Lyrics by Howard Ashman Music by Alan Menken Blending traditional animation with computer-gereated imagery, thsi the only full-ength animated feature film nomi il i ‘Academy Awar s nomi ‘Academy Award for Best Picture and the first film to receive three cen ra esa by Calne Dion and Peabo Bryson, became the Oscar winner. \ co anit ss ou sy mM BERL A ip ret desea bad PY He tae ig 9 B90 ay CHIM CHIM CHER-EE MARY THE CLIMB HANNAH MONTANA: THE MOVIE. COLORS OF THE WIND POCAHONTAS... HAPPY WORKING SONG ENCHANTED... IF | DIDN'T HAVE YOU MONSTERS, INC. LITTLE APRIL SHOWER BAMBI SOMEONE'S WAITING FOR YOU THE RESCUERS... UNDER THE SEA THE LITTLE MERMAID. .13 WHEN SHE LOVED ME TOY STORY 2 WHEN YOU WISH UPON A STAR PINOCCHIO... WHISTLE WHILE YOU WORK SNOW WHITE AND THE SEVEN DWARFS . A WHOLE NEW WORLD ALADDIN... YOU'LL BE IN MY HEART TARZAN. YOU'VE GOT A FRIEND IN ME TOY STORY...... ZERO TO HERO HERCULES... ZIP-A-DEE-DOO-DAH SONG OF THE SOUTHfrom Walt Disney's BEAUTY AND THE BEAST Beauty and the Beast Lyrics by Howard Ashman Music by Alan Menken Blending traditional animation with computer-generated imagery, this is the only full-length animated feature film fever nominated for an Academy Award for Best Picture and the first film to receive three Academy Award nominations for Best Song, from which this one, sung by Celine Dion and Peabo Bryson, became the Oscar winner. Hints & Tips: Make sure the eighth notes are rhythmical throughout. Play lyrically with a legato, singing tone. Smoothly (J = 80) mf Tale as old as | time, true as it can | be, Bare-ly e-ven |friends, then some-bod-y |bends _un-ex-pec-ted--| ly. - Just a lit-tle |change. ‘Small, to say the }least, Both a_ little neith-er one pre-|pared. Beau-ty and the | Beast. © 1991 Walt Disney Music Company and Wondertand Music Company, Inc. Al Rights Reserved Used by Permission 3Words by Ned Music by Frank This film, based on a book by Helen Aberson, tells the story of Dumbo, an elephant with extraordinarily large ears_ This song is sung during Dumbo’s visit to his mothers cell, Mrs. Jumbo having been locked up after losing her ‘temper with a group of children who were ridiculing her son. Hints & Tips: A triplet is a group of three notes, equal in length, which are to be fitted into the time that two notes of the same type would take. Thus the triplet quarter notes in this piece should be played within two beats. Moderately slow ( 60) —3— don’t you —3—, ary your | eye. Copyright © 1962 by Walt Disney Productions Copyright Renewed ‘World Rights Controlled by Bourne Co. (ASCAP) International Copyright Secured All Rights Reserved 4what they spark - le and ‘| shine,‘trom Wait Disney's THE JUNGLE BOOK The Bare Necessities Words and Music by Terry Gilkyson The Sherman Brothers were enlisted to completely rewrite the music for this animated feature, based on the book of the same name by Rudyard Kipling. Composed by long-time Disney collaborator Terry Gilkyson and sung by characters Baloo and Mowgli, this song was the only track to survive from the earlier, rejected draft. Hints & Tips: Follow the words of the song to help you with the tied rhythms. 2/2 means two beats per measure, which gives this tune a bouncing, energetic feeling. Brightly (J = 170) Look for the e =Jces - si - ties, the of sim - ple bare ne - = ties, for -| get a-bout your |wor- ries and your _ |strife, ~ [ees - si = ties Moth - er Na - ture’s re - cip-es__ that [bring the bare ne © 1966 Wonderland Music Company, Ine. Copyright Renewed AIL RightsReserved Used by Permission 6make some hon - ey just — for ces - si- ties of |life will come tofrom Walt Disney's CINDERELLA Bibbidi-Bobbidi-Boo (The Magic Song) Words by Jerry Livingston Music by Mack David and AL Hoffman While in New York on business, Walt Disney kept hearing a novelty song, “Chi-Baba Chi-Baba,” played on the radio and hired its three composers to write for Cinderella. Little surprise then that this similar song appeared in the film and became a hit single, most notably for Perry Como & The Fontane Sisters. Hints & Tips: Practice the R.H. alone in measures 1-4. Note the triplet rhythms and the accidentals. Plan your fingering. These measures are repeated again in measures 5-8, and again (with a different ending) in measures 13-16. Brightly (J = 100) a 3 la - ga-doo - la men-chic-ka boo - la | bib - bi - di- bob - bi - di- boo. 3 Put ‘em to-geth-er and what have you got? | Bib - bi - di- bob - bi - di - boo. 3 Sa -la- ga-doo - la men-chic- ka boo - la | bib - bi - di- bob - bi - di - boo. 3 It- "ll do ma- gic be-lieve it or not. Bib - bi - di - bob - bi - di- boo. © 1968 Walt Disney Music Company Copyright Renewed AL Rights Reserved Used by Permission3 ‘Sa-Ia-ga-doo - la means men-chic-ka boo - le-roo, but the |thing-a-ma-bob that does the job 3 bib - bi - di - bob - bi - Sa - la - ga-doo - la men-chic-ka boo Ia bib - bi - di - bob - bi - di - boo. Put ‘em to- geth-er and what have you got? 3 3 Bib - bi - di- bod - bi - di, bib - bi - di-bob- bi - di, | bib - bi - di- bob - bi - di- boo.from the Disney Channel Original Movie HIGH SCHOOL MUSICAL Breaking Free Words and Music by Jamie Houston ‘At the climax of what the author describes as a modern adaptation of Romeo and Juliet, the main characters, Troy and Gabriella, audition for the winter musical in front of the entire school. Gabriella freezes when she sees ‘everyone staring at her, but encouraged by Troy, she finds the courage to sing this song. Hints & Tips: The chorus (measures 21-36) should be played with more energy than the rest of the song. Keep the L.H, light and bouncy and make sure the tempo doesn’t drag when you get to the tied notes in the RH, of measures 23-24 and 31-32. With energy (= 108) fy = < o sh == oe = = 2 ‘There's not. a star in heav |~ en that we can't reach | — if we're ty - x o , (Ge — | 22 ae oe 8 : so we'tebreak -} ing free = ere Pps tte — , _. 2 a J oe eee TS 7 Youknow the world can see} us__ in a way that's diff- : © z © 2008 Walt Disney Music Company IA Rights Reserved Used by Permission 10= ‘rent than who we Cre - at - ing space be - tween we're sep-"rate hearts. — But your faith, gives | me strength There’snot a star in - en that we can’t reach if we'retry | - yeah, we're break- FtOh, we're break -| ing. free. to [get to that all that we can be. | Now’sthe time, so we're break -| ing. free. We know the world in a way that’s diffrent than who we‘from Walt Disney's THE LITTLE MERMAID Under the Sea Music by Alan Menken Lyrics by Howard Ashman After a string of critical and commercial failures dating back to the early 1980s, this 1989 film, based on the Hans Christian Andersen fairy tale, is given credit for breathing life back into the animated feature film genre and marked the start of an era known as the Disney Renaissance, or the New Golden Age of Animation. Hints & Tips: There is a lot of syncopation in this song, creating a calypso feel. Mark in the quarter note beats with 2 line above the staff if this helps you keep your bearings, particularly in measures 22-23 where the right and left hands should move together. With energy (4 = 140) You dream. a - bout right here on the © 1988 Wonderland Music Company, Inc. and Walt Disney Music Company All Rights Reserved Used by Permission 13~ ful |things sur - round you. What more_ is you bet -ter down where it's | wet- ter, take —shore they work all day the |sun they slave a= way. full - time to |float-in’ un = 15from Walt Disney Pictures’ THE LION KING Can You Feel the Love Tonight Music by Elton John Lyrics by Tim Rice Signed by Disney to write the lyrics for this 1994 animated film and invited to suggest anyone in the world to write the music, Tim Rice selected Elton John. Strongly influenced by Shakespeare's play Hamlet and set in the Pride Lands of the Serengeti, the movie tells the story of the relationship between a lion cub and his father. Hints & Tips: Most of the rhythms and fingering in this piece are straightforward, so take the opportunity to be ‘expressive in your performance—think about phrasing (where to breathe) and dynamics. Listen carefully to the thirds in the right hand of the chorus to ensure the two notes are sounding at exactly the same time. Gently ( ‘There's a calm sur - ren - der tothe rush of day, =S=S—— SS = SS SS when the heat of the roll-ing wind, | can be tumed a- way. ‘An en-chant-ed mo-ment, ———— ns i. —— ty ce ae oe ze 6 2 24 7 = -— o Z Ss SS SS and it sees. me__ through, I's e - nough for this rest - less war - rior 9:2, s s — = ————— == f \ = —- ss ——a r just to be with you. ‘And | can you feel the | love to - night? pete —— P © 1994 Wonderland Music Company, Inc AIL RightsReserved Used by Permission 16Tt is where we are. eyed wan - der - er, the How it's laid to rest? Kings and vag-a- bonds be -|lieve the ver - y best. e-nough for this to - night? e-nough (0 makefrom Walt Disney's PETE'S DRAGON Candle on the Water Words and Music by Al Kasha and Joel Hirschhorn Mocked by her father for her belief that her lover will return after being lost at sea for more than a year, Nora, played by Helen Reddy, sings this ballad from the balcony of the lighthouse in which they live, assuring his spirit that, though he may never return, she will never stop loving him. Hints & Tips: Practice the chromatic passage in the left hand at measure 24 slowly until you are comfortable with the compacted hand position this phrase requires. Smoothly - = 90 SSS = t Fe a a de mf Til be your can-dle on the | wa - ter, my love for you will al-ways [Dfe — —— ie = = = eo eee se « os burn. I know you're | lost and drift - ing, but the clouds are lift - ing. lp ‘ — + — =e ct ss $s 3-3-3 Don't give up, you have some-where to | turn. A cold and friend-less tide has = + + —— a a. ——— 4 = 2 3 Z ots found you, don’t let the storm-y dark-ness |pull you down. —~ = 5 ty Se : Ls —— = x — a == © 1976 Wale Disney Music Company and Wonderland Musi Copyright Renewed A Rights Reserved Used by Permission 18 ic Company, Inell paint a ray of hope a-|round you, cling in the air, light-ed by a prayer. Tl be your can-dle on the this flame in-side of me will | grow. Keep hold-ing on, you'll make it Here's my hand, so take it. Look for me reach-ing out to © show as sure as_riv-ers Til nev-er let youfrom Walt Disney's MARY POPPINS Chim Chim Cher-ee Words and Music by Richard M. Sherman and Robert B. Sherman Based on a series of books by P.L. Travers and starring Julie Andrews and Dick Van Dyke, the 1964 musical film ‘Mary Poppins is thought by many to be the pinnacle of the Sherman Brothers’ decade-long association as staff songwriters at Disney and the crowning achievement in Walt Disney's long career in the film business. Hints & Tips: Place an emphasis on the first beat in each measure, especially in the left hand, to create a strong waltz feel to this jolly song. Light and bouncy (J = 116) Up where the |smoke is all bil - lowed and —_|eurled, nf | pave - ment isthe chim - ney sweep | world. When there's night, “alt © 1963 Wonderland Music Company, Inc. Copyright Renewed AL Rights Reserved Used by Permission 20chim - i - ney, — chim chim -i- ney, |chim chim -i- ney, |chim chim che - shakes hands — with andfrom HANNAH MONTANA: THE MOVIE The Climb Words and Music by Jessi Alexander and Jon Mabe This ballac, from the 2009 musical adaptation of the teen sitcom, laments the struggles of the double life led by Miley Stewart as Hannah Montana, her popstar alter-ego. Home in Tennessee, Miley, played by Miley Cyrus, reconnects with a childhood friend and soon realizes that her family life has been neglected. Hints & Tips: Avoid heavy-sounding L.H. chords by placing a slight emphasis on the first beat of each measure ‘and playing the remaining three beats more softly. Play the two notes at exactly the same time. Pop ballad (+ = 80) uf I can al-most see it, that dream I'm dream - in’; but a voice in - side my head say- ing, “You'll nev - er reach it.” Every step I'm tak - ing, ev'ry move I make feels lost with no di - ree- tion, my faith is shak- in’. But I got-ta keep © 2007, 2009 Vistvile Music, Hopeless Rose Music, Music Of Stage Thee and Mabe It Big ‘Al Rights for Hopeless Rose Music Administered by Vistaville Music Al Rights for Mabe Tt Big Administered by Stage Three Music (US.) Inc Al Rights Reserved Used by Permission 22head held high, There’s al-ways gon-na be an-oth - er moun- tain. Tm al-ways gon-na wan-na make it move Al-ways gon-na be an up - hill bat - tle, Some-times I'm gon-na have 10 lose. Ain't a-bout how fast Ain't a~bout what's wait-ing on the oth - erfrom Walt Disney's POCAHONTAS Colors of the Wind Music by Alan Menken Lyrics by Stephen Schwartz ‘This was the first Disney animated feature to be based on a real historical character, namely the Native American woman, Pocahontas, It portrays a fictionalized account of her encounter with English settlers to whom, in this song, she tries to explain the wonders of the earth and nature, including the spirit within all living things. Hints & Tips: Rather than keeping strictly to the tempo as you play this piece, achieve a relaxed, wistful feel by ‘employing rubato. This means you “give and take,” moving forward with the tempo at times and holding back with the tempo at other times. With feeling (J = 100) = —— = a os o 2 7 = = You think you own what-ev - er land you }Iand on; the af Be = T =—————S + eS ——: : we < oe = Ss 3 earth is just a dead thing you can claim; but | 1 know ev -"ry rock and tree and Pec = E ==== == f : = 2 a ; 2 a a crea - ture has a life, has a spir- it, has a | name You ———— — A Ss — + — oe Je ee = re oe oe think the on - ly peo-ple who are | peo - ple are the | peo- ple who look and think like as = a © 1995 Wonderland Musie Company, Inc. an Walt Disney Music Company ‘All RightsReserved Used by Permission 26you walk the foot-steps of strang - er, = things you nev-er knew you ney-er | knew. Have you | ev - er heard the wolf cry to the blue com moon, or_|asked the grin-ning bob-cat why he | grinned? = sing with all the voic-es of the | moun- tain? Can you | paint with all the col-ors of the = Can you |paint with all the col-ors of the | wind?from Walt Disney Pictures’ ENCHANTED Happy Working Song Music by Alan Menken Lyrics by Stephen Schwartz In this 2007 homage to conventional Disney-animated features, Giselle, an archetypal Disney princess, is forced from her traditional, animated Kingdom of ‘Andalasia into the live-action world of New York City where urban vermin such as pigeon, rats, and cockroaches respond to her call for help with the cleaning. Hints & Tips: This song is based almost entirely on the C major scale. If you practice this scale, both hands separately and together, you will soon find the melodic movement required in this piece much easier, as well as ‘the slower-moving accompanying line. Lightly (« = 120) Come, my lit - tle friends, as of lit = tle — voie - sleeves (so to. speak) and roll your up © 2007 Wonderland Musie Company, Inc. and Walt Disney Music Company TAIL Rights Reserved Used by Permission 26pluck a hair-ball from the show - er drain of a hap - py work-ing | song. 27Walt Disney Pictures Presents A Pixar Animation Studios Film MONSTERS, INC. If I Didn’t Have You Music and Lyrics by Randy Newman After 15 nominations without a win, Randy Newman finally landed his first Oscar when this song, from the computer-animated comedy about a city of paranoid monsters who generate power from the screams of children, won the Academy Award for Best Original Song. Hints & Tips: Play this song with a swing feel by making the first eighth note in each pair slightly longer than the second. Try to listen to the original recording if you are unsure how this will sound. na 40) (JI=34) ‘Swinging (/ = with a mi-lion or two, — Td live in Pama cause dreams do come | true. © 2001 Walt Disney Music Company and Phar Talking Pictures, AIL RightsReserved "Used by Permission 28— T would-n’t have |noth- in’ if I did-n't have {you Would-n’t_haveLittle ‘April Shower Words by Larry Morey Music by Frank Churchill The main characters in this 1942 animated feature film, based on the book Bambi, A Life in the Woods by Austrian author Felix Salten, are Bambi, a white-tailed deer, his parents, his friends Thumper (a rabbit) and Flower (a skunk), and his future mate Faline. Hints & Tips: Note the key change at measure 9—there are now four sharps: F#, C4, G#, and D#. In measure 17, the key changes back to C Major. Sprightly (J = 130) Drip, drip, drop, lit- tle | A - pril show - er, |beat - ing a tune as you nf fall all _a-round. Drip, drip, drop, lit-tle | A - pril show-er, |what can com-pare with your beau - ti - ful sound. drop, when the |sky is cloud - y your pret-ty mu - sic can |bright-en the day. Drip, drip, drop, when the | sun says.“Fow- dy” © 1942 Walt Disney Music Company and Wonderland Music Company, In. Copyright Renewed All RightsReserved Uses by Permission 30T you say,"Good- bye” right a -} way, Drip, drip, drop, lit - de - ‘A pril show- er, }beat-ing a tune as you | fall all a-round. Drip, drip, drop. it~ tle ‘A ~ pril show - er, — {what can com-pare with your |beau - ti - ful sound Til nev-er_be lit-tle | A - pril ser - e -| nade. good lit-tle gayfrom Walt Disney's THE RESCUERS Someone's Waiting for You Words by Carol Connors and Ayn Robbins Music by Sammy Fain Based on children’s novels by Margery Sharp, The Rescuers tells the story of an international mouse organization dedicated to helping victims of abduction around the world, which, like the United Nations, has headquarters in New York. This song plays while such a victim is comforted by a shining star. Hints & Tips: Keep the left hand relatively quiet as it bubbles along beneath the melody in this arrangement. Keep your wrist loose and rock gently between the notes. Gentle (4 = 76) Make a wish for each Hold your head up Some-one’s wait - ing Have | faith lit de one {© 1076 Walt Disney Music Company and Sammy Fain Trust Copyright Renewed Administered by Walt Disney Music Company AIL Rights Reserved Used by Permission 32till your hopes and your | wish - es come You must tryfrom Walt Disney Pictures’ TOY STORY 2 - A Pixar Film When She Loved Me Music and Lyrics by Randy Newman. The 1999 sequel to Tay Story again featured the secret adventures of a group of toys. Performed by Sarah McLachlan, this song is used for a flashback montage in which Jessie, a yodelling cowgirl, experiences being loved, forgotten, and finally abandoned by her owner Emily. Hints & Tips: Think about the story this song tells and try to convey this in your performance using dynamics and tubato. Sing through the song to help determine the phrasing you will use. Gently (4 = 80) When some - bod-y loved me, ev = ‘ry = thing was beau- ti - ful nf Ev-'ry hour we spent to-geth-er lives with-in my heart ‘And when she was sad, was there to dry and when she was hap - py, 80 © 1999 Walt Disney Music Company and Pixar Talking Pictures ‘Administered by Walt Disney Music Company ‘Al Rights Reserved Used by Permission 34‘Through the sum- mer and the — fall, we [had each oth - er, that was And when she was lone- ly, I was there to com-fort her, and 1 | knew —_from Walt Disney's PINOCCHIO When You Wish Upon a Star Words by Ned Washington Music by Leigh Harline Sung by the character Jiminy Cricket, at #7, this is the highest-ranked Disney song on the American Film Institute's list of 100 Greatest Songs In Film History. The first seven notes of the melody have become an icon of the Walt Disney Company, even being adopted as the horn signal of the ships of the Disney Cruise Line. Hints & Tips: Practice this piece slowly at first. This will help steer you through the numerous accidentals ‘and the often unusual intervals between notes. Moderately (J = 100) makes no dif - f'rence + y+ thing your heart de - sires will If your heart is in your dream, nore - quest. is Copyright © 1940 by Bourne Co. (ASCAP) Copyright Renewed International Copyright Secured All Rights Reserved 36those who love the fill-ment of their se - eret_ | long bolt out | of the blue, fate steps in and sees you through. When you wish up - | on star your | dream comesfrom Walt Disney's SNOW WHITE AND THE SEVEN DWARFS Whistle While You Work Words by Larry Morey Music by Frank Churchill Following on the success of their Silly Symphonies cartoon series, in 1937 Walt Disney Studios made this, their first full-length animated feature, based on the fairy tale of the same name by the Brothers Grimm, beginning what is now considered to be the Golden Age of Disney Animation which lasted until the early 1940s. Hints & Tips: Give the phrases in this song shape by placing a slight emphasis on the first beat in each measure, Be sure to observe the rests in the left hand to create a light, bouncy feel throughout. Brightly (J = 100) whis - tle while you — | work. and Copyright © 1937 by Bourne Co. (ASCAP) Copyright Renewed Intemational Copyright Secured All Rights Reserved 38your trou - bles, and startfrom Walt Disney's ALADDIN A Whole New World Music by Alan Menken Lyrics by Tim Rice Tim Rice took over as lyricist for this movie, based on the Arabian folk tale “Aladdin’s Wonderful Lamp” from One Thousand and One Nights, when Disney regular Howard Ashman died in early 1991. In 1993 this became the first Disney song ever to reach #1 on the US Billboard Hot 100. Hints & Tips: Don’t forget that the key signature is F Major, which means there are Bbs to remember. Also notice that the left hand has an interesting moving part in measures 10 and 18. Sweetly (J = 96) = T can show_ you the — | world, shin - ing, shim = mer- ing, L mf can 0 - pen your | eyes, take you won - derby Tell me prin - cess, now [when did you last. O - ver, side - ways and un - der on a new - | tas - tie point of © 1992 Wonderland Music Company, Ine. and Walt Disney Music Company All Rights Reserved Used by Permission 40cI daz - aling [place I But when ['m new — world — withfrom Walt Disney Pictures’ TARZAN You'll Be in My Heart Words and Music by Phil Coltins Based on Edgar Rice Burroughs’ book, Tarzan of the Apes, this 1999 animated feature is about a man raised by gorillas who has to decide where he truly belongs when he discovers he is a human. In this song the adoptive mother gorilla, Kala, sings that Tarzan should stop crying because she will keep him safe and warm. Hints & Tips: Imagine the left hand part is being played by an African drum, its steady rhythm underpinning the melody. Use a metronome to maintain a consistent tempo. Relaxed (6 = 90) Come stop your ery-ing; it will] be al - right. Just take my hand, it tight. will pro-tect you from 1 will be here; don’t you] ery. For one so small, you |seem so strong. - My arms will hold you, keep you | safe This bond be-tween us © 1999 Edgar Rice Burroughs, Inc. and Walt Disney Music Company ‘All Rights Reserved Used by Permission 42I will be here; don’t you] ery. "Cause |} you'llbe in my Yes, | you'll be From | this day on, — now and for-ev - er | more. You'll be in’ my no |mat-ter what_ they infrom Walt Disney's TOY STORY °. You've Got a Friend in Me Music and Lyrics by Randy Newman Composer Randy Newman established his trademark Pixar Animation Studios sound in this 1995 film about the secret life of toys when people are not around; particularly that of cowboy Woody and Buzz Lightyear, a space ranger. It was the first full-length feature film to use only computer-generated imagery. Hints & Tips: Play this piece with a gentle swing to capture the laid-back feel of the song, but don’t become too relaxed—there are plenty of accidentals to keep an eye out for! Easy Shuffle (/ = 100) You've got a friend in me. You've got a friend in me. uf When the road rough a - head— and you're| miles and miles_ from your you just re-mem-ber what your | old you've got a friend in me. ‘Yeah, | you've got a friend in © 1995 Walt Disney Music Company AIL Rights Reserved Used by Permission 44Some oth-er folk might be a | lit-tle bit smart-er than I am] big-ger and strong-er | too. But none of them — will) ev - er love you the \way 1 do, just And as the years go. by, friend-ship will nev - er die. You're gonna see it’s our (des - & - ny You've got a friend in me. You've got a friend in me. You've got a friend in me. 45from Walt Disney Pictures’ HERCULES Zero to Hero Music by Alan Menken Lyrics by David Zippel Greek mythology became a new source of inspiration for Disney studios in this 1997 animated feature which tells the story of Hercules, son of Zeus, who is kidnapped by the evil Hades, Lord of the Underworld. Drained of all powers bar his strength, he becomes a hero by battling various monsters sent to destroy him. Hints & Tips: This up-tempo gospel number should have real pizzazz, but try not to rush. Instead, listen carefully to be sure the left and right hand notes sound at exactly the same time, particularly where there is eighth note movement in the left hand, for example, bars 3, 7, 13, 15 and 17. With energy (J = 140) stop mon - ster and you're © 1997 Wendertand Music Company, Inc. and Walt Disney Music Company ‘AL Rights Reserved Used by Permission 46Now he’s a hon 47from Walt Disney's SONG OF THE SOUTH Zip-A-Dee-Doo-Dah This upbeat tune from the 1946 movie, based on the Uncle Remus stories about the adventures of Brer Rabbit and his friends, was sung by James Baskett. He received an honorary Academy Award for his performance 18 months after the film’s release, becoming the first man of African descent to win an Oscar. Hints & Tips: Consider playing this short piece twice, employing a quieter dynamic (pp) the second time through and thus creating a contrast. Employ a crescendo in measures 9-12 leading into the jubilant ending. ‘Moderately fast (J = 100) Zip - a-dee-doo }- dah, zp - + = e—po é SS My, ob what a |won- der - ful day!_| Plen - ty of sun |- shine, head - in’ my — way. | ee io Zip - a-dee-doo |- dah, zip = acdee = ay!_}— = = — = = } 2 € 2 | z — © 1965 Walt Disney Music Company Copyright Renewed AL Rights Reserved Used by Permission 48