE
2ECITATIVE 2APHAEL
)M !NFANGE SCHUF 'OTT (IMMEL UND %RDE
)N THE BEGINNING 'OD CREATED THE (EAVEN AND THE EARTH
#HORUS
5ND DER 'EIST 'OTTES SCHWEBTE AUF DER &LØCHE DER 7ASSER
!ND THE SPIRIT OF 'OD MOVED UPON THE FACE OF THE WATERS
!RIA 5RIEL
.UN SCHWANDEN VOR DEM HEILIGEN 3TRAHLE s .OW VANISH BEFORE THE HOLY BEAMS
#HORUS
6ERZWEImUNG 7UT UND 3CHRECKEN s $ESPAIRING CURSING RAGE
3CENE
2ECITATIVE 2APHAEL
5ND 'OTT MACHTE DAS &IRMAMENT s !ND 'OD MADE THE lRMAMENT
3OLO WITH #HORUS 'ABRIEL
-IT 3TAUNEN SIEHT DAS 7UNDERWERK s 4HE MARVELOUS WORK BEHOLDS AMAZED
3CENE
2ECITIATIVE 2APHAEL
5ND 'OTT SPRACH %S SAMMLE SICH DAS 7ASSER
!ND 'OD SAID ,ET THE WATERS BE GATHERED TOGETHER
!RIA 2APHAEL
2OLLEND IN SCHØUMENDEN 7ELLEN s 2OLLING IN FOAMING BILLOWS
2ECITATIVE 'ABRIEL
5ND 'OTT SPRACH %S BRINGE DIE %RDE 'RAS HERVOR
!ND 'OD SAID ,ET THE EARTH BRING FORTH GRASS
!RIA 'ABRIEL
.UN BEUT DIE &LUR DAS FRISCHE 'RÓN s 7ITH VERDURE CLAD THE lELDS APPEAR
PROGRAM CONTINUED
2ECITATIVE 5RIEL
5ND DIE HIMMLISCHEN (EERSCHAREN s !ND THE HEAVENLY HOST PROCLAIMED
#HORUS
3TIMMT AN DIE 3AITEN s !WAKE THE HARP
3CENE
2ECITATIVE 5RIEL
5ND 'OTT SPRACH %S SEIN ,ICHTER AN DER &ESTE DES (IMMELS
!ND 'OD SAID ,ET THERE BE LIGHTS IN THE lRMAMENT OF HEAVEN
2ECITATIVE 5RIEL
)N VOLLEM 'LANZE STEIGET JETZT DIE 3ONNE STRAHLEND AUF
)N SPLENDOUR BRIGHT THE SUN IS RISING NOW
4RIO AND #HORUS
$IE (IMMEL ERZØHLEN DIE %HRE 'OTTES s 4HE HEAVENS ARE TELLING THE GLORY OF 'OD
0!24
3CENE
2ECITATIVE 'ABRIEL
5ND 'OTT SPRACH %S BRINGE DAS 7ASSER s !ND 'OD SAID ,ET THE WATERS BRING FORTH
!RIA 'ABRIEL
!UF STARKEM &ITTICHE SCHWINGET s /N MIGHTY PENS UPLIFTED SOARS
2ECITATIVE 2APHAEL
5ND 'OTT SCHUF GROSSE 7ALlSCHE s !ND 'OD CREATED GREAT WHALES
2ECITATIVE 2APHAEL
5ND DIE %NGEL RÓHRTEN IHR UNSTERBLICHEN (ARFEN
!ND THE ANGELS STRUCK THEIR IMMORTAL HARPS
4RIO AND #HORUS
)N HOLDER !NMUT STEHN s -OST BEAUTIFUL APPEAR
3CENE
2ECITATIVE 2APHAEL
5ND 'OTT SPRACH %S BRINGE DIE %RDE s !ND 'OD SAID ,ET THE EARTH BRING FORTH
PROGRAM CONTINUED
2ECITATIVE 2APHAEL
'LEICH FFNET SICH DER %RDE 3CHOSS s 3TRAIGHT OPENING HER FERTILE WOMB
!RIA 2APHAEL
.UN SCHEINT IN VOLLEM 'LANZE s .OW HEAVEN IN ALL HER GLORY SHONE
2ECITATIVE 5RIEL
5ND 'OTT SCHUF DEN -ENSCHEN s !ND 'OD CREATED MAN
!RIA 5RIEL
-IT 7ÓRD UND (OHEIT ANGETAN s )N NATIVE WORTH AND HONOUR CLAD
2ECITATIVE 2APHAEL
5ND 'OTT SAH JEDES $ING s !ND 'OD SAW EVERYTHING
#HORUS AND 4RIO
6OLLENDET IST DAS GROSSE 7ERK s !CHIEVED IS THE GLORIOUS WORK
s ).4%2-)33)/. s
0!24
3CENE
2ECITATIVE 5RIEL
!US 2OSENWOLKEN BRICHT s )N ROSY MANTLE APPEARS
3CENE
$UET WITH #HORUS %VA AND !DAM
6ON DEINER 'ÓT O (ERR s "Y THEE WITH BLISS / BOUNTEOUS ,ORD
3CENE
2ECITATIVE !DAM AND %VA
.UN IST DIE ERSTE 0mICHT ERFÓLLT s /UR DUTY WE PERFORMED NOW
$UET !DAM AND %VA
(OLDE 'ATTIN $IR ZUR 3EITE s 'RACEFUL CONSORT !T THY SIDE
&INAL 3CENE
2ECITATIVE 5RIEL
/ GLÓCKLICH 0AAR s / HAPPY PAIR
#HORUS
3INGT DEM (ERREN ALLE 3TIMMEN s 3ING THE ,ORD YE VOICES ALL
PROGRAM NOTES
*OSEPH (AYDN OF CHORAL MUSIC ON SEASON SCHEDULES
4HE #REATION 4ODAY WE BLITHELY THINK OF (AYDN PRIMARILY AS hFATHER
&RANZ *OSEPH (AYDN WAS BORN IN 2OHRAU ,OWER OF THE SYMPHONYv AND hFATHER OF THE STRING QUARTETv
!USTRIA ON -ARCH AND DIED IN 6IENNA "UT IN HIS OWN DAY 4HE #REATION WAS RANKED QUITE
ON -AY (E COMPOSED 4HE #REATION $IE NATURALLYAND ALMOST INSTANTLYAS HIS SINGLE GREAT
3CHPFUNG BETWEEN THE END OF AND EARLY EST ACHIEVEMENT .O INDIVIDUAL SYMPHONY OR STRING
4HE FIRST PERFORMANCE WAS GIVEN PRIVATELY IN 0RINCE QUARTET OR -ASS SETTING NOT TO MENTION THE SMALLER
3CHWARZENBURGS PALACE IN 6IENNA ON !PRIL WORKS FOR VOICE OR PIANO OR VARIOUS COMBINATIONS OF
PUBLICLY IN THE 6IENNA "URGTHEATER ON -ARCH THE INSTRUMENTS COULD COME CLOSE TO IT IN IMAGINATIVE
FOLLOWING YEAR AN EVENT THAT WAS PROBABLY THE SUMMIT BRILLIANCE AND RANGE OF EXPRESSION !ND BEST OF ALL
OF (AYDNS CAREER 4HE ORATORIO IS SCORED FOR SOPRANO IT WAS SUNG )TS TEXT AND ESPECIALLY (AYDNS MUSIC
TENOR AND BASS SOLOS MIXED CHORUS AND AN ORCHESTRA GAVE IT NEAR UNIVERSAL APPEAL MAKING IT ACCESSIBLE
CONSISTING OF TWO FLUTES TWO OBOES TWO CLARINETS TWO AND MOVING TO LISTENERS OF EVERY CLASS AND EVEN OF
BASSOONS CONTRABASSOON TWO HORNS TWO TRUMPETS STRONGLY OPPOSED RELIGIOUS AND POLITICAL VIEWS 4HE
THREE TROMBONES TIMPANI AND STRINGS WORK WAS AS ENTHUSIASTICALLY RECEIVED BY 6IENNAS
#ATHOLICS AS BY HER FREEMASONS "ERLINS ,UTHERANS
(AYDNS #REATION IS ONLY A DECADE OLDER THAN THE ,ONDONS !NGLICANS AND THE REVOLUTIONARY THEISTS OF
(ANDEL 3OCIETY AND IT IS PRECISELY THE KIND OF WORK 0ARIS HAILED IT WITH AS MUCH FERVOR AS THE 6IENNESE
THAT THE (ANDEL 3OCIETY EXISTS TO PERFORM 3TILL THE &OR MANY IT RANKED WITH (ANDELS -ESSIAH AS ONE
PRESENT PERFORMANCE IS ONLY THE THIRD IN THE OF THE TWO GREATEST ORATORIOSAND PERHAPS GREAT
YEARS OF THE 3OCIETYS HISTORY 2OBERT $UFF HAS CHOSEN EST MUSICAL COMPOSITIONSEVER WRITTEN .OWHERE
IT TO BE THE FIRST WORK PERFORMED UNDER HIS DIREC
WAS THIS VIEW MADE MORE EXPLICIT THAN IN "OSTON
TION OF THE (ANDEL 3OCIETY TO MARK A NEW BEGIN
WHERE THE (ANDEL AND (AYDN 3OCIETY FOUNDED IN
NING APPROACHING THE ORGANIZATIONS BICENTENNIAL IN CHOSE ITS NAME PRECISELY BECAUSE OF THE TWO
ORATORIOS THAT FORMED THE BACKBONE OF THE 3OCIETYS
4IMES CHANGE OVER THE COURSE OF TWO CENTURIES MUSICAL ACTIVITY FOR ITS FIRST YEARS THOUGH WELL
AND WITH THEM THE CUSTOMS OF CONCERT GIVING )N INTO THIS CENTURY ITS MEMBERS STERNLY INSISTED ON
(AYDNS DAY A CONCERT NORMALLY INVOLVED AT LEAST AS MISPRONOUNCING (AYDNS NAME AS IF IT RHYMED WITH
MUCH VOCAL AS INSTRUMENTAL MUSIC 4ODAYS TYPICAL hMAIDENv
SYMPHONY CONCERT CONSISTING ENTIRELY OF ORCHESTRAL 4HE #REATION SEEMS TO HAVE BEEN PART OF A CON
MUSICPERHAPS WITH A SOLOIST IN A CONCERTO PROVID
CERTED CAMPAIGN ON (AYDNS PART TO ACHIEVE THE
ING ONE SMALL CONCESSION TO THE NEED FOR VARIETY KIND OF ACCLAIM IN THE FIELD OF VOCAL MUSIC THAT HE
WOULD HAVE BEEN DEEMED HOPELESSLY MONOTONOUS HAD ALREADY RECEIVED FOR HIS SYMPHONIES AND STRING
BY A 6IENNESE OR ,ONDON OR 0ARIS OR EVEN "OSTON QUARTETS (E WAS CERTAINLY NOT UNPRACTICED IN VOCAL
AUDIENCE IN THE S /N THE CONTRARY IN THOSE DAYS WRITINGFAR FROM IT !S THE COMPOSER ALREADY OF
AUDIENCES PURCHASED TICKETS FIRST OF ALL TO HEAR FAMOUS TEN -ASS SETTINGS AND TWO DOZEN OPERAS MARIONETTE
SINGERS SECONDLY LEADING SOLO INSTRUMENTALISTS THE OPERAS AND SMALLER STAGE WORKS NOT TO MENTION A
ORCHESTRA ITSELF CAME IN A DISTANT THIRD 4ODAY ON THEN POPULAR ORATORIO )L 2ITORNO DI 4OBIA HE COULD
THE OTHER HAND THERE ARE SYMPHONY SUBSCRIBERS WHO HARDLY BE CONSIDERED A NOVICE "UT THE BULK OF THAT
REGULARLY GIVE AWAY THEIR TICKETS WHEN A CHORAL PIECE WORK HAD BEEN COMPOSED FOR THE PRIVATE ENJOYMENT
IS PERFORMED AND COMPLAIN ABOUT THE PREDOMINANCE OF HIS PRINCE IN %SZTERHÕZA AND WAS UNKNOWN ELSE
PROGRAM NOTES CONTINUED
WHERE 4HE #REATION LIKE THE LAST SYMPHONIES DEM
POSITIONS 4HERE WERE ALSO INFORMAL hSINGSv THROUGH
ONSTRATES (AYDNS UTTERLY REMARKABLE ABILITY TO WRITE THE (ANDEL ORATORIOS THEN HARDLY KNOWN OUTSIDE OF
FRESH IMAGINATIVE COLORFUL MUSIC WITH THE COMMON %NGLAND DURING WHICH -OZART PLAYED FROM THE FULL
TOUCH MUSIC THAT SPEAKS TO LISTENERS OF ALL LEVELS OF SCORE WHILE SINGING ONE OF THE VOCAL PARTS SIMULTANE
MUSICAL EXPERIENCE OUSLY CORRECTING THE MISTAKES OF THE OTHERS
4HE ORATORIO WOULD NEVER HAVE BEEN COMPOSED &ROM VAN 3WIETEN ORGANIZED A SERIES OF ORATO
WITHOUT (AYDNS SUCCESSFUL VISITS TO ,ONDON 4HERE RIO PERFORMANCES WITH (ANDELS WORK PROVIDING THE
HE HEARD SEVERAL ORATORIOS BY (ANDEL STILL PART OF STAPLE REPERTORY 5NABLE TO SPONSOR THE LARGE
SCALE
AN UNINTERRUPTED PERFORMANCE TRADITION 0ERHAPS PERFORMANCES ENTIRELY FROM HIS OWN RESOURCES HE
OWING TO (AYDNS ENTHUSIASM FOR THIS MUSIC IN PUT TOGETHER A GROUP OF MUSICALLY MINDED ARISTOCRATS
%NGLAND HE WAS OFFERED AN ORATORIO LIBRETTO THAT HAD UNDER THE NAME 'ESELLSCHAFT DER !SSOCIIERTEN 3OCIETY
BEEN PLANNED FOR (ANDEL BUT NEVER COMPOSED 4HE OF !SSOCIATES WHO PAID THE BILLS FOR ORATORIO PER
TEXT DERIVED FROM 'ENESIS AND -ILTONS 0ARADISE ,OST FORMANCES IN THE TOWN PALACES OF VARIOUS MEMBERS
ALONG WITH A FEW REFERENCES TO THE 0SALMS DEALT WITH 4HESE ESSENTIALLY PRIVATE MUSICALES ACQUAINTED THE
THE TRADITIONAL ACCOUNT OF THE CREATION 4HE IMPRE
NOBILITY AND ARTISTIC ELITE OF 6IENNA WITH (ANDELS
SARIO 3ALOMON GAVE THIS TEXT TO THE COMPOSER AS HE MAJOR WORKS PROVIDING THE FRAMEWORK THAT ULTI
WAS JUST ON THE VERGE OF LEAVING FOR 6IENNA POSSIBLY MATELY LED TO THE COMPOSITION OF (AYDNS ORATO
IN THE HOPE OF COAXING HIM BACK TO ,ONDON FOR YET RIOSTHE VOCAL VERSION OF 4HE 3EVEN ,AST 7ORDS
ANOTHER VISIT SINCE THE FIRST TWO HAD BEEN EXTRAORDI
4HE #REATION AND 4HE 3EASONS ALL WITH TEXTS BY VAN
NARILY SUCCESSFUL (AYDN TOOK THE TEXT WITH HIM FOR 3WIETEN
PERUSAL KNOWING THAT AT HOME IN 6IENNA HE COULD 4HIS THEN WAS THE MAN TO WHOM (AYDN TURNED
BE SURE OF FINDING HELP AND ENCOURAGEMENT FROM FOR ASSISTANCE WITH THE LIBRETTO HE HAD RECEIVED
AN OLD ACQUAINTANCE AND (ANDEL ENTHUSIAST "ARON IN %NGLAND 4HE ORIGINAL %NGLISH AUTHOR REMAINS
'OTTFRIED VAN 3WIETEN WHO IN THE END EDITED THE ANONYMOUS THOUGH VARIOUS REPORTS ASCRIBED IT TO
TEXT FOR (AYDNS USE ABRIDGING THE LENGTHY %NGLISH ONE ,IDLEY THIS SEEMS TO BE AN ERROR FOR 4HOMAS
LIBRETTO AND PROVIDING A 'ERMAN TRANSLATION ,INLEY SENIOR
WHO AS THE CONDUCTOR
4HE BARON AN ACQUAINTANCE OF BOTH (AYDN AND OF THE $RURY ,ANE ORATORIO CONCERTS IN ,ONDON WAS
-OZART WAS A MUSICAL ENTHUSIAST WHO HAD BEEN PART OF A TRADITION STRETCHING BACK TO (ANDEL HIM
ACTIVELY ENGAGED IN THE REVIVAL OF "ACH AND (ANDEL SELF 7HETHER HE ACTUALLY WROTE IT WHICH IS RATHER
FOR OVER A DECADE BEFORE HE CAME TO BE INVOLVED IN UNLIKELY OR SIMPLY TURNED UP A COPY OF ANOTHERS
THE LIBRETTO FOR 4HE #REATION (IMSELF AN AMATEUR TEXT POSSIBLY AMONG THE PAPERS OF THE $RURY ,ANE
COMPOSER OF SYMPHONIES AND OP£RAS COMIQUES VAN 4HEATER IS NOT CLEAR 4HE MANUSCRIPT THAT (AYDN
3WIETEN HAD KNOWN (AYDN AT LEAST FROM THE S BROUGHT FROM %NGLAND HAS DISAPPEARED !LL THAT
AND HAD CHAMPIONED HIS MUSIC IN 'ERMANY DURING SURVIVES IS THE MUCH SHORTER 'ERMAN VERSION PRO
THE YEARS
WHEN HE WAS !MBASSADOR TO THE DUCED BY VAN 3WIETEN AND AN %NGLISH VERSION OF THAT
COURT OF &REDERICK THE 'REAT IN "ERLIN )N SOON TEXT PRINTED SIMULTANEOUSLY WITH THE 'ERMAN IN THE
AFTER -OZART MOVED TO 6IENNA THE YOUNG NEWCOMER FIRST PUBLISHED SCORE OF $IE 3CHPFUNGAPPARENTLY
QUICKLY FOUND HIS WAY TO VAN 3WIETENS EVERY 3UNDAY THE FIRST MUSICAL SCORE IN HISTORY TO BE SO PRINTED
4HERE HE PLAYED THROUGH THE WORKS OF (ANDEL AND 4HE POEM HAS BEEN CRITICIZED HARSHLY OVER THE YEARS
VARIOUS MEMBERS OF THE "ACH FAMILY AN EXPERIENCE 'ERMAN WRITERS USUALLY CONTENT THEMSELVES WITH
THAT WAS SOON STRIKINGLY REFLECTED IN HIS OWN COM
THE OBSERVATION THAT IT IS NOT UP TO THE LEVEL OF THE
PROGRAM NOTES CONTINUED
MUSIC %NGLISH SPEAKING CRITICS HAVE OFTEN LABELED ORATORIO AT THIS POINT h9E BIRDS THAT SING AT HEAVENS
THE %NGLISH VERSION LUDICROUS EXPLAINING ITS EVIDENT GATEv .O CANNOT POSSIBLY BE A TRANSLATION OF THE
WEAKNESSES BY CLAIMING THAT IT MUST BE VAN 3WIETENS 'ERMAN )T IS CLEARLY AN ADAPTATION OF -ILTONS
OWN RETRANSLATION INTO %NGLISH OF HIS ORIGINAL TRANS
xYE "IRDS
LATION INTO 'ERMAN ! SPATE OF NEWER TRANSLATIONS
4HAT SINGING UP TO (EAVEN 'ATE ASCEND
HAS ATTEMPTED TO AVOID SOME OF THE MORE BIZARRE
"EAR ON YOUR WINGS AND IN YOUR NOTES HIS PRAISE
LOCUTIONS OF THE ORIGINAL TEXT "UT A RECENT STUDY
6
OF THE LIBRETTO COMPARING THE SCORES %NGLISH TEXT
WITH THE SOURCES OF THE ORIGINAL LIBRETTOTHE "IBLE 6AN 3WIETENS CONCERN TO PRESERVE AS MUCH AS POS
AND -ILTONDEMONSTRATES THAT VAN 3WIETEN STAYED SIBLE OF THE ORIGINAL %NGLISH TEXT INDICATES THAT HE AND
CLOSER TO THE SOURCES THAN HE HAS BEEN GIVEN CREDIT (AYDN MUST HAVE PLANNED FROM THE BEGINNING TO
FOR 4HERE ARE MANY PLACES WHERE THE %NGLISH WORDS PUBLISH THE ORATORIO IN TWO LANGUAGES WITH AN EYE ON
ARE SIMPLY TAKEN QUITE LITERALLY FROM THE ORIGINAL THE ,ONDON MARKET AS WELL AS 6IENNA )N FACT WHERE
SOURCES 4HIS IS ESPECIALLY TRUE OF THE NARRATIVE RECITA
THE SYLLABLE STRUCTURE OF THE TWO LANGUAGES DIFFERED
TIVES THE PASSAGES DRAWN FROM THE FIRST TWO CHAPTERS (AYDN ACTUALLY COMPOSED ALTERNATIVES FOR USE WHEN
OF 'ENESIS 4HE CLOSE CORRESPONDENCE BETWEEN THIS THE WORK WAS SUNG IN %NGLISH
TEXT AND THE +ING *AMES TRANSLATION COULD ONLY BE
4HIS IS NOT TO SAY THAT VAN 3WIETEN PLAYED NO ROLE
POSSIBLE IF VAN 3WIETEN PREPARING A 'ERMAN TEXT
OTHER THAN THAT OF TRANSLATOR (E CERTAINLY HELPED
FOR (AYDN TO USE AS THE BASIS OF COMPOSITION HAD
SHAPE THE LIBRETTO BY CUTTING A LARGE PART OF THE ORIGI
BEEN CAREFUL TO PRESERVE THE ORIGINAL PHRASE STRUCTURE
NAL TEXT WHICH HE ESTIMATED WOULD RUN A GOOD FOUR
AND EVEN THE SYLLABIC STRUCTURE SO THAT WHEN IT WAS
HOURS IN PERFORMANCE IF IT WAS SET TO MUSIC COM
COMPOSED THE %NGLISH WORDS WOULD FIT ALONG WITH
PLETE AND HE INVENTED CERTAIN PORTIONS HIMSELF 4HE
THE 'ERMAN
BARON WAS ENAMORED OF THE DEVICES OF TONE
PAINTING
%VEN MORE EVIDENT ARE REFERENCES TO -ILTONS POEM THE WIDESPREAD SOMETIMES CHARMING SOMETIMES
WHICH OFTEN SURVIVE IN %NGLISH BUT ARE LOST IN NAIVE TECHNIQUE OF DEPICTING ACTIONS OR PHYSICAL
'ERMAN h)N SERPENT ERROR RIVERS FLOWv IN THE ORATO
OBJECTS THROUGH MUSIC (E NO DOUBT INVENTED SOME
RIO TEXT .O CLEARLY RECALLS -ILTONS h7ITH 3ERPENT OF THE TEXTS DESIGNED TO SUGGEST THE MORE COLOR
ERROUR WANDERINGv 0ARADISE ,OST 6)) /NE LINE FUL MUSICAL DEPICTIONS IN THE SCORE 3INCE -ILTONS
OFTEN DERIDED FOR ITS APPARENTLY LUDICROUS IMAGE OF 0ARADISE BEFORE THE FALL IS A PASTORAL LOCALE OF UTTER
SHEEP COVERING THE GROUND LIKE PLANTS PERFECTION WE CAN ASSUME PERHAPS THAT THE hOUTRA
!ND OER THE GROUND AS PLANTS ARE SPREAD GEOUS STORMS v THE hDREARY WASTEFUL HAIL v AND THE
4HE FLEECY MEEK AND BLEATING FLOCK .O hFLEXIBLE TIGERv ARE HIS INVENTIONS DESIGNED TO SUGGEST
VIVID MUSICAL IDEAS TO THE COMPOSER
IN FACT COMES DIRECTLY FROM -ILTONS ADMITTEDLY
ODD SIMILE )N ANY CASE VAN 3WIETEN WROTE OUT A FAIR COPY OF HIS
'ERMAN TEXT FOR (AYDNS USE AND ADDED A SERIES OF
x&LEECT THE &LOCKS AND BLEATING ROSE MARGINALIA WITH SUGGESTIONS FOR THE MUSICAL TREAT
!S 0LANTSx 6))
MENT 4HIS MAY SEEM TO HAVE BEEN EXTRAORDINARY
/NE MORE EXAMPLE MAKES THIS PROCEDURE QUITE CLEAR BRASHNESS ON THE PART OF A MUSICAL AMATEUR WHEN
THE 'ERMAN TEXT REFERS TO THE BIRDS AS h)HR DEREN ADDRESSING ONE OF THE GREATEST COMPOSERS OF ALL
&LUG DIE ,UFT DURCHSCHNEIDTv LITERALLY h9E WHOSE TIME YET THERE ARE INDICATIONS THAT (AYDN HIMSELF
FLIGHT CUTS THROUGH THE AIRv THE %NGLISH TEXT OF THE WELCOMED THE SUGGESTIONS THOUGH HE DID NOT BY
PROGRAM NOTES CONTINUED
ANY MEANS FOLLOW THEM ALL "UT ONE MOMENT AT THE GREAT !USTRIAN POET 'RILLPARZERTHAT THE "ARON
LEASTAND A VERY STRIKING IDEA IT IS TOOFOLLOWS VAN ARRANGED TO HAVE EACH NUMBER hAS SOON AS IT WAS
3WIETENS NOTE ON THE FIRST PAGE OF HIS ORIGINAL LIBRET
READY COPIED AND PRE
REHEARSED WITH A SMALL ORCHES
TO OPPOSITE THE CHORUS h!ND THE SPIRIT OF 'OD MOVED TRA v DISCARDING MUCH AS hTOO TRIVIALv FOR THE SUBJECT
ACROSS THE FACE OF THE WATERS v THE BARON WROTE h)N )F THERE IS ANY TRUTH IN THIS TALE IT MIGHT EXPLAIN WHY
THE #HORUS THE DARKNESS COULD GRADUALLY DISAPPEAR THERE ARE SO MANY SKETCHES FOR MUSICAL NUMBERS THAT
BUT ENOUGH OF THE DARKNESS SHOULD REMAIN TO MAKE WERE SUBSEQUENTLY DISCARDED .ORMALLY AS (AYDN
THE MOMENTARY TRANSITION TO LIGHT VERY EFFECTIVE @%S ONCE REMARKED HE DID NOT BEGIN TO WRITE UNTIL HE
WERDE ,ICHT C ;@,ET THERE BE LIGHT= MUST ONLY BE WAS SURE OF WHAT HE WANTED TO SAY "UT THIS ENOR
SAID ONCEv (AYDNS BRILLIANT TREATMENT OF THIS PAS
MOUS WORK BUILT OF STRIKING CONTRASTS MADE UNUSUAL
SAGE IS ONE OF THOSE GREAT STROKES OF GENIUS IN WHICH DEMANDS
ABSOLUTE SIMPLICITY ACHIEVES UTTERLY STUNNING ENDS !CTIVE PLANNING OF THE ORATORIO CERTAINLY TOOK PLACE
%ARLY LISTENERS NEVER FAILED TO MENTION IT AS ONE OF THE IN SINCE SOME OF THE SKETCHES CAN BE FOUND
MOST MEMORABLE MOMENTS IN THE ENTIRE WORK INTERMINGLED WITH DRAFTS OF THE -ISSA 3ANCTI "ERNARDI
DE OFFIDA OF THAT YEAR "UT THE BULK OF SERIOUS WORK
ON THE SCORE FILLED THE SPRING AND SUMMER OF
(AYDNS SERIOUSNESS OF PURPOSE IN THIS COMPOSITION $URING THIS TIME (AYDN MADE THE ACQUAINTANCE OF A
IS INDICATED IN PART BY THE LONG TIME DEVOTED TO THE 3WEDISH DIPLOMAT &REDERIK 3AMUEL 3ILVERSTOLPE WHO
ORATORIOS COMPLETION (E HAD RETURNED FROM HIS WAS A NEIGHBOR AND A MUSIC LOVER 4HE DIPLOMATS
SECOND AND LAST VISIT TO ,ONDON IN THE EARLY AUTUMN LETTERS HOME AND A LATER REPORT OF HIS ACQUAINTANCE
OF BRINGING WITH HIM THE %NGLISH ORATORIO WITH (AYDN ARE FILLED WITH INTERESTING DETAILS OF THIS
TEXT 7E FIRST HEAR ABOUT THE PLANNED ORATORIO AT PERIOD )N THE LATE SPRING OF 3ILVERSTOLPE VISITED
THE END OF THE YEAR IN A LETTER FROM *OHANN 'EORG (AYDN AT HIS TEMPORARY RESIDENCE A RENTED LODGING
!LBRECHTSBERGER TO HIS AND (AYDNS FORMER PUPIL THAT HE TOOK FOR A FEW WEEKS TO BE NEAR "ARON VAN
,UDWIG VAN "EETHOVEN 4HE LETTER DATED $ECEMBER 3WIETEN h) FIND IT NECESSARY v SAID (AYDN hTO CONFER
WAS MAINLY FOR THE PURPOSE OF WISHING OFTEN WITH THE "ARON TO MAKE CHANGES IN THE TEXT AND
"EETHOVEN A HAPPY BIRTHDAY THE FOLLOWING DAY BUT MOREOVER IT IS A PLEASURE FOR ME TO SHOW HIM VARIOUS
!LBRECHTSBERGER ADDS NUMBERS IN IT FOR HE IS A PROFOUND CONNOISSEUR WHO
9ESTERDAY (AYDN CAME TO ME HE IS CARRYING HAS HIMSELF WRITTEN GOOD MUSIC EVEN SYMPHONIES
ROUND IN HIS HEAD THE IDEA OF A BIG ORATORIO OF GREAT VALUEv 0RIVATELY (AYDN DESCRIBED VAN
WHICH HE INTENDS TO CALL h4HE #REATIONv AND 3WIETENS SYMPHONIES TO HIS BIOGRAPHER 'RIESINGER
HOPES TO FINISH IT SOON (E IMPROVISED SOME OF WITH THE COMMENT h4HEY WERE AS STIFF AS HEv
IT FOR ME AND ) THINK IT WILL BE VERY GOOD 3OON (AYDN LET ME HEAR THE INTRODUCTION OF
-ANY SKETCHES SURVIVE FOR 4HE #REATION FAR MORE THAN HIS ORATORIO DESCRIBING #HAOS (E ASKED ME
FOR MOST OTHER WORKS BY (AYDN TO SOME EXTENT THIS TO COME AND SIT BESIDE HIM SO AS TO FOLLOW THE
CERTAINLY INDICATES A SERIOUS INTENT ON THE COMPOSERS SCORE 7HEN THE PIECE WAS ENDED HE SAID
PART A DESIRE TO DO SOMETHING QUITE OUT OF THE ORDI
h9OU HAVE CERTAINLY NOTICED HOW ) AVOIDED THE
NARY THIS IS ESPECIALLY TRUE OF THE h2EPRESENTATION RESOLUTIONS THAT YOU WOULD MOST READILY EXPECT
OF #HAOS v SURELY A MAJOR CHALLENGE TO ANY ARTIST FOR 4HE REASON IS THAT THERE IS NO FORM IN ANYTHING
WHICH FOUR DIFFERENT SKETCHES IN SCORE SURVIVE 4HERE ;IN THE UNIVERSE= YETv
IS EVEN A RATHER ODD STORYTOLD MANY YEARS LATER BY !T THE BEGINNING OF SUMMER 3ILVERSTOLPE VISITED
PROGRAM NOTES CONTINUED
(AYDN AGAIN BY NOW THE COMPOSER HAD MOVED BACK IN 6IENNA %ACH OF THE TEN MEMBERS OF THE 3OCIETY
TO HIS OWN HOUSE ON THE EDGE OF TOWN OF !SSOCIATES WAS TO PAY DUCATS TO "ARON VAN
(E SHOWED ME THE!RIA FROM 4HE #REATION 3WIETEN WHO ORGANIZED ALL THE DETAILS 2EHEARSALS
WHICH DESCRIBES THE SEA MOVING AND THE WAVES BEGAN IN THE NORMAL WAY LEADING TO THE FINAL PUBLIC
BREAKING ON THE SHORES h9OU SEE v HE SAID IN REHEARSAL ON !PRIL WITH THE OFFICIAL FIRST PERFOR
A JOKING TONE hYOU SEE HOW THE NOTES RUN UP MANCE FOLLOWING THE NEXT DAY
AND DOWN LIKE THE WAVES SEE THERE TOO THE 3ILVERSTOLPE RECORDED HIS MEMORIES OF THAT EVENT
MOUNTAINS THAT COME FROM THE DEPTHS OF THE
SEA /NE HAS TO HAVE SOME AMUSEMENT AFTER .O ONE NOT EVEN "ARON VAN 3WIETEN HAD SEEN
ONE HAS BEEN SERIOUS FOR SO LONGv "UT WHEN THE PAGE OF THE SCORE WHEREIN THE BIRTH OF
WE ARRIVED AT THE PURE STREAM WHICH CREEPS LIGHT IS DESCRIBED 4HAT WAS THE ONLY PASSAGE
DOWN THE VALLEY IN A SMALL TRICKLE ) WAS QUITE OF THE WORK WHICH (AYDN HAD KEPT HIDDEN
ENTHUSIASTIC TO SEE HOW EVEN THE QUIET SURFACE ) THINK ) SEE HIS FACE EVEN NOW AS THIS PART
FLOWED ) COULD NOT FORBEAR PUTTING AN AFFECT
SOUNDED IN THE ORCHESTRA (AYDN HAD THE
IONATE HAND ON THE OLD AND VENERABLE SHOULDER EXPRESSION OF SOMEONE WHO IS THINKING OF BIT
AND GIVING IT A GENTLE SQUEEZE WHO SAT AT THE ING HIS LIPS EITHER TO HIDE HIS EMBARRASSMENT
PIANO AND SANG WITH A SIMPLICITY THAT WENT OR TO CONCEAL A SECRET !ND IN THAT MOMENT
STRAIGHT TO THE HEART WHEN THE LIGHT BROKE OUT FOR THE FIRST TIME
ONE WOULD HAVE SAID THAT RAYS DARTED FROM THE
/NE OF (AYDNS FEW REMAINING REGULAR DUTIES IN COMPOSERS BURNING EYES 4HE ENCHANTMENT
%STERHAZY SERVICE WAS CONDUCTING THE PERFORMANCE OF THE ELECTRIFIED 6IENNESE WAS SO GENERAL THAT
OF A -ASS ON THE NAME DAY OF THE 0RINCESS IN EARLY THE ORCHESTRA COULD NOT PROCEED FOR SOME MIN
3EPTEMBER !CCORDINGLY HE WENT TO %ISENSTADT WHERE UTES
THE PRINCELY FAMILY WAS LOCATED AT LEAST BY THE BEGIN
NING OF THE MONTH UNTIL ABOUT THE FIRST OF .OVEMBER /THERS SIMILARLY RECALLED THE EXTRAORDINARY ENTHUSI
3ILVERSTOLPE VISITED HIM THERE IN 3EPTEMBER HE LATER ASM OF THE AUDIENCE THROUGHOUT /N -AY A REVIEW
REPORTED THAT IT WAS hIN THIS PLACE OF REFUGEv THAT IN THE .EUE TEUTSCHE -ERKUR WAS ALMOST ECSTATIC
(AYDN FINISHED 4HE #REATION /F COURSE THERE WERE !LREADY THREE DAYS HAVE PASSED SINCE THAT
MANY DETAILS TO BE TAKEN CARE OFCOPYING OF THE HAPPY EVENING AND IT STILL SOUNDS IN MY EARS
MANUSCRIPT AND EXTRACTING OF ORCHESTRAL PARTS FIRST IN MY HEART AND MY BREAST IS CONSTRICTED BY
OF ALLBEFORE THE FIRST PERFORMANCE AND IT IS HIGHLY MANY EMOTIONS EVEN THINKING OF IT
LIKELY THAT (AYDN CONTINUED TO TOUCH UP HIS WORK
UNTIL THE LAST MINUTE (IS OWN AUTOGRAPH SCORE IS !T ONCE TWO FURTHER PERFORMANCESON -AY AND
LOST BUT THERE ARE ADDITIONS IN HIS HAND TO THE COPY
WERE ANNOUNCED AND ALL FASHIONABLE 6IENNA
ISTS WORK WHICH MAY IN SOME CASES REPRESENT NEW RUSHED TO OBTAIN TICKETS 3O GREAT WAS THE DESIRE TO
IDEAS HEAR THE WORK THAT THE 0RINCE WAS FORCED TO PROVIDE
MILITARY GUARDS TO CONTROL THE CROWDS
0ERHAPS THE ONLY TRIUMPH OF (AYDNS LIFE TO SURPASS
"Y !PRIL THE COPYING OF PARTS WAS FINISHED AND THE PREMIERE OF 4HE #REATION WAS THE FIRST PUBLIC
0RINCE 3CHWARZENBERG WAS INFORMED THAT THE ORA
PERFORMANCE THE FOLLOWING YEAR "EFORE ALLOWING
TORIO WAS READY FOR PERFORMANCE THIS WAS TO TAKE THE WORK TO BE GIVEN TO A GENERAL AUDIENCE THOUGH
PLACE IN THE 0RINCES TOWN PALACE ON THE -EHLMARKT (AYDN UNDERTOOK A FEW REVISIONS $ESPITE ITS OVER
PROGRAM NOTES CONTINUED
WHELMING SUCCESS HE WAS STILL EAGER TO IMPROVE IT PRESUMABLY CELLOS AND BASSES FILLING THE CENTER 3TILL
!MONG THE REVISIONS ARE A MORE FULLY SCORED TREAT
HIGHER UP CAME THE WIND INSTRUMENTS AND AT THE
MENT OF THE OPENING OF 0ART ))) .O WHICH VERY TOP LEVEL THE TRUMPETS TIMPANI AND TROM
ORIGINALLY BEGAN WITH THREE UNACCOMPANIED FLUTES BONES 4HIS WAS BY THE WAY THE PLAN THAT (AYDN
(AYDN ADDED PIZZICATO STRINGS WHICH HE HIMSELF HAD USED FOR THE PERFORMANCE OF HIS SYMPHONIES IN
ENTERED INTO THE PERFORMING PARTS !ND THE RECITATIVE ,ONDON AS WELL
h"E FRUITFUL ALLv .O WAS ORIGINALLY COMPOSED 4HE PERFORMANCE WAS SCHEDULED TO BEGIN AT 0-
AT VAN 3WIETENS SUGGESTIONAS A SECCO RECITATIVE BUT ONE FRIEND OF (AYDNS ARRIVING AT THE THEATER AT
WITH A hWALKINGv BASS LINE (AYDN DECIDED TO ADD TWO WAS ALMOST UNABLE TO GET IN
CELLOS LINES AND LATER STILL TWO VIOLA LINES GIVING THE
PASSAGE A WONDERFULLY MELLOW RICHNESS .EVER SINCE THE THEATER WAS BUILT HAS THERE BEEN
SUCH A FEARFUL AND DANGEROUS PRESS 0FERSMAN
%VEN BEFORE THE PUBLIC PERFORMANCE THERE WERE LET US THROUGH THE OFFICE AND GALLERY TO THE BOX
TWO MORE PERFORMANCES AT 0RINCE 3CHWARZENBERGS OFFICE AND WE WERE THUS ABLE TO GET GOOD SEATS
PALACE ON -ARCH AND DIRECTED AGAIN
BY (AYDN AND ONCE MORE FILLED TO OVERFLOWING 4HE !LLGEMEINE MUSIKALISCHE :EITUNG REPORTED THAT
WITH 6IENNAS ELITE &OR A MAN IN HIS LATE SIXTIES 4HE AUDIENCE WAS EXCEPTIONALLY LARGE AND THE
(AYDN KEPT AN INCREDIBLY BUSY SCHEDULE DURING THESE RECEIPTS AMOUNTED TO FLORINS CROWNS
WEEKSCONDUCTING 4HE #REATION ON -ARCH AND BECAUSE THE PRICE OF A BOX WAS DUCATS AND A
FOLLOWED BY A CONCERT AT 0RINCE ,OBKOWITZS PALACE 3PERRSITZ ;A SEAT THE OWNER OF WHICH COULD LOCK
DEVOTED TO HIS MUSIC ON THE TH TWO PERFORMANCES WITH HIS KEY= RAISED TO FLORINSnA SUM THAT HAS
OF 4HE 3EVEN ,AST 7ORDS ON THE TH AND TH WITH NEVER BEEN TAKEN IN BY ANY 6IENNESE THEATER
A GENERAL REHEARSAL OF 4HE #REATION AT NOON ON THE
LATTER DAY AND THE FIRST PUBLIC PERFORMANCE OF 4HE 9ET DESPITE THE CRUSH OF CONCERT GOERS THE HUGE
#REATION ON THE TH WHICH WAS THE COMPOSERS PACKED AUDIENCE WAS EXTRAORDINARILY ATTENTIVE FROM
NAME DAY 3T *OSEPH #LEARLY 6IENNA COULD NOT GET BEGINNING TO END
ENOUGH OF 0APA (AYDN /NE CAN HARDLY IMAGINE THE SILENCE AND THE
4HE PUBLIC PERFORMANCE WAS A LAVISH AFFAIR WITH AN ATTENTION WITH WHICH THE WHOLE /RATORIO WAS
EXCEPTIONALLY LARGE ENSEMBLE 4HERE MAY HAVE BEEN HEARD GENTLY BROKEN ONLY BY SOFT EXCLAMA
AS MANY AS PARTICIPANTS INCLUDING AN ORCHESTRA TIONS AT THE MOST REMARKABLE PASSAGES AT THE
WITH PERHAPS PLAYERS 4HE SURVIVING PERFOR
END OF EACH PIECE AND EACH SECTION THERE WAS
MANCE PARTS ASSUMING THAT THEY WERE ALL INTENDED ENTHUSIASTIC APPLAUSE
FOR USE AT ONE PERFORMANCE CALL FOR DOUBLED AND 'IVEN THE DEGREE OF SUCCESS ALREADY ACHIEVED BY THE
TRIPLED WIND PARTS WITH STRINGS TO BALANCE 4HE STAGE WORK (AYDN HAD FORESEEN THE LIKELIHOOD OF MUCH
OF THE "URGTHEATER WAS SET UP AS (AYDN DESIREDIN APPLAUSE $URING THE DAY HE HAD POSTED A PLACARD
A PLAN QUITE DIFFERENT FROM STANDARD MODERN SEATING URGING THE PUBLIC TO ALLOW HIM TO CONSIDER ANY
ARRANGEMENTSWITH A PIANO AT THE BOTTOM SUR
APPLAUSE hAS A MUCH APPRECIATED MARK OF SATISFAC
ROUNDED BY VOCAL SOLOISTS CHORUS AND A CELLO AND TION v AND NOT AS A DEMAND FOR A REPETITION OF ANY
DOUBLE BASS TO SERVE AS CONTINUO WITH THE PIANO GIVEN MOVEMENT hFOR OTHERWISE THE TRUE CONNECTION
!T THE NEXT LEVEL UP STOOD (AYDN WITH HIS BATON BETWEEN THE VARIOUS SINGLE PARTS FROM THE UNINTER
/NE LEVEL HIGHER SEATED ON OPPOSITE SIDES OF THE RUPTED SUCCESSION OF WHICH SHOULD PROCEED THE EFFECT
STAGE WERE THE FIRST AND SECOND VIOLINS WITH VIOLAS OF THE WHOLE WOULD BE NECESSARILY DISTURBEDv !ND
PROGRAM NOTES CONTINUED
THERE WAS PLENTY OF APPLAUSE THE PIECE APPEALED LUNGS AND SHEEP GUT AND CALF S SKIN COULD CRE
NOT ONLY TO THE LEARNED AND ELITE BUT TO THE AVERAGE ATE SUCH MIRACLES 4HE MUSIC ALL BY ITSELF
CONCERTGOER AS WELL DESCRIBED THUNDER AND LIGHTNING AND THEN
3URELY THE MOST COLORFUL DESCRIPTION OF THE PERFOR
COUSIN YOUD HAVE HEARD THE RAIN FALLING AND
MANCE COMES FROM THE h%IPELDAUER ,ETTERSv WRITTEN THE WATER RUSHING AND EVEN THE WORMS CRAWLING
BY *OSEPH 2ICHTER A CLEVER 6IENNESE JOURNALIST IN THE ON THE GROUND )N SHORT COUSIN ) NEVER LEFT A
LOCAL DIALECT .O DOUBT THE REPORT IS PARTLY INTENDED THEATER MORE CONTENTED AND ALL NIGHT ) DREAMED
TO BE HUMOROUS THE SPECIAL COLOR OF THE DIALECT IS OF THE #REATION OF THE 7ORLD
4HIS WAS SURELY THE GREATEST SINGLE SUCCESS (AYDN
QUITE IMPOSSIBLE TO CAPTURE IN TRANSLATION AS ANY
ONE WHO HAS SEEN THE FARCES OF 6IENNAS GREAT COMIC EVER KNEW !ND IT WAS REPEATED ALL OVER %UROPE
ALMOST IMMEDIATELY "Y IT HAD BEEN HEARD IN
AUTHOR .ESTROY KNOWS BUT IT CAPTURES THE FEELINGS
OF THE DAY MOST VIVIDLY ,ONDON 0RAGUE "ERLIN AND 0ARIS WITH THE SAME
KIND OF REACTION 2ARELY HAS A COMPOSEROR AN ART
!S LONG AS THE THEATER HAS STOOD IT HASNT BEEN IST IN ANY MEDIUMSUCCEEDED IN APPEALING TO SO
SO FULL ) WAS STANDING AT THE DOOR BY OCLOCK LARGE AN AUDIENCE SO DIRECTLY 4HERE WAS TO BE SURE
AND ONLY AT THE RISK OF LIFE AND LIMB DID ) GET AN INEVITABLE REACTION IN THE 2OMANTIC ERA WITH THE
A LITTLE SEAT IN THE LAST ROW OF THE TH FLOORx-Y RESULT THAT 4HE #REATION WAS VIRTUALLY FORGOTTEN IN
WIFE RESERVED SEATSnSHE LIKES THINGS COMFORT MOST PLACES FOR A CENTURY BUT THAT REACTION AND ITS
ABLEnAND SO SHE GOT TO THE THEATER ABOUT REVERSAL IS REALLY PART OF THE WHOLE HISTORY OF (AYDNS
OCLOCK AND SHE COULDNT GET TO HER SEATS ANY PLACE IN OUR CONCERT LIFE
MORE SO THE USHER WAS KIND ENOUGH TO LET HER
SIT ON HIS SEAT BY THE DOOR OTHERWISE SHED HAVE /NLY ONE FURTHER PERFORMANCE OF 4HE #REATION NEEDS
HAD TO STAND ON HER FINE OLD FEETx"EFORE THE TO BE MENTIONED HERE )T WAS MEMORABLE IN QUITE A
#ANTATA STARTED THERE WAS A NOISE AND A YELLING DIFFERENT WAYAS (AYDNS LAST PUBLIC APPEARANCE
SO THAT YOU COULDNT HEAR YOURSELF THINK 4HEY 4HE EVENT WAS PLANNED AS A GALA PERFORMANCE FOR THE
YELLED /W -Y ARM -Y FOOT -Y HAT !ND COMPOSERS SEVENTY
SIXTH BIRTHDAY IT ACTUALLY TOOK
LADIES WERE CALLING FOR THE SERVANTS THEYD SENT PLACE A FEW DAYS EARLY ON -ARCH 0RINCE
TO KEEP THE PLACES FOR THEM AND THE SERVANTS %STERHAZY SENT A CARRIAGE TO BRING (AYDN INTO THE
WERE CALLING FOR THEIR MISTRESSES AND PEOPLE CITY 4HE CROWD AT THE GRAND HALL OF THE 5NIVERSITY
WERE ALMOST CLIMBING OVER EACH OTHER SO THAT WHERE THE PERFORMANCE WAS TO TAKE PLACE WAS ENOR
FICHUS AND SHAWLS AND SKIRTS WERE CRACK CRACK
MOUS 4HE COMPOSER WAS GREETED BY THE HEREDITARY
ING ALL OVER THE PLACEx&INALLY THE MUSIC BEGAN NOBILITY0RINCE ,OBKOWITZ 0RINCESS %STERHAZY AND
AND ALL AT ONCE IT BECAME SO QUIET THAT YOU OTHERSAND BY THE ARTISTIC NOBILITY INCLUDING THE
COUSIN COULD HAVE HEARD A MOUSE RUNNING POET (EINRICH VON #OLLIN AND (AYDNS OWN WAY
AND IF THEY HADNT OFTEN APPLAUDED YOU WOULD WARD EX
PUPIL ,UDWIG VAN "EETHOVEN 3EATED IN AN
HAVE THOUGHT THAT THERE WERENT ANY PEOPLE ARMCHAIR HE WAS CARRIED INTO THE HALL AMIDST CRIES
IN THE THEATER "UT COUSIN IN MY WHOLE LIFE ) OF h6IVATv AND h,ONG LIVE (AYDNv 7HEN HE FELT
WONT HEAR SUCH A BEAUTIFUL PIECE OF MUSIC AND A DRAFT ON HIS LEGS 0RINCESS %STERHAZY AT ONCE PUT
EVEN IF IT HAD LASTED THREE HOURS LONGER AND HER SHAWL ON HIM AN EXAMPLE FOLLOWED BY OTHER
EVEN IF THE STINK
AND SWEAT
BATH HAD BEEN NOBLE LADIES 4HE CONDUCTOR !NTONIO 3ALIERI GREETED
MUCH WORSE ) WOULDNT HAVE MINDED &OR THE (AYDN WARMLY AND THE PERFORMANCE BEGAN
LIFE OF ME ) WOULDNT HAVE BELIEVED THAT HUMAN 4HUNDEROUS APPLAUSE BROKE OUT AT THE WORDS h!ND
PROGRAM NOTES CONTINUED
THERE WAS LIGHTv /NE REVIEWER NOTED THAT (AYDN BIOGRAPHER (# 2OBBINS ,ANDON NOTES THOUGH
hTHE TEARS STREAMING DOWN HIS PALLID CHEEKS AND AS THAT (AYDN WAS AS MUCH INTERESTED IN THE HIGHER AND
IF OVERCOME BY THE MOST VIOLENT EMOTIONS RAISED LOWER ELEMENTS OF MAN AS -OZART AND 4HE #REATION
HIS TREMBLING ARMS TO (EAVEN AS IF IN PRAYER TO THE IN PARTICULAR WAS A KIND OF COUNTERPART TO -OZARTS
&ATHER OF (ARMONYv (E HAD TO LEAVE AFTER THE FIRST MOST POPULAR COMPOSITION 4HE -AGIC &LUTE WHICH
PART BUT HE ASKED THAT THE ARMCHAIR IN WHICH HE WAS TREATED THE SAME ISSUES IN A SYMBOLIC AND MYTHOLOGI
BEING CARRIED TURN BACK AT THE DOOR SO THAT HE COULD CAL FRAMEWORK 4HUS (AYDNS !DAM AND %VE AS CHIL
SAY FAREWELL TO THE PUBLIC h4HEN v SAID HIS BIOGRA
DREN OF NATURE CORRESPOND STRIKINGLY TO 0APAGENO
PHER 'IUSEPPE #ARPANI WHO WAS PRESENT hTURNING AND 0APAGENA
TO THE ORCHESTRA WITH THE MOST INTENSE EXPRESSION (AYDN CAREFULLY AVOIDED COMPOSING A CLOSED HAR
HE RAISED HIS EYES AND HIS HANDS TO HEAVEN AND WITH MONIC STRUCTURE IN 4HE #REATION THE WORK AS A WHOLE
TEARS IN HIS EYES HE BLESSED HIS CHILDRENv )T WAS A BEGINS IN # AND ENDS IN "
FLAT THIS DOWNWARD STEP
DEEPLY MOVING MOMENT THOUGH (AYDN WAS TO LIVE SYMBOLIZING THE IMPENDING FALL FROM GRACE 4HE ORA
FOR JUST OVER A YEAR THIS WAS THE LAST TIME THAT HE WAS TORIO ALSO EMPLOYS OTHER ELEMENTS OF MUSICAL SYM
TO APPEAR IN PUBLIC AND THE AUDIENCE RECOGNIZED BOLISM FROM THE hTONE PAINTINGv OF THE INDIVIDUAL
THE FACT #ARPANI ASKED THE COMPOSER HOW HE FOUND SCENES TO THE CHOICE OF KEY FOR PARTICULAR MOVEMENTS
HIS WORK PRESUMABLY REFERRING TO THE QUALITY OF THE # MAJOR IS OF COURSE A TRADITIONAL KEY FOR POMP
PERFORMANCE 3TILL IMBUED WITH HIS CHARACTERISTIC AND POWER (AYDN HAD COMPOSED SEVERAL BRILLIANT
MODESTY (AYDN SMILED AND REPLIED h)TS BEEN FOUR SYMPHONIES IN # FOR IMPERIAL VISITS TO %SZTERHÕZA
YEARS SINCE ) HEARD IT LAST AND ITS NOT BADv IT WAS ALSO BY FAR THE MOST COMMON TONALITY USED
FOR CONTRAPUNTAL -ASS SETTINGSTHAT IS IT WAS THE
4HE #REATION IS DIVIDED INTO THREE PARTS RATHER THAN KEY MOST FIT TO GLORIFY 'OD )T IS NO SURPRISE THEN TO
THE CUSTOMARY TWO THREE WAS TYPICAL OF (ANDELS FIND THAT KEY EMPLOYED AT THE MOST FITTING MOMENTS
ORATORIOS SO THIS DETAIL IS VERY LIKELY ANOTHER INDICA
OF THE SCORE THE CREATION OF LIGHT 'ABRIELS HYMN OF
TION THAT THE TEXT HAD ORIGINALLY BEEN PLANNED FOR PRAISE FOR THE SECOND DAY .O THE MOST FAMOUS
HIM 4HE FIRST TWO PARTS DEAL WITH THE TRADITIONAL OF ALL THE CHORAL NUMBERS h4HE HEAVENS ARE TELLING
hDAYSv OF CREATION FROM 'ENESIS CULMINATING IN THE GLORY OF 'ODv .O AND THE ELABORATE DUET
THE CREATION OF -AN PART ))) THEN TELLS OF !DAM WITH CHORUS IN WHICH !DAM AND %VE FULFILL THEIR
AND %VE IN THE 'ARDEN EMPHASIZING THE NOBLER ELE
DUTY IN GIVING PRAISE TO THEIR CREATOR .O 4HE
MENTS OF HUMANITY WHILE STILL FORESHADOWING THE hSTORMYv KEY OF $ MINOR APPEARS IN THE BEGINNING
&ALL 4HIS LAST PART WAS ESPECIALLY POPULAR IN THE TH OF THE ARIA DEPICTING THE CREATION OF THE SEAS AND THE
CENTURY WHEN THE %NLIGHTENMENTS INTEREST IN -AN LIFTING UP OF HILLS AND ROCKS .O !ND $ MAJOR
HIS WORKS AND HIS PRESUMED PERFECTIBILITY WAS WIDE
TRADITIONALLY A hBRILLIANTv KEY OWING TO THE USE OF THE
SPREAD "UT IN MORE RECENT YEARS IT HAS OFTEN BEEN PARTICULARLY SONOROUS TRUMPETS PITCHED IN THAT KEY
DRASTICALLY CUT OR ENTIRELY OMITTED $ONALD &RANCIS SERVES ITS TRADITIONAL USE FOR PRAISE OF THE THIRD DAY
4OVEY ARGUED THAT 4HE #REATION SHOULD NOT SUGGEST .O AS WELL AS IN THE NEAR MIRACULOUS DEPICTION
OR FORESHADOW ANY EVENTS AFTER THE SEVENTH DAY ON OF A SUN FILLED DAWN IN THE ACCOMPANIED RECITATIVE OF
WHICH 'OD RESTED AND THAT THE FINAL SECTION SHOULD .O AND 2APHAELS ARIA ANNOUNCING THAT THE ONLY
THEREFORE END WITH .O WHICH HAPPENS TO BE IN THING LEFT TO BE CREATED WAS -AN THE ONE CREATURE
# MAJOR THUS PROVIDING A SATISFYING TONAL CLOSE TO THAT COULD PRAISE ITS CREATOR .O
THE # MINORMAJOR OF THE OPENING NUMBER (AYDNS 4HE MORE TRADITIONAL KIND OF MUSICAL SYMBOLISM
PROGRAM NOTES CONTINUED
INDEED IT GOES BACK AT LEAST TO THE MADRIGAL COMPOS
KEY OF %
FLAT HE SLIPS AT THE LAST MOMENT DOWN TO
ERS OF THE 2ENAISSANCEIS WHAT IS OFTEN REFERRED TO A SURPRISING $
FLAT ! BREATHTAKING UPWARD RUSH IN
AS hWORD
PAINTING v OR TO GIVE IT AN TH CENTURY THE CLARINET ECHOED LATER BY THE FLUTE JUST BEFORE THE
NAME 4HONMALEREY hPAINTING IN TONESv !TTEMPTS RECAPITULATION MUST HAVE BEEN STARTLING TO AUDI
TO DEPICT MUSICALLY SUCH IMAGES AS CRAWLING WORMS ENCES OF THE DAY !ND EVEN THE RECAPITULATION AVOIDS
GALLOPING HORSES OR FALLING RAIN WERE DERIDED BY THE MOST OF THE TRADITIONAL DEVICES FOR CALLING ATTENTION
ROMANTICS AS NAIVE BUT THEY HAD BEEN POPULAR AND TO THE MUSICAL SHAPE 4HE PRELUDE ENDS WITH PHRASES
WELL
ESTABLISHED DEVICES OF MUSICAL ILLUSTRATION FOR OF GREAT LONGING SADNESS AND EMPTINESS 2APHAEL
CENTURIES BEFORE (AYDN AND THEY ARE SCARCELY DEAD DESCRIBES THE BEGINNING OF THE WORLD AS WE KNOW
EVEN TODAY "ARON VAN 3WIETEN WAS ENAMORED OF IT AND THE CHORUS SOFTLY ENTERS TO DESCRIBE THE SPIRIT
THEM AND HE CREATED MANY OPPORTUNITIES FOR (AYDN OF 'OD MOVING ACROSS THE WATERS &ROM THE BEGIN
TO DISPLAY HIS IMAGINATION 4HE COMPOSER FOR HIS NING OF THE WORK TO THIS POINT THE STRINGS HAVE BEEN
PART USUALLY WENT ALONG WITH THE GAME ARRANGING MUTED SUPPRESSING ANY BRILLIANCE OF TONE "UT WHILE
THE hPAINTINGSv IN SUCH A WAY AS TO GIVE THE AUDI
THE CHORUS SINGS h!ND THERE WASx v THE MUTES ARE
ENCE AN OPPORTUNITY TO GUESS WHAT HE WAS DEPICT
QUICKLY REMOVED SO THAT ON THE FORTISSIMO # MAJOR
ING BEFORE THE SINGER IDENTIFIED THE IMAGE IN WORDS CHORD OF THE WORD hLIGHT v WE HEAR THE FULL ORCHESTRA
4HUS IN .O THE VARIOUS TYPES OF WEATHERWINDS IN ALL ITS BRILLIANCE FOR THE FIRST TIME 4ONALITY DYNAM
LIGHTNING THUNDER RAIN HAIL AND SNOWBECOME A ICS TIMBRE ALL COMBINE IN THIS ELEMENTAL TOUCH ONE
KIND OF CHEERFUL GUESSING GAME AS WE HEAR ORCHESTRAL OF THE SIMPLEST AND YET MOST MOVING MOMENTS IN
DEPICTIONS OF THEM BEFORE 2APHAEL ANNOUNCES WHAT MUSIC
THEY ARE 4HE SAME THING HAPPENS WITH THE LARGE
MAMMALS IN .O WHERE (AYDN PAINTS THE ROAR OF 5RIEL SINGS OF THE NEW BRILLIANCE IN THE UNIVERSE IN
THE LION WITH CONTRABASSOON ADDED TO THE NORMAL THE BRIGHT KEY OF ! MAJOR A CONSCIOUS FOIL TO THE #
ORCHESTRA THE TIGER THE STAG THE hSPRIGHTLY STEED v MINOR DARKNESS OF THE OPENING 4HE MIDDLE SECTION
THE CATTLE AND THE SHEEP -OST OF THESE EXAMPLES ARE OF THE ARIA WITH ITS REFERENCE TO THE hDEEP OF ABYSS v
TO BE FOUND IN THE DESCRIPTIVE ACCOMPANIED RECITA
RETURNS TO # MINOR SO THAT THE FINAL SECTION BACK IN
TIVES WHICH ARE AMONG THE GLORIES OF 4HE #REATION ! MAJOR h! NEW
CREATED WORLD SPRINGS UP AT 'ODS
IT IS WORTH NOTING PERHAPS HOW LITTLE SECCO RECITA
COMMANDv APPEARS SO MUCH THE BRIGHTER
TIVE THERE IS IN THIS SCORE AND WITH WHAT VARIED COLORS
&ROM THIS MASTERFUL OPENING (AYDN MOVES FROM
(AYDN HANDLES THE ORCHESTRA WHEN HE CHOOSES TO
STRENGTH TO STRENGTH QUOTING THE "IBLICAL TEXT IN
ACCOMPANY THE RECITATIVES BY FORCES MORE ELABORATE
SECCO RECITATIVE TO SUMMARIZE 'ODS CREATIVE DECREE
THAN THE SIMPLE CONTINUO OF TIMES PAST
FROM DAY TO DAY FOLLOWED BY THE REACTION IN THE
4HE MOST FORWARD LOOKING MUSIC OF THE ENTIRE ORATO
FORM OF AN ACCOMPANIED RECITATIVE OR ARIA AND THE
RIO COMES AT THE VERY BEGINNING (AYDN HIMSELF WAS COMMUNAL GLORIFICATION OF THE CHORUS AGAIN A FUN
AWARE OF THE BRILLIANCE OF HIS SOLUTION TO THE PROBLEM DAMENTALLY (ANDELIAN PLAN NOT UNLIKE THE LAYOUT OF
OF DEPICTING CHAOS WHILE REMAINING WITHIN THE LIMITS hSCENESv IN -ESSIAH &ROM DAY TO DAY (AYDN DEPICTS
OF ART (IS PRELUDE CAREFULLY AVOIDS ANY EXPLICIT INDI
THE hWONDERS OF HIS WORKv IN MUSIC THAT CONTINUES
CATION OF ITS #
MINOR TONALITY BY EVADING THE EXPECT
TO RING THROUGH THE FIRMAMENT AND STILL SPEAKS TO
ED RESOLUTIONS AND WHEN HE SEEMS READY TO GIVE A LISTENERS OF EVERY DEGREE WITH THE SAME FORCE THAT IT
CLEAR MODULATION TO THE NORMAL EXPECTED SECONDARY DID NEARLY TWO CENTURIES AGO
3TEVEN ,EDBETTER
TEXT AND TRANSLATION
0ART 0ART
.O 2EZITATIV 2APHAEL UND #HOR .O 2ECITATIVE 2APHAEL AND #HORUS
2APHAEL 2APHAEL
)M !NFANGE SCHUF 'OTT (IMMEL UND %RDE )N THE BEGINNING 'OD CREATED THE HEAVEN AND THE EARTH
UND DIE %RDE WAR OHNE &ORM UND LEER AND THE EARTH WAS WITHOUT FORM AND VOID
UND &INSTERNIS WAR AUF DER &LØCHE DER 4IEFE AND DARKNESS WAS UPON THE FACE OF THE DEEP
#HOR #HORUS
5ND DER 'EIST 'OTTES SCHWEBTE AUF DER &LØCHE DER 7ASSER !ND THE 3PIRIT OF 'OD MOVED UPON THE FACE OF THE WATERS
UND 'OTT SPRACH %S WERDE ,ICHT AND 'OD SAID ,ET THERE BE LIGHT
UND ES WARD ,ICHT AND THERE WAS LIGHT
2APHAEL 2APHAEL
5ND 'OTT SAH DAS ,ICHT DASS ES GUT WAR !ND 'OD SAW THE LIGHT THAT IT WAS GOOD
UND 'OTT SCHIED DAS ,ICHT VON DER &INSTERNIS AND 'OD DIVIDED THE LIGHT FROM THE DARKNESS
.O !RIE 5RIEL UND #HOR .O !RIA 5RIEL AND #HORUS
5RIEL 5RIEL
.UN SCHWANDEN VOR DEM HEILIGEN 3TRAHLE .OW BEFORE THE SACRED RAY
DES SCHWARZEN $UNKELS GRØULICHE 3CHATTEN THE DISMAL SHADOWS OF BLACK DARKNESS VANISH
DER ERSTE 4AG ENTSTAND THE FIRST DAY HAS BEGUN
6ERWIRRUNG WEICHT UND /RDNUNG KEIMT EMPOR #ONFUSION YIELDS BEFORE EMERGENT ORDER
%RSTARRT ENTFLIEHT DER (LLENGEISTER 3CHAR "ENUMBED THE HOST OF HELLISH SPIRITS FLEES
IN DES !BGRUNDS 4IEFEN HINAB ZUR EWIGEN .ACHT DOWN TO THE ABYSS TO ETERNAL NIGHT
#HOR #HORUS
6ERZWEIFLUNG 7UT UND 3CHREKKEN BEGLEITEN IHREN 3TURZ $ESPAIR RAGE AND TERROR ACCOMPANY THEIR FALL
5ND EINE NEUE 7ELT ENTSPRINGT AUF 'OTTES 7ORT !ND A NEW WORLD ARISES AT 'ODS WORD
.O 2EZITATIV 2APHAEL .O 2ECITATIVE 2APHAEL
5ND 'OTT MACHTE DAS &IRMAMENT UND TEILTE DIE 7ASSER !ND 'OD MADE THE FIRMAMENT AND DIVIDED THE WATERS
DIE UNTER DEM &IRMAMENT WAREN VON DEN 'EWØSSERN WHICH WERE UNDER THE FIRMAMENT FROM THE WATERS WHICH
DIE OBER DEM &IRMAMENT WAREN UND ES WARD SO WERE ABOVE THE FIRMAMENT !ND IT WAS SO
$A TOBTEN BRAUSEND HEFTIGE 3TÓRME WIE 3PREU VOR DEM 4HERE MIGHTY STORMS DID RAGE AND BLUSTER ,IKE CHAFF
7INDE SO FLOGEN DIE 7OLKEN $IE ,UFT DURCHSCHNITTEN BEFORE THE WIND SO FLEW THE CLOUDS &IERY LIGHTNINGS CLOVE
FEURIGE "LITZE UND SCHRECKLICH ROLLTEN DIE $ONNER UMHER THE AIR AND FEARFUL THUNDER ROLLED ON EVERY SIDE &ROM THE
$ER &LUT ENTSTIEG AUF SEIN 'EHEISS DER ALLERQUIKKENDE WATER AT HIS BIDDING CAME THE QUICKENING RAIN THE DEVAS
2EGEN DER ALL VERHEERENDE 3CHAUER DER LEICHTE FLOKKIGE TATING DOWNPOUR THE LIGHT FLAKES OF SNOW
3CHNEE
.O 3OLO 'ABRIEL MIT #HOR .O 3OLO 'ABRIEL WITH #HORUS
'ABRIEL 'ABRIEL
-IT 3TAUNEN SIEHT DAS 7UNDERWERK DER (IMMELSBÓRGER !STONISHED HEAVENS HAPPY HOST GAZES ON THE WONDROUS
FROHE 3CHAR WORK
'ABRIEL UND #HOR 'ABRIEL AND #HORUS
5ND LAUT ERTNT AUS IHREN +EHLEN DES 3CHPFERS ,OB !ND FROM THEIR THROATS RINGS OUT PRAISE FOR THE #REATOR
DAS ,OB DES ZWEITEN 4AGS PRAISE FOR THE SECOND DAY
.O 2EZITATIV 2APHAEL .O 2ECITATIVE 2APHAEL
5ND 'OTT SPRACH !ND 'OD SAID
%S SAMMLE SICH DAS 7ASSER UNTER DEM (IMMEL ZUSAMMEN ,ET THE WATERS UNDER THE HEAVEN BE GATHERED TOGETHER INTO
TEXT AND TRANSLATION CONTINUED
AN EINEM 0LATZ UND ES ERSCHEINE DAS TROCKNE ,AND ONE PLACE AND LET THE DRY LAND APPEAR !ND IT WAS SO
UND ES WARD SO 5ND 'OTT NANNTE DAS TROCKNE ,AND %RDE !ND 'OD CALLED THE DRY LAND %ARTH AND THE GATHERING
UND DIE 3AMMLUNG DER 7ASSER NANNTE ER -EER UND 'OTT TOGETHER OF THE WATERS CALLED HE 3EAS AND 'OD SAW THAT IT
SAH DASS ES GUT WAR WAS GOOD
.O !RIE 2APHAEL .O !RIA 2APHAEL
2OLLEND IN SCHØUMENDEN 7ELLEN BEWEGT SICH UNGESTÓM 2OLLING IN FROTHY WAVES THE SEA STIRS STORMILY
DAS -EER (ÓGEL UND &ELSEN ERSCHEINEN DER "ERGE 'IPFEL (ILLS AND ROCKS APPEAR MOUNTAIN
TOPS REAR ALOFT
STEIGT EMPOR $IE &LØCHE WEIT GEDEHNT DURCHLØUFT DER !CROSS THE FAR
FLUNG PLAINS BROAD RIVERS WIND THEIR WAY
BREITE 3TROM IN MANCHER +RÓMME ,EISE RAUSCHEND GLEITET 3OFTLY MURMURING THE CLEAR STREAM GLIDES ALONG THE QUIET
FORT IM STILLEN 4AL DER HELLE "ACH VALLEY
.O 2EZITATIV 'ABRIEL .O 2ECITATIVE 'ABRIEL
5ND 'OTT SPRACH !ND 'OD SAID
%S BRINGE DIE %RDE 'RAS HERVOR +RØUTER DIE 3AMEN GEBEN ,ET THE EARTH BRING FORTH GRASS THE HERB YIELDING SEED AND
UND /BSTBØUME DIE &RÓCHTE BRINGEN IHRER !RT GEMØSS THE FRUIT TREE YIELDING FRUIT AFTER ITS KIND WHOSE SEED IS IN
DIE IHREN 3AMEN IN SICH SELBST HABEN AUF DER %RDE UND ES ITSELF UPON THE EARTH AND IT WAS SO
WARD SO
.O !RIE 'ABRIEL .O !RIA 'ABRIEL
.UN BEUT DIE &LUR DAS FRISCHE 'RÓN DEM !UGE ZUR .OW VERDURE FILLS THE MEADOWS TO DELIGHT THE EYE
%RGTZUNG DAR DEN ANMUSTVOLLEN "LICK ERHHT DER "LUMEN !ND FLOWERS ENHANCE THE VISTA WITH THEIR GENTLE JEWELED
SANFTER 3CHMUCK (IER DUFTEN +RØUTER "ALSAM AUS HIER CHARM (ERBS WAFT THEIR BALM UPON THE AIR HERE LIES THE
SPROSST DEN 7UNDEN (EIL $IE :WEIGE KRÓMMT DER GOLDNEN POWER TO HEAL "RANCHES BEND BOWED DOWN WITH GOLDEN
&RÓCHTE ,AST HIER WLBT DER (AIN ZUM KÓHLEN 3HIRME SICH FRUIT THE ARCHING GROVE A SHELTER COOL PROVIDES THICK FOR
DEN STEILEN "ERG BEKRNT EIN DICHTER 7ALD ESTS CROWN THE MOUNTAINS STEEP INCLINE
.O 2EZITATIV 5RIEL .O 2ECITATIVE 5RIEL
5ND DIE HIMMLISCHEN (EERSCHAREN VERKÓNDIGTEN !ND THE HOSTS OF HEAVEN PROCLAIMED THE THIRD DAY
DEN DRITTEN 4AG 'OTT PREISEND UND SPRECHEND PRAISING 'OD AND SAYING
.O #HOR .O #HORUS
3TIMMT AN DIE 3AITEN ERGREIFT DIE ,EIER 3EIZE THE LYRE AND LET ITS STRINGS RESOUND
,ASST EUREN ,OBGESANG ERSCHALLEN ,ET PAEANS OF PRAISE RING OUT
&ROHLOCKET DEM (ERRN DEM MØCHTIGEN 'OTT 2EJOICE IN THE ,ORD THE ALMIGHTY 'OD
$ENN ER HAT (IMMEL UND %RDE &OR HE HATH CLOTHED HEAVEN AND EARTH
BEKLEIDET IN HERRLICHER 0RACHT IN GLORIOUS SPLENDOR
.O 2EZITATIV 5RIEL .O 2ECITATIVE 5RIEL
5ND 'OTT SPRACH !ND 'OD SAID
%S SEIN ,ICHTER AN DER &ESTE DES (IMMELS UM DEN 4AG VON ,ET THERE BE LIGHTS IN THE FIRMAMENT OF THE HEAVENS TO
DER .ACHT ZU SCHEIDEN UND ,ICHT AUF DER %RDE ZU GEBEN DIVIDE THE DAY FROM THE NIGHT AND TO GIVE LIGHT UPON THE
UND ES SEIN DIESE FÓR :EICHEN UND FÓR :EITEN UND FÓR 4AGE EARTH AND LET THEM BE FOR SIGNS AND FOR SEASONS AND FOR
UND FÓR *AHRE %R MACHTE DIE 3TERNE GLEICHFALLS DAYS AND YEARS !ND HE MADE THE STARS ALSO
.O 2EZITATIV 5RIEL .O 2ECITATIVE 5RIEL
)N VOLLEM 'LANZE STEIGET JETZT DIE 3ONNE STRAHLEND AUF )N FULLEST SPLENDOR NOW THE SUN ARISES RADIANT
EIN WONNEVOLLER "RØUTIGAM A BLISSFUL BRIDEGROOM
EIN 2IESE STOLZ UND FROH ZU RENNEN SEINE "AHN A GIANT PROUD AND JOYFUL TO RUN HIS COURSE
TEXT AND TRANSLATION CONTINUED
-IT LEISEM 'ANG UND SANFTEM 3CHIMMER &LOATING AND SOFTLY LUSTROUS THE MOON
SCHLEICHT DER -OND DIE STILLE .ACHT HINDURCH STEALS THROUGH THE SILENT NIGHT
$EN AUSGEDEHNTEN (IMMELSRAUM 4HE GOLD OF NUMBERLESS BRIGHT STARS
ZIERT OHNE :AHL DER HELLEN 3TERNE 'OLD BEDECKS THE WIDE VAULT OF HEAVEN
UND DIE 3HNE 'OTTES VERKÓNDIGTEN DEN VIERTEN 4AG AND THE SONS OF 'OD PROCLAIMED THE FOURTH DAY
MIT HIMMLISCHEM 'ESANG SEINE -ACHT AUSRUFEND ALSO WITH HEAVENLY SONG AND PRAISED HIS POWER THUS
.O #HOR UND 4ERZETT 'ABRIEL 5RIEL 2APHAEL .O #HORUS AND 4RIO 'ABRIEL 5RIEL 2APHAEL
#HOR #HORUS
$IE (IMMEL ERZØHLEN DIE %HRE 'OTTES 4HE HEAVENS RELATE THE GLORY OF 'OD
UND SEINER (ØNDE 7ERK ZEIGT AN DAS &IRMAMENT AND THE FIRMAMENT SHOWS HIS HANDIWORK
'ABRIEL 5RIEL UND 2APHAEL 'ABRIEL 5RIEL AND 2APHAEL
$EM KOMMENDEN 4AGE SAGT ES DER 4AG /NE DAY TELLS IT TO THE NEXT
DIE .ACHT VERSCHWAND DER FOLGENDEN .ACHT THE NIGHT THAT FADES TO THAT WHICH FOLLOWS
#HOR #HORUS
$IE (IMMEL ERZØHLEN DIE %HRE 'OTTES 4HE HEAVENS RELATE THE GLORY OF 'OD
UND SEINER (ØNDE 7ERK ZEIGT AN DAS &IRMAMENT AND THE FIRMAMENT SHOWS HIS HANDIWORK
'ABRIEL 5RIEL UND 2APHAEL 'ABRIEL 5RIEL AND 2APHAEL
)N ALLE 7ELT ERGEHT DAS 7ORT JEDEM /HRE KLINGEND 4HE 7ORD GETS OUT THROUGH ALL THE WORLD SOUNDING IN
KEINER :UNGE FREMD EVERY EAR STRANGER TO NO TONGUE
#HOR #HORUS
$IE (IMMEL ERZØHLEN DIE %HRE 'OTTES 4HE HEAVENS RELATE THE GLORY OF 'OD
UND SEINER (ØNDE 7ERK ZEIGT AN DAS &IRMAMENT AND THE FIRMAMENT SHOWS HIS HANDIWORK
0ART 0ART
.O 2EZITATIV 'ABRIEL .O 2ECITATIVE 'ABRIEL
5ND 'OTT SPRACH !ND 'OD SAID
%S BRINGE DAS 7ASSER IN DER &ÓLLE HERVOR ,ET THE WATERS BRING FORTH ABUNDANTLY
WEBENDE 'ESCHPFE DIE ,EBEN HABEN THE MOVING CREATURE THAT HATH LIFE
UND 6GEL DIE ÓBER DER %RDE FLIEGEN MGEN AND FOWL THAT MAY FLY ABOVE THE %ARTH
IN DEM OFFENEN &IRMAMENTE DES (IMMELS IN THE OPEN FIRMAMENT OF HEAVEN
.O !RIE 'ABRIEL .O !RIA 'ABRIEL
!UF STARKEM &ITTICHE /N MIGHTY PINIONS RISING
SCHWINGET SICH DER !DLER STOLZ THE PROUD EAGLE CLEAVES THE AIR
UND TEILET DIE ,UFT IM SCHNELLESTEN &LUGE ZUR 3ONNE HIN AND SOARS IN SWIFTEST FLIGHT TOWARD THE SUN
$EN -ORGEN GRÓSST DER ,ERCHE FROHES ,IED 4HE LARK GREETS THE MORNING WITH A HAPPY SONG
UND LIEBE GIRT DAS ZARTE 4AUBENPAAR AND A PAIR OF AMOROUS TURTLE DOVES BILL AND COO
!US JEDEM "USCH UND (AIN &ROM EVERY BUSH AND GLADE
ERSCHALLT DER .ACHTIGALLEN SÓSSE +EHLE THE SWEET NOTES OF THE NIGHTINGALE RESOUND
.OCH DRÓCKTE 'RAM NICHT IHRE "RUST .O SORROW WEIGHS AS YET UPON HER BREAST
NOCH WAR ZUR +LAGE NICHT GESTIMMT AS YET NO NOTE OF SADNESS
IHR REIZENDER 'ESANG SOUNDS IN HER LOVELY SONG
.O 2EZITATIV 2APHAEL .O 2ECITATIVE 2APHAEL
5ND 'OTT SCHUF GROSSE 7ALFISCHE !ND 'OD CREATED GREAT WHALES
UND EIN JEDES LEBENDE 'ESCHPF AND EVERY LIVING CREATURE
TEXT AND TRANSLATION CONTINUED
DAS SICH BEWEGET UND 'OTT SEGNETE SIE SPRECHEND THAT MOVETH AND 'OD BLESSED THEM SAYING
3EID FRUCHTBAR ALLE MEHRET EUCH "E FRUITFUL AND MULTIPLY
"EWOHNER DER ,UFT VERMEHRET EUCH $WELLERS OF THE AIR INCREASE
UND SINGT AUF JEDEM !STE AND SING FROM EVERY BRANCH
-EHRET EUCH IHR &LUTENBEWOHNER )NCREASE YE DWELLERS OF THE SEAS
UND FÓLLET JEDE 4IEFE AND FILL EVERY OCEAN
3EID FRUCHTBAR WACHSET MEHRET EUCH "E FRUITFUL GROW AND MULTIPLY
%RFREUET EUCH IN EUREM 'OTT 2EJOICE IN YOUR 'OD
.O 2EZITATIV 2APHAEL .O 2ECITATIVE 2APHAEL
5ND DIE %NGEL RÓHRTEN IHR UNSTERBLICHEN (ARFEN !ND THE ANGELS PLAYED ON THEIR IMMORTAL HARPS
UND SANGEN DIE 7UNDER DES FÓNFTEN 4AGS AND SANG THE WONDERS OF THE FIFTH DAY
.O 4ERZETT 'ABRIEL 5RIEL 2APHAEL MIT #HOR .O 4RIO 'ABRIEL 5RIEL 2APHAEL WITH #HORUS
'ABRIEL 'ABRIEL
)N HOLDER !NMUT STEHN 4HEIR LOVELINESS ADORNED
MIT JUNGEM 'RÓN GESCHMÓCKT WITH TENDER GREENERY
DIE WOGIGTEN (ÓGEL DA THE ROLLING HILLS NOW STAND
!US IHREN !DERN QUILLT !ND FROM THEIR VEINS
IN FLIESSENDEM +RISTALL IN STREAMS OF LIQUID CRYSTAL
DER KÓHLENDE "ACH HERVOR THE COOLING WATERS FLOW
5RIEL 5RIEL
)N FROHEN +REISEN SCHWEBT #IRCLING IN HAPPY FLIGHT
SICH WIEGEND IN DER ,UFT MERRY FLOCKS OF BIRDS
DER MUNTEREN 6GEL 3CHAR SOAR AND HOVER THROUGH THE AIR
$EN BUNTEN &EDERGLANZ 4HEIR MULTICOLORED PLUMAGE
ERHHT IM 7ECHSELFLUG AS THEY FLY TO AND FRO
DAS GOLDENE 3ONNENLICHT BRIGHTENED BY THE GOLDEN SUNLIGHT
2APHAEL 2APHAEL
$AS HELLE .ASS DUCHBLITZT DER &ISCH 4HROUGH THE CLEAR WATER THE FISH
UND WINDET SICH IN STETEM 'EWÓHL UMHER DART AND SWIRL IN BUSY SHOALS
6OM TIEFSTEN -EERESGRUND &ROM THE DEEPEST OCEAN BED
WØLZET SICH ,EVIATHAN RISES THE LEVIATHAN
AUF SCHØUMENDER 7ELL EMPOR BORNE ON THE FOAMING WAVE
'ABRIEL 5RIEL UND 2APHAEL 'ABRIEL 5RIEL AND 2APHAEL
7IE VIEL SIND DEINER 7ERK O 'OTT (OW MANIFOLD ARE THY WORKS / 'OD
7ER FASSET IHRE :AHL 7HO CAN GRASP THEIR NUMBER
'ABRIEL 5RIEL 2APHAEL UND #HOR 'ABRIEL 5RIEL 2APHAEL AND #HORUS
$ER (ERR IST GROSS IN SEINER -ACHT 4HE ,ORD IS GREAT IN HIS MIGHT
UND EWIG BLEIBT SEIN 2UHM AND HIS GLORY ENDURETH FOR EVERMORE
.O 2EZITATIV 2APHAEL .O 2ECITATIVE 2APHAEL
5ND 'OTT SPRACH !ND 'OD SAID
%S BRINGE DIE %RDE HERVOR LEBENDE 'ESCHPFE ,ET THE EARTH BRING FORTH THE LIVING CREATURE
NACH IHRER !RT 6IEH UND KRIECHENDES 'EWÓRM AFTER HIS KIND CATTLE AND CREEPING THING
UND 4IERE DER %RDE NACH IHREN 'ATTUNGEN AND BEAST OF THE EARTH AFTER HIS KIND
.O 2EZITATIV 2APHAEL .O 2ECITATIVE 2APHAEL
'LEICH FFNET SICH DER %RDE 3CHOSS !T ONCE EARTHS WOMB IS OPENED
TEXT AND TRANSLATION CONTINUED
UND SIE GEBIERT AUF 'OTTES 7ORT AND BRINGS FORTH AT 'ODS 7ORD
'ESCHPFE JEDER !RT ALL KINDS OF CREATURES
IN VOLLEM 7UCHS UND OHNE :AHL FULLY GROWN AND WITHOUT NUMBER
6OR &REUDE BRÓLLEND STEHT DER ,WE DA 2OARING IN HIS JOY THE LION STANDS
(IER SCHIESST DER GELENKIGE 4IGER EMPOR 4HE AGILE TIGER LITHELY SPRINGS
$AS ZAKKIG (AUPT ERHEBT DER SCHNELLE (IRSCH 4HE SWIFT STAG LIFTS HIS ANTLERED HEAD
-IT FLIEGENDER -ØHNE SPRINGT UND WIEHRT 7ITH FLYING MANE THE NOBLE HORSE
VOL -UT UND +RAFT DAS EDLE 2OSS COURAGEOUS AND POWERFUL LEAPS AND NEIGHS
!UF GRÓNEN -ATTEN WEIDERT SCHON DAS 2IND IN (ERDEN )N ALPINE MEADOWS OXEN ALREADY GRAZE DIVIDED INTO HERDS
ABGETEILT $IE 4RIFTEN DECKT ALS WIE GESØT )N PASTURELANDS BROADCAST LIKE SEED
DAS WOLLENREICHE SANFTE 3CHAF STAND GENTLE WOOLLY SHEEP
7IE 3TAUB VERBREITET SICH IN ,IFE CHAFF THE INSECT HOST SPREADS OUT
3CHWARM UND 7IRBEL DAS (EER DER )NSEKTEN UPON THE AIR IN WHIRLING SWARMS
)N LANGEN :ÓGEN KRIECHT AM "ODEN DAS 'EWÓRM 4HE WORM TRAILS ITS SLOW LENGTH UPON THE GROUND
.O !RIE 2APHAEL .O !RIA 2APHAEL
.UN SCHEINT IN VOLLEM 'LANZE DER (IMMEL (OW THE HEAVENS SHINE IN ALL THEIR GLORY
NUN PRANGT IN IHREM 3CHMUKKE DIE %RDE NOW THE %ARTH IS SPLENDIDLY ADORNED
$IE ,UFT ERFÓLLT DAS LEICHTE 'EFIEDER 4HE AIR IS FILLED WITH FLUTTERING PLUMAGE
DIE 7ØSSER SCHWELLT DER &ISCHE 'EWIMMEL THE SEAS ARE SWOLLEN BY THE FISHY HOST
DEN "ODEN DRÓCKT DER 4IERE ,AST THE EARTHS PRESSED DOWN BY THE WEIGHT OF BEASTS
$OCH WAR NOCH ALLES NICHT VOLLBRACHT "UT ALL WAS NOT ACCOMPLISHED YET
$EM 'ANZEN FEHLTE DAS 'ESCHPF 4HAT BEING WAS STILL LACKING FROM THE WHOLE
DAS 'OTTES 7ERKE DANKBAR SEHN WHO COULD LOOK UPON 'ODS WORK WITH GRATITUDE
DES (ERREN 'ÓTE PREISEN SOLL AND PRAISE THE GOODNESS OF THE ,ORD
.O 2EZITATIV 5RIEL .O 2ECITATIVE 5RIEL
5ND 'OTT SCHUF DEN -ENSCHEN NACH SEINEM %BENBILDE !ND 'OD CREATED MAN IN HIS OWN IMAGE
.ACH DEM %BENBILDE 'OTTES SCHUF ER IHN )N THE IMAGE OF 'OD CREATED (E HIM
-AN UND 7EIB ERSCHUF ER SIE -ALE AND FEMALE CREATED HE THEM
$EN !TEM DES ,EBENS HAUCHTE ER IN SEIN !NGESICHT (E BREATHED INTO HIS NOSTRILS THE BREATH OF LIFE
UND DER -ENSCH WURDE ZUR LEBENDIGEN 3EELE AND MAN BECAME A LIVING SOUL
.O !RIE 5RIEL .O !RIA 5RIEL
-IT 7ÓRD UND (OHEIT ANGETAN 7ITH DIGNITY AND NOBILITY INVESTED
MIT 3CHNHEIT 3TØRK UND -UT BEGABT WITH BEAUTY STRENGTH AND COURAGE ENDOWED
GEN (IMMEL AUFGERICHTET ERECT BEFORE HEAVEN
STEHT DER -ENSCH EIN -ANN UND +NIG DER .ATUR STANDS -AN A MAN AND .ATURES KING
$IE BREIT GEWLBT ERHABNE 3TIRN 4HE BROAD AND LOFTY BROW BESPEAKS
VERKÓNDT DER 7EISHEIT TIEFEN 3INN THE POWER OF INTELLECT
UND AUS DEM HELLEN "LIKKE STRAHLT DER 'EIST AND FROM THE CLEAR BRIGHT GLANCE THE 3PIRIT SHINES FORTH
DES 3CHPFERS (AUCH UND %BENBILD THE BREATH OF THE #REATOR AND HIS IMAGE
!N SEINEN "USEN SCHMIEGET SICH 4O HIS BOSOM CLINGS
FÓR IHN AUS IHM GEFORMT FOR HIM AND FROM HIM FORMED
DIE 'ATTIN HOLD UND ANMUTSVOLL HIS LOVELY GRACIOUS WIFE
)N FROHER 5NSCHULD LØCHELT SIE )N HAPPY INNOCENCE SHE SMILES
DES &RÓHLINGS REIZEND "ILD O IMAGE OF DELIGHTFUL SPRING
IHM ,IEBE 'LÓCK UND 7ONNE ZU !ND IN HER SMILE ARE LOVE JOY AND DELIGHT
TEXT AND TRANSLATION CONTINUED
.O 2EZITATIV 2APHAEL .O 2ECITATIVE 2APHAEL
5ND 'OTT SAH JEDES $ING WAS ER GEMACHT HATTE UND ES WAR !ND 'OD SAW EVERYTHING THAT HE HAD MADE AND BEHOLD
SEHR GUT UND DER HIMMLISCHE #HOR FEIERTE DAS %NDE DES )T WAS VERY GOOD AND THE HEAVENLY CHOIR CELEBRATED THE
SECHSTEN 4AGES MIT LAUTEM 'ESANG END OF THE SIXTH DAY WITH FULL
THROATED SONG
.O 4ERZETT 'ABRIEL 5RIEL 2APHAEL MIT #HOR .O 4RIO 'ABRIEL 5RIEL 2APHAEL WITH #HORUS
#HOR #HORUS
6OLLENDET IST DAS GROSSE 7ERK 4HE GREAT WORK IS COMPLETED
$ER 3CHPFER SIEHTS UND FREUET SICH 4HE #REATOR LOOKS UPON IT AND REJOICES
!UCH UNSRE &REUD ERCHALLE LAUT ,ET OUR JOY TOO RESOUND
$ES (ERREN ,OB SEI UNSER ,IED ,ET US SING IN PRAISE OF THE ,ORD
'ABRIEL UND 5RIEL 'ABRIEL AND 5RIEL
:U DIR O (ERR BLICKT ALLES AUF !LL THINGS / ,ORD LOOK UP TO THEE
UM 3PEISE FLEHT DICH ALLES AN FOR SUSTENANCE ALL THINGS BESEECH THEE
$U FFNEST DEINE (AND 4HOU OPENEST THY HAND
GESØTTIGT WERDEN SIE AND THEY ARE SATISFIED
2APHAEL 2APHAEL
$U WENDEST AB DEIN !NGESICHT 4HOU TURNEST THY FACE AWAY
DA BEBET ALLES UND ERSTARRT ALL THINGS TREMBLE AND GROW COLD
$U NIMMST DEN /DEM WEG 4HOU TAKEST AWAY THE BREATH OF LIFE
IN 3TAUB ZERFALLEN SIE THEY CRUMBLE INTO DUST
'ABRIEL 5RIEL UND 2APHAEL 'ABRIEL 5RIEL AND 2APHAEL
$EN /DEM HAUCHST DU WIEDER AUS 4HOU BREATHEST OUT AGAIN
UND NEUES ,EBEN SPROSST HERVOR AND NEW LIFE DOTH APPEAR
6ERJÓNGT IST DIE 'ESTALT DER %RD AN 2EIZ UND +RAFT 2ESTORED IS THE FORM OF THE EARTH TO LOVELINESS AND VIGOR
#HOR #HORUS
6OLLENDET IST DAS GROSSE 7ERK 4HE GREAT WORK IS COMPLETED
$ES (ERREN ,OB SEI UNSER ,IED ,ET US SING IN PRAISE OF THE ,ORD
!LLES LOBE SEINEN .AMEN ,ET ALL THINGS PRAISE HIS NAME
DENN ER ALLEIN IST HOCH ERHABEN FOR HE ALONE IS EXALTED ON HIGH
!LLELUJA !LLELUIA
0ART 0ART
.O 2EZITATIV 5RIEL .O 2ECITATIVE 5RIEL
!US 2OSENWOLKEN BRICHT !WAKENED BY SWEET SOUNDS
GEWECKT DURCH SÓSSEN +LANG BREAKING THROUGH ROSY CLOUDS
DER -ORGEN JUNG UND SCHN IS THE MORNING YOUNG AND BEAUTIFUL
6ON HIMMLISCHEN 'EWLBE STRMT &ROM HEAVENS VAULTS SWEET HARMONY STREAMS
REINE (ARMONIE ZUR %RDE HINAB DOWN UPON THE %ARTH
.O $UETT %VA !DAM MIT #HOR .O $UET %VE !DAM WITH #HORUS
%VA UND !DAM !DAM AND %VE
6ON DEINER 'ÓT O (ERR UND 'OTT (EAVEN AND EARTH / ,ORD AND 'OD
IST %RD UND (IMMEL VOLL ARE FULL OF THY GOODNESS
$IE 7ELT SO GROSS SO WUNDERBAR 4HE WORLD SO VAST SO WONDERFUL
IST DIENER (ØNDE 7ERK IS THY HANDIWORK
TEXT AND TRANSLATION CONTINUED
#HOR #HORUS
'ESEGNET SEI DES (ERREN -ACHT "LEST BE THE POWER OF THE ,ORD
3EIN ,OB ERSCHALL IN %WIGKEIT ,ET HIS PRAISES SOUND FOR EVERMORE
!DAM !DAM
$ER 3TERNE HELLSTER "RIGHTEST OF STARS
O WIE SCHN VERKÓNDEST DU DEN 4AG HOW BEAUTIFULLY DOST THOU HERALD THE DAY
7IE SCHMÓCKST DU IHN O 3ONNE (OW THOU DOST ADORN IT / SUN
DU DES 7ELTALLS 3EEL UND !UG THOU SOUL AND EYE OF THE WORLD
#HOR #HORUS
-ACHT KUND AUF EURER WEITEN "AHN 0ROCLAIM UPON YOUR WANDERINGS
DES (ERREN -ACHT UND SEINEN 2UHM THE ,ORDS MIGHT AND HIS GLORY
%VA %VE
5ND DU DER .ØCHTE :IERD UND 4ROST !ND YOU THE JEWEL AND COMFORT OF NIGHT
UND ALL DAS STRAHLEND (EER AND ALL THE STARRY HOST
VERBREITET ÓBERALL SPREAD FAR AND WIDE
VERBREITET SEIN ,OB IN EUREM #HOR GESANG (IS PRAISES IN YOUR HARMONIOUS SONG
!DAM !DAM
)HR %LEMENTE DEREN +RAFT STETS NEUE &ORMEN ZEUGT 9E ELEMENTS WHOSE STRENGTH EVER GIVES RISE TO NEW FORMS
IHR $ÓNST UND .EBEL DIE DER 7IND YE MISTS AND CLOUDS THAT THE WIND
VERSAMMELT UND VERTREIBT GATHERS AND DISPERSES
%VA !DAM UND #HOR !DAM %VE AND #HORUS
,OBSINGET ALLE 'OTT DEM (ERRN 3ING PRAISES TO THE ,ORD 'OD
'ROSS WIE SEIN .AM IST SEINE -ACHT (IS POWER IS AS MIGHTY AS HIS NAME
%VA %VE
3ANFT RAUSCHEND LOBT O 1UELLEN IHN 0RAISE HIM YE SOFTLY MURMURING STREAMS
$EN 7IPFEL NEIGT IHR "ØUM 4REETOPS BOW YOUR HEADS
)HR 0FLANZEN DUFTET 0LANTS GIVE OUT YOUR FRAGRANCE
"LUMEN HAUCHT IHM EUREN 7OHLGERUCH FLOWERS YOUR PERFUMED BREATH
!DAM !DAM
)HR DEREN 0FAD DIE (HN ERKLIMMT 9E WHOSE PATHS SCALE THE HEIGHTS
UND IHR DIE NIEDRIG KRIECHT AND YE WHO CREEP BELOW
IHR DEREN &LUG DIE ,UFT DURCHSCHNEIDT YE WHOSE FLIGHT CLEAVES THE AIR
UND IHR IM TIEFEN .ASS AND YE IN THE OCEAN DEPTHS
%VA !DAM UND #HOR !DAM %VE AND #HORUS
)HR 4IERE PREISET ALLE 'OTT 9E BEASTS ALL PRAISE THE LORD
)HN LOBE WAS NUR /DEM HAT 0RAISE HIM ALL THINGS THAT HAVE BREATH
%VA UND !DAM !DAM AND %VE
)HR DUNKLEN (AIN IHR "ERG UND 4AL 9E DARK GROVES MOUNTAINS AND VALLEYS
IHR :EUGEN UNSRES $ANKS WITNESSES OF OUR GRATITUDE
ERTNEN SOLLT IHR FRÓH UND SPØT BY MORNING AND BY NIGHT YE SHALL RESOUND
VON UNSREM ,OBGESANG WITH OUR SONGS OF PRAISE
TEXT AND TRANSLATION CONTINUED
%VA !DAM UND #HOR !DAM %VE AND #HORUS
(EIL DIR O 'OTT (AIL TO THEE / 'OD
/ SCHPFER (EIL #REATOR HAIL
!US DEINEM 7ORT ENTSTAND DIE 7ELT &ROM THE 7ORD THE WORLD AROSE
$ICH BETEN %RD UND (IMMEL AN (EAVEN AND EARTH ADORE THEE
WIR PREISEN DICH IN %WIGKEIT WE PRAISE THEE FOR EVERYTHING
.O 2EZITATIV !DAM %VA .O 2ECITATIVE !DAM %VE
!DAM !DAM
.UN IST DIE ERSTE 0FLICHT ERFÓLLT .OW THE FIRST DUTY HAS BEEN DISCHARGED
DEM 3CHPFER HABEN WIR GEDANKT WE HAVE OFFERED THE #REATOR THANKS
.UN FOLGE MIR 'EFØHRTIN MEINES ,EBENS .OW FOLLOW ME MY LIFES COMPANION
)CH LEITE DICH UND JEDER 3CHRITT ) SHALL LEAD THEE AND EVERY STEP
WECKT NEUE &REUD IN UNSRER "RUST WILL AWAKEN NEW JOY IN OUR HEARTS
ZEIGT 7UNDER ÓBERALL AND REVEAL WONDERS EVERYWHERE
%RKENNEN SOLLST DU DANN 4HEN SHALL THOU KNOW
WELCH UNAUSSPRECHLICH 'LÓCK WHAT INEXPRESSIBLE JOY
DER (ERR UNS ZUGEDACHT THE ,ORD INTENDS FOR US
IHN PREISEN IMMERFAR AND SHALT PRAISE HIM EVERMORE
IHM WEIHEN (ERZ UND 3INN DEDICATING THY HEART AND MIND TO HIM
+OMM KOMM FOLGE MIR #OME COME FOLLOW ME
)CH LEITE DICH ) SHALL LEAD THEE
%VA %VE
/ DU FÓR DEN ICH WARD / THOU FOR WHOM ) WAS CREATED
-EIN 3CHIRM MEIN 3CHILD MEIN !LL -Y SHELTER MY SHIELD MY ALL
$EIN 7ILL IST MIR 'ESETZ 4HY WILL IS MY LAW
3O HATS DER (ERR BESTIMMT FOR SO HATH 'OD DISPOSED
UND DIR GEHORCHEN AND IN OBEDIENCE TO THEE ) FIND JOY
BRINGT MIR &REUDE 'LÓCK UND 2UHM GOOD FORTUNE AND HONOR
.O $UETT !DAM %VA .O $UET !DAM %VE
!DAM !DAM
(OLDE 'ATIN $EAREST WIFE
$IR ZUR 3EITE FLIESSEN SANFT DIE 3TUNDEN HIN "Y THY SIDE THE HOURS FLOW SWEETLY BY
*EDER !UGENBLICK IST 7ONNE %VERY MOMENT IS BLISS
KEINE 3ORGE TRÓBET SIE NO SORROW TROUBLES THEM
%VA %VE
4EURER 'ATTE $EAR HUSBAND
$IR ZUR 3EITE SCHWIMMT IN &REUDEN MIR DAS (ERZ !T THY SIDE MY HEART IS BATHED IN RAPTURE
$IR GEWIDMET IST MEIN ,EBEN -Y LIFE IS DEVOTED TO THEE
DEINE ,IEBE SEI MEIN ,OHN MAY THY LOVE BE MY REWARD
!DAM !DAM
$ER TAUENDE -ORGEN O WIE ERMUNTERT ER 4HE DEWY MORN WHAT CHEERFULNESS IT BRINGS
%VA %VE
$IE +ÓHLE DES !BENDS O WIE ERQUIKKET SIE 4HE COOL OF EVENING HOW IT REVIVES
TEXT AND TRANSLATION CONTINUED
!DAM !DAM
7IE LABEND IST DER RUNDEN &RÓCHTE 3AFT (OW REFRESHING IS THE JUICE OF THE PLUMP FRUIT
%VA %VE
7IE REIZEND IST DER "LUMEN SÓSSE $UFT (OW LOVELY IS THE SWEET SMELL OF FLOWERS
!DAM UND %VA !DAM AND %VE
$OCH OHNE DICH WAS WØRE MIR 9ET WITHOUT THEE WHAT WOULD THEY BE TO ME
!DAM !DAM
$ER -ORGENTAU 4HE MORNING DEW
%VA %VE
$ER !BENDHAUCH 4HE EVENING BREEZE
!DAM !DAM
$ER &RÓCHTE 3AFT 4HE JUICE OF THE FRUIT
%VA %VE
$ER "LUMEN $UFT 4HE SCENT OF FLOWERS
!DAM UND %VA !DAM AND %VE
-IT DIR ERHHT SICH JEDE &REUDE 7ITH THEE EACH JOY IS ENHANCED
MIT DIR GENIESS ICH DOPPELT SIE WITH THEE MY ENJOYMENT IS REDOUBLED
MIT DIR IST 3ELIGKEIT DAS ,EBEN WITH THEE MY LIFE IS BLISSFUL
DIR SEI ES GANZ GEWEIHT TO THEE MAY IT BE WHOLLY DEDICATED
.O 2EZITATIV 5RIEL .O 2ECITATIVE 5RIEL
/ GLÓCKLICH 0AAR UND GLÓCKLICH IMMERFORT WENN FALSCHER / HAPPY PAIR BLESSED FOR EVERMORE IF VAIN DELUSION LEAD
7AHN EUCH NICHT VERFÓHRT NOCH MEHR ZU WÓNSCHEN ALS IHR YOU NOT ASTRAY TO WANT MORE THAN YOU HAVE AND KNOW
HABT UND MEHR ZU WISSEN ALS IHR SOLLT MORE THAN YOU SHOULD
.O #HOR .O #HORUS
3INGT DEM (ERREN ALLE 3TIMMEN 3ING TO THE ,ORD ALL YE VOICES
$ANKT IHM ALLE SEINE 7ERKE 'IVE THANKS FOR ALL HIS WORKS
,ASST ZU %HREN SEINES .AMENS ,ET PRAISE IN HONOR OF HIS NAME
,OB IN 7ETTGESANG ERSCHALLEN RESOUND IN RIVALRY OF SONG
$ES (ERREN 2UHM ER BLEIBT ,ET THE PRAISE OF THE ,ORD ENDURE
IN %WIGKEIT !MEN FOREVER !MEN
ABOUT THE ARTISTS
(!.$%, 3/#)%49 /& $!24-/54( #/,,%'% (UBBARD $ARTMOUTH 0ROFESSOR OF -ATHEMATICS AND
IS THE OLDEST STUDENT FACULTY STAFF AND COMMU 0HILOSOPHY THE 3OCIETY SOUGHT TO ADVANCE THE WORKS
NITY ORGANIZATION IN THE 5NITED 3TATES DEVOTED TO OF "AROQUE MASTERS THROUGH PERFORMANCE -EMBERS
THE PERFORMANCE OF CHORAL ORCHESTRAL MAJOR WORKS OF THE 3OCIETY BELIEVED THE GRAND CHORUSES OF 'EORG
4HE 3OCIETY WAS FOUNDED IN BY $ARTMOUTH &RIDERIC (ANDEL EXEMPLIFIED THEIR GOALS AND THUS
FACULTY AND STUDENTS TO hPROMOTE THE CAUSE ADOPTED HIS NAME FOR THEIR GROUP 3INCE ITS INCEP
OF TRUE AND GENUINE SACRED MUSICv ,ED BY *OHN TION THE (ANDEL 3OCIETY HAS GROWN CONSIDERABLY IN
ABOUT THE ARTISTS
SIZE AND SCOPE OF PROGRAMMING $RAWN FROM THE INCLUDING !NTHONY 0OWERS :LATAS $IARY AND A NEW
$ARTMOUTH STUDENT BODY FACULTY AND STAFF AND THE REALIZATION OF 6IVALDIS 'LORIA FOR WOMENS VOICES (E
5PPER #ONNECTICUT 6ALLEY COMMUNITY THE MEMBER HAS ALSO BEEN ACTIVE IN COMMISSIONING NEW WORKS
SHIP TODAY CONSISTS OF VOICES GIVING AN ANNUAL FOR BOTH CHORAL AND INSTRUMENTAL FORCES )N ADDITION
#ELEBRATION FOR THE 3EASON FALL CONCERT PLUS TWO TO HIS WORK WITH CHOIRS IN 3OUTHERN #ALIFORNIA $R
MAJOR WORKS WITH PROFESSIONAL ORCHESTRA AND SOLOISTS $UFF IS AN ACTIVE MEMBER OF THE !MERICAN #HORAL
EACH YEAR $IRECTORS !SSOCIATION !MERICAN -USICOLOGICAL
(!./6%2 #(!-"%2 /2#(%342! WAS FOUNDED 3OCIETY #HORAL #ONDUCTORS 'UILD #HORUS !MERICA
IN AS AN ENSEMBLE FOR SOME OF THE AREAS FINEST THE #OLLEGE -USIC 3OCIETY AND THE -USIC %DUCATORS
AMATEUR PLAYERS 4ODAY IT IS A HIGHLY RESPECTED PROFES .ATIONAL #ONFERENCE (E IS A LIFE MEMBER OF THE 0HI
SIONAL CHAMBER ORCHESTRA DRAWING MUSICIANS FROM +APPA 0HI (ONOR 3OCIETY AND A MEMBER OF 0I +APPA
AS FAR AWAY AS "OSTON .EW (AVEN AND -ONTREAL ,AMBDA -USIC 3OCIETY
AS WELL AS ALL PARTS OF NORTHERN .EW %NGLAND 4HE #OURTENAY "UDD SOPRANO IS AMONG TODAYS FOREMOST
ORCHESTRA APPEARS REGULARLY AT THE (OPKINS #ENTER !MERICAN SINGERS WHOSE GLISTENING EXPRESSIVE SOPRA
FOR THE 0ERFORMING !RTS IN COLLABORATION WITH SUCH NO HAS BEEN PRAISED AS hA VOICE FOR CONNOISSEURS v
ENSEMBLES AS THE (ANDEL 3OCIETY OF $ARTMOUTH AND BY /PERA .EWS AS hMORE COLOR AND VOLUME THAN
#OLLEGE AND THE $ARTMOUTH 'LEE #LUB )T HAS ALSO THE TYPICAL COLORATURA PROTAGONISTv
PERFORMED AT THE ,EBANON /PERA (OUSE 0LYMOUTH 4HE RECIPIENT OF A 3ULLIVAN &OUNDATION #AREER
3TATE 5NIVERSITY AND #ARNEGIE (ALL 'RANT -S "UDD WON &IRST 0RIZE IN THE 9OUNG
$R 2OBERT $UFF CONDUCTOR IS THE NEW DIRECTOR OF THE #ONCERT !RTISTS )NTERNATIONAL !UDITIONS LEADING TO
(ANDEL 3OCIETY AND #HAMBER 3INGERS OF $ARTMOUTH ACCLAIMED RECITAL DEBUTS IN .EW 9ORK AT THE ND
#OLLEGE ! NATIVE OF -ASSACHUSETTS $R $UFF COMES 3TREET 9 IN 7ASHINGTON $# AT THE +ENNEDY #ENTER
TO (ANOVER FROM ,OS !NGELES #ALIFORNIA WHERE AND IN "OSTON AT THE )SABELLA 3TEWART 'ARDNER
HE EARNED HIS $OCTOR OF -USICAL !RTS FROM THE -USEUM $ARRELL 2OSENBLUTH OF .EW 9ORK #ONCERT
5NIVERSITY OF 3OUTHERN #ALIFORNIA IN 2EVIEW APPLAUDED h-S "UDD EFFORTLESSLY TOOK .EW
$R $UFF SERVED ON THE FACULTIES OF #LAREMONT 9ORK THE %AST #OAST IS SECUREDv
'RADUATE 5NIVERSITY 0OMONA #OLLEGE AND -OUNT -S "UDD IS A FAVORITE OF AUDIENCES AND CRITICS AT THE
3T -ARYS #OLLEGE "EFORE STARTING HIS CAREER IN 3POLETO &ESTIVAL 53! WHERE SHE IS A REGULAR ON
ACADEMIA HE SERVED FOR TWO YEARS AS THE $IRECTOR OF THE $OCK 3TREET #HAMBER -USIC 3ERIES !T THE
-USIC FOR THE 2OMAN #ATHOLIC !RCHDIOCESE OF ,OS &ESTIVAL SHE PERFORMED A GROUP OF SONGS BY .ED
!NGELES WHERE HE DIRECTED THE MUSIC PROGRAMS FOR 2OREM WITH THE COMPOSER AT THE PIANO AND SHE HAS
NEARLY PARISHES $R $UFF EARNED HIS BACHELORS APPEARED IN 3POLETO &ESTIVAL /RCHESTRA PERFORMANCES
DEGREE AT THE 5NIVERSITY OF -ASSACHUSETTS AT !MHERST OF 0OULENCS 'LORIA AND (ONEGGERS +ING $AVID
HIS MASTERS DEGREE AT 4EMPLE 5NIVERSITY AND HIS DOC 4HE &ESTIVAL FEATURED -S "UDD IN THE WORLD
TORATE AT THE 5NIVERSITY OF 3OUTHERN #ALIFORNIA (E PREMIER OF /SVALDO 'OLIJOVS 4ENEBRAE PERFORMED
HAS STUDIED CONDUCTING WITH % 7AYNE !BERCROMBIE TO CRITICAL ACCLAIM WITH 4ODD 0ALMER AND THE 3T
!LAN (ARLER ,YNN "IELEFELT 7ILLIAM $EHNING AND ,AWRENCE 1UARTET
*OHN "ARNETT (ER PERFORMANCES WITH #HARLES 7ADSWORTH INCLUDE
3INCE $R $UFF HAS PREMIERED SEVERAL 7EST THE #ARNEGIE (ALL "ENEFIT FOR #AMPHILL THE -USICAL
#OAST PERFORMANCES OF NUMEROUS CHORAL WORKS -ASTERWORKS 3ERIES IN /LD ,YME #4 AND HER DEBUT
ABOUT THE ARTISTS
WITH THE #HAMBER -USIC 3OCIETY OF ,INCOLN #ENTER WITH WHOM SHE HAS ALSO PERFORMED -OZARTS -ASS
AT !LICE 4ULLY (ALL IN # -INOR 2ESPIGHIS ,AUD TO THE .ATIVITY AND
(ONEGGERS +ING $AVID
/N THE OPERATIC STAGE -S "UDD HAS APPEARED AS !MY
IN ,ITTLE 7OMEN WITH /PERA /MAHA AND #ENTRAL #ITY )N ADDITION TO HER PERFORMANCE WITH THE (ANDEL
/PERA THE ,ADY IN 7AITING IN "RITTENS 'LORIANA WITH 3OCIETY -S "UDDS SEASON INCLUDES
#ENTRAL #ITY 0AMINA IN $IE :AUBERFLTE *OSEPHINE IN PERFORMANCES IN "ACHIANAS "RASILEIRAS AT 7EILL
(-3 0INAFORE AND 9UM 9UM IN 4HE -IKADO WITH 2ECITAL (ALL /RFF S #ARMINA "URANA WITH THE 2ENO
THE #OLORADO 3YMPHONY THE TITLE ROLES IN 4HE "ALLAD 0HILHARMONIC "EETHOVENS 3YMPHONY .O WITH
OF "ABY $OE WITH /PERA 4HEATER OF 0ITTSBURGH AND THE #ALIFORNIA 3YMPHONY 2ACHMANINOVS 4HE "ELLS
#ENTRAL #ITY /PERA 4HE $AUGHTER OF THE 2EGIMENT WITH THE 'REENVILLE 0HILHARMONIC (ANDELS -ESSIAH
WITH /PERA /MAHA AND 2OM£O ET *ULIETTE WITH /PERA WITH THE 0ALM "EACH 3YMPHONY -ENDELSSOHNS !
.ORTHEAST AND AS :ERBINETTA IN !RIADNE AUF .AXOS -IDSUMMER .IGHTS $REAM WITH THE !LLENTOWN AND
)N ADDITION SHE HAS APPEARED WITH THE !TLANTA AND .ORWALK 3YMPHONIES AND (AYDNS #REATION WITH THE
4ULSA /PERAS THE /PERA &ESTIVAL OF .EW *ERSEY AND #OLORADO 3YMPHONY 3HE HAS PERFORMED -OZARTS
THE /PERA /RCHESTRA OF .EW 9ORK 2EQUIEM WITH THE /RLANDO 0HILHARMONIC -ASS IN #
-INOR WITH THE -ASTERWORK #HORUS AND /RCHESTRA
! -ETROPOLITAN /PERA .ATIONAL &INALIST -S "ARBERS +NOXVILLE 3UMMER OF WITH THE +ENOSHA
"UDD MADE HER !VERY &ISHER (ALL DEBUT AS )LIA IN 3YMPHONY AND 3EWANEE 3UMMER -USIC &ESTIVAL
-OZARTS )DOMENEO WITH THE .ATIONAL #HORALE (ER /RFF S #ARMINA "URANA WITH THE /MAHA 3YMPHONY
:ERLINA WITH /PERA $ELAWARE AND 7ASHINGTON $#S AND "EETHOVENS #HORAL &ANTASY WITH THE .EW *ERSEY
3UMMER /PERA 4HEATER WAS RECEIVED AS AN hOVER 3YMPHONY
WHELMING CROWD FAVORITE v AND THE 7ASHINGTON 0OST
CALLED HER hTOUCHING AND HILARIOUS AS AN ACTRESS AND ! 'EORGIA NATIVE -S "UDD WAS JUST HONORED AT
VOCALLY JUST RIGHT FOR :ERLINAv THE 5NIVERSITY OF THE 3OUTH IN 3EWANEE 4. WITH
THE $ISTINGUISHED 9OUNG !LUMNUS !WARD 3HE
.EW 9ORK AUDIENCES ENJOYED HER RECITAL IN HOLDS DEGREES FROM 3EWANEE AND FROM 7ESTMINSTER
#ARNEGIE (ALLS 7EILL (ALL AS WINNER OF THE #ENTER #HOIR #OLLEGE -S "UDD NOW RESIDES IN .EW
FOR #ONTEMPORARY /PERA #OMPETITION AND THEIR 9ORKS (UDSON 6ALLEY WITH HER HUSBAND !NTHONY
!UDIENCE &AVORITE !WARD AS WELL AS HER VOICE ACCOM #ARAMICO
PANYING PERFORMANCES WITH THE .EW 9ORK #ITY "ALLET
IN ! -IDSUMMER .IGHTS $REAM AND %LIOT &ELDS -ARK !NDREW #LEVELAND BASS HAS PERFORMED
"ALLET 4ECH IN 7OLF S 'OETHELIEDER EXTENSIVELY ON THE EAST COAST TO ENTHUSIASTIC AUDI
ENCES CRITICAL ACCLAIM AND WAS RECOGNIZED IN THE
-S "UDD DEBUTED LAST SEASON WITH THE .ATIONAL "OSTON 'LOBES h!RTS %NTERTAINMENTSn4HE "EST OF
3YMPHONY /RCHESTRA IN "ACHS #ANTATA "76 v ! VERSATILE PERFORMER HIS REPERTOIRE RANGES
AND SANG 3TRAUSS "RENTANOLIEDER WITH THE 3EWANEE FROM CHANT TO CONTEMPORARY WORKS AND FROM ORA
&ESTIVAL /RCHESTRA -AHLERS 3YMPHONY WITH THE TORIO TO OPERA -R #LEVELAND MADE HIS "OSTON
,AS 6EGAS 0HILHARMONIC AND A *EROME +ERN PROGRAM DEBUT WITH 4HE #ANTATA 3INGERS AND HAS PERFORMED
WITH THE #OLORADO 3YMPHONY (ER OTHER RECENT SUBSEQUENTLY WITH 4HE "OSTON #ECILIA 3PECTRUM
PERFORMANCES INCLUDE "RAHMS 2EQUIEM WITH THE 3INGERS -ASTERWORKS #HORALE -USICA 3ACRA AND
#HEYENNE 3YMPHONY AS WELL AS (ANDELS -ESSIAH 4HE "ROOKLINE #HORUS (E WAS THE SOLOIST IN THE
WITH THE 3YRACUSE 3YMPHONY AND IN #ARNEGIE PREMIER OF %ARL +IMS 3CENES FROM A -OVIE 0ART
(ALL WITH THE -ASTERWORK #HORUS AND /RCHESTRA 4HE TH $REAM WITH 4HE #ANTATA 3INGERS AND
ABOUT THE ARTISTS
HE PREIMIERED THE SONG CYCLE #YNTHIA A COMMIS ,OWELL AND AT 3T 0AULS 3CHOOL
SIONED WORK WRITTEN FOR HIM BY -ARILYN :IFFRIN 7ILLIAM (ITE TENOR HAS EARNED THE REPUTATION AS A
0ERFORMANCES LAST SEASON INCLUDED "ACHS 3T *OHN ENGAGING AND EXPRESSIVE ARTIST HAS AND HAS PERFORMED
0ASSION WITH THE "ACH #HOIR OF "ETHLEHEM *UDAS WITH THE !MERICAN 3YMPHONY /RCHESTRA 3AN $IEGO
-ACCABAEUS WITH 4HE "ACK "AY #HORALE "ACHS 3YMPHONY 7ASHINGTON "ACH #ONSORT .EW 9ORK
3T -ATTHEWS 0ASSION WITH 4HE #ANTATA 3INGERS #ITY "ALLET .ATIONAL !RTS #ENTER /RCHESTRA /TTAWA
AND -ENDELSSOHNS %LIJAH WITH THE +EENE #HORALE "OSTON "AROQUE %MMANUEL /RCHESTRA 4AFELMUSIK
)N ADDITION -R #LEVELAND TOURED WITH "OSTON AND 0HILHARMONIA "AROQUE UNDER THE DIRECTION OF
"AROQUES PERFORMANCES OF -ONTEVERDIS 6ESPRO DELLA 3EIJI /ZAWA 2AFAEL &RÓBECK DE "URGOS .ICHOLAS
"EATA 6ERGINE AT 4ANGLEWOOD 2AVINIA AND IN -C'EGAN #HRISTOPHER (OGWOOD 2OBERT 3PANO
,OS !NGELES 4HIS SEASON -R #LEVELANDS SCHEDULED 'RANT ,LEWELLYN ,EON "OTSTEIN *OHN (ARBISON
PERFORMANCES INCLUDE 3YMPHONY .O BY "EETHOVEN #RAIG 3MITH AND 0ETER 3CHREIER
WITH THE 6ERMONT 3YMPHONY 3CHUMANNS 3CENES
FROM 'OETHES &AUST AND "ACHS 3T *OHNS 0ASSION WITH -R (ITES RECENT AND UPCOMING ENGAGEMENTS INCLUDE
THE #ANTATA 3INGERS APPEARENCES WITH THE "OSTON 3YMPHONY IN "ELIOZ
,%NFANCE DU #HRIST "EETHOVENS .INTH 3YMPHONY
-R #LEVELANDS RECORDING CREDITS INCLUDE AN APPEAR WITH 4HE 6ERMONT 3YMPHONY -ESSIAH WITH THE
ANCE WITH "OSTON "AROQUE IN 'LUCKS )PHIG£NIE EN (ANDEL (AYDN 3OCIETY "ERNARD 2ANDS #ANTI DEL
4AURIDE AND PARTICIPATION IN THE 'RAMMY AWARD SOLE WITH THE "OSTON -ODERN /RCHESTRA 0ROJECT
WINNING RECORDING OF "ARBERS OPERA !NTONY AND "ACH SOLO CANTATAS WITH THE ,OUISVILLE "ACH 3OCIETY
#LEOPATRA WITH THE 3POLETO &ESTIVAL /RCHESTRA AND 4IPPETTS ! #HILD OF OUR 4IME WITH THE 0IONEER 6ALLEY
7ESTMINSTER #HOIR (E RECENTLY RECORDED !NTONIA 3YMPHONY AND -ATTHESONS "ORIS 'OUDENOW WITH
"EMBOS 0SALM 3EIGNEUR QUI VOIS MES PLEUR IN 4HE "OSTON %ARLY -USIC &ESTIVAL
COLLABORATION WITH ,A $ONNA -USICALE FOR A SOON
TO BE RELEASED BIOGRAPHY OF THE COMPOSER FROM 4HE TENORS OPERATIC CREDITS INCLUDE THE TITLE ROLES
/XFORD 5NIVERSITY 0RESS -R #LEVELANDS OPERA CRED IN 4HE 2AKES 0ROGRESS !CIS AND 'ALATEA (ANDELS
ITS INCLUDE PERFORMANCES WITH 4HE 3POLETO &ESTIVAL *EPHTHA )L RITORNO D5LISSE IN PATRIA AND #AVALLIS
.EW *ERSEY *UNE /PERA &ESTIVAL -ONADNOCK -USIC ,/RMINDO AS WELL THE ROLE OF 2ODERICK 5SHER IN THE
'RANITE 3TATE /PERA 0RISM /PERA 3ALISBURY ,YRIC WORLD PREMIERE OF THE 0HILIP 'LASS OPERA 4HE &ALL
/PERA #OMPANY AND /PERA "URLINGTON (E HAS OF THE (OUSE OF 5SHER AT THE !MERICAN 2EPERTORY
GIVEN RECITALS OF 3CHUBERTS 7INTERREISE ON TOUR IN THE 4HEATER AND THE +ENTUCKY /PERA (E PERFORMED THE
.ETHERLANDS AND HAS APPEARED IN THE 9OUNG !RTIST ROLE OF /RFEO IN 0ERIS %URIDICE WITH THE ,ONG "EACH
3ERIES AT THE )SABELLA 3TEWARD 'ARDNER -USEUM AT /PERA AND HAS BEEN A REGULAR AT THE "OSTON %ARLY
"OSTON 5NIVERSITYS 4SAI 0ERFORMANCE #ENTER AND -USIC &ESTIVAL IN PERIOD STAGINGS OF -ONTEVERDI
#HROMATIC #LUB OF "OSTON !S A RESPECTED COLLABORA AND 2OSSIS /RFEO #AVALLIS %RCOLE AMANTE AND +ING
TIVE ARTIST HE HAS PERFORMED WITH ,A $ONNA -USICALE !RTHUR !DDITIONAL OPERATIC WORLD PREMIERES INCLUDE
3ARASA AND WITH MANY OTHER ARTISTS AT .EW %NGLAND THE WORKS OF 4HEODORE !NTONIOU %LLEN 2UEHR AND
COLLEGES UNIVERSITIES AND MUSIC SCHOOLS )N ADDITION ,EW 3PRATLAN
TO -R #LEVELANDS VARIED PERFORMING ENGAGEMENTS -R (ITES EXTENSIVE DISCOGRAPHY NOW CONTAINS OVER
HE IS THE $IRECTOR OF -USIC AT 'RACE %PISCOPAL RECORDINGS SPANNING A WIDE SPECTRUM OF MUSICAL
#HURCH IN -ANCHESTER .( AND IS A MEMBER OF THE IDIOMS (IS MOST RECENT RELEASE IS 4HE !STRONAUTS
VOICE FACULTIES AT THE 5NIVERSITY OF -ASSACHUSETTS 4ALE BY #HARLES &USSEL ON !LBANY 2ECORDS /N THE
ABOUT THE ARTISTS
+OCH LABEL HE MAY BE HEARD IN THE 3T *OHN 0ASSION THE (OLLAND %ARLY -USIC &ESTIVAL (E IS HEAD OF THE
WITH %MMANUEL -USIC (E HAS ALSO RECORDED THE VOICE FACULTY AT THE 5NIVERSITY OF -ASSACHUSETTS IN
-OZART 2EQUIEM WITH !NDREW 0ARROTT FOR $ENON !MHERST AND 'UEST !RTIST AT THE 9ALE )NSTITUTE OF
AND (ANDELS 4HE 4RIUMPH OF 4IME AND 4RUTH ON THE 3ACRED -USIC
#ENTAUR LABEL (E IS FEATURED ON NUMEROUS AWARD *EANNE #HAMBERS PIANO IS THE ESTEEMED ACCOMPA
WINNING #$S WITH THE "OSTON #AMERATA AS WELL AS NIST FOR THE (ANDEL 3OCIETY OF $ARTMOUTH #OLLEGE
WITH THE MEDIEVAL ENSEMBLE 3EQUENTIA 3HE PERFORMS FREQUENTLY THROUGHOUT THE 5PPER
7ILLIAM (ITE HAS SUNG IN MUSIC FESTIVALS AT 6ALLEY REGION 0RIOR TO MOVING TO THE 5PPER 6ALLEY
4ANGLEWOOD 3ANTA &E -ONADNOCK "ANFF AND -S #HAMBERS WAS A COMPUTER ANALYST IN .EW 9ORK
6ANCOUVER AS WELL AS THE 6ERMONT -OZART &ESTIVAL 3HE RECEIVED THE DEGREE -ASTER OF -USIC IN PIANO
)N %UROPE HE HAS PERFORMED AT THE !THENS &ESTIVAL PERFORMANCE FROM THE *ULLIARD 3CHOOL
!CADEMIE -USICALE IN 3AINTE !IX EN 0ROVENCE AND
HANDEL SOCIETY OF DARTMOUTH COLLEGE
$R 2OBERT $UFF CONDUCTOR
*EANNE #HAMBERS COLLABORATIVE PIANIST
2OBERT 7ETZLER AND 3ARAH "ALL STUDENT MANAGERS
#HRISTOPHER -C-ULLEN ,AIRD STUDENT CONDUCTOR
3/02!./
%LIZABETH !SCH 3ARAH "ALL @
!IMEE "OEGLE @' 2EBECCA "RUCCOLERI @ #ATHERINE "UE @'
*ANE #ONKLIN +AREN %NDICOTT
#ARA *EAN (ABERMAN @$-3 %LIZABETH -ARCH (ARLEY -ARDY (IGH
*ULI (INCKS "ABCOCK
"ARB +LINE 3CHODER !MY +ONO *ENNY ,AND -ACKENZIE @ )SABEL -C#ARTHY
%LAINE -C)NTYRE 3HELLY 0ARKER 2EBECCA 2OTELLO @$-3 #HRISTINE 3CHOTT @ %LIZABETH 3ENSENIG
#AROLE 3TASHWICK $ENISE 3TEELE @' *OAN 3TEPENSKE ,INDA ( 7ESTBOM -ARGARET % $ARROW 7ILLIAMS
!,4/
#AROL "ARR
%MILY "RYANT *OCELYN "URKE $-3 @ +ATHARINE #HRISTIE *OANNE #OBURN *OAN #OOKE
,INDA , &OWLER #ALLY 'ILBERT %RICA (AMER +RISTI -EDILL 3UE .EIGHBOR 2OSEMARY /RGREN 2UTH 0ARLIN
$IANNE 0ELLEGRINI *UDY 0OND "ONNIE 2OBINSON -ARGARET 2OBINSON
-ELISSA 2UDD @ .ANCY 3ERRELL #OONLEY
*ACKIE 3MITH %LIZABETH 7ALLIS $-3 @ ,ISA 7ARREN @ *ANET 7ATTON #ORDELIA :UKERMAN @
4%./2
-ICHAEL #UKAN 3COT $RYSDALE
*OHN (ILL $AVID ! *OHNSON 6)) !LLEN .EWTON
*OHN "ANG .GUYEN *EFFREY 0ARSONNET $AVID 2OBINSON
!NDREW 2OZIER 3MOLEN
3TANLEY * 3TYS @'
$AVID 0 7AGNER @' 2OBERT , 7ETZLER *R @
"RANDON :EIGLER @'
"!33
0AUL "ELASKI $AVID "OSSARD
#HARLES &AULKNER )) *ONATHAN &ISHER @ #HARLES &REEMAN
-ARTIN (ABERMEHL
4YLER (ARWELL 4HOMAS (O @ !LAN +ONO $-3 @ *OHN -ACKENZIE #HRISTOPHER -C-ULLEN ,AIRD @
$ANIEL -EERSON
4HOMAS .OEL $AVID - 0IERCE 4IMOTHY + 0RICE %CCLES 0RIDGEN -ARVIN 2OGERS
!NDREW 4 3CALES @ -ARK ! 3TYS 4HOMAS 4 7ANG @ %DWARD 7EI "EN 7ILLIAMS 4OM 7ILLIS
-EMBERSHIP "OARD -EMBER
HANOVER CHAMBER ORCHESTRA
&IRST 6IOLIN *OHN ,INDSEY CONCERTMASTER +ATHERINE 7INTERSTEIN %LIZABETH #LENDENNING
3COTT +NOPF !NN #OOPER #AROLYN ,UKANCIC
3ECOND VIOLIN -ARLA 2ATHBUN PRINCIPAL $AVETTA &ARIA 3VETLANA 7ISHENGRAD
,ISA -EYER #AROLINE ,IEBER *ULIE $OUGAL
6IOLA -ARILYN *OHNSON PRINCIPAL (AROLD ,IEBERMAN 2ODGER %LLSWORTH
!NA 2UESINK 0AUL 2EYNOLDS ,ESLIE 3ONDER
#ELLO ,INDA 'ALVAN PRINCIPAL $IEUWKE $AVYDOV 0ERRI :IMMERMAN 3TEPHEN 0ACKER %RIN 9EAMAN
"ASS $ANIEL 'ORN PRINCIPAL $AVID 7YSOCKI *OHN (UNTER ,UKE "AKER
&LUTE +AREN +EVRA PRINCIPAL "ERTA &RANK (EIDI "AXTER
/BOE -ARGARET (ERLEHY PRINCIPAL !NN 'REENAWALT
#LARINET #HESTER "REZNIAK PRINCIPAL -ARGO -C'OWAN
"ASSOON "ECKY %LDREDGE PRINCIPAL 2ACHAEL %LLIOT
#ONTRABASSOON *ONATHAN 2ANNEY
(ORN 3HEFFRA 3PIRIDOPOULOS PRINCIPAL $ALE #AMARA
4RUMPET &RED (OLMGREN PRINCIPAL #HARLES 'ASQUE
4ROMBONE "RIAN $IEHL PRINCIPAL 0ETER "OUCHARD *OHN -EAD
4IMPANI $OV 3CHILLER
(ARPSICHORD 'REGORY (AYES
/RCHESTRA -ANAGER $EBORAH 3OLOMON
ACKNOWLEDGEMENTS
-ANY THANKS ARE EXTENDED TO THE -EMBERSHIP "OARD OF THE (ANDEL 3OCIETY AND THE NUMEROUS MEMBERS
AT
LARGE OF
THE ORGANIZATION COMMUNITY AND STUDENT FOR THEIR lNE WORK ON BEHALF OF THE (ANDEL 3OCIETY
7E THANK THE &RIENDS OF THE (ANDEL 3OCIETY $ARTMOUTH #OLLEGE ALUMNI PAST AND PRESENT COMMUNITY (ANDEL
3OCIETY MEMBERS AND REGIONAL AUDIENCE SUPPORTERS OF THE (ANDEL 3OCIETY AND THE (ANDEL 3OCIETY &OUNDATION OF
.EW (AMPSHIRE )NC FOR lNANCIAL SUPPORT OF THE (ANDEL 3OCIETYS CONCERT SEASON
)N ADDITION WE OFFER OUR WARMEST THANKS TO (ILARY 0RIDGEN OF 4HE 4RUMBULL (OUSE "ED "REAKFAST FOR PROVID
ING ACCOMMODATIONS FOR GUEST SOLOISTS 4HE 4RUMBULL "ED "REAKFAST %TNA 2OAD (ANOVER .( PHONE
OR TOLL
FREE
WEB WWWTRUMBULLHOUSECOM 4HANKS ALL TO THE MANY MEMBERS OF THE
(ANDEL 3OCIETY AND (ANOVER #HAMBER /RCHESTRA FOR HOUSING OUR OUT
OF
TOWN ORCHESTRAL PLAYERS
&INALLY WE ESPECIALLY THANK THE (OPKINS #ENTER -ANAGEMENT 3TAFF #ATHERINE ,A4OUCHE %NSEMBLES !SSISTANT +RIS
TEN #OOGAN FOR THE ORIGINAL ARTWORK CREATED FOR THE (ANDEL 3OCIETY AND TO THE STAFF OF THE !QUINAS (OUSE WHO
GRACIOUSLY HAVE PROVIDED THE (ANDEL 3OCIETY A HOME FOR THEIR WEEKLY REHEARSALS
)F YOU WOULD LIKE MORE INFORMATION ABOUT THE &RIENDS OF THE (ANDEL 3OCIETY OR THE (ANDEL 3OCIETY &OUNDATION OF
.EW (AMPSHIRE PLEASE SEND A LETTER INCLUDING YOUR NAME AND ADDRESS TO
&RIENDS OF THE (ANDEL 3OCIETY OF $ARTMOUTH #OLLEGE (ANDEL 3OCIETY &OUNDATION OF .EW (AMPSHIRE
(OPKINS #ENTER 0/ "OX
$ARTMOUTH #OLLEGE (ANOVER .(
(ANOVER .(
NHFNH VALLEYNET
COMING EVENTS
&OR TICKETS OR INFORMATION CALL THE "OX /FFICE AT OR VISIT WWWHOPDARTMOUTHEDU
4HE (ANDEL 3OCIETY CORDIALLY INVITES YOU TO OUR NEXT CONCERT
(ANDEL 3OCIETY OF $ARTMOUTH #OLLEGE
-USIC FROM A &RENCH #ATHEDRAL
3ATURDAY -ARCH
PM PM s 2OLLINS #HAPEL
s $ARTMOUTH 3TUDENTS
&ROG AND (IS &RIENDS #OMMUNITY #AROL 3ING WITH &ROG AND HIS &RIENDS
4HEATER 4ERRA 3ING ALONG AND ENJOY HOLIDAY TREATS WITH &RIENDS OF THE (OPKINS
&RIDAY $ECEMBER s PM #ENTER AND (OOD -USEUM OF !RT AND MEMBERS OF THE CAST
3ATURDAY $ECEMBER s PM 3ATURDAY $ECEMBER s &OLLOWING THE PERFORMANCE
4HE -OORE 4HEATER 4OP OF THE (OP s &REE AND OPEN TO THE PUBLIC
s $ARTMOUTH 3TUDENTS s #HILDREN UNDER &OR MORE INFORMATION CALL (OP /UTREACH AT
3POTLIGHT DISCUSSION WITH CAST MEMBERS
IMMEDIATELY FOLLOWING THE PERFORMANCE
TH !NNIVERSARY 9EAR
4HE #HRISTMAS 2EVELS
2EVELS .ORTH
$AVID 'AY ARTISTIC DIRECTOR
,LOYD 'ABOUREL MASTER OF CEREMONIES
4HURSDAY $ECEMBER s PM
&RIDAY $ECEMBER s PM
3ATURDAY $ECEMBER s PM PM
3UNDAY $ECEMBER s PM PM
3PAULDING !UDITORIUM s s $ARTMOUTH 3TUDENTS #HILDREN AND UNDER
$ECEMBER SHOW IS hFAMILY NIGHTv WITH CHILDRENS TICKETS b PRICE
*UST !DDED
-ATT "EN
&RIDAY *ANUARY
3ATURDAY *ANUARY
PM s 3PAULDING !UDITORIUM
s $ARTMOUTH 3TUDENTS
3POTLIGHT DISCUSSION WITH -INDY +ALING AND "RENDA 7ITHERS
IMMEDIATELY FOLLOWING EACH PERFORMANCE
(/0+).3 #%.4%2 -!.!'%-%.4 34!&&
,EWIS ! #RICKARD $IRECTOR
!SSOCIATE $IRECTOR'ENERAL -ANAGER -ARGA 2AHMANN $IRECTOR OF -ARKETING AND 0UBLICITY 2OLF % /LSEN
"USINESS AND !DMINISTRATIVE /FlCER *AY #ARY $IRECTOR OF (OPKINS #ENTER &ILM "ILL 0ENCE
$IRECTOR OF 0ROGRAMMING -ARGARET ,AWRENCE $IRECTOR OF 3TUDENT 0ERFORMANCE 0ROGRAMS *OSHUA 0RICE +OL
Please turn off your cell phone inside the theater.
$!24-/54(
Assistive Listening Devices available in the lobby. 2%#9#,%3
2
)F YOU DO NOT WISH TO KEEP YOUR PLAYBILL PLEASE DISCARD
IT IN THE RECYCLING BIN PROVIDED IN THE LOBBY 4HANK YOU
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