Dining Space

Dining space
Dining space
Dining space
Dining space
Longroom
Longroom
Woods Bagot Longroom坐落在地下室，是一个充满张力的会面场所。室内的装潢时尚而富有魅力，并带
有一个源自19世纪灵感的“王尔德风格”客厅。成熟的女性与具消费力的男士均是其目标
澳洲墨尔本Melbourne, Australia 顾客群。Longroom提供精致的食物（寿司和小吃）、饮品及休闲设施，家具和涂饰丰富多
■ 660m2 样，舒适惬意，对成熟的客人来说是一个极具吸引力的地方。
Woods Bagot 660m2 Melbourne, Australia
半透明、富有质感的粉饰颇有怀旧意味，体现出优雅的魅力；超现实的艺术品则流露旧日
的痕迹。在偌大的空间里，物料是划分各个区域所不可或缺的媒介。锻铁花格栅栏把空间
分隔，间隔出私密的空间与安全的陈设区。透过栅栏，人们可窥见餐厅各处，促进了视觉
的连系，而薄纱帘、滑动木屏风和不同层高更强化了这一特色，既带给用家私密性，同时
又让人隐约看到整个空间。
热情的色彩、丰富的木材、滑动装饰门和品类繁多的食物与饮料圈出小吃区的范围。小吃
吧的设计参考了正宗西班牙菜馆展示食物的方式，直接向顾客提供服务，因此，在最多人
用餐、交谈和聚集的地方设置了巨大的公用木桌，用来展示丰盛的食物。角状吊灯的造型
某程度上借鉴了西班牙文化的牛角元素。
寿司吧采用了简单、浅色的朴实涂饰，透露出传统日本文化的要素，并以滑动木屏风、竹
子、米纸墙纸和榻榻米席作配衬。
铺上地毯的休闲区和后室采用融合了传统与时尚风格的座椅，并配以丰富的织物和柔软的
软垫。富有现代感的枝形吊灯散发出柔柔的灯光，创造出舒适而私密的氛围，并照亮了分
散各处的古董雕塑。
空间的中央有一个使用酒精作燃料的摩登火炉，是餐厅焦点所在。天气欠佳时，人们便会齐
聚于此。每个空间都有各自的特色，例如白兰地陈列柜、特色镜子、枝形吊灯和雕塑品等，
顾客无论坐在哪个角落，总能发掘一些有趣的物事。
Located in a basement is the Longroom, a meeting space

which elicits sexual tension with a macabre twist by juxtaposing
seductive contemporary design elements with a 19th century
Oscar Wildesque inspired parlour. It is targeted at a sophisticated
female clientele which in turn attracts the big spenders - men. This
is achieved by providing defined eating (Sushi, Tapas), drinking,
and lounging zones with a mix of furniture and finishes that is
comfortable and appealing to a mature crowd.
Translucent, tactile and rich finishes are introduced to reminisce
and celebrate the seduction and elegance while found objects are
selected to allude to the past. Materials play an integral role in
defining various zones within this vast space. Wrought iron lace gates
.
Longroom Woods Bagot Dining space 11

are utilised to demarcate spaces, create intimate areas and secure
display zones. They visually link different spaces, enable a sense of
intentional voyeurism throughout the venue. Organza curtains /
sliding timber screens and raised floor levels further celebrate the
voyeuristic nature of the space by offering a touch of intimacy to the
user while remaining tantalisingly visible to the observer.
The use of passionate colours, rich timbers, ornate sliding gates
and generous displays of food and wine define the Tapas area.
The Tapas bar is inspired by the authentic Spanish experience
of displaying / serving food direct to and / or by the user. This
is achieved by introducing the large timber communal table
allowing a generous food display with immediacy to the area
where people naturally congregate to eat, drink and converse.
Horn chandeliers are a tongue in cheek reference to the Spanish
cultural display of bull horns. 薄纱帘和不同层高强化了空间在视觉上的相互渗透效果，既带给用家私密性，同时又让人隐约看到整个空间。
Organza curtains and raised floor levels celebrate the voyeuristic nature of the space by offering a touch of intimacy to the user while remaining tantalisingly visible to the observer.
Organza curtains and raised floor levels celebrate the voyeuristic nature of the space by offering a touch of intimacy to the user while remaining tantalisingly visible to the observer.
Visual cues are taken from traditional Japanese culture in the Sushi
bar with the use of simple, light and honest finishes. Sliding timber
screens, bamboo, rice paper wallpaper and tatami matting are utilised
accordingly.
A mix of traditional and contemporary lounge seating in rich
fabrics and soft cushions are used in the carpeted lounge and
backroom areas. Soft lighting from modern chandeliers gives a
sense of comfort and intimacy and illuminates the ironic antique
sculptural elements which are located everywhere.
The heart of the space is a contemporary fire plinth utilising
ethanol flame burners. It is an integral focal point where people are
encouraged to congregate during inclement weather. Each space
has individual features such as the cognac display, feature mirrors,
chandeliers, sculptural pieces so that wherever the patron sits, there
is something of interest to observe.
人们常聚集的中央位置设有一个使用酒精作燃料、
The heart of the space where people congregate
不会冒烟的摩登火炉。一头古怪的麋头是特色摆设
is a contemporary fire plinth utilising ethanol flame
之一，让顾客无论坐在哪个角落，总能发掘一些有
burners which do not emit smoke or fumes. The
趣的事物。moose head as a special feature ensures
whimsical
The heart
that of the
wherever the space
patronwhere people
sits, there is a congregate
something
is ainterest
of contemporary fire plinth utilising ethanol flame
to observe.
burners which do not emit smoke or fumes. The
whimsical moose head as a special feature ensures
that wherever the patron sits, there is a something
of interest to observe.

寿司吧采用了简单、浅色的朴实涂饰，透露出传统
Visual cues are taken from traditional Japanese
日本文化的要素。
culture in the Sushi bar with the use of simple,
Visualand
light cues are taken
honest finishes.from traditional Japanese
culture in the Sushi bar with the use of simple,
light and honest finishes.
客戶Client Nick Nick

Client Zampelis
Zampelis Project設計組Project
Team Team
Nik Karalis, Sue Solly, Anna Drummond
Nik Karalis, Sue Solly, Anna Drummond Main 總承辦商Main
Contractor Contractor
Noel Robertson
Noel Lighting Fixtures
Robertson of NCR Developments
of NCR Developments 燈具Lighting
& Fitting Fixtures & Fitting
Suspended light fitting
Suspended
at Sushi light
Bar by Dean
fitting at Sushi
Phillips;Bar
hornby Dean
chandeliers
Phillips;
horn
at Tapas
chandeliers
Bar supplied
at Tapas
by client;
Bar supplied
suspended by client;
mirror suspended
ball at lounge
mirrorby Dedece;
ball at loungelampsby Dedece;
at lounge lamps
by Surround;
at lounge French
by Surround;
gold wall French
bracket gold
wall
at raised
bracket
loungeat raised
area by
lounge
CustomareaLighting
by Custom Furniture
Lighting 傢具Furniture
Lounge, Sushi Bar, TapasLounge, Sushi
Bar furniture
Bar, Tapasby CDE Design;
Bar furniture lounge
by CDE Design;
armchair
lounge
upholstery
armchair
- Brussels
upholstery
Velvet, -Elliot
Brussels
ClarkeVelvet,
by Goatham Dorman;
Elliot Clarke by Goatham Dorman;
Box Ottoman Upholstery Box Ottoman- Carlucci,
Upholstery
Urban -Jungle,
Carlucci,
User
Urban
by Unique
Jungle, User
by
Fabrics;
Unique
cushions
Fabrics;- Elliot
cushionsClarke
- Elliot
- Edenberry,
Clarke - Boston,
Edenberry,Bengal
Boston,
by Goatham Dorman
Bengal by Goatham Dorman 牆飾Wall Backroom
Wall Covering Covering wallpaper Backroom
-
wallpaper
Gramency, Summer Set
- Gramency, Summer Set
Field, SchumacerField, Schumacer
by Goatham Dorman;
by Goatham Dorman;
Japanese Alcoves Japanese Alcoves
wallpaper - Designers
wallpaper - Designers
Choice “Natural Oriental
Choice “Natural Wall
Coverings”
Oriental Wallby Coverings”
Baresque; Organza’by
by Baresque; Organza’by
Mokum; TapasMokum; Tapas
ceiling - existing
ceiling
painted
- existing
with Dulux
paintedHigh Gloss
with DuluxEnamel;
High Gloss
typicalEnamel;
ceiling typical
- Duluxceiling
Wash
- Dulux & Wash
Wear 101,& Wear
Low Sheen Acrylic
101, Low Sheen Acrylic
by Dulux; Sushi
by Dulux; Sushi
Bar ceiling
Bar- ceiling
Woven - Bamboo
Woven Bamboo
Ply facing Plybyfacing
Jungle Jungle
by Imports Imports 鋪地
Flooring
Flooring
Paper Twill Flooring
Paper Twill
(Tatami) Flooring
at Sushi(Tatami)
Bar Alcoves
at Sushi by Bar Alcoves
InternationalbyFloor
International
Coverings;Floorclient’s
Coverings;
own broadloom
client’s own wool broadloom
carpet at wool
lounge;
carpet at
雕刻般的角状吊灯造型在某程度上借鉴了西班牙文 Ironbark
lounge; Ironbark
floorboardsfloorboards
at raisedatfloor
raisedarea;
floor
typical
area; -typical
existing- existing
bluestone flooring
bluestone flooring 門飾Doors
Doors Sliding doors,Sliding
screendoors,
dividers
screen
- Colonial
dividers
化的牛角元素。 Castings
- ColonialInfill
Castings
Panel Infill
by Melbourne Aluminium
Panel by Melbourne Aluminium & Iron
& Iron Lacework Artwork
Lacework 藝術品Artwork
Sculptural pieces Sculptural
by Antiquepieces Centreby Antique
of Stonnington,
Centre
Sculptural reindeer chandeliers are a tongue in of Stonnington, Armadale Antique
Armadale Antique Centre, Sequel Furniture; Centre, Sequel
mooseFurniture;
& horns moose
by Bill & Welsh Taxidermy;
horns by Bill Welsh Taxidermy;
books by Australian booksBook Auctions;
by Australian client’s
Book Auctions;
own
cheek reference to the Spanish cultural display of client’s
sculptural
own& sculptural
antique pieces Sanitary
& antique pieces 衛浴潔具Sanitary
Ware Ware tap ware,
Fittings, surfaces, Fittings,
tiles,
surfaces,
accessories,
tap ware,
mirrors
tiles, accessories, mirrors 酒精火
Ethanol Fireburners
bull horns. 爐Ethanol Fireburners
Thermofilm Photography Thermofilm Trevor Mein攝影Photography Trevor Mein

Nectar
Nectar the Bar and Restaurant, extending to 7.3m above the floor and
Rockwell Group Nectar占地两层，总面积共950m 2 。客户希望这家糅合亚洲风味的菜馆设计时尚而富有亚
洲气息，外部则融入当地环境。虽然建筑处于商业地带，但周围是费城主干道上的高级住
美国费城Pennsylvania, USA 宅群，附近建筑多为原荷兰殖民地或复兴荷兰殖民地风格，覆面采用大卵石和护墙板。餐
馆立面设计反映了对本地元素的重视，设计师从Wright及Neutra线条简洁的住宅建筑中获
bearing an image of the Buddha taken from a photograph of the
■ 950m2
Rockwell Group 得灵感。 950m2 Pennsylvania, USA
statue in a temple in Tibet. The image was screened onto silk and
建筑物外的石材被引入到餐馆内，使室内设计更为摩登。“食之殿堂”成为室内设计的概 laminated in glass with a UV interlayer for protection. The majority
念。空间被划分为不同区域：酒吧、寿司吧、主用餐区、副用餐区（也可用作宴会厅）和
夹层用餐区。巨大的玻璃屏将酒吧和餐馆分隔开来，玻璃屏高7.3米，里面夹有一幅摄于西
of the carpets, lighting and furnishings were custom designed.
藏寺庙的丝印佛像照片，它更包含具保护作用的防紫外线层。大部分的地毯、灯饰和家具
均为量身定造。
Nectar is composed of two floors with a total area of 950m2

The clients requested a ground-up building and interiors for this
Asian-fusion inspired restaurant where the design of the interior
would be modern and have an Asian influence, while the design
of the exterior would fit into the local vernacular. Although the
building is on a commercial thoroughfare, the surrounding area is
an affluent residential community on Philadelphia’s Main Line.The
prevalent architectural style is Dutch Colonial, original or revival,
clad in fieldstone and clapboard. The design of the restaurant
facade pays homage to the local vernacular, yet the designers
were also inspired by the clean lines of mid-century residential
architecture of Wright and Neutra.
While the stonework is carried into the interior of the restaurant,
the design clearly becomes modern. The interior design concept is
a “temple for dining”. The space is broken down into several areas:
Bar, Sushi Counter, Main Dining, Adjunct Dining (which doubles as a
function room) and Mezzanine Dining. A giant glass panel separates
.
Nectar Rockwell Group Dining space 19

带有丝印佛像图案的巨大玻璃屏高7.3米，将酒吧和
餐馆分隔开来，并突出了“食之殿堂”的概念。
A silk-screened image of Buddha on a giant glass
panel separating the Bar and Restaurant extending
to 24 feet above the floor accentuates the concept
of “temple for dining”.

客戶Client ScottScott
Client Morrison
Morrison
and and
Michael Wei
Michael Wei 建築師Architect
Architect Lance Kraemer Lighting
Lance Kraemer 燈光顧問Lighting
Consultant Consultant Lighting
Focus Lighting Focus Lighting &燈具Lighting
Fixtures Fitting Fixtures & Fitting TransLux/
TransLux/Rejuvenation Furniture
Dinning
tables
Rejuvenation by 傢具Furniture
Shelby-Williams; lounge
Dinning
/ cocktail
tables seating
by Shelby
by Luna
- Williams;
Textiles,
lounge
Jay’s /Furniture Products;
cocktail seating by Luna
cocktail Textiles,
tables by Woodsmiths;
Jay’s Furniture Products;
banquettecocktail
/ built-in
tables
seating
by Woodsmiths;
by Jay’s Furniture Products;
banquette / built-in
otherseating
occasional
by
furniture
Jay’s Furniture Products;
by Napier, Joseph
other occasional
& McNamara Carpet
furniture Innovative Carpets
by Napier, Joseph & McNamara 地毯Carpet
Ceiling Painted sheetrock
Innovative Carpets 天花Ceiling
and upholstered panels; ceiling panels
Paintedfabric
sheetrock
by Maharam Doorpanels;
and upholstered Hardware
ceiling panels
Custom
fabric
by Phoenix
by Maharam 門飾Door
Glass AppliedHardware Image)
Image (BuddhaCustom Window
by Phoenix 玻璃GlassWindow frames Applied
by GC;
Image
window
(Buddha Image)
treatments 窗戶Window
by Jack Lenor Larsen Upholstery
Window frames by GC;
Jay’s
window treatments by
Furniture Products Flooring
Jack Lenor
Mats
Larsen 織物Upholstery
Inc Signage Designed
Jay’s Furniture Products 鋪地Flooring
by Jennifer Morrison Photography Mats Inc 指示牌Signage
Eric Laignel Designed by Jennifer Morrison 攝影Photography Eric Laignel

Washington
Washington
Rockwell Group 对比的魅力！这家餐馆是对反差的研习— 现代风格结合巴洛克式装饰艺术，成就在历史
悠久的华盛顿广场上，一幢约建于1929年富艺术装饰风格的办公大楼内。餐馆占建筑物地
Square 美国费城Philadelphia, USA

面层的一半面积，并包括一个私人花园，现用于进餐与充当户外休闲廊，同时也是通往餐
馆入口的必经之处。
户外花园色彩较为中性，陈设时尚而简洁，并设有一个白色的酒吧；相对地，从绿色的常春
Square
■ 240m2 (室内) ， 150m2 (户外花园)
Rockwell Group 藤到彩色瓷砖，围墙的颜色就显得异常丰富。甫进花园，柚木地板和配套白色帆布软垫的家
具呈对称排列在空间中央，映射池内的镀锌容器及白色雨花石，与整个调子浑成一体。白色
调与柚木延续至花园后方的白色混凝土和透明聚碳酸酯上的白色格屏。侧墙上覆以青葱的英
国常春藤，绿色墙体内侧设有色彩丰富、图案多样的座位，与现代的建筑形成对比。每个壁
240m2(indoor), 150m2(outdoor) Philadelphia, USA
龛颜色各异，背墙铺上混凝土图案砖，灵感源自摩洛哥，却呈现出类似普普艺术的格调。
餐馆的部分空间设在原有的两个艺术廊里，原来的胡桃木镶板经修复并沿用，另添加了木镶
板和装饰线脚，为新旧之间带来无缝的连接。
经花园到达的第一个室内空间是首间用餐室。甫进入，客人便会被引领至此区域的蓝色用餐
室或者毗连厨房的主用餐区的桌子，客人也能直接前往休闲室用餐。Blue Room设在保留了
古典胡桃木镶板的艺术廊里。两张3.6米长的巴洛克式沙发使这个充满皇家气派的蓝色“套
房”丰富华丽，周围配上闪亮的蓝色布料，散发出私密而性感的魅力。主用餐区与前室相
仿，但格局更为灵活。屏风为非固定式，由贝加莫织物编织而成，可随意移动，为举办鸡
尾酒会或私人聚会腾出宽敞的空间。
休闲室占偌大的办公楼大堂一半的空间，而且经过大规模的改造，与餐馆的整体设计主调
达致和谐统一。
Opposite attraction! A study in contrasts - modern meets baroque

- is the restaurant in an art deco office building (circa 1929) in
the historic Washington Square. The restaurant space
occupies half of the ground floor and includes a private garden
used for dining and as an outdoor “lounge”. It also acts as the
access path to the restaurant entry.
The exterior garden is neutral in colour, with modern and simple
furnishings and a white bar. The perimeter walls have a full range
of colours from green ivy to coloured ceramic tiles. Upon entering
.
Washington Square Rockwell Group Dining space 27

the garden, it is clear that the teak flooring and furniture covered
with white canvas cushions are organized very symmetrically from
front to back in the middle of the space. Even the reflecting pool
with its galvanized container and white river rock interior fits into
the scheme. This study in white and teak is completed at the end of
the garden with a white concrete exterior back and a white trellis
screen on translucent lexan. In contrast to this modern architecture,
the sidewalls are covered in lush English ivy, and within the green
walls are seating groups saturated with colours and pattern. Each
niche has a different colour scheme and the back walls are made of
patterned concrete tiles inspired by Moroccan designs but done in
an almost pop art manner.
Part of the restaurant is in the space of the two main original
“galleries”, in which the original walnut paneling is restored. Wood
paneling and moldings are added in this area to create a seamless
design between the historic area and the new.
The first interior space after the garden is the first dining room. Upon
entering, guests will be taken to their table in this area, the blue
dining room or the main dining hall adjacent to the Kitchen. They
can also be directed to the Lounge. Still set within the classic walnut
paneled gallery space is the “Blue Room”. This royal blue “suite” feels
opulent with its two 3.65m long baroque sofas and is surrounded by
an iridescent blue shimmery fabric to create a sense of privacy and
sex appeal. The main dining room is a more flexible version of the
front room. Instead of fixed screens, the screens are made of a woven
Bergamo fabric which can be slide away to make a bigger room for a
cocktail party or private function.
The lounge for the restaurant takes up half of the grand office-
building lobby. This, too, is transformed dramatically to fuse with
the mood of the entire restaurant design.
别具一格的艺术装饰风格石灰岩立面与3米高无框的层压磨砂玻
璃墙形成对比，构成餐馆的花园入口。晚上，后方树篱的轮廓在
上射灯的映照下更为突出。
The mannered limestone art deco facade is contrasted with
a frameless 10 feet high wall of laminated translucent glass
serving as the entry to the restaurant’s garden. The outline of
布局图
Layout plan
Layout plan the hedge behind is accentuated at night with up lighting.

充满皇家气派的蓝色“套房”设在采用了古典胡桃木板的艺术廊
Set within the classic walnut paneled gallery space, this royal
里，两张3.65米长的巴洛克式沙发使这个空间丰富华丽，加上四
blue “suite” feels opulent with its two 3m long baroque sofas
周闪亮的蓝色布料，散发出私密而性感的魅力。
and is surrounded by iridescent blue shimmery fabric to create
Set within
a sense of the classic
privacy andwalnut paneled gallery space, this royal
sex appeal.
blue “suite” feels opulent with its two 3m long baroque sofas
and is surrounded by iridescent blue shimmery fabric to create
a sense of privacy and sex appeal.
客戶Client Starr Starr

Client Restaurant Organization
Restaurant Organization Wall 牆飾Wall
CoveringCovering
Custom ceramic
Custom coloured
ceramic coloured
tiles by Todd Oldham
tiles by Todd Oldham 攝影
Photography
Photography
Eric Laignel Eric Laignel

Wanna Fan
Wanna Fan simple black chairs are delicately embroidered with chandeliers
Glamorous Co Ltd Wanna Fan Dining位于大坂商务园内的一幢商业大厦地面层及一楼，提供餐饮服务及承办
婚礼宴席。近年来，日本很流行在餐厅里举行婚礼。
Dining 日本大阪Osaka, Japan

餐厅既提供日常餐饮又在特殊日子里承办婚宴，故室内设计必须融汇两种迥异的风格和布
局，不要显得太华贵、严谨，也不能过于随意、平常，要达到这个要求并不容易。
which again calls attention to the master piece design. On the
other side of the wall is tiled beveled mirror that gives glamorous
airs to the space.
Dining
■ 390m2
Glamorous Co Ltd 因此，餐厅的设计理念高雅而富表现力。设计师森田恭通选取了室内设计最经典的材料
─ 枝形吊灯作为主要的设计元素。但，令人惊奇的是，吊灯并非立体地从天花板垂悬下
来，有别于常见的灯具，它是平铺在墙上的。平铺的枝形吊灯散发出水晶的光泽，营造出
People of all ages would attend a wedding party. The design of this
既典雅又现代的氛围。此外，普通黑色椅子靠背上也绣了精致的吊灯图案。另一面墙上安 restaurant projects a fresh and modern image to young people and
impresses the older generation with its classical and elegant style.
装了一块倾斜的镜子，使空间更为独特。 390m2 Osaka, Japan
不论老少都会参加婚礼，而这家餐厅的设计让年轻人感到新颖、时尚，给予年长者的则是
优雅、高贵的形像。
Wanna Fan Dining is located at the ground and first floor

of a commercial building in the Business Park in Osaka. It is catered
for both regular dine-ins and wedding parties. The recent trend
in Japan is to have wedding parties held in restaurants instead of
hotels.
To design a restaurant that can accommodate both regular dine-ins
and wedding parties is not an easy mission. The two different scenes
require different settings which should not be too elegant or formal
for casual diners nor too basic or common for grand parties.
Designer Yasumichi Morita has chosen to make this restaurant
ELEGANT and DRAMATIC. He employed the use of chandelier
as the staple design language as it is the most classical material
for grand interior. To one’s surprise, the chandelier is not three-
dimensional nor a fixture that is normally hung from the ceiling.
It is flat on the wall. This flat crystals creates an atmosphere which
is not only elegant, but also modern and upbeat. The backs of the
.
Wanna Fan Dining Glamorous Co Ltd Dining space 35

地面层平面图 G/F Plan

客戶Client Avica Produce 總承辦商Main Contractor Torenta Co Ltd 燈光顧問Lighting Consultant Daiko Electric Co Ltd 燈具Lighting Fixtures & Fitting Pendant (on
Client
the columns,Avica
G/F) Produce
by CIBONE; Main Contractor
Custom-made chandelier Torenta
(on theCo Ltd
wall, G/F) 傢具 Furniture
Lighting Consultant Custom
Daiko Electric
made Table
Co Ltd chair Lighting
& Fixtures & Fitting
(G/F) by ADAL; Table (1/F) by ADAL;
Pendant
Chair (on
(1/F)thebycolumns,
WISE WISE
G/F) by 牆飾
CIBONE;
Wall Coveringchandelier
Custom-made Leather
(on (G/F) by SINCOL
the wall, Furniture
G/F) Co Ltd; Mirror (G/F) 鋪地Flooring
Custom made Table & chairBurma
(G/F) padouk 衛浴潔具Sanitary
by ADAL; Table (1/F) by ADAL;Ware
Chair (1/F)Toilet
by WISE WISE
by TOTO; WaterWall Covering
faucet by SAN-EI 織物Upholstery
Leather (G/F) by SINCOL
Leather on (G/F)
Co Ltd; Mirror the wall Flooring
(G/F) by SINCOL Burma
Co Ltd; Chair
padouk Sanitary Co Ltd
by Sangetsu 窗簾Curtains
Ware Toilet by TOTO; WaterVelvet
faucetby SINCOL
by SAN-EICo Ltd; Lace 視聽系統AV
Upholstery Leather System
on the wall Star
(G/F) Co Ltd
by SINCOL 攝影Photography
Co Ltd; Chair by Sangetsu
Nacasa &
Co Ltd Curtains
Partners Inc Velvet by SINCOL Co Ltd; Lace AV System Star Co Ltd Photography Nacasa & Partners Inc

The Loft
The loft extension of the living room. It is warm, seductive, precious and
Dale Jones-Evans Pty Ltd Architecture The Loft是一家时尚的酒廊小食吧，设于由镭射雕刻而成的精致花饰空间里，且沉浸在富有情调
的光线中。酒吧位于码头综合楼的上层，带有一个宽阔的阳台，可欣赏邻近港口的景观──南面
澳洲新南威尔士NSW, Australia 便是达令港，悉尼最优美的海港则位于酒吧的西面和北面。
ornate (complements tapas) without utilizing precious materials.
■ 540m2
Dale Jones-Evans Pty Ltd Architecture 酒店餐厅可容纳400位顾客，整体设计灵巧而抽象，阴柔而图案化，糅合成令人心醉、奢华的氛
540m2 NSW, Australia The furniture was designed in an over scaled way, padded and
围。花饰图案和彩色灯光相互作用，构成颇具超现实主义色彩的影像。这里被构想成由镭射雕出
的空间，其精致的镭射雕刻不仅丰富了墙体和天花表面的质感，还加强了视觉纵深度。背景墙上 cigar-like, soft and extremely comfortable. Artist, Dani Marti,
的透光花状图案散发出光芒；它伸展到天花板上，包裹着整个空间，继而漫延到室外。
collaborated to produce a large wall rope piece, which cued off the
The Loft的环境精巧，既是酒廊，同时也是起居室的延伸，虽然没有使用昂贵的物料，却显得温 approach to patternation. It is rich in colour and texture, with soft
暖、诱人、高贵而华丽。特大的家具配上软垫，显得柔软舒适。艺术家Dani Marti设计了大型的
墙绳，与雕饰花纹相互呼应。色彩和纹理相当丰富，配衬着特大的柔软家具与木雕“蹄铁吧”； oversized furniture and houses a timber carved “horseshoe” bar
悬于上方的橘红色珠饰吊灯、背光镭射雕刻墙和酒柜使酒吧更加突显。 that is highlighted in the space by the intensity of the tangerine
beaded chandeliers suspended above it and the ambient glow of
the rear-lit laser-cut walls and bar behind.
The Loft, a stylish lounge and tapas bar, is contained within a

delicately patternated laser cut space, bathed in pools of ambient
light. The bar is situated on the upper floor of a wharf complex,
and opens up to a deep balcony, commanding a wide view of the
adjacent working Port, Darling Harbour to the south and Sydney’s
magnificent harbour directly west and north.
This bar restaurant, designed for over 400 people, is composed
of a complex rhythm of artifice and abstraction, femininity and
patternation which all compress to generate an immersive - seductive
and sumptuous lounge environment. The interplay of patternation
and light with colour forms an almost surreal palette of imagery.
Conceived as a completely laser cut space, the delicate nature of the
patternation forces texture and optical depth into the wall and ceiling
surfaces. A rear-illuminated flower-like pattern of the backdrop walls
grows and stretches over the ceiling, wrapping the whole space while
gently reaching for the outside.
The Loft is a sophisticated environment, a lounge, and an
.
The Loft Dale Jones-Evans Pty Ltd Architecture Dine & Drink 43
镭射雕刻的条纹灯箱
Striated 。
laser-cut lightbox.
Striated laser-cut lightbox.
布局图Layout Plan
The Loft Dale Jones-Evans Pty Ltd Architecture Dining space 45

精致的镭射雕刻丰富了墙体和天花表面的质感，并加强视觉纵深度，而特大的客戶Client
Client The The
Beverage Boys
Beverage Boys 項目組Project
Project Team Team
Dale Jones-Evans,
Dale Jones-Evans,
Paul Myers,Paul
Maki Yamaji,
Myers, Maki Yamaji, Kathryn
Kathryn Mellander Main
Mellander 總承辦商Main
Contractor Contractor Arcon Australia
Arcon Australia 燈光顧問Lighting
Lighting Consultant Consultant
Di Emme Creative Solutions Lighting
Di Emme
家具配上软垫，显得额外柔软舒适。 Fixtures & Fittings
Creative Solutions 燈具Lighting Fixtures custom
Beaded chandeliers & Fittings
designed Beaded
by Dalechandeliers
Jones-Evans Architecture
custom designed byFurniture
Dale Jones-Evans Architecture
Custom designed by 傢具Furniture
Dale Jones-Evans Architecture Wall
Custom designed Covering
by Dale Jones-Evans Architecture 牆飾Wall
Laser-cut Pacific Cedar Marine Covering
Plywood
The delicate nature of the patternation forces texture and optical depth into the Laser-cut Pacific Cedar
custom designed Marine
by Dale Flooring
Plywood custom designed
Jones-Evans Architecture by Dale Jones-Evans Architecture by
Carpet - custom colour 鋪地Flooring
Brintons, Sydney; Carpet
stone - Indian
- customBrown Stone Artwork
colour by Brintons, Sydney; stone
Woven
- Indian
wall Brown Stone
installation by 藝術品Artwork
Dani Marti CurtainsWoven Custom
wall installation
sun
wall and ceiling surfaces. The oversized furniture was padded, soft and extremely screens
by Dani by Issey 窗簾Curtains
Marti AV System Custom sun
Avsound screens by Issey 視聽系統AV
Photography Paul Gosney System Avsound 攝影Photography Paul Gosney
comfortable.
The Loft Dale Jones-Evans Pty Ltd Architecture Dining space 47

Potion
Potion Lounge bartenders slowly craft their drinks, various liqueurs with specific
Robert D. Henry Architects Robert D. Henry Architects以“液体”为概念，其空间设计中的每个细节均丰富人们的体
验。沿着哥伦布大道，六个钢罩罩着冒泡的水窗，模糊了来往客人的视线。水漾的氛围为空
Lounge
美国纽约New York, USA
间营造出宁静的格调，给人一种平和、安神的环境。水窗后摆放了一张波浪形的柔软躺椅，
供人舒适闲坐。休闲区的另一边是弧形酒吧，由深蓝色的玻璃马赛克砖和手工打磨的不锈钢
台面造成。一层棱角分明的黑色钢块围合着展示在光芒中的烈酒品，另一层不规则状的钢块
densities are mixed to produce the “Ocean Potion”,“Mystery Potion”
and other exotic drinks. These potions are slid across the stainless
240m2 New York, USA
■ 240m2
Robert D. Henry Architects
平行置于街道侧，如是，两个线性钢层的中央就夹着两个盛满贵重酒品的有机体。
bar and illuminated by 1/4 inch disks of fiber optic light which set
朴素的钢制入口倾泻出水绿色的灯光，而光亮的窗户将室内的水元素向街外展现。“液 them aglow.
体”这个主题在层层叠叠的“剂量”中加深体现：调酒师精心调配出不同浓度的各式甜酒，
从流光溢彩的瓶子中缓缓流出，混合而成Ocean Potion、Mystery Potion和其他特色饮品。 Potion is like an alchemist’s laboratory where simple matter is
这些饮品沿着不锈钢的酒吧滑至客人手上，在8毫米的光纤灯的映射下显得熠熠生光。
transformed into specialties; where patrons participate in a
Potion就如同是炼金术士的丹房，在这里，连最简单的物质都可以转化为宝物，使客人完
全沉浸在独特的水景之中。
confirmed ritual within a unique liquid environment.
Starting with the concept of liquid, Robert D. Henry Architects

designed a space where every detail contributes to the experience.
Along Columbus Avenue, six effervescent water windows encased
in steal shrouds blur one’s vision in and out of the space. This
aquatic atmosphere brings tranquility to the space instilling
a hypnotic peacefulness upon its visitors. Beyond the water
windows, a soft sinuous chaise longue provides convivial seating.
Across the lounge rests a curved bar made of cobalt glass mosaic
tile with hand rubbed stainless steel counter top. A final black
layer of angular steel monoliths encases the glowing spirits. In
essence, a back layer of angular works horizontally back from
the street; two organic elements are sandwiched between two
rectilinear steel layers, both of which contain precious liquids.
Aquamarine light escapes from discreet steel entry, while glowing
windows announce the interior watery presence to the street.
The liquid theme is further enhanced through the preparation of
layered “potions”. Poured from the illuminated coloured bottles as .
Potion Lounge Robert D. Henry Architects Dine & Drink 49

钢罩内的水窗冒着泡，模糊了来往客人的视线，并带来
Effervescent water windows encased in steal shrouds
宁静平和的环境。
blur one’s vision in and out of the space and bring
Effervescent water
forth a tranquil windows encased in steal shrouds
atmosphere.
blur one’s vision in and out of the space and bring
forth a tranquil atmosphere.
布局图 Layout plan

Layout plan
Potion Lounge Robert D. Henry Architects Dining space 51

客戶Client Haramis Brothers 總承辦商Main Contractor New World Design / Builders 燈光顧問Lighting Consultant GL Lites On 傢具及燈具Furniture & Lighting Fixtures
Client
Custom-designed
Haramis Brothers D. Main

by Robert Architects 牆飾Wall
Henry Contractor New WorldCovering
Design / Builders Lighting
1/8” Corten steel 鋪地Flooring GL Lites On
Consultant Stained 織物Upholstery
oak Furniture & Lighting Fixtures
Henry Tuttman 窗戶Windows
Custom-designed by Robert D.
Water
Henry tank windows
Architects Wall Covering
custom-designed by
1/8” Corten
Robert D.steel
Henry Flooring
Architects 視聽系統AV
Stained oakSystem
Upholstery
Tricom / Lenny Brodsky 藝術品Artwork
Henry Tuttman Windows Water
Gudrun
tankFrady 攝影Photography
windows custom-designed by Robert
Paul D.
Henry
WarcholArchitects AV System
/ Jimmy Cohrrsen Tricom / Lenny Brodsky Artwork Gudrun Frady Photography Paul Warchol / Jimmy Cohrrsen
不规则状的黑色钢块后便是DJ工作间。
The DJ booth is set behind the angular steel monolith.
The DJ booth is set behind the angular steel monolith.
Potion Lounge Robert D. Henry Architects Dining space 53
Bruno Jamais
Bruno Jamais accented with Venetian blown-glass sculptural silvered vessels.
Tony Chi & Associates Bruno Jamais餐厅俱乐部位于一幢气派庄严、建于世纪之交的楼房地面层，设计风格成熟
稳重。
Restaurant 沿着石灰石台阶拾级而上便到达餐厅和该住宅楼的共用入口大堂，客人可以把外套存在一 The bar top and adjoining DJ booth are enveloped in sheets of
hand-hammered silver. Open red lacquer shelving behind makes
Club 个古式衣橱内。再往前走来到一个非凡的酒窖，那里有一个与楼层同高的红漆酒柜靠墙而
立。酒窖内设有一张2.4米长的“品味吧”，吧台由弯曲的柱脚支撑，桌上闪耀着一盏精巧
a gleaming backdrop, and enormous mirrors reflect the glow
Restaurant Club
美国纽约New York, USA 的用玻璃酒杯制造的吊灯，吊灯上饰有玻璃珠和磨光黑镍。“品味吧”和吊灯皆特别为餐
■ 500m2
Tony Chi & Associates
厅而订制。
of the surrounding room. The ornate original panelwork on the
通过一条鹅卵石道，来到一扇3米高、镀金玻璃的黑檀木趟门。趟开在绒幕后的木门可见酒 walls has been restored, a nostalgic twist juxtaposed against the
500m2 New York, USA
吧和餐厅。黑檀木吧台与威尼斯的吹制玻璃雕刻镀银器具相互辉映。吧台台面和旁边的DJ亭
都覆盖以手工打制的银片。吧台后的巨块玻璃反映了周围的灯光，加上红漆陈列架，形成闪 modern lines of designer’s architecture transcends to interiors.
闪发光的背景。墙上原来华丽的壁板经复修后再现原貌，使现代建筑风格的设计中散发一丝
怀旧色彩，且弥漫整个室内。
Originally a jarring add-on atrium space at the rear of the building,
the designer made use of a clever combination of colour, texture, and
大楼后部原有一个不和谐的附加中庭，设计师遂巧妙地利用色彩、材质和灯光去结合前后餐
区。古色古香的天鹅绒墙板围着沙发，衬托前厅华丽的壁板。这里加设的吊顶覆盖了大部分 light control to integrate the two dining rooms, enabling them to
的玻璃中庭，以控制从外面进内的光线，同时使得这里的楼高与前厅相符。透明亚麻屏幕和
装饰镜沿沙发布置，造成空间的层次感，从而为餐厅增添了神秘而又亲密的气氛。
work together as a complex spatial
diptych. Antiqued velvet damask
毗连地下室的厨房、华丽的雕刻木门后是私人地窖。结实的胡桃木台可容纳12人在此举行
私人派对。
walls envelop the sofas, a gesture
that complements the panelwork
in the first room. And a new ceiling
was dropped over this area,
Located on the ground floor of a magnificent turn-of-the-century covering much of the glass atrium
townhouse, Bruno Jamais Restaurant Club was to control light from the outside, as
designed with sophistication and flair. well as proportionally matching the
Upon ascending the limestone steps into an entry hall shared with height of the two rooms. Sheer linen
the building’s residents, guests arrive at a silk-lined foyer where their screens and decorative mirrors are
coats are checked in an antique armoire. They are then led through placed around the sofas, both to
an impressive wine cellar. Soaring red lacquer wine racks line the provide intimacy and mystery via
wall from floor to ceiling. A brilliant wine glass chandelier in polished layering and indirect eye contact.
black nickel with mouth-blown glass beads sparkles over an eight- In the basement behind an
foot “tasting” table with turned pedestal legs, both custom designed ornate carved wood door, a
specifically for the cellar. private reserve cellar sits just off
A cobblestone path leads to a ten-foot high sliding door of ebony the kitchen. Private parties of up
and verre eglomise glass. As the door slides behind a velvet to twelve are served at a solid
curtain, the bar and dining room are revealed. The ebony bar is . walnut trestle table.
Bruno Jamais Restaurant Club Tony Chi & Associates Dine & Drink 55
一楼平面图
First First floor plan
floor plan 地窖平面图
Basement Basement plan
plan
酒窖里有一个与楼层同高的红漆酒柜靠墙而立，陈列着酒店广泛收集的法国葡萄酒。
Soaring red lacquer wine racks line the wall from floor to ceiling, displaying the restaurant’s extensive collection of French wines.
Soaring red lacquer wine racks line the wall from floor to ceiling, displaying the restaurant’s extensive collection of French wines.
Bruno Jamais Restaurant Club Tony Chi & Associates Dining space 57
餐椅和沙发上覆盖着舒适、巧克力色的毛海天鹅绒。
Dining chairs and sofas are covered in plush chocolate-brown mohair velvet.
Dining chairs and sofas are covered in plush chocolate-brown mohair velvet.
設計組Design Team Tony Chi, David Singer, Stewart Robertson, Jefferson Lam, William Paley, Tammy Chou 燈光設計
Design Team
Lighting Design Tony
TonyChi,Chi & Associates 建造管理Construction
David Singer, Stewart Management
Robertson, Jefferson Lam, William Paley, Tammy Chou Lighting
IDI Construction 攝影
Co Inc Design
黑檀木吧台与威尼斯的吹制玻璃镀银器皿相互辉映。吧台台面覆盖了手工打造的银片。
The ebony bar is accented with Venetian blown-glass sculptural silvered vessels while its top is covered with sheets of hand-hammered silver. Photography
Tony Chi & Associates Construction Management
Doug Snower IDI Construction Co Inc Photography Doug Snower
The ebony bar is accented with Venetian blown-glass sculptural silvered vessels while its top is covered with sheets of hand-hammered silver.
Bruno Jamais Restaurant Club Tony Chi & Associates Dining space 59
Restaurant
Restaurant The design is more cozy and sensitive than the minimalistic “Swedish
Scheiwiller Svensson Arkitektkontor AB 斯德哥尔摩的酒吧经营者一直觉得本市的顾客群范围比较狭窄，因而不敢在设计和形式方
面作太大的投资，担心不但未能起到吸引顾客的作用，反而会使顾客止步，这种想法还扼
Hotellet
瑞典斯德哥尔摩Stockholm, Sweden
杀了当地酒吧设计师的创意。
Scheiwiller Svensson Arkitektkontor AB的任务是为餐厅打造有如国际级大酒店华丽大堂

blonde” that has for long time been the common design approach for
public locations in Scandinavia. Different kind of materials are used
般的氛围，使客人恍若置身伦敦、米兰和纽约等大都市中。
to bring comfortable and intimate feelings to the Stockholm night
Hotellet
■ 970m2
Scheiwiller Svensson Arkitektkontor AB
餐厅由两层组成，包括连庭院的入口层及设在地下层的“酒店大堂”，共可容纳600人。入
口层的酒吧和餐馆目标消费群是30岁以上的成熟人士；地下室提供三文治等菜式，风格现
scene. Colourful fabric complete with printed wallpapers and bars,
代而富有魅力，带出后六十年代的气息，恰似Peter Sellers的电影《傻豹》中的场景。 and roof made of teak contrast with steel and glass. The restaurant
设计惬意而感性，更甚于北欧公共空间设计中历久不衰的简约瑞典风格。不同的物料用于烘
970m2 Stockholm, Sweden
is a composition of round shapes and warm materials. It breathes
托斯德哥尔摩晚上舒适而亲密的感觉；色彩鲜艳的织物、印花墙纸、柚木横条、天花、钢材
和玻璃形成对比。餐厅是圆形与暖和素材的综合体，使空间洋溢着享乐主义的氛围。夜幕降
of transparent sensualism. The stage-like environment and the
临，舞台般的环境与场景灯为空间换上妆容。 scenographic lighting change characters as the evening wears on.
“酒店大堂”内的透明金属球划分出该区域，同时增加亲密的气氛。在红、蓝、白射灯的照
In addition, metallic spheres in “The Lobby” are transparent which
耀下，洗手间的围帘使空间可开可合。置身“酒店大堂”，如同脱离了斯德哥尔摩枯燥乏味 help to delimit the area and increase the intimacy. Lit by down
的城市生活，踏进一个与日常工作截然不同的世界。餐厅温暖而亲切的环境，对于烦嚣的小
镇，是一个经得起时间考验的热点。 lights in various colours (red, blue and white), the bathroom chains
close or open up the space. To enter “The Lobby” is to leave the
dry city life of Stockholm behind and enter a world remote from
the daily office routine. It is a warm and welcoming environment
Pub owners of Stockholm have long felt that the city and its and is kind of a timeless spot in the middle of a hectic town.
customer base are too small to dare to invest too much in design
and form. The fear that implemented design would stop customers
than it would attract has stifled the city’s pub designers.
The task of Scheiwiller Svensson Arkitektkontor AB was to create
a restaurant that carries an atmosphere of the fancy lobby of an
international hotel. Its environment brings cosmopolitan cities like
London, Milan and New York to the mind of visitors.
The restaurant accommodates 600 persons in two levels: the
entrance floor with a courtyard, and “The Lobby” in the basement.
The entrance floor with its bars and restaurant serves a la carte
to a mature group of clientele (from 30 and up) while more of a
club sandwiches menu is available in the basement which is filled
with a modern glamour and a touch of the late 60’s, just like the
scenery from Peter Sellers’ “Pink Panther” movie. .
Restaurant Hotellet Scheiwiller Svensson Arkitektkontor AB Dining space 61

剖面图
Section Section
入口层平面图
Entrance floor plan
Entrance floor plan
餐厅由两层组成，包括连庭院的入口层
“酒店大堂”层平面图
Floor plan of The Lobby Floor plan of The Lobby 及设在地下层的 “酒店大堂” ，共可容
纳600人。
The restaurant accommodates 600
persons in two levels: the entrance floor
with a courtyard, and“ The Lobby”in the
basement.

客戶Client Hotellet AB 設計組Design Team Anders Borthas, Ari Leinonen, Simon Scheiwiller, Lars Carlsen och Moulienne Giesecke 總承辦商Main Contractors
Client
SjostadensHotellet
SnickeriABAB 燈光顧問Lighting
Design Team Consultant
Anders Borthas, Ari Leinonen,
Scheiwiller Svensson Arkitektkontor AB och
Simon Scheiwiller, Lars Carlsen 燈具Lighting
MoulienneFixtures
Giesecke&
Fitting
Main Contractors
Mini traffic, bubble pendel
Sjostadens Snickeri
by Viabizzuno, AB
Foscarini 傢具Furniture
Lighting Consultant Bar stools
Scheiwiller
by Selka;
Svensson
chairs Arkitektkontor AB Lighting
at restaurant by Offecct, Fixtures
Quilt; tables & Fitting
by Inno, select o table;
Mini traffic,
lobby bubble
easy chairs
pendel
by bySwedese
Havanna, Rondino 藝術品Artwork
Viabizzuno, Foscarini Furniture Bar Gypsum
stools bypainted
Selka; chairs at
silver 織物Upholstery
restaurant by Offecct, Quilt;
Leather
tablesby Elmo
by Inno, 鋪地Flooring
select o table; lobby easy
Stainless
chairs
steel,
by oak,
Swedese Havanna,
textile by Masland
Contract
Rondino 牆飾Wall
Artwork Covering Gypsum painted
Teak wood,
silver Upholstery
wallpaper by Sanders&SandersLeather 天花Ceiling
by Elmo FlooringTeak woodenStainlesspanels
steel, and
oak, painted
textile byplaster 窗簾Curtains
Masland Contract Wall Scape
Covering
105, script 154 Teak textile by衛浴潔具Sanitary
wood, wallpaper
by Baumann Sanders&Sanders Ware
Ceiling Teak
Gustavsberg 攝影Photography
wooden panels and paintedEntrance Curtains
plaster floor by Natasja Jovic;Scape
basement
105, script
floor154
by by
Ake E:son
Baumann
textile Sanitary Ware
Lindman Gustavsberg Photography Entrance floor by Natasja Jovic; basement floor by Ake E:son Lindman

Restaurant
Restaurant with white tiles and has a neat metropolitan character conjuring
Maurice Mentjens Design Witloof位于历史名城马斯特里赫特，是一家专营比利时菜式的餐馆。一趟前往安特卫普和
根特的旅程，使Maurice Mentjens灵感顿生。比利时的咖啡馆和餐馆的一大特色便是混合
Witloof
荷兰马斯特里赫特Maastricht, Netherlands
着不同风格和室内元素，使人觉得每个细节都是经年累月地一点一滴形成的，而所有小摆
设也在不断地添加丰富中。
memories of typical, old chip shops. The rear section of the restaurant
is the Salon, with its green and old baroque style wallpaper and a
Maurice并没有将这一切生硬地套用在室内设计中，而是使用了三种室内风格来展现比利时
floor resembling Namur stone.
Witloof
■ 110m2
Maurice Mentjens Design 式的咖啡馆和餐馆。入口区仿如阿登省的小木屋，连接的区域则采用了白色瓷砖装饰，散发
出一股优雅的都市特质，并使人忆起以前的炸薯条小店。餐馆后方是沙龙，这里使用了绿色 The division between the entrance area and the tiled section is
的古巴洛克式墙纸和类似纳慕尔石的地板材料。
marked by a red neon strip symbolizing the dividing line between
110m Maastricht, Netherlands
the Flemish and Walloon provinces of Belgium, or between the
2
入口区和瓷砖区由红色的霓虹灯管划分，象征着比利时的佛兰德省和瓦龙省的分界线，或乡
村与城市间的分野，这种区分在现时的比利时仍然相当明晰。红色的霓虹灯也是比利时的特
色，常常可在红灯区沿街小铺外看到。右边的墙壁上，红色霓虹灯条旁边是黄色灯条，与黑 countryside and the city, a division that is still keenly felt in Belgium.
色的墙壁结合，恰恰是比利时国旗的三种颜色。
The red neon strip is also a typical Belgian feature along streets
墙上的三株虎尾兰和白色瓷吧是白色瓷砖区的特色。瓷吧后面是一列饰有金色巴洛克式框架
的橱柜和层架。瓷砖区通往沙龙，从此处经由一道旋转楼梯可到达地窖。黑色的锻铁门将楼
of establishments where ladies offer their services. On the right-
梯从餐馆分隔开；透过闸门可以看到洗手间的黑色门，门上的心形开口透露出男洗手间里的 hand wall, there is a yellow neon strip next to the red one, which
红色调和女洗手间的黄色调。红色和黄色也代表了比利时国旗的色彩。
in combination with the black wall forms the three colours of the
地窖的历史可追溯到中世纪晚期。整个地窖被漆上黑色，而黑色地砖上点缀着新哥德式的白
色花卉图案，与黑色哑面墙壁上的光面图纹相互呼应，使人恍如身处黑夜的森林，又似是在
Belgian flag.
小教堂或地下室里。绘上圣人画像的黑色橱柜和黑色的酒吧或圣坛，更强化了这些影像。在
比利时的罗马天主教中，无论在实际或是概念上而言，酒吧和祭坛的关系密不可分，两者均
在比利时文化中担任了重要角色，并因此在这个空间中被加以强调。
Situated in the historic centre of Maastricht, Witloof is a

new restaurant serving Belgian cuisine. The concept of Maurice
Mentjens was prompted by a visit to the cities of Antwerp and
Ghent. The striking thing about Belgian cafes and restaurants is
the often incongruous mix of styles and interior elements. One
would get the impression that everything has been built up bit
by bit over the years, and that all sorts of bric-a-brac has been
added.
Maurice did not translate this too literally in the interior design.
Instead, he came up with his interpretation by combining three
interiors that typify Belgian cafes and restaurants. The entrance area
resembles a log cabin in the Ardennes. The next section is decorated
.
Restaurant Witloof Maurice Mentjens Design Dining space 73

The white tiled section features three sansevieria plants in tiled
blocks on the wall, as well as a white tiled bar. This bar has a backdrop
of cupboards and shelves set in golden baroque frames. This area
leads through to the Salon which is connected to the cellar by a
spiral staircase. This staircase is separated from the restaurant by a
black wrought-iron gate. Behind this gate are the black doors of the
lavatory rooms, with heart-shaped openings in the doors showing
the red and yellow interiors of the gentlemen’s and ladies’ lavatories
respectively. These also represent the colours of the Belgian flag.
The cellar, dating from the late Middle Ages, is painted completely
in black with black floor tiles and a neo-gothic floral motif in broken
white. This motif is echoed in high gloss black on the black matt
walls. You could imagine yourself in a forest at night, or in a chapel
or crypt. These images are
further reinforced by the
black cupboards with gloss
figures of saints and a bar or
altar also in black. In Roman
Catholic Belgium, the altar
and the bar were often not
far removed from each other,
and also have an affinity 地面平面图
G/F plan G/F plan
with each other, not only in

a formal sense but also in a
conceptual sense. Both have
produced much inspiration
and contemplation in Belgian
culture, and this is the reason
for their prominence in this
space. 地窖平面图
Plan of cellarPlan of cellar

整个地窖被漆上黑色，而黑色地砖上点缀着新哥
The cellar in the basement is painted completely
德式的白色花卉图案，与黑色哑面墙壁上的光面
in black with black floor tiles and a neo-gothic
图纹相互呼应。
floral motif in broken white. This motif is echoed
The cellargloss
in high in the basement
black on the isblack
painted
mattcompletely
walls.
in black with black floor tiles and a neo-gothic
floral motif in broken white. This motif is echoed
in high gloss black on the black matt walls.
客戶Client Ad Fiddelers 承辦商Contractors Engineering by Rob Savelkoul of SatijnPlus

Client Vaessen
Ad Fiddelers
Architects, Egon Contractors
of IT2; Engineering
general construction / tiling by Rob Savelkoul of SatijnPlus Architects,
by Paul Janssen; interior construction by Jos
Meijers 平面設計師Graphic
Egon Vaessen Designer / tiling
of IT2; general construction Suzy Jae 燈光顧問Lighting
by Paul Janssen; Consultant
interior construction by Jos Grease
Lighting
Meijers 燈具Lighting
Graphic Designer
Fixtures & Fitting Lighting
Suzy Jae 傢具Furniture
IT2 Consultant Grease
Wooden
Lighting Lighting
Bertil
chairs &
Fixtures & Fittingby Ikea
tables Bjorkudde IT2 牆飾及天花Wall
Furniture Covering
Wooden &chairs
Ceiling
Bertil & G/F
tables
- wallpaper by Ikea
Bjorkuddeby Arjen Wall
Winterink,
Covering
white tiles,& oak
Ceiling G/F - wallpaper
wood; basement by Arjen
- wall painting 鋪地Flooring
Winterink, white tiles,G/F
oak- wood;
oak wood,
basement
white - tiles,
wall Walastic
tiles;
painting Flooring
basement G/F
- Castelo tiles 樓梯Stairs
- oak wood, white Oak
tiles, wood 藝術品Artwork
Walastic tiles; basement - CasteloWall tiles Stairs
painting by
DouweOak Hoekstra, Artwork
wood Vanessa Verhoeven 金屬製件Metal
Wall painting by Douwe Work
Hoekstra,Douwe
VanessaHoekstra
Verhoeven 攝影Photography
Metal Work
Douwe Hoekstra Photography
Arjen Schmitz Arjen Schmitz

串神一
Kushiyaki As visual communication has long been a major cultural identity
Jason Caroline Design Ltd 位于朗豪坊的“串神一”是该连锁日本餐馆在香港的首间分店，坐落在人口最为密集的一
区— 旺角，那里汇聚了时兴的流行文化，因此客户要求营造悠闲而现代的日本风格，并
中国香港Hong Kong, China 创立强而有力的品牌形象以作日后扩展之用。
of Japan, people around the world are attracted to the Nippon
■ 120m2
Jason Caroline Design Ltd 各种各类的日本音乐、电视连续剧和卡通片已然成为香港人生活的一部分，而日式食品、家
120m2 Hong Kong, China tradition of aesthetics and figurative artwork. Japanese graphic
电配件、家具以及生活方式均已融入到香港现代生活文化中。“串神一”的设计运用了零碎
的日本图案、纹理、色彩、影象、密度和空间等组织成香港人所熟悉的日本印象、景观与风 art is taken from the outset, from the logo design to the commonly
格，塑造出独一无二的餐饮环境。
used floral pattern exaggerated and applied on tinted mirror
长久以来，视觉传达是日本文化的主要标识，人们被大和传统的审美观及精致的艺术品所 walls, which becomes symbol of the restaurant. The overall space
深深吸引，因此从店里的标志以及广泛采用的花卉图案，均体现了日本平面艺术的精髓，
设计师更将花卉图案夸张化并应用在着色镜墙上，成为餐馆的象征。整体空间以现代的概 follows a more contemporary concept to set off the traditional
念表达传统的日本元素。 Japanese elements.
舒适惬意的“串神一”拥有面积为75平方米的用餐区，为提供更多座位，主用餐区里配置 Kushiyaki is a small cosy place with a dining area of only 750 sq ft. In
了三张4.5米长的长桌，可供48位客人使用。除此以外，餐馆还有6个酒吧座位，7张桌子和
可容纳10人的贵宾室。 order to maximize the seating capacity, the main dining hall provides
所有家具均量身定制，精致小巧，恰恰符合日本传统。各个空间采用不同材质和座椅，例
three 4.5m long bench tables which can accommodate 48 people.
如，一排垂下的绳子与镜钢大异奇趣，并且划分出塌塌米铺地的贵宾室；磨砂图案镜子界 In addition to the bench seating, the restaurant also has six bar
定了开放式厨房，而一排悬挂式灯泡则使主用餐区变得明亮。紫色波纹织物墙板和餐椅取
材自三种不同的日本织物，与入口处的石板地、石磨橡木长桌和胡桃木贴面长椅子形成鲜
seating, seven lose tables and a VIP room which can accommodate
明的对比。 ten guests.
All furniture is custom designed in a smaller
Kushiyaki at Langham Place is the first unit of this chain scale to adapt to the Japanese tradition.
Japanese restaurant. It is located in one of the most densely Different textures and seating have been
populated districts in Hong Kong - Mong Kok, which always reflects used in different spaces, for instance, a
the trend of local pop culture. Therefore, the client called for a series of ropes that contrast with mirror
casual, yet modern Japanese taste with a strong brand identity stainless steel defines the VIP room which
for future expansion. is paved with Tatami; patterned frosted
All kinds of Japanese music, TV series and cartoons have successfully
mirror delineates the open kitchen while a
accustomed Hong Kong people to their food, home accessories,
row of hanging light bulbs highlights the
furniture and life style, making them part of the contemporary Hong
main dining hall. Purple waved patterned
Kong culture. The design of Kushiyaki is aimed at creating some snap fabric wall panels and dining chairs are
shot memories of Japan by using fragments of Japanese graphics, made of three different Japanese fabrics
textures, colours, images, densities and dimensions to re-construct in contrast to the slate flooring in the
the landscape and form an illusion of Japan that Hong Kong people entrance, the stonewashed oak bench
are familiar with. It resulted in a unique restaurant setting. tabletop and walnut veneer bench
. seating.
Kushiyaki Jason Caroline Design Ltd Dining space 81
客戶Client
Client Right Loyal
Right Loyal
Development Ltd
Development Ltd 設計組Design
Design Team Team
Jason Yung,Jason
Caroline
Yung,
Ma,Caroline Keith Main
Ma,
Keith Chan Chan 總承辦商Main
Wing Construction &Wing Lighting
DecoConstruction & Deco &燈具Lighting
Fixtures Fitting Fixtures
Spot light
& hanging
Fitting lightSpot light & hanging Co
by Modern Lighting
light by Furniture
Modern Lighting Co
Wing 傢具 Furniture
Construction & Deco Wing Wall Covering Deco
Construction & Fabric 牆飾Wall
by KINSAN Covering
Flooring Fabric
Vinyl by
floor
KINSAN 鋪地Flooring
by CANDACE PhotographyVinyl floor
Johnby
CANDACE
Butlin 攝影Photography John Butlin

Kookaburra
Kookaburra thread curtains with ceiling cut outs that also serve as ventilation
gernot schulz : architektur 波鸿市的Kookaburra是一间澳洲风味的咖啡厅。餐厅设在形状不规则的店里，其设计概念是将
空间分为两区——休闲廊和餐厅——各具独特的氛围。独立的酒吧在休闲廊和用餐区之间建立
德国波鸿市Bochum, Germany 联系，通过酒吧柜台的宽阔切口，人们可以瞥见柜台后面的空间。
create more intimate seating groups in the spacious room.
The spatial zoning is supported by the choice of materials and
■ 400m2
gernot schulz : architektur 这间典雅简朴的餐馆位于曾用作工业用途的单层建筑内。大片的玻璃幕墙让开扬的Bochum Su-
400m2 Bochum, Germany
dring景观一览无遗。沿着21米长的长椅和餐具柜，一列桌子呈线性排开，配合浅色橡木地板和
定制家具，构成室内装潢。 sophisticated lighting. A special automatic system controls the
宽大的圆形座椅配合靠墙桌子，令后方的休闲廊更为舒适、惬意，适合人们休憩放松。晚上，
lighting concept which accompanies guests from day through
水平的光线缓缓变换颜色，为休闲廊营造特殊的日出日落氛围。发光丝帘与同时用作通风的天 night.
花切口，为宽敞的空间圈出更多亲密的座位区。
Discreet and associative references to Australian themes, for
物料的选择和精致的灯饰有助划分空间。独特的自动系统控制灯光照明，全天候为顾客服务。 example, the rounded seating in the typical colour palette of
圆形座位采用了澳洲风景中典型的色彩，加上长餐具柜上鲜明的橙红色花卉装置，处处体现以 Australian landscapes, or the brilliant red-orange floral design
澳洲为题的设计意念，即使没有澳洲内陆的乡村环境和路标，Kookaburra仍显得别有韵味。
above the long sideboard, mean that Kookaburra gets along just
fine without outback rusticity and road signs.
The Kookaburra in Bochum is an Australian cafe bar. The
concept of designing this restaurant in an irregular site is to divide
the area into two zones - the lounge and the restaurant - each
with a distinctive atmosphere. The freestanding bar establishes
a connection between the lounge and the dining area with a
wide cut-out in the back buffet that allows glimpses of the rooms
behind.
The classic-austere restaurant area is housed in a single-storey
pavilion formerly used for industrial purposes. With generous
glazing, it opens up to a view of the Bochum Sudring. Linear rows
of tables along a 21m-long bistro bench with a sideboard, together
with the light oak flooring and fitted furniture form the setting.
With generous rounded seats and integrated side tables, the rear
lounge is a cozy and comfortable area for relaxing or lounging in.
At night a horizon of light with discreetly changing colours gives
the lounge a special sunrise and sunset atmosphere. Illuminated
.
Kookaburra gernot schulz : architektur Dining space 87

圆形座位采用了澳洲风景中典型的色彩，加上长餐
具柜上鲜明的橙红色花卉装置，处处体现以澳洲为
题的设计意念，即使没有澳洲内陆的乡村环境和路
标，Kookaburra仍显得别有韵味。
Discreet and associative references to Australian
themes like the rounded seating in the typical
colour palette of Australian landscapes, or the
brilliant red-orange floral design above the long
sideboard, mean that Kookaburra gets along just
fine without outback rusticity and road signs.
布局图Layout Plan

发光丝帘与同时用作通风的天花切口，为宽敞的空间圈出更多亲密的座位区。晚上，光线缓缓变换颜色，为休闲廊营造特殊的日出日落氛围。
Illuminated thread curtains with ceiling cut outs that also serve as ventilation create more intimate seating groups in the spacious room. At night a horizon of light with discreetly changing colours gives
the lounge a special sunrise and sunset atmosphere.
客戶Client
Client Kookaburra
Kookaburra
Bochum GmbH
Bochum GmbH 燈光顧問Lighting
Lighting Consultant Consultant
Erco Lighting
Erco 燈具Lighting
Fixtures & FittingFixturesu.l.f.
&
Fitting
Buildingu.l.f. 樓宇設備Building
Services Zibell, WillnerServices
& Partner Furniture
Zibell, Willner & Armchair
Partner
Bob, bar 傢具 Furniture
stool,chairs, Armchair Bob,
table by Walter Knoll, bar stool,chairs,
Martin Heidrich, May;table
buildbyin Walter Knoll,
furniture by Martin Heidrich,
Fitz InnenausbauMay; Flooring
build in furniture Oakbyby Holzinform
Fitz Innenausbau 鋪地Flooring
Artwork Flowers by
OakPitschak
by Holzinform 藝術品
Sanitary Ware
Peik Upholstery
Artwork Lounge
Flowers by Pitschak 衛浴潔具Sanitary
by Buschmann Curtains
Ware Peik 織物Upholstery
curtains
Fiber AV System
by Eiting Lounge by Buschmann 窗簾Curtains

Euphonia Photography Fiber Constantin
curtains by Eiting 視聽系統AV System
Meyer, Koln
Euphonia 攝影Photography Constantin Meyer, Koln

凯逸酒家
La Superieur The restaurant is composed of two sections: the Main Dining Hall
Joseph Sy & Associates 凯逸酒家位于一座新落成的办公大厦五楼，用餐区总面积达2,500平方米。
中国深圳Shenzhen, China 走出电梯间，顾客立即被墙上的长形灯槽和白色条纹大理石地板所吸引而走向接待台。接待

台旁有一个休闲等候厅、圆形酒柜、水墙和小池塘，这些都是在进入主进餐区前的重要景
and VIP rooms. There are twenty-two VIP rooms of different sizes
■ 2,600m2
洪约瑟设计事务所有限公司 Joseph Sy & Associates 致。酒柜由蓝色的上射灯照亮着，与橘黄的环境光融合，向顾客展示精美的酒品收藏。 and moods (they are zoned into three colours: yellow, orange and
red). Each VIP room has a self-contained pantry, washroom and AV
Restaurant
合金珠帘把浮于水池上的休闲等候厅与主进餐区分开。等候厅对面是一个特色水景，水沿
着铁珠帘缓缓流下，颜色灯光则使之更为突出。这一装置既可美化环境，又可遮挡鲜风出
口。
equipment. The partitions of some VIP rooms are retractable to
cater for bigger functions. Some VIP rooms have glass wall along the
2,600m Shenzhen, China
corridor providing patrons a preview of the welcoming room decor.
2
餐厅由主进餐区和22个贵宾房所组成。贵宾房大小各异，格调多样（以黄、橙、红三色区
分）。每个贵宾室均设有一个小厨房、洗手间及视听设备。有些贵宾室之间的隔板可以拆
下来以容纳更多人；有些贵宾室沿走廊一边是玻璃墙，这样，客人可以先视察室内装潢才 Curtains can be drawn for privacy needs.
作选择。如果想要独处，则可拉上窗帘。
The Main Dining Hall is demarcated into two levels featuring a
主进餐区设有高低两层，并以架高了的圆形半私密用膳席最富特色，只要拉上帷幕即可围
出一个独立空间；它还可当作音乐演出的舞台。多层次的黄色灯槽使这里的氛围更加舒适
raised circular semi-private dining alcove which can be enclosed
怡人。 with drapery. It can also act as a stage for musical performance. The
multi-layers of yellow ceiling light troughs enhance the pleasant
dining environment of this area.
La Superieur, serving fine Guangzhou cuisine, occupies the
fifth floor of a newly constructed office building with a total dining
area of 2,500 sq m.
Upon stepping out of the lift car, patrons’ eyes are immediately
attracted to the main reception by streak of lines. These lines in the
form of lights and white marble flooring direct diners toward the
reception hall. Adjacent to the reception area is a lounge, together
with a circular wine cellar, water wall and pond, they are the key
features leading to the Main Dining Hall. The wine cellar is uplit by
blue lights offset with orange ambience light, presenting to diners
the fine wine collection and its vintage.
The lounge floating on the pond is defined with metal alloy
mesh/drapery that also screens the Main Dining Hall from the
waiting area. Opposite to the lounge is an artistic display of water
dripping along the mesh drapery highlighted with colour lighting.
It is a decoration the designer cleverly applied to hide the fresh
air supply outlets. .
La Superieur Restaurant Joseph Sy & Associates Dining space 93

圆形酒柜由蓝色的上射灯照亮着，与橘
Raised and circular wine cellar is uplit by
黄的环境光融合，向顾客展示精美的酒
blue light offset with orange ambience light,
品收藏。 to diners the fine wine collection
presenting
and its and
Raised circular wine cellar is uplit by
vintage.
blue light offset with orange ambience light,
presenting to diners the fine wine collection
and its vintage.
颜色灯光照射并突显了水墙，设计师利用这
个装置来遮掩鲜风口。
Highlighted with colour lighting, the water
wall feature is a device to mask the fresh
air supply outlets.

这些帷幔可以遮掩电梯厅的走火通道和走廊上的储物间。
These sheer tapestries are used to hide the service doors at the lift lobby and the storage space along the hallway.
These sheer tapestries are used to hide the service doors at the lift lobby and the storage space along the hallway.

主进餐区内以架高了的圆形半私密用膳席最富特色，只要拉上帷幕即可围出一个独立空间。它还可当作音乐演出的舞台。
Main Dining Hall features a raised circular semi-private dining alcove which can be enclosed with drapery. It can also act as a stage for musical performance.
Main Dining Hall features a raised circular semi-private dining alcove which can be enclosed with drapery. It can also act as a stage for musical performance.

客戶Client
Client La Superieur
La Superieur
Restaurant
Restaurant Main總承辦商Main
Sun Luen Decoration Co
Sun Luen Decoration Co Ltd 傢具
Ltd Furniture Furniture
Rising (HK) Woodcraft (HK)
Rising Covering 牆飾Wall
WallWoodcraft Covering
C&T Form Ltd Flooring
C&T Form Ltd 鋪
Carpet
地Flooring Artwork
(FE) Ltdby Godfrey Hirst
by Godfrey Hirst Carpet Ltd 藝術品Artwork
(FE)Photographs Sanitary Ware
by Joseph Sy Photographs by Joseph Sy 衛浴用品Sanitary Greenwood Interiors
TOTO Upholstery Ware 織物Upholstery
TOTO Ltd Curtains/Blinds Greenwood Interiors Ltd 窗簾
Greenwood Interiors
Ltd Photography Greenwood Interiors
Curtains/Blinds Joseph Sy Ltd 攝影Photography Joseph Sy

白沙源茶馆
The Baishayuan It is situated at the front of Baisha Park where there is a well-preserved
Alan Chan Design Company 位于长沙的白沙源茶馆是陈幼坚设计公司和思联建筑设计有限公司的合作专案。这幢有三年楼
CL3 Architects Ltd 龄的中式结构原是公园的一部分，在保存其中式格调和空间特色的前提下，作为政府私营化计
中国湖南长沙Changsha, Hunan, China 划的一项被改建成摩登的茶馆，力求吸引政府官员、艺术家、设计师、文化工作者和茶艺爱好
者等顾客群。
‘thousand-year-old well’ which has been supplying mineral water to
陈幼坚设计公司Alan Chan Design Company
■ 920m2
the local residents for many generations. From dawn till dusk, there
茶馆坐落在白沙公园前，公园内有一口保存良好的“千年古井”，世世代代为当地居民供应天
is a constant flow of people queuing up to get the well water for
Tea House
思联建筑设计有限公司CL3 Architects Ltd
然矿泉水。从早到晚，总有络绎不绝的人，排着队汲取井水以供饮用、沏茶和洗澡之用。长久
以来，这口井都被长沙居民视为“生命之泉”。 drinking, tea making, and bathing. With its long history, the well is
白沙源的建筑风格以传统苏州园林为基础。建筑的外观得以保留，以融入当地的文化独特性， known as the ‘fountain of life’ for Changsha inhabitants.
920m2 Hunan, China
内部则进行了彻底的结构改建，以树立崭新而时尚的形象。设计采用了简单而清晰的色调：深
木色、朱红色、黑色和白色等，清爽明快，不见任何冗赘的装饰物，而种类丰富的织物为空间
The architecture of the teahouse is based on the traditional
营造宁静优雅的气氛。 design of Suzhou Gardens. Whilst the building outline has been
茶馆由接待零售区、开放式长廊和一座两层的主楼构成。甫入接待区，迎面便是一幅引人注目 preserved in line with the cultural uniqueness of the city, the
的半透明红色墙，透过墙体可以瞥见庭院景色。陈列茶壶的玻璃立柱突显接待处和接待柜台。
玻璃以崭新的热焊技术熔合连结，干净整齐。零售区展示了书籍、茶壶和茶叶等各种纪念品，
interior has undergone thorough constructional changes to
以供顾客购买。 achieve its new and contemporary look. Keeping a simple and
开放式长廊由落地透明红色玻璃和清玻璃圈起，从而围合成一个茶室。那里铺设了深色页岩石地 defined colour palette of dark woods, Chinese red, black, and white,
板，并摆放了有中式红垫及涂上黑色亮漆的躺椅，悠闲而舒适。深色木屏风用于遮光，其他饰面
则简洁地采用水泥和白涂料。开放式长廊为品茗提供了私密而怡人的场所。
the crisp interior rejects fussy decorative elements in favour of a
variety of textures which give the space a sense of calmness and
主楼的上层设有贵宾室，下层是一个宽敞的房间，那里有长凳和镶嵌了马赛克的台子，遇上中
国节日，客人更可在这里观看庭院中的现场表演。在没有表演的日子里，鱼池和竹子便是庭院 refinement.
The building is composed of a reception and retail area, an open
©Alan Chan Design Company
的主要景观。通往上层的楼梯仿如飘浮在鱼池上，并且由垂直的木片划分开来。为了安全而又
不影响建筑外观，楼梯与上层走廊皆装置了透明玻璃栏杆。另外，斜屋顶下的天花由富舞台效
果的灯光照射着。 gallery and a two-storey main block. Upon entering the reception,
茶馆中各种线性元素的使用，包括屏风和柱子，不但体现了传统的中国建筑风格，同时也表现
出“中西合壁”的思想。通过对传统元素的重新诠释，创制出独特而时尚的中国茶馆。
The Baishayuan Tea House is a cooperative project

between Alan Chan Design Company and CL3. Located at
Changsha, this 3-year-old Chinese structure was originally part of
a public park. While maintaining the Chinese character and spatial
value, the building was carefully transformed into a contemporary
teahouse as part of a Government privatization scheme designed

to draw in high-profile customers like government officials, artists,
designers, cultural workers and tea lovers.
.
The Baishayuan Tea House Alan Chan Design Company / CL3 Architects Ltd Dining space 103
one is faced with a dramatic translucent red glass wall through which
views of the courtyard beyond can be glimpsed. A glass column
displaying teapots punctuates the reception and the hostess’ desk.
The glass is fused together by a new heat welding technique to give
a clean and crispy look. The retail area displays souvenirs such as
cultural books, teapots, and tea leaves for customers to purchase.
The open gallery was enclosed with full height windows of
transparent red and clear glass to form the tea lounge. It features
a dark slate floor, casual and comfortable lounge seating in
Chinese red upholstery and black lacquer columns. Dark wood
slat screens are added for shading and the remaining surfaces are

kept simple in cement wash and whitewash. The space provides
a more intimate area to enjoy tea drinking.
The two-storey building consists of a VIP lounge on the upper floor
and a spacious room on the ground floor featuring benches, mosaic 甫入接待区，迎面便是一幅引人注目的半透明红色墙，透过墙体可以瞥见庭院景色。陈列茶壶的玻璃立柱突显接待处和接待柜台。
Upon entering the reception, one is faced with a dramatic translucent red glass wall through which views of the courtyard beyond can be glimpsed. A glass column displaying teapots punctuates the reception and the hostess’ desk.
covered tables and clear views across the central courtyard where
Upon entering the reception, one is faced with a dramatic translucent red glass wall through which views of the courtyard beyond can be glimpsed. A glass column displaying teapots punctuates the reception and the hostess’ desk.
live performance takes place during Chinese festivals. Fishponds and

lit bamboo groves are introduced as focal elements in the courtyard.
Stairs leading to the upper level seem to float on one of the feature
fishponds and are further defined by vertical wooden fins. Both
the stairs and the upper level corridor feature a transparent glass
balustrade which provides a safe environment without intruding
on the architectural design. The ceiling under the pitch roof is
dramatically lit.
The use of various linear elements such as wood slat screens and
bold coloured columns ensure that the teahouse is in harmony
with the existing traditional Chinese architecture despite its
contemporary design. Capturing the spirit of “East meets West”,

the design reinterprets traditional elements to create a unique
and modern Chinese teahouse.
一楼平面图
1/F plan 1/F plan
地面层平面图
G/F Plan G/F Plan
鱼池和竹子是庭院的主要特色。
Fishponds and lit bamboo groves are introduced as focal elements in the courtyard.

设计采用了简单而清晰的色调：深木色、朱红
Keeping a simple and defined colour palette of
色、黑色和白色等，清爽明快，不见任何冗赘
dark woods, Chinese red, black, and white, the
的装饰物，而种类丰富的织物为空间营造宁静
crisp interior rejects fussy decorative elements
优雅的气氛。
in favour of a variety of textures which give the
Keeping
space a simple
a sense and defined
of calmness andcolour palette of
refinement.
dark woods, Chinese red, black, and white, the
crisp interior rejects fussy decorative elements
in favour of a variety of textures which give the
space a sense of calmness and refinement.
客戶Client Hunan Baishayuan Cultural Development Co Ltd 創意總監Creative Director

陈幼坚Alan
Client Chan
Hunan 室內設計Interior
Baishayuan Design
Cultural Development 陈幼坚设计公司Alan
Co Ltd CreativeChan
Director
Design Company
Alan / 思联
建筑设计有限公司CL3
Chan Interior Design Chan攝影Photography
Alan
Architects Ltd 思联建筑设计有限公司,除非另有说明CL3
Design Company / CL3 Architects Ltd Photography
CL3 Architects Ltd,
Architects Ltd, unless
unless stated
stated
俏江南北大店
South Beauty
Team 7 International “俏江南”北大店是Team 7受委托设计的第11间分店。餐馆位于北京大学附近，主要顾客
是周边区域的高学历人士和该大厦企业的职员。设计组抓住“教学”的精髓，将其贯穿整
中国北京Beijing, China 个专案，中国古代文房四宝—“纸、笔、墨、砚”因此萃炼为设计的灵感。
■ 950m2
Team 7 International 此设计与餐馆其他分店一样，Team 7运用了一贯的抽象手法，将概念转化为现实。斑马木
作为主要物料在餐馆内随处可见，为设计提供中性而精致的背景。入口处有一根由820支毛
Bei Da
笔所包裹着的巨柱，对甫进餐馆的顾客形成强而有力的文化冲击。演变自“墨”的水景分布
各角，或水平或垂直地划分出不同空间。架高了的包厢灵感源自“砚台”，由水景分隔开，
房内的不锈钢薄片散发出无穷魅力。主楼层的“书房”和夹层主用餐区内的不锈钢与木制嵌
板，是书卷中富纹理的纸张之新演绎。
Restaurant
餐馆最多可容纳420人，设有三种装饰风格各异的贵宾厅：“凉亭”、“书房”及“休闲
室”。“凉亭”的设计勾勒出中国古典文学所描述的意境— 书生在湖心的露天亭阁中埋
头苦读。房间采用的物料包括玻璃、石材和人造玻璃，营造出户外的氛围，而金属片天花
则模仿了雨点和流水的声响。“书房”覆以重叠的薄木板，颇有几分打开书页的怀旧味道。
整个“休闲房”都挂上了双层帷幔，从天花垂至地上，是参考了中国文化中的音乐和舞蹈元
950m2 Beijing, China
素，大量使用布料，以带出飘逸感。
“辣”是“俏江南”不二的设计概念。在这个专案中，设计师通过运用金属材质和反射漆，
突显主要设计元素—浅色与深色的对比—以表达此概念。金色是其他分店常用的色调，
在这里也被广泛采用。夹层平面图
Mezzanine floor plan floor plan
Mezzanine
South Beauty Bei Da Restaurant is the 11th project

commissioned by the client. Located near Beijing University, the
restaurant’s major clientele are the intellects around the area as
well as corporate customers in the building where it is situated.
Therefore, the design team has captured the essence of“education”
throughout the project. As a result, the Chinese classics of “four
treasures of scholarship - paper, brush, ink and ink stone” are
extracted as the inspiration of the design. 主层平面图
Main floor plan
Main floor plan
As with all other projects, Team 7 has used a more abstract approach
to turn these concepts into reality. Zebrawood is the main material .
入口吧台旁边的巨柱由820支毛笔包裹着，对甫入门的顾客带
来震撼。
The giant column adjacent to the bar counter at the entry is
wrapped by approximately 820 Chinese calligraphy brushes to
South Beauty Bei Da Restaurant Team 7 International give customers an immediate impact upon arrival. Dining Space 115
employed throughout the restaurant providing a neutral and subtle
backdrop for the design. A giant column wrapped by approximately
820 Chinese calligraphy brushes is created at the entry to give
customers an immediate cultural impact upon arrival. Water features
derived from “ink” is incorporated in various locations to divide the
space either horizontally or vertically. Platformed private rooms
derived from “ink stone” are segregated by water and glamorized
with stainless steel chips. Scrolls of textured paper are translated
into panels made from wood and stainless steel in the Book Rooms
on the main level as well as the general dining area on the mezzanine
level.
The restaurant has a maximum capacity for 420 people. There
are three types of VIP rooms with different decors: the Pavilion,
the Book Rooms and the Lounge Room. The Pavilion is inspired
by classic Chinese literature where scholars studied in the open-
air pavilions floating on water. Materials used in these rooms are
glass, stone and faux grass to resemble an outdoor atmosphere
while the metal chips ceiling mimics the sound of rain and
flowing water. Book Rooms are covered with overlapping sheets
of wooden panels which are reminiscent of pages of an open
book.The Lounge Room is entirely draped with two layers of sheer
fabric penetrating from the ceiling to the floor. It is inspired by
the music and dance elements of Chinese culture where fabrics
are commonly used and airiness is ultimately created.
“Spice” is always a design concept for South Beauty Restaurant. In
this particular project, contrast between light and dark is the key
design element to express this concept. This is achieved by using
metallic materials with reflective paints. On the other hand, gold
- as an important heritage colour from previous projects - is also
extensively applied in the space.
South Beauty Bei Da Restaurant Team 7 International Dining Space 117
演变自“墨”的水景分布各处，或水平或垂直地划分出不同空间。架高了的包厢灵感源自“砚台”，由水景分隔开，房内的不锈钢薄片散发出无穷魅力。
Water features derived from “ink” are used as horizontal space dividers or as vertical space dividers. Platformed private rooms derived from “ink stone” are segregated by water and glamorized with stainless steel chips.
Water features derived from “ink” are used as horizontal space dividers or as vertical space dividers. Platformed private rooms derived from “ink stone” are segregated by water and glamorized with stainless steel chips.
夹层主用餐区内的不锈钢嵌板，是书卷中富纹理的纸张之新演绎。
Scrolls of textured paper are translated into panels made from stainless steel in the general dining area on the mezzanine level.

客戶Client
Client Beijing
Beijing
SouthSouth
Beauty Restaurant
Beauty Restaurant
Co Ltd
Co Ltd Main總承辦商Main
Contractor Contractor PSIWall
PSI Beijing Beijing 牆飾Wall
Covering Covering
Stone Flooring
Stone 鋪地Flooring
Carpet Upholstery
by Invision Carpet by
Donghia
Invision 織物Upholstery Donghia
Textus Momentom Sanitary Textus Momentom
Ware 衛浴潔具Sanitary
Hansgrohe Photography Ware Kerun Hansgrohe
Ip 攝影Photography Kerun Ip

金津咖喱餐厅
Muse Curry and directing the focus toward the jazz bandstand during live
Joseph Sy & Associates 这是金津咖喱餐厅的第三家分店，由两个长方形的空间外加一个扇形的玻璃亭构成，外有庭
院和人工湖围绕着。餐厅午饭及晚餐均提供咖喱食品，但晚上九点过后，它便摇身一变成为
中国上海Shanghai, China 爵士乐厅，并供应各种品牌的啤酒、咖啡和糕饼。
performance. Instead of concealing the trussed posts that support
■ 800m2
洪约瑟设计事务所有限公司 Joseph Sy & Associates 设计师洪约瑟设计了一个弯曲的垂直格子棚，既划分了大厅范围，又遮掩了正对着大门口 the glass roof, polycarbonate sheet with yellow lights transforms
的楼梯。格子棚的形态与现存的建筑风格相辅相成。墙上水平嵌着灯箱陈列架，用于展示
them into giant lanterns, which become a prominent attraction
Restaurant &
各种品牌的啤酒。
入口的左边架起了一个长方形的平台，用于强化建筑特色。平台上是吧台、桌球台和座椅；
from outside the structure during nighttime.
入口的右边同样有一凸起的平台，既突出了扇形的玻璃亭，又可以在举行现场演出的时候， With ample ceiling space above the staircase, multi-layers of distorted
把人们的注意力吸引到爵士乐演奏台上。支撑着玻璃屋顶的桁构柱并没有被遮掩起来，而
blue coffered ceiling with variable tilted heights and yellow-light
Lounge
是在表面覆盖以聚碳酸酯材料，再配以黄光，使之变为巨型“灯笼”，形成晚间建筑物的
一处亮点。 boxed balustrade make this staircase a fanciful experience to walk
阶梯上方的楼层空间宽敞，设计师于是把它造成蓝色多层扭曲倾斜的平顶镶板，再配以黄色 through.
灯箱包裹着的栏杆，给用者一种新奇的感受。 800m2 Shanghai, China
Reaching the upper level, stainless steel cylinders where draft beer
走上楼梯来到上层，顾客首先看到的是储存生啤的不锈钢圆筒。该层的室内和室外座位分界 are aged greets the patrons. Indoor and outdoor seating in this
由于上方的棚架相连而模糊起来。室内采用了黄光，而室外湛蓝的天空提供了最佳照明。
level is blurred by adjoining the trellises over it. Indoor section is
lighted with yellow while the outdoor, the blue sky takes care of
Muse Curry Restaurant & Lounge is the third the job.
Muse Curry chain of restaurant. The structure is made up of
two rectangular masses and a fan-shaped glass pavilion. It is
surrounded by a landscaped yard and manmade lake. The venue
serves curry food during lunch and dinner, but at 9:00 in the
evening, it turns into a jazz lounge serving multiple brands of
beer, coffee and pastries.
Instead of competing with the existing architectural feature,
designer Joseph Sy decided to complement it by erecting a curved
vertical trellis which defines the foyer area and obscure the staircase
facing the entrance door. Horizontal light-boxed display shelves are
attached onto the wall for display of various branded beer.
At the left of the entrance, an obliged rectangular platform is
raised to enhance the architectural feature of the structure. It
supports the bar counter, billiard table and seats. While on the
right, a platform is raised enhancing the fan- shaped glass pavilion .
Muse Curry Restaurant & Lounge Joseph Sy & Associates Dining space 125
一楼平面图
1/F plan 1/F plan
一楼立体图
AxonometricAxonometric
view of 1/F view of 1/F
地下平面图
G/F plan G/F plan
地下立体图
AxonometricAxonometric
view of G/F view of G/F
入口左边架起了一个长方形的平台，用于强化建筑特色。平台上是吧台、桌球台和座椅。墙上水平嵌着灯箱陈列架，用于展示各种品牌的啤酒。
At the left of the entrance, an obliged rectangular platform is raised to enhance the architectural feature of the structure. It supports the bar counter, billiard table and seats. Horizontal light-boxed display
At the left
shelves are of the entrance,
attached onto theanwall
obliged rectangular
for display platform
of various is raised
branded beer.to enhance the architectural feature of the structure. It supports the bar counter, billiard table and seats. Horizontal light-boxed display
shelves are attached onto the wall for display of various branded beer.
阶梯上方的楼层空间宽敞，设计师把它打
With ample ceiling space above the staircase,
造成蓝色多层扭曲倾斜的平顶镶板，再配
multi-layers of distorted blue coffered ceiling
以黄色灯箱包裹着的栏杆，给人一种新奇
with variable tilted heights and yellow-light
的感受。
boxed balustrade make this staircase a
With ample
fanciful ceiling space
experience abovethrough.
to walk the staircase,
multi-layers of distorted blue coffered ceiling
with variable tilted heights and yellow-light
boxed balustrade make this staircase a
fanciful experience to walk through.
客戶Client
Client East East
Muse Curry
Muse Curry
Diet Co Ltd
Diet Co 攝影Photography
Photography
Ltd Joseph SyJoseph Sy
上层的室内和室外座位分界因上方的棚架相连而模糊起来。室内采用了黄光，而室外湛蓝的天空提供了最佳的照明。
Indoor and outdoor seating in the upper level is blurred by adjoining the trellises over it. Indoor section is lighted with yellow while the outdoor, the blue sky takes care of the job.
Indoor and outdoor seating in the upper level is blurred by adjoining the trellises over it. Indoor section is lighted with yellow while the outdoor, the blue sky takes care of the job.
Nadaman
Nadaman contrasting with light beige plus a touch of red and gold to lift
CL3 Architects Ltd 思联建筑设计有限公司的概念是通过时尚的设计手法，营造豪华而富魅力的用餐环境，将传统
的日式元素变化成细腻别致的风格。
Restaurant
中国香港Hong Kong, China
这里的门厅没有传统的和式池塘或花园，取而代之的是坐落在深色玻璃镜台上的水晶玻璃岩石
庭园，加上手漆金箔背光玻璃墙和传统的波状沙墙，创造出引人注目、使人印象深刻的入口，
up the tone. The dark hued materials such as backlit dark shoji
laminated glass wall and dark wood veneer panelling are placed
并成为餐厅特有的象征。
along one side of the entrance corridor. This gives the long corridor
Restaurant
■ 490m2
餐厅的色彩由深棕、深灰组成，与浅米色形成对比，再以红色和金色点缀。深色物料如背光深
色和纸层压玻璃墙以及深色木贴面板置于入口走廊一侧，与对面传统的波状沙墙和浅米色石灰
an interesting look by suggesting a contrast to the opposite
岩地板形成反差，为长长的走廊增添趣味。遍布空间的深色与浅色平衡配合，是达成和谐氛围 traditional ripple sand wall and the light beige limestone flooring.
的要素。 490m2 Hong Kong, China
A balanced mix of dark and light colours throughout the space is
用餐区楼层高4.7米，在浅米色灰木嵌入式圆形大天花下，悬挂着八盏高度不同的定制白色压克
力吊灯，仿如雕塑品一般。入夜时分，灯光变换为红色，营造出戏剧性的效果。
the key to achieve a harmonious atmosphere.
用餐区的另一主要特色是分隔寿司吧和半私密区的七幅手工丝面层压玻璃板，板上饰以松树图
案，其四季常青的特质配合客户的要求。夜幕降临，透明的丝面玻璃隔板更为突出，而图案也
分外瞩目。香槟金木板与灯光从图案中隐隐透出，为施展“手艺”的寿司师傅提供独特的背幕，
而红漆寿司吧台则将该区与其他区域划分开来。
深棕色的墙面涂饰和香槟金金属窗户的处理从外部走廊一直延伸至铁板烧房，而可供12人使用
的深色铁板长石桌是室内的焦点。地板采用了天然竹子为物料，中央的地毯则柔化了坚硬的感
觉。
贵宾室可一分为二。背墙上的金属手绘图案玻璃砖营造出时尚的气派。天花上两个大小不一的
圆圈相互重叠，灵感源自传统日本的图案设计。活动织物墙板和墙饰均使用香槟金色的优质物
料，散发出豪华而迷人的氛围。
CL3’s concept is to create a luxurious and seductive dining

environment by using a contemporary design approach to
transform the traditional Japanese elements into a sophisticated
and chic interior.
Instead of a traditional Japanese pond or garden, there is a crystal
glass rock garden sitting on a dark glass mirror platform. Coordinated
with a full-height hand painted gold leaf backlit glass wall inside
with traditional Japanese ripple sand wall finishes, an eye-catching
and impressive entrance is created, forming the signature of the
restaurant.
The colour palette is composed of dark brown and charcoal grey
.
Nadaman Restaurant CL3 Architects Ltd Dining space 135

Inside the general dining area which has a headroom of 4.7m, there
are eight custom-made white acrylic pendants of different heights
hung from the light beige big circular recessed ceiling in ash wood,
like a sculpture.The lighting turns to red at night to project a dramatic
effect.
Another key feature in the general dining is the seven hand-made
silky laminated glass partitions which divide the sushi bar and the
semi-private area. Pattern used is the pine tree whose evergreen
characteristic matches the client’s requirement. At night, the
translucent silky glass panels are highlighted, making the pattern
more outstanding. The champagne gold timber panelling with
translucent lighting through the pattern gaps serve as a backdrop
for the sushi chefs when they perform their “art”. On the other
hand, the sushi bar counter in red lacquer well defines the bar
area from the rest.
Dark brown wall finishes and champagne gold metal window
treatments are extended from the outside corridor to the Teppanyaki
rooms. The main focus in the room is the long Teppan counter made of
dark stone which can cater for 12 people. Flooring is natural bamboo
with carpeting in the middle to soften the hardness of the finishes.
The VIP room can be divided into two. The metallic hand-painted
glass pattern tiles on the back wall create a contemporary appeal.
The ceiling design is inspired
by traditional Japanese pattern
where two circles of different
sizes overlapped. The operable
wall fabric panels and coverings
are also in champagne gold
colour and high quality to bring
out the luxurious and seductive 布局图 Layout Plan
ambience.
A La Carte 用餐区
A La Carte Dining area.

铁板烧房。
The Teppanyaki room. 包房。
Private dining rooms.
The Teppanyaki room. Private dining rooms.
客戶Client Shangri-La Hotels Group 總承辦商Main Contractor Plan In Interior & Contracting Co
Ltd 燈光顧問Lighting
Client Shangri-La HotelsConsultant
Group Main Contractor Ltd
Light Directions 鋪地Flooring
Plan In Interior & Contracting
Carpet Co
by Tai Ping Lighting
Ltd Carpets
Ltd 藝術品Artwork
Consultant Light Directions
Custom madeFlooring
Ltd by D’Art/Art Intl.
Carpet 干花佈置Dried
Ltdby Tai Flower
Ping Carpets Ltd Artwork
Display Gary
Custom
&
Boris
made 攝影Photography
by D’Art/Art Intl. Ltd Dried FlowerYin
Wong Ho Display Gary & Boris Photography Wong Ho Yin

Tsunami
Tsunami lighting and special custom artworks are placed in designated areas
P Interior & Associates Co Ltd Tsunami由两个针对不同顾客群的空间组成，各有特色，分别是格调悠闲的铁板烧餐室，
以及一家提供完善餐饮服务和迷人用膳环境的正宗日式餐厅。虽然两个用餐区的服务范围
Japanese 不同，极简的粉饰却将两个空间合而为一，只是各自独特的设计元素微妙地将两者区分开
来。
to project focus and visual movement.
The Teppanyaki Restaurant shares the ‘mono-schematic’ design
Restaurant 坐落在Sukhumvit路上的正宗日式餐厅采用半开放式设计，充分利用了户外的优势。碎石铺
theme by using a single element - gravel-like stones - throughout
Japanese
泰国曼谷Bangkok, Thailand 地从室外一直延伸到用餐区，流露出浓烈的日本气息。为保持简洁的室内装潢，设计运用了
■ 1,200m2
P Interior & Associates Co Ltd
线条清晰的简约禅宗风格，宴会房则铺上塌塌米。灯具和特别设计的艺术品布置在指定位置 the floors, walls, and even the counters. Mesh wiring, as an eye-
以制造焦点与视觉动感。
catching artwork, is introduced on the walls creating an interesting
铁板烧餐室以“单一图式”为设计主题，地板、墙壁甚至柜台均使用了单一元素—仿砂砾
rhythm. To generate a feeling of warmth and to reflect the
Restaurant
石。铁网架成为引人注目的艺术品，置于墙上奏出有趣的旋律。为反映日本传统及带出温暖
感，设计师精心设计照明效果，只集中在餐具上，避免过于光亮。沿着从户外延伸至室内的 Japanese tradition, lighting is carefully designed and focuses only
长长走廊，穿过主入口直达餐厅，是一条灵感源自日本和服的木皮丝带，以其富有节奏感的
弧度打破空间的纵深，烘托出平衡、柔软和趣味性。 on dining sets to minimize brightness. Along the long corridor
1,200m2
此外，以简单的装饰达致最佳效果也是设计重点之一，设计师因而采用少量但精致的灯具，
Bangkok, Thailand
extending from outdoors, past the main entrance and down to
部分更成为一大特色，就如铁板烧台上方结合抽油烟机的灯具，既有趣而独特，同时还散发 the restaurant, a veneer wooden ribbon with its rhythmic curves
出柔和的灯光。
inspired by traditional Japanese kimono, breaks up the depth
除却时髦的简约风格，木贴面大量运用到家具和天花，上面是典型的塌塌米图案，营造出
温暖气氛。
of space and maintains balance, softness, and simultaneously a
point of interest.
In addition, special emphasis is placed on creating maximum
effects with minimal decor through the use of limited but well-
Tsunami is composed of two distinct spaces to accommodate chosen lighting. Some are housed in distinctive features. This is well
different consumer groups - the Teppanyaki restaurant has a casual demonstrated with the
setting, and the formal Japanese restaurant offers full catering hub over the Teppanyaki
service and enchanting environment. Although the two dining counter which also serves
spaces are different in their distinctive services, unity is created as an interesting light
by applying minimal types of finishes, yet each space has its own feature giving soft and
unique design elements that bring about subtle parameters and indirect lighting.
boundaries. Despite the stylish
The formal Japanese restaurant on Sukhumvit Road is designed as a simplicity, the extensive
semi-open space taking full advantage of the outdoors.The extensive use of wood veneer on
use of gravel-like stones from the outdoors into the dining area furniture and ceiling
creates a synergy and accentuates the Japanese setting. To keep the adopted from classical
interior design simple, minimal Zen style featuring clear and simple Tatami pattern generates
lines is employed and Tatami rooms are used for party rooms. Finally,
. a warm atmosphere.
Tsunami Japanese Restaurant P Interior & Associates Co Ltd Dining space 143
布局图plan
Layout Layout plan
正宗日式餐厅采用半开放式设计，充分利用了户外的优势。碎石铺地从室外一直延伸到用餐区，流露出浓烈的日本气息。
The formal Japanese restaurant is designed as a semi-open space taking full advantage of the outdoors. The extensive use of gravel-like stones from the outdoors into the dining area creates a synergy and accentuates the Japanese 铺上塌塌米的宴会房。为反映日本传统及带出温暖感，设计师精心设计照明效果，只集中在餐具上，避免过于光亮。
Tatami rooms are used for party rooms. To generate a feeling of warmth and to reflect the Japanese tradition,
The formal Japanese restaurant is designed as a semi-open space taking full advantage of the outdoors. The extensive use of gravel-like stones from the outdoors into the dining area creates a synergy and accentuates the Japanese
setting. Tatami rooms
lighting are used
is carefully for party
designed rooms. To
and focuses onlygenerate a feeling
on dining sets to of warmthbrightness.
minimize and to reflect the Japanese tradition,
setting. lighting is carefully designed and focuses only on dining sets to minimize brightness.
铁网架成为引人注目的艺术品，置于墙上奏出有趣的旋律。
Mesh wiring, as an eye-catching artwork, is introduced on the walls creating an interesting rhythm.
沿着从户外延伸至室内的长长走廊，穿过主入
Along the long corridor extending from
口直达餐厅，是一条灵感源自日本和服的木皮
outdoors, past the main entrance and down to
丝带，以其富有节奏感的弧度打破空间的纵
the restaurant, a veneer wooden ribbon with its
深，烘托出平衡、柔软和趣味性。
rhythmic curves inspired by traditional Japanese
Along the
kimono, longup corridor
breaks the depth extending
of space from
and
outdoors, past
maintains the softness,
balance, main entrance and down to
and simultaneously
athepoint
restaurant, a veneer wooden ribbon with its
of interest.
rhythmic curves inspired by traditional Japanese
kimono, breaks up the depth of space and
maintains balance, softness, and simultaneously
a point of interest.
格调悠闲的铁板烧餐室。铁板烧餐室以“单一
Teppanyaki restaurant with a casual setting.
图式”为设计主题，地板、墙壁甚至柜台均使
The Teppanyaki Restaurant shares the “mono-
用了单一元素——仿砂砾石。
schematic” design theme by using a single
Teppanyaki restaurantstones
element - gravel-like with -a throughout
casual setting.
the
The Teppanyaki Restaurant
floors, walls, and even the shares the “mono-
counters.
schematic” design theme by using a single
element - gravel-like stones - throughout the
floors, walls, and even the counters.
简单的装饰达致最佳效果也是设计重点之一，设计师因而采用少量但精致的灯具。
Special emphasis is placed on creating maximum effects with minimal decor through the use of limited but well-chosen lighting.
Special emphasis is placed on creating maximum effects with minimal decor through the use of limited but well-chosen lighting.
客戶Client
Client JW Marriot
JW Marriot
HotelHotel Main總承辦商Main
Thai Obayashi Corp Ltd Lighting
Thai Obayashi Corp Ltd 燈光顧問Lighting
Consultant Consultant
Thompson &
Thompson
Sears Lighting
& Sears 燈具Lighting
Fixtures & FittingFixtures & Fitting
Halogen, fiber optics
Halogen,
by Chingchai
fiber optics
& Sons Engineering Furniture
by Chingchai & Sons Engineering Teak傢具Furniture
wood by
Teak
Palazzo woodWall
by Covering
Palazzo 牆飾及鋪地Wall
& Flooring Covering
Cream marble & Flooring CreamUpholstery
by Contractor marble by Contractor 織物Upholstery
PVC leather by Palazzo AV System
PVC
Projector/motion
leather 視聽系統AV
by Palazzographic ArtworkSystem AshwoodProjector/motion
veneer by Able
graphic 藝術品Artwork
Interior Workshop SanitaryAshwood
Ware veneer
Urinal/toilet
by Ableceramic
Interior by
Nahm
Workshop 衛浴潔具Sanitary
Photography Ware
K Vithaya Urinal/toilet ceramic by Nahm 攝影Photography K Vithaya
Gensai-
Gensai-Ichijyo In order to attract a wide range of customers, the designer re-
Yasui Hideo Atelier 从大街走向地下层，使人立刻沉浸在神秘而富有情调的氛围中，这就是主要经营传统日本菜
的Gensai-Ichijyo餐厅所在。
Ichijyo 日本东京Tokyo, Japan

设计师Yasui Hideo为更有效地利用狭窄的店铺，在空间上进行改建，构筑成雕塑般的拱弧
形状，并将四个区域分布在不同的阶梯上。餐厅共可容纳60位客人。
interpreted traditional vocabulary of Japanese designs to create
a modern, unique and stylish dining space.
125m2 Tokyo, Japan
■ 125m2
Yasui Hideo Atelier 厨房位于餐厅中央，是空间的视觉焦点，客人在每一个角落都可欣赏到大厨的精湛厨艺，如
此的安排使餐厅变得更为生动。
设计师以现代手法呈现传统日式物料。镶夹蕾丝布料的玻璃屏风与光滑的金箔贴面天花及石
材墙体形成鲜明的对比，而这些元素皆为餐厅注入了一股现代气息。另一方面，间接照明把
细小的餐饮空间扩展，并增加空间的纵深度。
设计师重新演绎传统日本的设计风格，营造了一个时尚、独特而极具特色的用餐空间，以
吸引更多顾客。
Walking down the main street to the basement, one would be

indulged in a very moody and mysterious atmosphere. This is
Gensai-Ichijyo, a restaurant that mainly serves traditional
Japanese cuisine.
In order to use the narrow space effectively, the designer, Yasui Hideo,
has applied a three-dimensional modification, making the space
sculptural like a vault and defines four zones on different levels,
accommodating a total of 60 customers.
The kitchen is located at the centre of the restaurant as a focal
point enabling all customers to see the chefs’ vivid performance.
Such an arrangement makes the restaurant lively.
Traditional Nippon materials are employed in a contemporary
approach. Screens inlayed with lace between glass panels are in
contrast to the sleek and polish gold leaf ceiling, and the walls covered
with stone. All these elements inject a modern aura while the indirect
lighting expands the space and enhances the spatial depth of this
small restaurant. .
Gensai-Ichijyo Yasui Hideo Atelier Dining space 153

厨房位于餐厅中央，是空间的视觉焦点，客人在每一个
The kitchen is located at the centre of the restaurant
角落都可欣赏到大厨的精湛厨艺。
as a focal point enabling all customers to see the
The kitchenperformance.
chefs’vivid is located at the centre of the restaurant
as a focal point enabling all customers to see the
chefs’vivid performance.
剖面图 Sections
Sections
布局图 plan The restaurant consists of four zones and can accommodate 60 customers. To use the narrow space effectively,
Layout Layout plan 餐厅包含四个区域，可容纳60位客人。为有效地利用狭窄的空间，设计师进行了改建，构筑成雕塑般的拱弧形状。
the designer has applied a three-dimensional modification, making the space sculptural like a vault.of “temple for
The restaurant
dining”. consists of four zones and can accommodate 60 customers. To use the narrow space effectively,
the designer has applied a three-dimensional modification, making the space sculptural like a vault.of “temple for
dining”.
镶夹蕾丝布料的玻璃屏风与光滑的金箔贴面
Screens inlayed with lace between glass
天花及石材墙体形成鲜明的对比，所有这些
panels are in contrast to the sleek and polish
元素为餐厅注入一股现代气息。
gold leaf ceiling, and the walls covered with
Screens inlayed
stone. All with laceinject
these elements between glass
a modern
panelstoare
aura in contrast
the space. to the sleek and polish
gold leaf ceiling, and the walls covered with
stone. All these elements inject a modern
aura to the space.
客戶Client
Client Nishin
Nishin
Busan Main總承辦商Main

Busan Contractor Contractor
Spirits Lighting
Spirits 燈光顧問Lighting
Consultant ConsultantCorp
ENDO Lighting Lighting Fixtures
ENDO Lighting 燈具LightingENDO Lighting
& Fitting
Corp Fixtures & Fitting
ENDO Lighting
Corp Corp 傢具Furniture
Furniture Table & chair by COMPLEX chairWall
Table & Covering 牆飾Wall
by COMPLEX Covering
Plaster work by Fukko; stone
Plaster+ work
gold by
leafFukko;
by ARIOKA Lacquer
stone + gold leaf Flooring
by ARIOKA Lacquer Granite, 鋪地
black
Flooring Granite, black
mortar, cherry flooring mortar,
by ADVAN Sanitary
cherry Ware
flooring by ADVAN 衛浴潔具Sanitary
TOTO Photography Ware
Nacasa &TOTO 攝影Photography
Partners Inc Nacasa & Partners Inc

Adrenaline
Adrenaline The main design element for the project is a unifying illuminative
CL3 Architects Ltd Adrenaline坐落在跑马地香港赛马会内，设有独立入口以提供最大的私密度，使它成为一个可
作举行私人或企业聚会的理想场所。会所占地1,600平方米，楼高两层，由一条透光玻璃楼梯连
中国香港Hong Kong, China 接；室内装修简约以突显当代、时髦的风格。
glass ribbon that wraps around the interior, from the lift lobby,
■ 1,600m2
整个场所划分为多个不同区域：二层的Sports Bar、爆谷角和葡萄酒吧别具一格，而设于露台的
1,600m2 Hong Kong, China through the reception and lounge, continuing up the stairs to
雪茄厅则让顾客在宽敞开扬的空间享受雪茄；三层较为清雅，除供应不同的酒品让客人把酒言欢
之外，更为追求健康的人士设置果汁吧。另一方面，落地玻璃及宽阔露台让酷爱赛马的顾客一边 form parts of the bar counters, and showing up on the exterior
轻尝浅酌，一边观看赛马实况；人们也可透过巨型的等离子电视屏幕等配套来观看现场转播。
elevation to connect the two levels again. The ribbon is illuminated
本项目的主要设计元素是一条连接整个场所的发光玻璃灯带，由电梯大堂贯穿接待处及酒廊， with LED light with changing colours to highlight the excitement
沿楼梯而上并与吧台形成一体，然后缓缓延伸到室外。此外，设计师挑选了可以变换颜色的二
极管灯来制造灯带，为赛道增添色彩。 of the race track.
发光灯带一方面贯连整体空间，同时也把三个酒吧、两间雅座酒廊、娱乐场及户外大阳台明确
This illuminative ribbon also defines and separates the functional
地分隔开来。 spaces of this bar lounge, which incorporates three bars, two seating
lounges, game zones and outdoor terraces.
Located at the Happy Valley Racecourse, Adrenaline has

a separate entrance to ensure maximum privacy for exclusive
functions including private events and corporate entertainment.
This 1,600m lounge that occupies two storeys is linked by an
2
internal back-lit glass staircase. Its simplicity in decoration
highlights the lounge’s modern and hip style.
Adrenaline is segmented into different zones. Special features on the
second floor include a sports bar accompanied by a popcorn corner
and a wine bar. A cigar lounge perches in a cozy corner of the balcony
for luxurious cigar enjoyment. The tranquil third floor is a wonderful
place to converse and savour a complete collection of fine wine. In
addition, there is a juice bar specially tailored for the more health-
conscious clientele. On the other hand, French windows and spacious
balcony offer horse-racing fans a commanding view of the final
stretch of every race while taking sips of the tasty drinks. A gigantic
plasma TV is also there to broadcast live racing programmes.
.
Adrenaline CL3 Architects Ltd Dining space 159

三层平面图
3/F plan
3/F plan
二层平面图
2/F plan 2/F plan
地层平面图
G/F plan G/F plan
©Wong Ho Yin
©Wong Ho Yin
一条连接整个场所的发光玻璃灯带，由电梯大堂贯穿接待处及酒廊，沿楼梯而上并与吧
台形成一体，然后缓缓延伸到室外。灯带特别采用可变换颜色的二极管灯来制造，为赛
道增添色彩。发光灯带一方面贯连整体空间，同时也把三个酒吧、两间雅座酒廊、娱
A unifying illuminative glass ribbon wraps around the interior, starting from the lift
乐场及户外大阳台明确地分隔开来。
lobby, through the reception and lounge, continuing up the stairs to form parts of
A unifying
the illuminative
bar counters, glass ribbon
and showing up onwraps aroundelevation. The
the exterior the interior, starting
ribbon isfrom the lift
illuminated
lobby,LED
with through
light the
with reception
changing and lounge,
colours continuing
to highlight theupexcitement
the stairs of
to the
formraceparts of
track.
the bar
This counters,
unifying and showing
illuminative glass up on the
ribbon alsoexterior
defines elevation. The
and separatesribbon is illuminated
the three bars, two
with LED
seating light with
lounges, game changing colours
zones and to highlight
outdoor terraces. the excitement of the race track.
This unifying illuminative glass ribbon also defines and separates the three bars, two
seating lounges, game zones and outdoor terraces.
©Wong Ho Yin
©Wong Ho Yin
©Wong Ho Yin
二层露台。
二层露台。
The balcony in the 2nd floor.

三层露台的吧台。三层露台。
The bar counter at the balcony in 3rd floor. The balcony in 3rd floor.
©Wong Ho Yin
客戶Client
Client The Hong
The Hong
KongKong
Jockey Club
Jockey Main總承辦商Main
Club Contractor Contractor
Entasis Ltd Lighting
Entasis Ltd 燈光顧問Lighting
Consultant Consultant Ltd
Light Directions Light Directions Ltd 機電分包商E&M
E&M Subcontractor Subcontractor
Lucky Engineering Co Ltd Kitchen
Lucky
Engineering Co Ltd 廚房配備顧問Kitchen
Equipment Consultant Kitchen Concepts Equipment
(HK) Ltd Consultant
AV System Kitchen
Shen Concepts
Milsom & (HK)
WilkeLtd 視聽系統AV System
Ltd Shen Milsom & Wilke Ltd

七宗罪
Seven
II BY IV Design Associates Inc Seven “七宗罪” 是一所能让人体验高能量的夜总会，同时也是充满弹性的场所─ 白天
租给企业或私人，用来举行多元化的活动。II BY IV的设计突显音效和灯光，以完美的布置
加拿大多伦多Toronto, Canada 来满足这两个用途，并透过客人本身来启动这两种元素，带出活跃的气氛，取代了复杂的设
■ 600m2 计细节。白色、不锈钢及玻璃装潢容许室内从周末狂野之所和R&B喧闹舞池的面貌，转换成
II BY IV Design Associates Inc 平日容纳600人的企业聚餐、产品推广或时装发布的会场。 600m2 Toronto, Canada
该名称以及它所指示的七宗罪是室内设计的核心主题，因此壮丽的灯光效果是建立于传统
的联想上，如蓝色象征欲望，紫色象征傲慢，绿色代表嫉妒，橙色象征贪吃，红色象征愤
怒，黄色代表贪婪，浅蓝色象征懒惰。磨砂、发光的刻字初次展现于入口楼梯的七个平台
镜子上，并且反复出现在整个空间中。
主层中央巨大的中空方形酒吧闪耀着淡黄绿色，一个宽敞的休闲区环绕着酒吧，并延伸到耀
眼的舞池，而夹层上的第二个休闲区可俯视这里。将主休闲区和夹层休闲区相连的是依墙而
建的水泥楼梯；同高的墙体光泽度高，并装配有色彩幻变的灯具。玻璃栏杆没有垂直支撑，
却承托着架于表饰上、黏附有紫外光漆的不锈钢酒栏和类似的扶手。楼梯下，意大利设计
的“番茄凳”成了瞩目的雕塑。
夹层的装饰简单、明了，洁白且低调，它重复了主层酒吧的中空方形布局。靠着边缘墙是
一个令人惊讶的浅黄绿色数码超级图形，而修长卡座靠背上方的长槽中的纯绿灯光映照在
图形上。对面是一个9米发光吧台，背后还有一个白色环氧漆的矮小柜台，台面结合了不锈
钢酒栏和弯曲至天花板并勾勒出上方镜墙的酒瓶陈列区。七宗罪之名再次喷沙刻入镜面，
由变幻多端的彩色背光照亮，与酒瓶架的下射灯光交相辉映。
无论是沐浴于紫色、红色或夕阳般的橙色光线，这个极简主义的室内设计悸动着个性，在一
个亲密、容易管理且多功能的场所内，欢迎客人来探索无穷的可能性。
Seven offers a high-energy nightclub experience in a flexible

venue that also generates multi-faceted daytime activities
through corporate and private rentals. Commissioned to create
the perfect setting for both purposes, II BY IV chose to let the
sound and light show - and for the guests themselves to animate
the space instead of elaborated design details. The white, stainless
steel, and glass interior facilitate a complete change of personality
from the weekend’s sexy house and R&B hot dance destination to
a weekday corporate luncheon, product launch or fashion show
that can accommodate 600 people.That name, and the deadly
sins to which it refers, provide the core interior theme, in which
spectacular lighting effects are built on traditional associations
(lust - blue; pride - violet; envy - green; gluttony - orange; anger.
Seven II BY IV Design Associates Inc Dining space 169

- red; greed - yellow; sloth - light blue). First found in sandblasted,
internally lit, lettering on mirrors at the seven landings of the
entrance stairway, these references are repeated throughout the
facility.
Centred around a huge hollow square bar internally lit in glowing
chartreuse, the main floor’s single large open lounge area leads
to a dazzling dance floor, overlooked by the second lounge on the
mezzanine.
Connecting the main and mezzanine lounges is a simple concrete
staircase suspended against a full height gloss-finished wall
washed with colour-changing lights. Uninterrupted by vertical
supports, the glass balustrade supports the surface-mounted, UV-
adhered, stainless steel drink rails and matching handrails. Below
the stairs, the striking Italian-designed “Tomato Chair” acts as a
sculptural accent.
The simply detailed, pure white, low profile furnishings on the
mezzanine repeat the hollow square layout of the main floor bar.
Against one perimeter wall, an astonishing chartreuse digital
supergraphic is slashed by a narrow horizontal slot of pure green
light just above the back of the long narrow banquette seating.
Opposite, a 9m internally lit bar is backed by a shallow counter in
white epoxy lacquer, topped by an integrated stainless drink rail
and bottle display surface that curves up to the ceiling to frame the
mirrored wall above. Once again, the names of sins sandblasted into
the mirror surface and backlit in continuously changing colours,
matched by the downlighting on the bottle display.
Whether bathed in periwinkle, fuchsia or sunset orange light, this
remarkably minimalist interior pulsates with personality, in an
intimately scaled, manageable multi-purpose venue that invites 主层休闲区环形布置着一系列高1.2米、发亮、柱状的吧台，台脚围有金属圈。两边长长的侧墙支承着狭长的白色乙烯树脂卡座，它的薄靠背掩藏了上射灯，照亮了镜墙上喷沙突现出的一排文字，重复着“理性是，且应当是
激情的奴隶”。
guests to explore its possibilities.

The main floor lounge is ringed with a series of 1.2m tall internally lit column-like drink tables, circled with metal foot rails. The two long perimeter walls support narrow, white, vinyl-upholstered banquette bumper
pads with thin back rests that conceal the uplights illuminating a line of text sandblasted in the wall-to-wall mirror above, repeating “reason is, and ought to be, only a slave of the passions”.

主层休闲区环形布置着一系列高1.2米、发亮、柱状的吧
台，台脚围有金属圈。
The main floor lounge is ringed with a series of 1.2m
tall internally lit column-like drink tables, circled with
metal foot rails.

主层布局图
Main floor planMain floor plan 夹层布局图
Mezzanine floor plan
Mezzanine floor plan
通透感和灯光是洗手间设计的关键元素。公共洗手盆对
In the washrooms, transparency and light are the key
面便是男女混用的独立厕所。厕所的特色是半透明玻璃
design elements. Across from the communal basin area,
门，上面蚀刻了罪恶名称，开门即可看到呈现彩光的玻
individual unisex cubicles feature translucent glass doors
璃马赛克瓷砖墙。
etched with sins, opening reveal to glass mosaic tiled
In
walls washrooms,
thebathed transparency
in coloured light. and light are the key
design elements. Across from the communal basin area,
individual unisex cubicles feature translucent glass doors
etched with sins, opening reveal to glass mosaic tiled
walls bathed in coloured light.
夹层的装饰简单、明了，洁白且低调，它重复了主层酒吧
的中空方形布局。一个9米发光吧台，背后还有一个白色
环氧漆的矮小柜台，台面结合了不锈钢酒栏和弯曲至天花
板并勾勒出上方镜墙的酒瓶陈列区。
The simply detailed, pure white, low profile furnishings
on the mezzanine repeat the hollow square layout of
the main floor bar. The 9m internally lit bar is backed
by a shallow counter in white epoxy lacquer, topped 客戶Client
Client Dynamic
Dynamic
Hospitality
Hospitality
& Entertainment Group
& Entertainment Group 建築師Architects
Architects Giancarlo Garofalo Architects
Giancarlo Garofalo Main
Architects 總承辦商Main
Contractor
by an integrated stainless drink rail and bottle display Contractor Inc Glass Tile
Arcademia Group Arcademia Group 玻璃磚Glass
Inc Olympia Tile Tile Paint Olympia Tile 油漆PaintMoore
Benjamin
Para Paint, Para Wall
Paint,Covering
Benjamin Moore 牆飾
Scenery
surface that curves up to the ceiling to frame the Wall
Plastics Flooring
Covering Plastics
Scenery Riverfield 鋪地Flooring
Renovations Upholstery
Riverfield Renovations 織物Upholstery
ISA International Glass Nova Classique AV 玻

ISA International
mirrored wall above. 璃品Glass
System Sound
Nova Classique 視聽系統AV
Dymax International Photography
System Sound
David Dymax International 攝影Photography
Whittaker David Whittaker

Suite 212
Suite 212 made of leather and strong textiles in various hues of brown
Bottega + Ehrhardt Architekten Suite 212位于斯图加特市中心，这家两层的酒吧俱乐部拥有舞池和私密的休闲廊。此处的前身
是一家影像商店，现被重新改建为俱乐部。Suite 212的名称来源于Nam June Paik的一项视频艺
德国斯图加特Stuttgart, Germany 术，并代表了在这里举行的视频及图片装置和现场DJ/VJ表演。
are individually relocatable and turnable. Cubical and T-shaped
■ 592m2
Bottega + Ehrhardt Architekten
酒吧坐落在斯图加特最宽敞的街道上，外部和内部的互动交流是设计的焦点所在，设计师试图加
592m2 Stuttgart, Germany volumes can be made lying or standing, allowing daily changing
强交通路线的线性和水平特性，并突现该地段的都市风格。巨大的旋转橱窗反射出附近事物，室
内和室外的影像相互重叠，而店内闲坐的客人也成为了画面的其中一部分。 configurations and patterns by the guests.
五幅巨大的屏幕面向外面的街道，酒吧上方12个并排的萤幕每天播放不同的电影。酒吧界定出室
A massive staircase made of steel connects to the first floor where
内后部的空间，并以一面深灰色的石棉水泥板遮蔽着。深浅不一的棕色座椅用皮革和布艺制造， the club and the lounge are located. It starts on a concrete platform
组件式的立方体和T形椅子可平放可竖立，让人们随意移动布置或按喜好转换配搭和组合。
on the ground level and ends in a glass volume on the upper level.
一具厚实的钢制楼梯通往一层的俱乐部和休闲廊，它从地面层的水泥地台开始，一直延展到上层
的玻璃空间。俱乐部由深色光亮的表饰构筑而成，并反映出在四周萤幕上出现的VJ影像。
The club is designed in dark and shiny surfaces, reflecting the images
of the video-jockeys on the surrounding monitors.
在俱乐部旁边是一个带小酒吧的休闲廊。不规则的白色走廊与酒吧浑然一体，且将客人引往此
处。休闲廊内的沙发配衬深棕色的毯子，在帘幕的环绕下，营造了私密而祥和的氛围。 Next to the club is a lounge area with a small bar. An irregular
shaped white corridor leads into it and melts together with the
bar. Lounge-sofas made of dark brown blankets and surrounded
The Suite 212 is a bar and club in the city centre of Stuttgart by curtains create an atmosphere of privacy and calmness.
with dance floor and private lounge on two levels. A formerly
video-shop in an inner city shop unit was reconstructed and
modified to create the club. The name Suite 212 relates to a video-
art-work of Nam June Paik and introduces a programme of video-
and photo-installations with live DJ/VJ-ing.
Located along one of Stuttgart biggest streets, the design of the
bar focuses on the interaction between the inside and outside,
trying to strengthen the linearity and horizontality of the traffic
and emphasizing the urbanity of the spot. Various reflections in
the big revolving shop windows create an overlay of the inside and
the outside, and the people, sitting inside the huge window-spaces,
become part of it.
Five large screens facing the street on the outside and a sequence
of twelve monitors above the bar on the inside show daily
changing movies. The bar-volume defines the back of the interior
space and is covered by dark grey eternit-plates. Modular seats
.
Suite 212 Bottega + Ehrhardt Architekten Dining space 177

楼梯引领到一楼的俱乐部和私人休闲廊。
The staircase leads the way to the Club
The staircase
and leads the
Private Lounge way1/f.
at the to the Club and
Private Lounge at the 1/f.
1/F plan
一層平面圖1/F plan
G/F plan
地面層平面圖G/F plan

不规则的白色走廊把会所和休闲廊连接起来，并与酒吧
An irregular shaped white corridor connects the club
浑然一体。
and lounge and melts together with the bar.
An irregular shaped white corridor connects the club
and lounge and melts together with the bar.

客戶Client
Client Gastromedia
Gastromedia
Betriebs GmbH
Betriebs GmbH 建築師Architects
Architects Giorgio Bottega
Giorgio+ Henning Ehrhardt Lighting
Bottega + Henning Ehrhardt 燈光顧問Lighting
Consultant Consultant
Candela Lighting Candela &燈具Lighting
Fixtures Fittings Fixtures
Mario & Fittings
Furniture Mario / 傢具Furniture
Textile artificial leather by
Textile /+artificial
Haacke Maass Wallby Haacke
leather Covering + Maass by
Eternit 牆飾Wall
Balz Covering
Flooring Eternit
Haagby BalzVisual 鋪地Flooring
Installations Haag by
Lightboxes 視覺裝置Visual
Platoon Sanitary
Installations
Ware Strobel
Lightboxes Platoon 衛浴潔具Sanitary
by Curtains Ware Strobel
Textile blankets by Hau 窗簾
AV System
Bubeck Photography
Curtains Photos
Textile blankets by Hau 視聽系統AV
of bar System
& club by Alexander Fischer; 攝影Photography
Bubeckphotos of lounge by David Franck
Photos of bar & club by Alexander Fischer; photos of lounge by David Franck

Thaiphoon
Thaiphoon displays in Tokyo or Bangkok. The opposite wall is covered entirely
Maurice Mentjens Design 在设计Thaiphoon时，Maurice Mentjens将自己沉浸在亚洲文化里面，而当代亚洲社会带有
传统和古典笔触的超现代元素最令他着迷，这种结合在西方国家是很罕见的。
Restaurant Thaiphoon糅合了现代和传统的东方元素，以不断变换的方式，在影像和物料中一一体现 with snakeskin and flashing lamps. One of the building’s concrete
structures cuts through the space and is echoed in the rooms
Bar 传统、宗教、自然、天然物料与商业、高科技、塑胶、通俗艺术等概念的相互碰撞，并以
佛像、金色调的房间、木屋、蛇皮配霓虹墙、水泥建筑、闪亮的白色墙和彩色树脂玻璃等
that follow. The long wooden bar continues into the conservatory
Restaurant Bar
荷兰鲁尔蒙德Roermond, Netherlands 作装饰。
■ 310m2
Maurice Mentjens Design 东方庙宇式的入口以厚重而宏伟的木质梁柱和金色马赛克装潢。甫入酒吧区，便看见一面由
area, with a view into the gleaming white kitchen with stainless
发光彩色层架构成的墙，缓缓变换的彩光使人联想起东京或曼谷的广告灯箱。对面的整面墙 steel equipment framed with black granite.
The next room is the large restaurant dining room with red wooden
310m2 Roermond, Netherlands
壁均覆以蛇皮和闪光灯。建筑中的一个水泥结构横贯这个空间，因此紧接着的房间也有相应
的设计元素。长长的木吧台一直延伸到食物保存区，在这里可以看到亮白色的厨房和黑色花
岗岩框架内的不锈钢器具。 tables and modern bucket seats. Here, too, the walls are covered
毗邻的大型用餐室配备红木桌子和时尚的水桶椅。墙壁同样以充满异国情调的蛇皮粉饰，另 with exotic snakeskin, and on the other side are wooden-walled
一边则是木墙隔间，内部空间透出一片神秘的黑色。第一间“黑房”实际是衣帽间，蓝色的
灯光带出奇幻的效果；旁边是射灯映照的木楼梯，相当引人注目，而后方则是细小而私密的 compartments with a mysterious black interior. The first black
黑色小型用餐室。高反光度的黑色天花衬托出红色树脂玻璃灯，这个时尚的灯具是中式红灯
笼的现代变奏，反映在日式亮漆的天花板上。大型用餐室后的观赏区设有巨大的木柱、大玻
room is the cloakroom
璃屋顶和装饰了多个佛像的墙壁，在这里更可俯瞰花园。 with a magical blue light
effect. Adjacent to this
is a dramatically spot-lit
Maurice Mentjens immersed himself in Asian culture to develop wooden stairway, followed
the concept of Thaiphoon. One of the aspects of modern by a smaller, more intimate
Asian society that most intrigued him was the blending of black private dining room
hypermodern elements with traditional and classic traces - a with a high gloss black
fusion that is so peculiar in the West. reflective ceiling and red
Thaiphoon is a mix of modern and traditional oriental elements plexiglass lamps: a modern
- both in imagery and materials used - in continually changing variation on the red Chinese
contexts: tradition, religion, nature and natural materials versus paper lanterns reflected
commercial, high-tech, plastic and kitsch; Buddhist statues, a golden in a ceiling of Japanese
decorated room, a wooden house and snakeskin in synergy with a lacquer work. At the back of
neon wall, concrete constructions, gleaming white walls and coloured the large dining room is the
plexiglass. conservatory overlooking
Once through the entrance which resembles an oriental temple the garden, with large
with heavy monumental wooden beams and golden mosaics, you wooden columns, a large
enter the bar area with a wall made of luminous coloured beams glass roof and a wall of
which slowly changes colour like the illuminated advertising . Buddhist statues.
Thaiphoon Restaurant Bar Maurice Mentjens Design Dining space 185
A: 入口处
entranceentrance
B: 酒吧
bar bar
C: 厨房
kitchenkitchen
D: 餐厅
restaurant
restaurant
E: 包房
privateprivate
room room
F: 衣帽间
cloak-room
cloak-room
G: 花园
gardengarden
H: 厕所
toilets toilets

细小而私密的黑色小型用餐室拥有高反光度的黑色天花和红色树脂玻璃灯，这个时尚的灯具是中式红灯笼的现代变奏，反映
The smaller, more intimate black private dining room has a high gloss black reflective ceiling and red plexiglass lamps: a 散发奇幻蓝光的衣帽间。
Cloakroom with a magical blue light effect.
在日式亮漆的天花板上。
modern variation on the red Chinese paper lanterns reflected in a ceiling of Japanese lacquer work. Cloakroom with a magical blue light effect.
The smaller, more intimate black private dining room has a high gloss black reflective ceiling and red plexiglass lamps: a
modern variation on the red Chinese paper lanterns reflected in a ceiling of Japanese lacquer work.
客戶Client
Client PeterPeter
Hendriks
Hendriks 項目統籌Project
Project Leader Leader
Satijn Architecten
Satijn Architecten
/ Ingenieurs, Maastricht Maastricht
/ Ingenieurs, 總承辦商Main
Main Contractor Contractor
Tinnemans Bouw Management, Timmerfabriek Hees Echt Lighting
Tinnemans Bouw Management, Timmerfabriek Hees Echt
燈光顧問Lighting
Consultant Consultant of UTI Funs Thehu
Funs Thehu Lighting
Licht Sittardof UTI Licht Sittard 燈具Lighting
Fixtures & Fitting Fixtures & Fitting colourCustom-designed
Custom-designed changing lighting colour
shelves
changing
behindlighting
bar by shelves
Lagotronics,
behind Venlo;
bar wall
by Lagotronics,
fixtures fromVenlo;
frontwall
to
back
fixtures
by Glass
from front
Huette;
to back
red icon
by Glass
pendantHuette;
lightsredof icon
Kartell
pendant
in thelights
black ofroom;
Kartell
donut
in thelights
black
of room;
Modulardonut
in the
lights
mirrors
of Modular
in toilet;intechnical
the mirrors
installations
in toilet; by IT
technical
2 Lttervoort
installations Furniture
by IT long
2 Lttervoort12m 傢具oak
Furniture 12m long
bar; custom-designed oak bar;tables
oak folding custom-designed
fixed to theoak wallfolding
in the tables fixedbar
bar area; to stools
the wall in thebybar
“Gimlet” area; 133;
Mobles bar stools “Gimlet” by red
custom-designed Mobles 133;oak
stained custom-designed red stainedarea;
tables in the restaurant oak black Tom
tables in the
Vac restaurant
chairs of area;
Vitra Wall
black Tom Vac Covering
chairs of Vitra 牆飾Wall
Alligator skin onCovering
wall panels Alligator
- Crespi, Italy
skin on by Angelo
wall panels Hees;- Crespi, Italy
general paintwork
by Angelo
by Camp, Roermond;
Hees; general paintwork
wooden by Camp, Roermond;
wall covering by Angelo woodenHees Echt Flooring
wall covering Jupiter
by Angelo Hees Echt
鋪地Flooring anthracite
Negro Satinato, Jupiter Negro Satinato, Ceiling
anthracite ceramic
ceramic tiles by Colorker Stretched
tiles by Colorker 天花Ceiling
ceiling by Barrisol; acoustic
Stretched
ceiling
ceiling by Barrisol;
by Ecophon Artwork
acoustic Wallpainting
ceiling by Ecophon 藝術品Artwork
behind Buddhist Statues Wallpainting
by Muurbloem behind
Utrecht Sanitary
Buddhist Statues Ware Subway
by Muurbloem Utrecht 衛浴潔具Sanitary
by Villeroy Ware
& Boch; washbasins by Alape
Subway by Metal &
Villeroy Work
Boch; washbasins
Rob Huyben, Weert 金屬製件Metal
by Alape AV System Work Poulissen Roermond, Jeffrey 視聽系統AV System
Rob Huyben, Weert van Gorkum, Sander van
Loosbroek Photography van Gorkum, Sander
Poulissen Roermond, Jeffrey van Loosbroek 攝影Photography
Arjen Schmitz Maastricht Arjen Schmitz Maastricht

Club Garden
Club Garden - workplace of DJ during concerts and where sound and light
Studioacht Architecture & Interior Design Club Garden位于慕尼克市中心，是一个音乐表演场地和DJ俱乐部。俱乐部外，细小的招牌
立于抛光钢结构后，闪烁着绿色的光线，神秘的观感吸引着途人。
德国慕尼克Munich, Germany
一扇高大的玻璃摇摆门将接待区、衣帽间与主区分隔开来。装饰灯具配以陶瓷灯罩，加上墙 control panels are installed.
Opposite the bar is an indoor garden designed in Japanese style
■ 380m2
Studioacht Architecture & Interior Design 壁和天花的朴实色调烘托出舒适的氛围。柔和的灯光从玻璃门渗入，将客人引入俱乐部。
using bamboos, grasses and volcanic stones. A red curtain can be

Live Music & DJ
主入口旁便是第一个酒吧，采用了天然石材和坚果树木材为原料。倒置碗状天花装饰成为
该区一大特色，其顶部的暗槽灯投射出明亮的绿色光源，牢牢抓住来宾的视线。“碗 ”底
下是DJ在音乐会期间的工作间，装置了声光控制面板。
closed during live acts while the movable stage can be set up in front
of the garden.
酒吧对面是一个和式风格的室内庭院，以竹子、青草和火山石等物料堆砌而成。在举行现场
Beyond the bar, there is an elevated lounge area with comfortable
Club
表演时可以拉上红色帏幕，并在庭院前方搭起活动舞台。
酒吧的另一边是架高的休闲区，摆放了舒适的座椅和手工制作、抛光高级钢材制成的桌子，
seats and small handmade tables made of high-grade, polished
安坐此处，可以俯瞰舞台和舞池。小型下射灯可通过调节变暗，使室内气氛从冷调变为温 steel where one can overlook the
暖，从而达到设想的效果。 380m2 Munich, Germany
stage and the dance floor. Small
另外一个DJ工作间就设在休闲区的旁边。控制台后方有一盏装饰水晶灯，灯光从萤光绿色 downlights can be dimmed thus
的玻璃散发出来。越过这个区域，客人便来到另一个长长的吧台，由西班牙天然石材建成，
并覆盖以坚果树木表饰。 turning the room’s atmosphere
后台区设有洗手间、装置了高身镜子的藏衣室，还有专为乐手而设的私密休息间。沙发床、
from cool to warm as desired.
凳子和橘红色的可调式台灯共同营造出亲密浪漫的氛围。 Adjacent to the lounge is the second
DJ’s booth. Behind the technician’s
desk, light of a decorative crystal
lamp shines through a neon-green
Situated in the centre of Munich, Club Garden is a live music glass. From this area, the view goes
and DJ club. From the outside, a small signage with the name to the second long bar which is
of the club shines in brilliant green light behind a structure of composed of Spanish natural stone
polished steel attracting passers-by with a sense of mystery. and covered with a nut-tree wood
The reception and cloakroom area is separated from the main club surface.
by a tall swinging glass door. Decorative lights with porcelain shades, The backstage area has a
wall and ceiling of earthy colours project a cozy mood. A soft light bathroom, wardrobe with tall
permeated from the glass door gives hints of entry to the club. mirrors and a small private lounge
Close to the main entrance is the first bar constructed from natural for musicians. Divans and other
stone and nut-tree wood. A suspending upside-down and bowl- seats are completed with orange
like ceiling feature forms the centerpiece in this area. Concealing table lights which can be dimmed
lighting on top of the feature emits intense green glow catching to give an intimate and romantic 一扇高大的玻璃摇摆门将接待区及衣帽间与主区分隔开来。柔和的灯光从玻璃门轻轻透入，将客人引
The reception and cloakroom area is separated from the main club by a tall swinging glass door.
入俱乐部。
A soft light permeated from the glass door gives hints of entry to the club.
the eyes of visitors upon their arrival. Beneath the “bowl” is the . ambience. The reception and cloakroom area is separated from the main club by a tall swinging glass door.
A soft light permeated from the glass door gives hints of entry to the club.
CLUB GARDEN Studioacht Architecture & Interior Design Dining space 191
主入口旁便是第一个酒吧，采用了天然
石材和坚果树木材为原料。
Close to the main entrance is the first
bar constructed from natural stone and
nut-tree wood.
Layout plan plan

布局圖Layout
倒置碗状天花装饰顶部的暗槽灯投射出明亮的绿色光源，牢牢抓住客人的视线，而“碗”底下是DJ在音乐会期间的工作间。
Concealing lighting on top of the suspending upside-down and bowl-like ceiling feature emits intense green glow catching the eyes of visitors upon their arrival. Beneath the “bowl” is the workplace of DJ
Concealing
during lighting on top of the suspending upside-down and bowl-like ceiling feature emits intense green glow catching the eyes of visitors upon their arrival. Beneath the “bowl” is the workplace of DJ
concerts.
during concerts.
客戶Client
Client MilchMilch
und und
Bar GmbH
Bar GmbH 設計組Design
Design Team Team
Suzanne Faltenbacher
Suzanne Faltenbacher
(architect) and Daniel
(architect) and Daniel (designer)
KronwinklerKronwinkler Lighting
(designer) 燈具Lighting
Fixtures & Fitting
Fixtures & Fitting lamp
Suspending Suspending
at reception
lampsupplied
at by
Serien
reception Furniture
supplied by SerienChairs 傢具Furniture
made of wood, coveredChairs
in made
wool fabric
of wood,
supplied
coveredby Academia;
in wool fabricbarssupplied
made ofby Academia;
Spanish natural
barsstone
madeand
of Spanish
nut-tree natural
wood; DJstone
deskand
with
nut-tree
varnished
wood; DJ
surface;desk
highwith
tables
varnished
made
酒吧对面是一个和式风格的室内庭院，以竹子、青草和火山石等物料堆砌而成。
Opposite the bar is an indoor garden designed in Japanese style using bamboos, grasses and volcanic stones. 另一个DJ工作间的控制台后方有一盏装饰水晶灯，灯光从萤光绿色的玻璃散发出来。
Behind the technician’s desk in the second DJ’s booth, light of a decorative crystal lamp shines through a neon-green of
surface;
stainless
highsteel
tables
andmade
nut-tree
of stainless
wood; small
steel tables
and nut-tree
at lounge
wood;
made
small
of tables
high-grade
at lounge
steel; all
madecustom
of high-grade
designed steel; all custom
by Studioacht Flooring
designed
Concrete
by Studioacht 鋪地Flooring
Curtains Handmade 窗簾Curtains
Sanitary
Concrete Ware
Opposite the bar is an indoor garden designed in Japanese style using bamboos, grasses and volcanic stones. Behind the technician’s desk in the second DJ’s booth, light of a decorative crystal lamp shines through a neon-green
glass. Handmade
Single-lever 衛浴潔具Sanitary
basin Ware
mixer of stainless steel, wallSingle-lever
and floor basin
tiles by Duravit, Keuco
mixer of stainless Photography
steel, wall and floor tilesTobias Kreissl Keuco 攝影Photography
by Duravit, Tobias Kreissl
glass.
Agni FIRE
Agni FIRE a family of bronze floor lamps. All the furniture has been custom
Conran & Partners FIRE是Park Delhi酒店里一家新开的印度餐厅，连酒吧Agni，两者的设计皆以“火”作为
基本元素—餐厅用火加热和煮食，酒吧以火展现活力和生命力。
印度新德里New Delhi, India
FIRE属于酒店新大堂的一部分，外围是一片半透明的白色玻璃墙，墙上挂了一幅由玻璃与 designed by Conran & Partners.
A sloping, curved bronze partition divides the restaurant from the
■ 250m2
Conran & Partners 水晶珠子交织而成的门帘，弯曲流动，并将几缕阳光引入餐厅。 350m2 New Delhi, India
餐厅可容纳60位客人。一面白色石膏浮雕墙和活动玻璃屏将餐厅与大堂分隔。设计对于白天 bar. In this wall a continuous slot at eye level affords glimpses into the
或晚上的营运同样有利。典雅的空间采用了素白的大理石地板以及延伸到后方酒吧的石膏浮
雕墙。夜幕降临，桌上簇簇发亮的灯泡和一组青铜落地灯使整个空间变得明亮。此外，所有
bar through a barrier of simulated fire. This unique effect is realised
家具均由Conran & Partners量身设计。 by passing coloured light through layers of printed Perspex.
一幅倾斜的弧形青铜隔墙划分开餐厅和酒吧。隔墙的视线水平处有一列长槽，透过长槽上 There is a separate entrance to Agni from outside the hotel. Here
模拟的火焰，人们可以瞥见酒吧。火焰的独特效果是由彩色灯光透射到印有图案的层层有
机玻璃所形成。
dark walnut timber finishes contrast with a variety of hot lighting
effects. A radiant orange wall behind an irregular trellis of bronze
人们可从酒店外的另一个门口进入Agni。深色胡桃木饰面与热情的灯光效果形成对比。不
规则形状的青铜架后面是一面橙色灯光墙，十分瞩目。下方是配有金色枕垫的皮沙发和环 flats, dramatically lights the back of the space. Beneath this are
绕发光玻璃桌而设的皮凳。房间的一侧是个小型舞池。酒吧长度有12米，应该是新德里最 low leather divans with golden pillows, and leather tub chairs
大的吧台。依循弧形的空间，吧台前面用雕琢的木板覆盖，其橙色玻璃台面则与其他桌子
互相呼应。酒吧上方巨大的多孔青铜吊灯投射了点点灯光到天花上。 arranged around glowing glass tables. At one end of the room is a
在别致而宁静的FIRE餐厅内享用丰富的晚餐后，客人瞥见Agni的环境，定会被酒吧温暖而
small dance floor, while the bar itself at 12 metres long is probably
充满动感的氛围所深深吸引。 the longest in Delhi. Following the curve of the space, it has a
carved timber front
and an orange glass
FIRE, the new Indian restaurant at the Park Delhi Hotel, and its top matching the
bar Agni, are designed with the basic element of fire - in the tables. Large perforated
restaurant, fire for heat and for cooking; in the bar, fire for energy bronze pendant lights
and as a life-giving force. hang over the bar and
FIRE forms part of the new lobby at the hotel. It is faced by a continuous also cast spots of light
translucent white glass wall to the outside, in front of which runs a up to the ceiling.
sinuous curtain of glass and crystal beads filtering daylight into the After an evening of
space. fine dining in the chic,
The restaurant, seating 60, is separated from the lobby by a white calm surroundings of
sculptural plaster wall and sliding glass screens. It has been FIRE, diners catching
designed to operate equally well by day or night. It is an elegant glimpses of Agni will be
space with a pale marble floor and a plaster relief end wall which seduced into the warm
extends into the bar behind. At night, the room is lit by an array and vibrant atmosphere
of clear light bulbs hanging in clusters above the tables, and by
. of the bar beyond.
Agni FIRE Conran & Partners Dining space 197
一面倾斜的弧形青铜隔墙划分开餐厅和酒吧。隔墙的视
A sloping, curved bronze partition divides the restaurant
线水平位置有一列长槽，透过长槽上模拟的火焰，人们
from the bar. In this wall a continuous slot at eye
可以瞥见酒吧。
level affords glimpses into the bar through a barrier
A
of sloping, curved
simulated fire. bronze partition divides the restaurant
from the bar. In this wall a continuous slot at eye
level affords glimpses into the bar through a barrier
of simulated fire.
FIRE属于酒店新大堂的一部分，外围是一片半透明的白
色玻璃墙，墙上挂了一幅由玻璃与水晶珠子交织而成的
门帘，弯曲流动，并将几缕阳光引入餐厅。
FIRE forms part of the new lobby at the hotel. It is
faced by a continuous translucent white glass wall to the
outside, in front of which runs a sinuous curtain of glass
and crystal beads filtering daylight into the space.

一面白色石膏浮雕墙和活动玻璃屏将餐厅与大堂分隔。
The restaurant is separated from the lobby by a white sculptural plaster wall and
The restaurant
sliding is separated from the lobby by a white sculptural plaster wall and
glass screens.
sliding glass screens.
皮凳环绕发光玻璃桌而设。
Leather tub chairs are arranged around glowing glass tables.
在酒吧Agni里，深色胡桃木饰面与热情的灯光效果形成对比。不规则形状的青铜架后面是一面橙色灯光墙照亮了这个空间，十分瞩目。
In bar Agni, dark walnut timber finishes contrast with a variety of hot lighting effects. A radiant orange wall behind an irregular trellis of
bronze flats, dark
In bar Agni, walnut lights
dramatically timberthe
finishes
back contrast with a variety of hot lighting effects. A radiant orange wall behind an irregular trellis of
of the space.
bronze flats, dramatically lights the back of the space.
客戶Client Park Hotels 燈光顧問Lighting Consultant Babu Shankar of Integrated Lighting Design LA 牆飾Wall
Client
Covering ParkWalnut
Hotelspanels/decorative plaster 鋪地Flooring
Lighting Consultant Babu Shankar of Monte
Integrated
CarloLighting
marble/stained
Design LA
oak 織物Upholstery
Wall Covering Walnut
plaster窗簾Curtains
panels/decorative
Leather/horsehair Flooring Clear
Monte
glassCarlo 圖案設計Graphics
beadsmarble/stained oak Upholstery Conran & Partners 特別效果Special
Leather/horsehair Curtains
Effect
Clear
Perspex
glass beads
fire wall Graphics
effect Conran & Partners Special Effect
by Design Edge Perspex fire wall effect by Design Edge

II BY IV Design Associates Inc I www.iibyiv.com Maurice Mentjens Design I www.mauricementjens.com
168~173 I Seven 七宗罪 72~79 I Restaurant Witloof
设计师索引
184~189 I Thaiphoon Restaurant Bar
Alan Chan Design Company 陈幼坚设计公司 I www.alanchandesign.com / www.alanchancreations.com
102~113 I The Baishayuan Tea House 白沙源茶馆 P Interior & Associates Co Ltd I www.pia-group.com / pia@pia-group.com
142~151 I Tsunami Japanese Restaurant
Bottega + Ehrhardt Architekten I www.be-arch.com
176~183 I Suite 212 Robert D. Henry Architects I www.rdh-architects.com / info@rdh-architects.com
48~53 I Potion Lounge
Index by CL3 Architects Ltd 思联建筑设计有限公司 I www.cl3.com

158~167 I Adrenaline
134~141 I Nadaman Restaurant
102~113 I The Baishayuan Tea House 白沙源茶馆
Rockwell Group I www.rockwellgroup.com
18~25 I Nectar
26~33 I Washington Square
designer Conran & Partners I www.conranandpartners.com

196~201 I Agni FIRE
Dale Jones-Evans Pty Ltd Architecture I www.dje.com.au / dje@dje.com.au

Scheiwiller Svensson Arkitektkontor AB I www.ssark.se / simon@ssark.se
60~71 I Restaurant Hotellet
Studioacht Architecture & Interior Design I www.studioacht.de

42~47 I The Loft 190~195 I Club Garden
gernot schulz : architektur I www.gernotschulzarchitektur.de / Info@gernotschulzarchitektur.de Team 7 International I www.team7.com
86~91 I Kookaburra 114~123 I South Beauty Bei Da Restaurant 俏江南北大店
Glamorous Co Ltd I www.glamorous.co.jp Tony Chi & Associates I www.tonychi.com
34~41 I Wanna Fan Dining 54~59 I Bruno Jamais Restaurant Club
Jason Caroline Design Ltd I jas_car@hotmail.com Woods Bagot I www.woodsbagot.com.au / rita.romeo@woodsbagot.com.au
80~85 I Kushiyaki 串神一 10~17 I Longroom
Yasui Hideo Atelier I Yasuia@blue.ocn.ne.jp

Joseph Sy & Associates 洪约瑟设计事务所有限公司 I www.jsahk.com / design@jsahk.com 152~157 I Gensai-Ichijyo
92~101 I La Superieur Restaurant 凯逸酒家
124~133 I Muse Curry Restaurant & Lounge 金津咖喱餐厅
Dine & Drink 203

Australia 澳洲
NSW 新南威尔士 I The Loft(42~47)
地区索引 Melbourne 墨尔本 I Longroom(10~17)

Canada 加拿大
Toronto 多伦多 I Seven 七宗罪(168~173)
China 中国
Beijing 北京 I South Beauty Bei Da Restaurant 俏江南北大店(114~123)
Index by Hong Kong 香港 I Adrenaline(158~167)

I Kushiyaki 串神一(80~85)
I Nadaman Restaurant(134~141)
location
Hunan 湖南 I The Baishayuan Tea House 白沙源茶馆(102~113)
Shanghai 上海 I Muse Curry Restaurant & Lounge 金津咖喱餐厅(124~133)
Shenxhen 深圳 I La Superieur Restaurant 凯逸酒家(92~101)
Germany 德国
Bochum 波鸿市 I Kookaburra(86~91)
Munich 慕尼克 I Club Garden(190~195)
Stuttgart 斯图加特 I Suite 212(176~183)
India 印度
New Delhi 新德里 I Agni FIRE(196~201)
Japan 日本
Osaka 大阪 I Wanna Fan Dining(34~41)
Tokyo 东京 I Gensai-Ichijyo(152~157)
Netherlands 荷兰
Maastricht 马斯特里赫特 I Restaurant Witloof(72~79)
Roermond 鲁尔蒙德 I Thaiphoon Restaurant Bar(184~189)
Sweden 瑞典
Stockholm 斯德哥尔摩 I Restaurant Hotellet(60~71)
Thailand 泰国
Bangkok 曼谷 I Tsunami Japanese Restaurant(142~151)
USA 美国
New York 纽约 I Bruno Jamais Restaurant Club(54~59)
I Potion Lounge(48~53)
Pennsylvania 宾夕法尼亚州 I Nectar(18~25)
Philadelphia 费城 I Washington Square(26~33)

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Dining Space

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Dining space 

Located in a basement is the Longroom, a meeting space

Longroom Woods Bagot Dining space 11

Longroom Woods Bagot Dining space 15

客戶Client Nick Nick

Longroom Woods Bagot Dining space 17

Nectar is composed of two floors with a total area of 950m2

Nectar Rockwell Group Dining space 19

Nectar Rockwell Group Dining space 21

Nectar Rockwell Group Dining space 25

Square 美国费城Philadelphia, USA

Opposite attraction! A study in contrasts - modern meets baroque

Washington Square Rockwell Group Dining space 27

Washington Square Rockwell Group Dining space 31

客戶Client Starr Starr

Washington Square Rockwell Group Dining space 33

Dining 日本大阪Osaka, Japan

Wanna Fan Dining is located at the ground and first floor

Wanna Fan Dining Glamorous Co Ltd Dining space 35

Wanna Fan Dining Glamorous Co Ltd Dining space 37

Wanna Fan Dining Glamorous Co Ltd Dining space 41

The Loft, a stylish lounge and tapas bar, is contained within a

The Loft Dale Jones-Evans Pty Ltd Architecture Dining space 45

The Loft Dale Jones-Evans Pty Ltd Architecture Dining space 47

Starting with the concept of liquid, Robert D. Henry Architects

Potion Lounge Robert D. Henry Architects Dine & Drink 49

布局图 Layout plan

Potion Lounge Robert D. Henry Architects Dining space 51

Scheiwiller Svensson Arkitektkontor AB的任务是为餐厅打造有如国际级大酒店华丽大堂

Restaurant Hotellet Scheiwiller Svensson Arkitektkontor AB Dining space 61

Restaurant Hotellet Scheiwiller Svensson Arkitektkontor AB Dining space 65

Restaurant Hotellet Scheiwiller Svensson Arkitektkontor AB Dining space 71

Situated in the historic centre of Maastricht, Witloof is a

Restaurant Witloof Maurice Mentjens Design Dining space 73

with each other, not only in

Restaurant Witloof Maurice Mentjens Design Dining space 75

客戶Client Ad Fiddelers 承辦商Contractors Engineering by Rob Savelkoul of SatijnPlus

Restaurant Witloof Maurice Mentjens Design Dining space 79

Kushiyaki Jason Caroline Design Ltd Dining space 85

Kookaburra gernot schulz : architektur Dining space 87

Kookaburra gernot schulz : architektur Dining space 89

Kookaburra gernot schulz : architektur Dining space 91

中国深圳Shenzhen, China 走出电梯间，顾客立即被墙上的长形灯槽和白色条纹大理石地板所吸引而走向接待台。接待

La Superieur Restaurant Joseph Sy & Associates Dining space 93

La Superieur Restaurant Joseph Sy & Associates Dining space 95

La Superieur Restaurant Joseph Sy & Associates Dining space 97

La Superieur Restaurant Joseph Sy & Associates Dining space 99

La Superieur Restaurant Joseph Sy & Associates Dining space 101

The Baishayuan Tea House is a cooperative project

©Alan Chan Design Company

©Alan Chan Design Company

©Alan Chan Design Company

live performance takes place during Chinese festivals. Fishponds and

©Alan Chan Design Company

©Alan Chan Design Company

客戶Client Hunan Baishayuan Cultural Development Co Ltd 創意總監Creative Director

South Beauty Bei Da Restaurant is the 11th project

South Beauty Bei Da Restaurant Team 7 International Dining Space 119

South Beauty Bei Da Restaurant Team 7 International Dining Space 123

CL3’s concept is to create a luxurious and seductive dining

Nadaman Restaurant CL3 Architects Ltd Dining space 135

Nadaman Restaurant CL3 Architects Ltd Dining space 139

Nadaman Restaurant CL3 Architects Ltd Dining space 141

Dining space