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Broadcast
Broadcast
In its simplest form, a radio or television broadcast station consists of two basic facilities: the studio complex
and a transmitter site.
The studio complex is the place where the programming originates.
The transmitter is the device that, with an antenna, actually broadcasts the program material out over the air. In
between the two is a connection called the studio transmitter link.
CHAPTER 2 Types of Broadcasting
broadcasting means “to transmit by radio or television
Analog Radio Radio broadcasting for local stations in the United States, and throughout the world falls into
two main types: AM and FM. In North America, AM is used in the medium frequency (MF) (also known as
medium wave) band, whereas FM uses the very high frequency (VHF) band.
AM is also used in the long wave band, with frequencies somewhat lower than the MF band, and slightly
different propagation characteristics—good for broadcasting over a wide area. AM is also used for shortwave
radio broadcasting—also known as HF from the name of the high frequency band that is used. This is used for
broadcasting over very long distances (usually internationally).
Digital Radio There are four main over-the-air digital radio systems in the world, all different from each other
in several respects: IBOC, DAB, ISDBTSB, and DRM.
IBOC-Digital radio broadcasting for local stations in the United States, uses a proprietary system called HD
Radio, generically known as IBOC. IBOC stands for In-Band On-Channel.
DAB-Digital radio for national and some local services outside the United States—in Europe, Canada, and
elsewhere. First introduced in the United Kingdom in 1995, DAB stands for Digital Audio Broadcasting,
which is also known as Eureka 147 and, in the United Kingdom, as Digital Radio. In Europe, it is currently
being transmitted using frequencies in the VHF band, and in Canada in the L-Band These bands are fully
allocated for other purposes in the United States, including broadcasting, land mobile, and military
communications.
ISDB-TSB-stands for Integrated Services Digital Broadcasting– Terrestrial Sound Broadcasting and is the
digital radio system developed for Japan, where the first services started in 2003.
DRM-stands for Digital Radio Mondiale, a system developed primarily as a direct replacement for AM
international broadcasting in the shortwave band, DRM is a mono (single audio channel) system when used
with existing channel allocations, but stereo (two-channel) audio may be possible in the future if wider channels
are available.
XM and Sirius Satellite Radio
There are two similar but competing satellite radio services in the United States: XM Satellite Radio and Sirius
Satellite Radio, both licensed as Satellite Digital Audio Radio Services (SDARS). XM uses two high-power
geostationary satellites (their location in the sky does not change relative to the earth’s surface) that transmit
with frequencies in the S-Band. Sirius is similar except that it uses three nonstationary satellites, Both systems
use groundbased repeaters to fill in many of the gaps where the satellite signals may be blocked.
WorldSpace Satellite Radio is an international satellite radio service that broadcasts more than 100 digital
audio channels, using frequencies in the L-Band.
Analog Television
NTSC stands for National Television System Committee. The standard defines the format of the video that
carries the picture information, and also how the video and audio signals are transmitted.
PAL and SECAM Many countries in Europe, Australia, and other parts of the world use a color television
system called PAL.
PAL stands for Phase Alternating Line, which refers to the way the color information is carried on alternating
lines.
SECAM is another color television system used for transmission in France, Russia, and a few other countries.
SECAM stands for the French words Sequential Couleur avec Mémoire, which refer to the way the color
information is sent sequentially and stored from one line to the next.
Digital Television
DTV, is also referred to as Digital Terrestrial Television Broadcasting or DTTB. There are three main DTV
systems in the world, all with significant differences: ATSC, DVB-T, and ISDB-T.
ATSC stands for Advanced Television Systems Committee.
DVB-T standard, which stands for Digital Video Broadcasting–Terrestrial. DVB-T allows transmission of both
SD and HD programs. ATSC uses a modulation system called 8-VSB, whereas DVB-T uses COFDM with
QAM or QPSK modulation
ISDB-T, the Integrated Services Digital Broadcasting– Terrestrial standard,
Satellite Television
Medium- and Low-Power Services
Many television services are distributed in the United States and elsewhere using medium- and low-power
geostationary satellites in the C and Ku-Bands. can be received by consumers using large satellite dishes,
typically 6 to 10 feet in diameter. These are sometimes known as “big ugly dishes” (BUDs).
Cable and Satellite
Examples of cable and satellite networks are CNN (Cable News Network) and HBO (Home Box Office)
CHAPTER 3 Sound and Vision
Sound Waves the sounds that we hear are actually pressure waves in the air, which cause our eardrums to
vibrate. Everything that produces a sound, whether a guitar string, a jet airplane, a human voice, or a
loudspeaker, does so by causing a vibration that sets off the pressure wave.
Sound waves are an example of an analog signal—they have continuous, and generally smooth, variations—and
the loudness and pitch of the sound that we hear are directly proportional to the variations in pressure in the air.
The amplitude of the pressure wave determines how loud it sounds, and the frequency determines whether it
sounds high or low in tone. Low notes (bass) have low frequencies and high notes (treble) have high
frequencies. The highest frequency that most people can hear is between 15 and 20 thousand hertz (kHz).
Frequencies below about 30Hz are felt rather than heard.
Audio
A microphone turns a sound pressure wave in the air into an electrical audio signal that matches the amplitude
of the pressure wave. a loudspeaker receives the electrical audio signal and turns it back into sound waves in the
air that we can hear. The range of frequencies in an audio signal, ranging from the lowest to the highest
frequency carried, is known as the bandwidth. The range of frequencies that can be passed, combined with
information on how accurately their amplitudes are reproduced, is known as the frequency response of the
equipment or system.
Mono, Stereo, and Surround Sound
Sounds picked up with a single microphone can be carried through a signal chain as a single channel, and end
up being played to a listener on a single loudspeaker. Such a source and system is known as monophonic or
mono. If the sounds are picked up with two or more microphones, carried to the listener over two separate
channels, and played over two loudspeakers, left and right, then it is possible to provide a good impression of
the position of the sound in the original studio. Such a system is known as stereophonic or stereo, and is widely
used in audio recording, radio, and television. This can be achieved by using multiple, properly positioned
microphones, a multichannel signal chain, and multiple loudspeakers positioned in front of and around the
listener. This is known as a surround sound system.
Light and Color
For light mixing, these primary colors are red, green, and blue, also referred to as R, G, and B.
By mixing two of these colors together, we can produce other secondary colors, so:
Red + Green = Yellow Red + Blue = Magenta Green + Blue = Cyan
Characteristics of the Human Eye
Another characteristic is called persistence of vision. After an image being viewed has disappeared, the eye
still sees the image for a fraction of a second (just how long depends on the brightness of the image).
Baseband The audio and video signals we have mentioned, directly representing sound and image information,
are referred to as baseband signals.
CHAPTER 4 Radio Frequency Waves
Electromagnetic Waves
Types of Waves
Electromagnetic waves have a range of frequencies, most of them far higher than the sound waves.
electromagnetic radiation spectrum. Starting from the lowest frequencies, they are as follows:
• Radio waves • Microwaves (very short radio waves) • Infrared waves • Light waves
• Ultraviolet waves • X-rays • Gamma rays
Frequency, Wavelength, and Amplitude
Radio waves come in a range of frequencies and wavelengths. Those used for broadcasting in the United States
range from about 500kHz to 12GHz.
MF - Medium Frequency - AM Radio Band (535– AM Radio - 1120kHz 300 million meters/sec
1705kHz)
FM Radio Band (88–108MHz) FM Radio - 181.25 million cycles/sec = 1.65 meters, or about 5
98.1MHz 300 million meters/sec feet UHF - Ultra High Frequency –
98.1 million cycles/sec = 3 meters, or about 10 feet Television Band (470–806MHz) UHF TV,
VHF - Very High Frequency –
Channel 40 - 627.25MHz 300 million meters/sec
Television Band (54–216MHz) VHF TV,
627.25 million cycles/sec = 0.47 meters, or about 18
Channel 8 - 181.25MHz 300 million meters/sec inches SHF - Super High Frequency –
Broadcasting Satellite Ku Band (11–14GHz)
The UHF and SHF bands have further subdivisions, with bands that are used for terrestrial radio links, satellite
links, and for satellite broadcasting. These include the L, S, C, X, Ku, K, and Ka bands, with frequencies from
about 1GHz to 40GHz.
COFDM, the coded orthogonal frequency division multiplex system is used for IBOC, DAB, DRM, DVB-T,
and ISDB-T broadcasting and for electronic newsgathering (ENG) digital radio links.
Techniques such as interleaving and forward error correction (FEC) enable a receiver that fails to pick up some
of these subcarriers, nevertheless to recover the main signal.
Sidebands When an RF carrier (or subcarrier) wave of a particular frequency is modulated with a signal of
another frequency, the resulting RF signal has additional RF components called sidebands. Sideband
frequencies are typically the carrier frequency, plus or minus a whole multiple (1¥, 2¥, etc.) of the modulating
frequency. It is these sidebands produced by modulation that carry the actual information in the radio wave.
This concept of sidebands is important because it affects the amount of radio spectrum, or bandwidth, used for a
given type of transmission—this is discussed later in the chapters on broadcast standards.