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Baroque Churches of The Philippines - Wikipedia
Baroque Churches of The Philippines - Wikipedia
the Philippines
Miagao Church
Location Philippines
Reference 677bis
Extensions 2013
Historical Context
There was a conglomeration of factors
that led to the presence of Baroque
elements in the architecture of the
Philippines, specifically in church
architecture. During the Spanish Colonial
Period (1521–1898), Spanish missionaries
arrived, sharing not only their religion but
also their architecture, inspired from their
native land. The Spaniards wished to
create permanent, long-lasting churches
as a testament to the power of God, and
did not consider the current church
structures in the Philippines as proper
places to worship.[4] As most Spanish
missionaries were not trained in
architecture or engineering, the local
townspeople including Filipinos and
Chinese migrants, alongside the Spanish
friars would take part in the building and
design of local churches. The combination
of ideas from the missionaries and locals
effectively fused native Spanish designs
with a uniquely Oriental style. The church's
aesthetic was also shaped by limited
access to certain materials, and the need
to rebuild and adapt to natural disasters
including fires and earthquakes, creating a
style sometimes referred to as Earthquake
Baroque.[5]
Paoay Church
Paoay Church …
Miagao Church …
Miagao Church
The Miagao Church, also known as the
Church of Santo Tomas de Villanueva,
stands on the highest point in the town of
Miagao, Iloilo. The church's towers served
as lookouts against Muslim raids and it is
said to be the finest surviving example of
'Fortress Baroque'. The sumptuous facade
epitomizes the Filipino transfiguration of
western decorative elements, with the
figure of St Christopher on the pediment
dressed in native clothes, carrying the
Christ Child on his back, and holding on to
a coconut palm for support. The entire
riotously decorated facade is flanked by
massive tapering bell towers of unequal
heights. The two bell towers are
asymmetrical on account of them being
designed by two different priests on two
separate occasions. The interior of the
church features a grand altar, thought to
be the original 1700s altar that was lost in
a fire, but recovered in 1982. The altar is
gilded with Baroque motifs, and composed
of three alcoves that hold effigies of St.
Thomas of Villanova and St. Joseph, with
the crucifixion in the center.[10]
Tentative sites …
Loboc Church
The current official tentative sites for
extension are the following: