VA Ukulele Compilation PDF

God Rest Ye Merry, Gentlemen
19th Century English Carol

First note
Verse
Moderately Em B7 Em C
   
        
1. God rest ye mer - ry, gen - tle - men, let
Beth - le - hem, in Jew - ry, this
God, our heav’n - ly Fa - ther, a
shep - herds at those tid - ings re -
Em C B7
 
     
noth - ing you dis - may. Re -
bless - ed Babe was born, and
bless - ed an - gel came, and
joic - ed much in mind, and
Em B7 Em C
  
      
mem - ber Christ, our Sav - ior, was
laid with - in a man - ger up -
un - to cer - tain shep - herds brought
left their flocks a - feed - ing in
Em C B7

      
born on Christ - mas day to
on this bless - ed morn that
tid - ings of the same. How
tem - pest, storm, and wind; and
Copyright © 2008 by HAL LEONARD CORPORATION

International Copyright Secured All Rights Reserved 1
Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Am D6 G B7
     
  
save us all from Sa - tan’s pow’r when
which His moth - er Ma - ry did
that in Beth - le - hem was born the
went to Beth - le - hem straight - way the
Em Dmaj7 D

       
we were gone a - stray.

noth - ing take in scorn.
Son of God by name. O
Son of God to find.
Chorus
G B7 Em A7
   
       
tid - ings of com - fort and joy, com - fort and
D G B7
   
        
joy. O tid - ings of com - fort and
Em 1., 2. 3.
 
  
  
joy. 2. In
3. From
2 4. Now
Sorgdal
Highway To Hell
Words & Music by Johnny Borrell
A5 D G5 D G5
2fr 2fr 2fr 2fr
q = 100 N.C. N.C.

     
       
D G5 D A5 A5
2fr 2fr 2fr
N.C.
        
D G5 D G5
2fr 2fr 2fr 2fr
N.C. N.C.

       
1. Liv - in’ ea - sy, liv - in’ free,
2. No stop signs, speed limit,
D G5 D A5 A5
2fr 2fr 2fr
N.C.
       
sea - son tic - ket on a one way ride.
no - bo - dy’s gon - na slow me down.
D G5 D G5
2fr 2fr 2fr 2fr
N.C. N.C.
       
Ask - in’ noth - in’, leave me be,
Like a wheel, gon - na spin it,
© Copyright 2004 Sony/ATV Music Publishing.

All Rights Reserved. International Copyright Secured.
Sorgdal
D G5 D A5 A5
2fr 2fr 2fr
N.C.
       
tak - in’ ev - ’ry - thin’ in my stride.
no - bo - dy’s gon - na mess me around.
D G5 D G5
2fr 2fr 2fr 2fr
N.C. N.C.
       
Don’t need rea - son, don’t need rhyme,
Hey, Satan, pay’n’ my dues,
D G5 D A5 A5
2fr 2fr 2fr
N.C.
       
ain’t noth - in’ I’d rath - er do.
play - in’ in a rock - in’ band.
D G5 D G5
2fr 2fr 2fr 2fr
N.C. N.C.
       
Go - in’ down, par - ty time,
Hey mam - ma, look at me,
D G5 D E5
2fr 2fr 2fr
           
my friends are gon - na be there too.
I’m on the way to the prom - ised land.  I’m on the
2
Sorgdal
A5 D G5 D A5 D
2fr 2fr 2fr 2fr
           
high - way to hell, on the high - way to hell,
G5 D A5 D G5 D
2fr 2fr 2fr 2fr 2fr
           
I’m on the high - way to hell, I’m on the
1.
A5 D
2fr
            
high - way to hell.
2. Dsus4 D
2fr 2fr
           
mm. Don’t stop me.
Guitar solo
Dsus4 D Dsus4 D A5 D
2fr 2fr 2fr 2fr 2fr
        
   
G5 D A5 D G5 D
2fr 2fr 2fr 2fr 2fr
            
(I’m on the)
3
Sorgdal
A5 D G5 D
2fr 2fr 2fr

       
high - way to hell, on the
1.
A5 D G5 D
2fr 2fr 2fr
        
high - way to hell, I’m on the
2.
A5 D
2fr
           
high - way to hell, and I'm go - in' down,
G5 D
2fr 2fr
                   
all the way,
A5
               
on the high - way to hell.
4
Sorgdal
Make You Feel My Love
Words & Music by Bob Dylan
Bbmaj7 F F C11
                

C11 B¨ C7 C11 Bbmaj7
               
Bbmaj7 F

       
1. When the rain is blow - ing in your face,
2. When the ev’ - ning shad - ows and the stars ap - pear,
F C11
       
and the whole world is on your case,
and there is no - one there to dry your tears,
C11 B¨
       

I could of - fer you a warm em - brace
I could hold you for a mil - lion years
© Copyright 1997 Special Rider Music, USA.

Sorgdal
1. 2.
C7 C11 Bbmaj7 Bbmaj7
        
   
to make you feel my love.
$
C11 Bbmaj7
       
I know you have - n’t made your mind up yet,
The storms are rag - ing on the roll - ing sea,
Bbm6 C11 Bbmaj7 C11
           
but I would nev - er do you wrong. I’ve known it from the mo - ment
and on the high - way of re - gret. The winds of change are blow - ing wild
Bbmaj7 C7 F
           
that we met; no doubt in my mind where you be - long.
and free you ain’t seen noth - ing like me yet.
Bbmaj7 F
       
3. I’d go hun - gry, I’d go black and blue,
4. I could make you hap - py, make your dreams come true,
F C11
       
I’d go crawl - ing down the av - en - ue.
no - thing that I would - n’t do.
2
Sorgdal
C11 B¨
       

Know there’s noth - ing that I would - n’t do
Go to the ends of the earth for you
To Coda Ø
C7 C11 Bbmaj7
       
to make you feel my love.
Bbmaj7 F F C11
               
D.S. al Coda
C11 B¨ C7 C11 Bbmaj7
               
Ø Coda
B¨ C7 C11 Bbmaj7
           
3
Sorgdal
Under the Sea
from Walt Disney’s THE LITTLE MERMAID
First note Music by Alan Menken
Lyrics by Howard Ashman
Intro
Moderately fast, in 2 h = 99
Bb F7 Bb F7 Bb
       

Verse
Bb F7 Bb
   
            
      
1. The sea - weed is al - ways green - er in some - bod - y
2. Down here all the fish is hap - py as off through the
F7 Bb F7 Bb
 
   
         
else - ’s lake. You dream a - bout go - ing up there,
wave dey roll. The fish on the land ain’t hap - py.
F7 Bb Eb
         
           
but that is a big mis - take. Just look at the
They sad ’cause they in a bowl. But fish in the
Bb F7 Bb
            
   
world a - round you, right here on the o - cean floor.
bowl is luck - y, they in for a wors - er fate.
© 1988 Wonderland Music Company, Inc. and Walt Disney Music Company
All Rights Reserved Used by Permission 1
Sorgdal
Eb Bb F7
     
           
 
Such won - der - ful things sur - round you. What more is you
One day when the boss get hun - gry, guess who gon’ be
Chorus
Bb Eb
µ
            
 

look - in’ for?
Un - der the sea,
on the plate?
Bb F7 Bb
               


Dar - lin’, it’s
un - der the sea.
No - bod - y
Eb F7 Bb
            
      
bet - ter down where it’s wet - ter. Take it from me.
beat us, fry us and eat us in fric - as - see.
Bb7 Eb F
   3           
3
   
Up on the shore they work all day. Out in the
We what the land folks loves to cook. Un - der the
Gm C7 Eb
         3   3 
  
sun they slave a - way while we de - vo - tin’ full time to
sea we off the hook. We got no tro - bles life is the
2
Sorgdal
1.
F Bb F7 Bb F7 Bb
    3 
      
float - in’ un - der the sea.
bub - bles un - der the
2. Eb Bb F7 Bb
                
 
sea. Un - der the sea. Since life is
Eb F7 Bb
           
       
sweet here, we got the beat here nat - u - ral - ly.
Bb7 Eb F
   3          3 
 
E - ven the stur - geon an’ the ray, they get the
Gm C7 Eb
         3     3 
   
urge ’n’ start to play. We got the spir - it, you got to
F Bb F7 Bb
            
 
hear it un - der the sea. The newt
3
Sorgdal
Bridge
F Bb F
     
 
                 
play the flute. The carp play the harp. The plaice play the bass, and they
Bb Eb Bb
       
                  
sound - in’ sharp. The bass play the brass. The chub play the tub. The fluke
F F7 Bb F F7
           
       
is the duke of soul. The ray, he can play. The ling’s
Bb F F7 Bb
    

                   
on the strings. The trout rock - in’ out. The black - fish, she stings. The smelt
Eb Bb F F7
          
         
and the sprat, they know where it’s at. And oh, that blow - fish
Interlude
Bb Eb Bb F7 Bb Eb
      


blow.
4
Sorgdal
F7 Bb Bb7 Eb F Gm
      

C7 Eb F Bb F7 Bb
      

F7 Bb C G7 C
        3 

Un - der the
Chorus
F C G7 C
             3 
sea, un - der the sea. When the sar -
F G7 C
      3   
    
dine be - gin the be - guine, it’s mu - sic to me.
C7 F G
 3        3 
   
What do they got, a lot of sand. We got a
5
Sorgdal
Am D7 F
         3      
3


hot crus - ta - ce - an band. Each lit - tle clam here know how to
G C G7 C
         
  
jam here un - der the sea. Each lit - tle
F G C
  3       
    
slug here cut - tin’ a rug here un - der the sea.
G7 C F G
     3    3 
     
Each lit - tle snail here know how to wail here. That’s why it’s
Am D7 F
   3     3     3 
         
hot - ter un - der the wa - ter. Ya, we in luck here, down in the
G C G7 C G7 C
    
      
muck here, un - der the sea.
6
Sorgdal
Rehab
Words and Music by Amy Winehouse
First note
Chorus
Moderately fast
C7
 
         
       
They tried to make me go to re - hab, I said,
              
   
“No, no, no.” Yes, I been black, but when
      
        
I come back, you won’t know, know, know.
G7 F7
                
   
I ain’t got the time, and if my dad - dy thinks I’m
© 2006 EMI MUSIC PUBLISHING LTD.

All Rights in the U.S. and Canada Controlled and Administered by EMI BLACKWOOD MUSIC INC.
All Rights Reserved International Copyright Secured Used by Permission 1
Sorgdal
C7 F7
       
             
fine, he’s tried to make me go to re - hab, I won’t
C7  Verse
Em
     
        
go, go, go. 1. I’d rath - er be
2., 3. See additional lyrics
Am F
             
  
at home with Ray, I ain’t
Ab6
     
     

got sev - en - ty days. ’Cause there’s
Em Am
              
 
2 noth - ing, there’s noth - ing you can’t teach me
Sorgdal
F
        
    

that I can’t learn from Mis - ter
Ab6 G7
            

Hath - a - way. I did - n’t
  
  
   
   

get a lot in class, but I
F7
           

know it don’t come in a shot glass. They
Chorus
C7
              

tried to make me go to re - hab, I said,
              
   
“No, no, no.” Yes, I been black, but when 3
Sorgdal
To Coda  D.S. al Coda
(no repeat)
      
        
I come back, you won’t know, know, know.
 Coda G7
               

I ain’t got the time, and if my
F7 C7
     
            
dad - dy thinks I’m fine, he’s tried to make me go to re -
F7 C7
µ
     
           
- hab, I won’t go, go, go.
Additional Lyrics
2. The man said, “Why do you think you’re here?” 3. I don’t ever want to drink again.
I said, “I got no idea. I just, ooh I just need a friend.
I’m gonna, I’m gonna lose my baby, I’m not gonna spend ten weeks,
So I always keep a bottle near.” Have everyone think I’m on the mend.
He said, “I just think you’re depressed, It’s not just my pride,
Kiss me, baby, and go rest.” It’s just ’til these tears have dried.
4
Sorgdal
The Hawaiian Wedding Song
(Ke Kali Nei Au)
English Lyrics by Al Hoffman and Dick Manning
Hawaiian Lyrics and Music by Charles E. King
First note
Verse
Slowly q = 72
C G7 C C7 F G7 C
         
  
This is the mo - ment I’ve wait - ed for. I can
E7 Am Am7 D7 G7
     
     
hear my heart sing - ing, soon bells will be ring - ing.
Chorus
C D7 G7 C
     
    
This is the mo - ment of sweet “A - lo - ha.”
G9
       
 

I will love you long - er than for - ev - er,
G7 C G+
           

prom - ise me that you will leave me nev - er.
Copyright © 1958 UNIVERSAL MUSIC CORP.

Copyright Renewed and Assigned to UNIVERSAL MUSIC CORP. and AL HOFFMAN SONGS, INC.
This arrangement Copyright © 2010 UNIVERSAL MUSIC CORP. and AL HOFFMAN SONGS, INC.
Sorgdal
C A7 D7 G7 C
    
     
Here and now, dear, all my love I vow, dear.
Dm7 G7
  

    
 
Prom - ise me that you will leave me nev - er,
           

I will love you long - er than for - ev - er.
Bridge
C7 F D7 G7
         
 
Now that we are one, clouds won’t hide the sun. Blue
C A7 D7 Dm7 G7
        
    
skies of Ha - wai - i smile on this, our wed - ding
C A7 D7 G7 C
   
      
day. I do love you with all my heart.
2
Sorgdal
What the World Needs Now Is Love
Lyric by Hal David
Music by Burt Bacharach
First note
 Chorus
__ 3 
Moderately  =  
 
B‹ E‹7 B‹7 E‹7
       
    
What the world needs now is love, sweet love.
C6 C D6 DÞ

                
It's the on - ly thing that there’s just too lit - tle of. What the
B‹ E‹7 B‹7 E‹7 C6
      
      
world needs now is love, sweet love. No, not just for some,
To Coda  BÞ Verse
E‹9
2fr
         
   
1. Lord, we don’t
but for ev - ’ry - one.
2. Lord, we don’t
E‹7 D‹7

              
need an - oth - er moun - tain, there are moun - tains and
need an - oth - er mead - ow, there are corn - fields and
Copyright © 1965 (Renewed) Casa David and New Hidden Valley Music
Sorgdal
GÞ C‹ƒ‰7 C6 D‹7

            
3
   
hill - sides e - nough to climb; There are o - ceans and
wheat fields e - nough to grow; There are sun - beams and
GÞ C‹ƒ‰7 E‹7 AÞ

                   
3 3
riv - ers e - nough to cross, e - nough to last, till the end of

moon - beams e - nough to shine, oh, lis - ten, Lord, if you want to
1. DÞ 2. DÞ D.S. al Coda
 Coda
C6 BÞ EÞ
  
µ µ
            
time. What the ev - ’ry - one.
know. What the
C6 D6
  
        
No, not just for some, Oh, but just for
C‹ƒ‰7 DÞ G
  
       
ev - ’ry - one.
2
Sorgdal
Stand by Me
Words and Music by Jerry Leiber, Mike Stoller and Ben E. King
First note
Intro
Moderately q = 120
A F#m
     
 
D E A
 
       

1.When the night
Verse
A F#m
         
3
     
has come and the land is dark,
that we look up - on should tum - ble and
3. Instrumental D

              
and the moon is the on -
fall, or the moun - tains should
E A
  
            
3

- ly light we’ll see. No, I won’t
crum - ble to the sea, I won’t cry,
Copyright © 1961 Sony/ATV Music Publishing LLC

Copyright Renewed
All Rights Administered by Sony/ATV Music Publishing LLC, 8 Music Square West, Nashville, TN 37203
Sorgdal
F#m
               
    
be a - fraid, oh, I won’t be a -
I won’t cry. No, I won’t shed a
            
 
fraid just as long as you stand,
tear, just as long as you stand,
E A
To Coda 
       
            

stand by me. So dar - lin’, dar - lin’,
stand by me. And dar - lin’, dar - lin’,
Instrumental ends
Chorus
A F#m
           
            
stand by me, oh, stand by
D E

             

me. Oh, stand, stand by me,
2
Sorgdal
1. 2.
A
 
D.S. al Coda
           
stand by me. 2. If the sky
 Coda
Chorus
A
      
       

Dar - lin’, dar - lin’ stand by me,
F#m
 
          
   
oh, stand by
D E
              
      
 
me. Oh, stand, now, stand by me, stand
A Repeat and fade
             
   
by me. When - ev - er you’re in trou - ble won’t you
3
Sorgdal
Lean on Me
Words and Music by Bill Withers
First note
Intro
Moderately slow q = 74
C Dm Em F Em Dm C
2fr 4fr 5fr 4fr 2fr
   
Dm Em G C Dm Em F
2fr 4fr 2fr 4fr 5fr
  
    
Mm,
Em Dm C Dm C G C
4fr 2fr 2fr
               
mm, mm.
Verse
C Dm Em F Em Dm C
2fr 4fr 5fr 4fr 2fr
   
        
1. Some - times in our lives, we all have pain,
Copyright © 1972 INTERIOR MUSIC CORP.
Copyright Renewed
All Rights Controlled and Administered by SONGS OF UNIVERSAL, INC.
Sorgdal
Dm Em Dm F C Dm Em F
2fr 4fr 2fr 2fr 4fr 5fr
  
             
we all have sor - rows. But if we are wise,
Em Dm C Dm C G
4fr 2fr 2fr
       
    
we know that there’s al - ways to - mor -
C Dm Em F
2fr 4fr 5fr
        

   
- row. Lean on me when you’re not strong,
Em Dm C Dm Em
4fr 2fr 2fr 4fr
              

and I’ll be your friend; I’ll help you car -
Dm F C Dm Em F
2fr 2fr 4fr 5fr
             

- ry on; for it won’t be long
2
Sorgdal
Em Dm C Dm C G
4fr 2fr 2fr
   
           
’til I’m gon - na need some - bod - y to lean
Verse
C C Dm Em F
2fr 4fr 5fr
 
            
on. 2. Please swal - low your pride
when you’re not strong,
Em Dm C Dm Em
4fr 2fr 2fr 4fr
             
if I have things you need to bor -
and I’ll be your friend, I’ll help you car -
Dm F C Dm Em F
2fr 2fr 4fr 5fr
            

- row, for no one can fill
- ry on, for it won’t be long
Em Dm C Dm C G
4fr 2fr 2fr
             
those of your needs that you won’t let
’til I’m gon - na need some - bod - y to lean
3
Sorgdal
Chorus
C C µ
              

show.
on.
 You just call on me, broth - er, when
C µ C µ
      
       
you need a hand. We all need some - bod - y to lean
C µ C µ
 
  
       

on. I just might have a prob - lem that
C µ C µ G
      
       
you’ll un - der - stand. We all need some - bod - y to lean
1. 2.
C C
             
on. 3. Lean on me on.
4
Sorgdal
Verse
C Dm Em F Em Dm C
2fr 4fr 5fr 4fr 2fr
              

4. If there is a load you have to bear
Dm Em Dm F
2fr 4fr 2fr
           
 
that you can’t car - ry,
C Dm Em F Em Dm C
2fr 4fr 5fr 4fr 2fr
              
I’m right up the road. I’ll share your load,
Dm C G C
2fr
           
if you just call me.
Outro
w/ Lead voc. ad lib. Repeat and fade
Dm C Dm C
         
  
(Call me. Call me.)
5
Sorgdal
I’ll Be Home for Christmas
Words and Music by Kim Gannon and Walter Kent
First note
Slowly
C Cº7 Dm
 
      
I’ll be home for Christ - mas.
G7 Am A7b9
     
You can plan on
Dm Dm7
    
me. Please have
Fm C Am
3fr
    
 
snow and mis - tle - toe and
© Copyright 1943 by Gannon & Kent Music Co., Inc., Beverly Hills, CA
Copyright Renewed
Sorgdal
D D9 Dm7 G9
      
pre - sents on the tree.
C Cº7 Dm G7

      
Christ - mas Eve will find me
Am C#º7 Dm7 Dm(maj7)

5fr
      
where the love - light gleams.
Dm Fm C A7
3fr
      
 
I’ll be home for Christ - mas, if
Dm7 G7b9 C G13 Cadd9

4fr 5fr

      
on - ly in my dreams.
2
Sorgdal
Mele Kalikimaka
Words and Music by R. Alex Anderson
First note
Intro
Brightly, in 2 h = 100  __ =   
3
D D7 B+

     
Em7 A7 D Fº A7

3fr 4fr
    
Verse
D
  
   
     
     
1. Me - le Kal - i - ki - mak - a is the thing to say on a
Fº Em7 A7
  
4fr 3fr
      

bright Ha - wai - ian Christ - mas day.
Em7 A7
3fr
       
        
That’s the is - land greet - ing that we send to you from the
Copyright © 1949 Lovely Hula Hands Music LLC

Copyright Renewed
All Rights Controlled and Administered by Lichelle Music Company
Sorgdal
Em7 A7 D
3fr
    
  
land where palm trees sway.
D7 G
            


Here we know that Christ - mas will be green and bright, the
B7 B+ E7 A7
       
     
sun to shine by day and all the stars at night.
D D7 B+
       
         
Me - le Kal - i - ki - mak - a is Ha - wai - i’s way to
Em7 A7 D Bb7
3fr
      

  
say Mer - ry Christ - mas to you.
 Verse
Eb
       

          
2. Me - le Kal - i - ki - mak - a is the thing to say on a
2
Sorgdal
Gbº Fm7 Bb7
4fr
        
 
bright Ha - wai - ian Christ - mas day.
Fm7 Bb7
4fr
         

     
 
That’s the is - land greet - ing that we send to you from the
Fm7 Bb7 Eb
4fr
    
   
land where palm tree sway.
Eb7 Ab
           
 
 
C7 C+ F7 Bb7
           
  
Eb Eb7 C+
    
    
       
3
Sorgdal
To Coda  Solo-Verse
Fm7 Bb7 Eb Gbº Bb7 Eb
  
4fr
  
   

Gbº
     

Fm7 Bb7 Fm7

4fr 4fr
      
Bb7 Fm7 Bb7 Eb

4fr
      
Eb7 Ab
           
 
  
C7 C+ F7 Bb7
          
   
4
Sorgdal
Eb Eb7 C+
        

      
 
Fm7 Bb7 Eb Gbº
  
4fr
  
 
  
Interlude
Bb13

D.S. al Coda
     
 Coda Bb7 Fm7 Bb7
   
4fr
     

  
Christ - mas, a ver - y Mer - ry Christ - mas, a
Fm7 Bb7
       
4fr
  

 
ver - y, ver - y Mer - ry, Mer - ry Christ - mas to
Eb Bb7 Eb Gbº Eb
  
      
you.
5
Sorgdal
(Hey, Won’t You Play)
Another Somebody Done

First note Somebody Wrong Song
Words and Music by Larry Butler and Chips Moman
Intro
Rubato
F Bb C
                 
   
It’s lone - ly out to - night and the feel - in’ just got right for a
F Bb
    
             
brand - new love song, some - bod - y done some - bod - y
Moderately q = 130
Chorus
F F Fmaj7
              
wrong song. Hey, won’t you play an - oth - er
F7 Bb
          
   
some - bod - y done some - bod - y wrong song?
F
                
And make me feel at home while I miss my ba -
Copyright © 1975 Sony/ATV Music Publishing LLC and Screen Gems-EMI Music Inc.
Copyright Renewed
Sorgdal
Gm C7 F
            
- by while I miss my ba - by.
Verse
F A7
 
  
  
   
  
  
1., 2. So, play, play for me a sad mel - o - dy,
D7
 
          
  
so sad that it makes ev - ’ry - bod - y
G7 C7
 
           
cry. A real hurt - in’ song
F D7
         
   
a - bout a love that’s gone wrong, ’cause
G7 C C7
              
I don’t want to cry all a - lone.
2
Sorgdal
Chorus
F Fmaj7
            

1. Hey,
won’t you play an - oth - er
2., 3. - by.
F7
       
  
some - bod - y done some - bod - y
Bb
         
wrong song? And make me
           
feel at home while I miss my ba -
Gm C7 F
Play 3 times
             
- by, while I miss my ba - by.
3
Sorgdal
Raindrops Keep Fallin’ on My Head
Lyric by Hal David
Music by Burt Bacharach
First note
Intro
Moderately  __ =    3
Verse
F C Bb C F
3fr 3fr
            
1. Rain - drops keep fall - in’ on my
did me some talk - in’ to the
Fmaj7 F7
5fr
            

head, and just like the guy whose feet are
sun, and I said I did - n’t like the
Bb Am7 D7 Am7 D7
     
     

 

too big for his bed, noth - in’ seems to fit.
Those
way he got things done, sleep - in’ on the job.
Gm7
           


rain - drops are fall - in’ on my head, they keep fall - in’.
1. 2. Bridge
C7sus4 C C7sus4 C F
3fr 3fr
             
2. So I just But there’s one thing I know:
Copyright © 1969 (Renewed) Casa David, New Hidden Valley Music and WB Music Corp.
Sorgdal
Fmaj7 B7 Bb C
5fr 3fr
      
           
the blues they send to meet me won’t de - feat
Am7 D7

                  
me. It won’t be long till hap - pi - ness steps up
Gm7 Bb C Bb C

3fr 3fr
       
to greet me.
Verse
F Fmaj7
5fr
           


3., 4. Rain - drops keep fall - in’ on my head, but
F7 Bb
           
that does - n’t mean my eyes will soon be turn - in’
2
Sorgdal
Am7 D7 Am7 D7
        
  
red, cry - in’s not for me. ’Cause
Gm7 C7sus4 C
3fr
            

   
I’m nev - er gon - na stop the rain by com - plain - in’. Be - cause I’m
To Coda  Bridge
F Fmaj7 Gm7 C7sus4 F
5fr
 
3
            
free. Noth - in’s wor - ry - in’ me. Instrumental
Fmaj7 B7 Bb C Am7 D.S. al Coda
 
5fr 3fr
     
Instrumental ends It
 Coda
Gm7 C7sus4 F
   
  
rit.
  
Noth - in’s wor - ry - in’ me.
3
Sorgdal
The Tide Is High
Words & Music by John Holt, Howard Barrett & Tyrone Evans
Intro
B E F# B E F#
                

Chorus The
B E F#
       
tide is high but I’m hold - in’ on,
B E F#
       
I’m gon - na be your num - ber one.
Verse
B E F#
       
1. I’m not the kind - a girl who gives up just like
(Verses 2-5 see block lyrics)
B E F#
       
that, oh, no. It’s
B E F#
       
not the things you do that tease and hurt me bad,
© Copyright 1968 & 1972 The Sparta Florida Music Group Limited
Sorgdal
B E F#
       
but it’s the way you do the things you do to me.
B E F#
       
I’m not the kind - a girl who gives up just like
B E F#
       
that, oh, no.
Chorus
Verse 2
I’m not the kind a girl who gives up just like that, oh, no.
It’s not the things you do that tease and hurt me bad,
But it’s the way you do the things you do to me.
Chorus
Verse 3
I'm not the kind a girl who gives up just like that, oh, no.
Ev’ry girl wants you to be her man,
But I’ll wait, my dear, till it’s my turn.
Chorus
Verse 4
(Instrumental)
Chorus
Verse 3
I'm not the kind a girl who gives up just like that, oh, no.
Ev’ry girl wants you to be her man,
But I’ll wait, my dear, till it’s my turn.
Chorus
(Repeat to fade)
Sorgdal
I Fought the Law
Words and Music by Sonny Curtis
First note
Verse
Driving Rock
 C F C
   
          

1. A - break - in’ rocks in the hot sun.
(2.) need - ed mon - ey ’cause I had none.
(3.) rob - bin’ peo - ple with a six - gun.
(4.) miss my ba - by and the good fun.
F C
              
       
I fought the law and the law won. I fought the law and the
G C F G C

     
   
law won.
1., 3. 2., 4. Bridge

G C G C F
               

2., 4. I I left my ba - by and I
Copyright Renewed
All Rights Administered by Sony/ATV Music Publishing LLC,
8 Music Square West, Nashville, TN 37203
Sorgdal
C
      
          
feel so bad. I guess my race is run. Well,
F C
         
           
she’s the best girl I’ve ev - er had. I fought the law and the
F C G
To Coda 
   
   

 

       
law won. I fought the law and the law
D.S. al Coda
(with repeat)
C F G C G C
         
3. A -
won.
 Coda
Outro
C F G C G C

     

won.
2
Sorgdal
Jingle-Bell Rock
Words and Music by Joe Beal and Jim Boothe
First note
Moderately
C Cmaj7 C6 Cmaj7 C6 C#º7

           
Jin - gle -bell, jin - gle -bell, jin - gle -bell rock. Jin - gle -bell swing and
Dm7 G7 Dm7 G7 Dm7 G7
   
     
        
jin - gle - bells ring. Snow - in’ and blow - in’ up bush - els of fun.
Dm7 G+7 C Cmaj7 C6 Cmaj7
                
 
Now the jin - gle - hop has be - gun. Jin -gle - bell, jin -gle - bell, jin -gle -bell rock.
C6 C#º7 Dm7 G7 Dm7 G7
               

Jin - gle - bells chime in jin - gle - bell time. Dan - cin’ and pran - cin’ in
Dm7 G7 D7 G7 C C7
            
Jin - gle - bell Square in the frost - y air. What a
Copyright © 1957 by Chappell & Co.

Copyright Renewed
Sorgdal
F F#º7 C
               
bright time, it’s the right time to rock the night a -
C+7 F D7
            

way. Jin - gle bell time is a swell time
G7 G9 G7 C Cmaj7
               
     
to go glid - in’ in a one - horse sleigh. Gid - dy - ap, jin - gle horse
C6 Cmaj7 C6 Cmaj7 A7
           
pick up your feet, jin - gle a - round the clock.
F Fm D7 G7
3fr
       
        
Mix and min - gle in a jin - gl - in’ beat. That’s the jin - gle - bell,
D7 G7 D7 G7 C
             
that’s the jin - gle - bell, that’s the jin - gle - bell rock.
2
Sorgdal
Don't Think Twice, It’s Alright
Words & Music by Bob Dylan
E B C#m
4fr
   
           
1. Well, it ain’t no use to sit and won - der why, babe,
(Verses 2-5 see block lyrics)
C#m7 A
4fr
           
if - fen you don’t know by now.
E B E
           
And it ain’t no use to
B C#m C#m7
4fr 4fr
           
sit and won - der why, babe,
F#7 B
           
it - ’ll nev - er do some - how.
B7 E
           
When your roost - er crows at the break
© Copyright 1963 Warner Brothers Incorporated.

© Copyright Renewed 1991 Special Rider Music, USA. Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
E7 A
4fr
               
of dawn, look out your win - dow and
Adim E
           
I’ll be gone. You’re the
B C#m C#m7 A
4fr 4fr
           
rea - son I’m a - tra - vel - ling on; but don’t
E B Bsus4 E
To Coda Ø
               
think twice, it’s all right.
E B C#m C#m7
4fr 4fr
                   
(Instrumental)
A E

               
2. And it
2
Sorgdal
Ø Coda
E A E
       
Verse 2
And it ain’t no use in turning on your light, babe
The light I never knowed
And it ain’t no use in turning on your light, babe
I’m on the dark side of the road
But I wish there was something you would do or say
To try and make me change my mind and stay
We never did too much talking anyway
So don’t think twice, it’s all right.
Verse 3
So it ain’t no use in calling out my name, gal
Like you never done before
It ain’t no use in calling out my name, gal
I can’t hear you any more
I’m a-thinking and a-wond’ring, walking down the road
I once loved a woman, a child I’m told
I gave her my heart but she wanted my soul
But don’t think twice, it’s all right.
Verse 4
So long, honey babe
Where I’m bound, I can’t tell
But goodbye’s too good a word, babe
So I’ll just say “Fare thee well”
I ain’t saying you treated me unkind
You could have done better, but I don’t mind
You just kinda wasted my precious time
But don’t think twice, it’s all right.
Verse 5
(Instrumental to Coda)
3 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Mr. Tambourine Man
Words and Music by Bob Dylan
First note
Intro
Medium Rock
A A
 
5fr
     
Chorus
D EÞ A
 
2fr 4fr 5fr
           
       
Hey, Mis - ter Tam - bou - rine Man play a song for me.
D A D
  
        
    
I’m not sleep - y and there is no place I’m
EÞ EÞ D EÞ

4fr 2fr 4fr
            
   
go - in’ to. Hey, Mis - ter Tam - bou - rine Man,
A D A

5fr
     
            
play a song for me. In the jin - gle jan - gle
Copyright © 1964, 1965 Warner Bros. Inc.

Copyright Renewed 1992, 1996 Special Rider Music
Sorgdal
D EÞ
To Coda A A A9

5fr 4fr
   
        
morn - in’, I’ll come fol - low - in’ you.
Verse
A D EÞ
 
5fr 2fr 4fr
 
           
1. Though I know that eve - nin’s em - pire has
2.-4. See additional lyrics
A D A

4fr
    
         
re - turned in - to sand, van - ished from my
D A D B‹
 
        
    
hand, left me blind - ly here to stand but still not sleep -
EÞ D EÞ

2fr 4fr
   


             
ing! My wear - i - ness a - maz - es me, I’m
A D A D

5fr 2fr
        
    
brand - ed on my feet I have no one to meet, and the
2
Sorgdal
A D EÞ

       
    
an - cient emp - ty street’s too dead for dream - in’.

1. - 3. 4.
D.S. al Coda

 

 Coda A D EÞ A

5fr 2fr 4fr 5fr
   

you.
Additional Lyrics
2. Take me on a trip upon your magic swirlin’ ship

My senses have been stripped, my hands can’t feel to grip
My toes too numb to step, wait only for my boot heels
To be wanderin’
I’m ready to go anywhere, I’m ready for to fade
Into my own parade, cast your dancin’ spell my way
I promise to go under it.
3. Though you might hear laughin’ spinnin’ swingin’ madly across the sun
It’s not aimed at anyone, it’s just escapin’ on the run
And but for the sky there are no fences facin’
And if you hear vague traces of skippin’ reels of rhyme
To your tambourine in time, it’s just a ragged clown behind
I wouldn’t pay it any mind, it’s just a shadow you’re
Seein’ that he’s chasin’.
4. Then take me disappearin’ through the smoke rings of my mind

Down the foggy ruins of time, far past the frozen leaves
The haunted, frightened trees out to the windy beach
Far from the twisted reach of crazy sorrow
Yes, to dance beneath the diamond sky with one hand wavin’ free
Silhouetted by the sea, circled by the circus sands
With all memory and fate driven deep beneath the waves
Let me forget about today until tomorrow. 3
Sorgdal
I Shot The Sheriff
Words & Music by Bob Marley
Gm7 Cm7
3fr
                

I shot the she - riff, but I did - n’t shoot no
Gm7
1. 2.
                
   
de - pu - ty, oh, no, oh. Yeah.
Eb Dm7 Gm7

               
All a - round in my home - town they’re
She - riff John Brown al - ways ha - ted me; for
Eb Dm7 Gm7
               
try - in’ to track me down, yeah. They
what, I don’t know. Ev - ’ry
Eb Dm7 Gm7
               
say they want to bring me in guil - ty for the
time I plant a seed, he said,
Eb Dm7 Gm7
               
kill - ing of the de - pu - ty, for the
“Kill it be - fore it grows.” He said,
© Copyright 1973 Fifty-Six Hope Road Music Limited/Odnil Music Limited. Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Blue Mountain Music Limited.

Sorgdal
Eb Dm7 Gm7
               
life of a de - pu - ty. But I say,
“Kill them be - fore they grow.” And so...
N.C.
                   
oh, now, now. Oh,
Read it in the news.
Gm7 Cm7
3fr
               
I shot the she - riff, but I swear it was in
Gm7
               
self - de - fence. Ooh, ooh, ooh. I said,
self - de - fence. Ooh, ooh, ooh.
Cm7
3fr
               
I shot the she - riff, oh, Lord, and they say it is a
Gm7
1. 2.
                
   
ca - pi - tal of - fence. Ooh, ooh, ooh. Hear this:
self - de - fence. 
2
Sorgdal
$Eb Dm7 Gm7
-
               
Free - dom came my way one day and I
flex - es had the bet - ter of me. And
Eb Dm7 Gm7
               
start - ed out of town, yeah!
what is to be must be. Ev - ’ry
Eb Dm7 Gm7
               
All of a sud - den I saw she - riff John Brown,
day the buc - ket a - go a well;
Eb Dm7 Gm7
               
aim - in’ to shoot me down. So, I
one day the bot - tom ago drop out.
Eb Dm7 Gm7
               
shot, I shot, I shot him down. And I say,
One day the bot - tom ago drop out. I say,
To Coda Ø
N.C.
               
If I am
3
Sorgdal
               
guil - ty I will pay.
Gm7 Cm7
3fr
               
I shot the she - riff, but I say, but I did - n’t shoot no
Gm7
               
de - pu - ty, oh, no, oh.
Cm7
3fr
               
I shot the she - riff, but I did - n’t shoot no
Gm7
D.S. al Coda
-
               
de - pu - ty, ooo, ooo, ooh. Re -
Gm7 Cm7
3fr
Ø Coda
        
           
I, I, I, I shot the she - riff, but I
Gm7
Repeat ad lib. to fade
                    
did - n’t shoot the de - pu - ty.
4
Sorgdal
Redemption Song
Words & Music by Bob Marley
G Em
N.C.
     
       
1. Oh pi - rates yes they rob I,
(2.) pate your - selves from men - tal slav -’ry, none but our
C Am G
           
sold I to the mer - chant ships. Min - utes aft - er they
selves can free our minds. Have no fear of a - tom - ic
Em C Am
           
took I from the bot - tom - less pit. But my
en - er - gy, ’cause none of them can stop the time. How
G Em C
           
hand was made strong by the hand of the Al -
long shall they kill our pro - phet, while we stand a - side and
Am G Em
           
- might - y. We for - ward in this gen - e - a - tion,
look? Some say it’s just a part of it, we’ve
© Copyright 1980 Fifty-Six Hope Road Music Limited/Odnil Music Limited.

Blue Mountain Music Limited.
Sorgdal
C D
           
tri - umph - ant - ly.
got to ful - fill the book.  Won’t you help to
G C D G
           
sing these songs of free - dom? ’Cause
C D Em C D
           
all I ev - er had, re - demp - tion
G C D G
           
songs re - demp - tion songs.
1. 2.
C D C D G
    
       
2. E - man - ci re - demp - tion songs.
2
Sorgdal
Stir It Up
Words and Music by Bob Marley
First note
Intro Chorus
Moderate Reggae
G C D G C G
          
  
Play 4 times
Stir it up,
C D G C G C D
    
           
lit - tle dar - ling, stir it up. Come on and
G C G C D G C G
    
         
stir it up, lit - tle dar - ling, stir it up.
Verse
C D G C D
  
              
  
1. It’s been a long, long time since I’ve got you on
2., 3. (See additional lyrics)
Copyright © 1972 Fifty-Six Hope Road Music Ltd. and Odnil Music Ltd.
Copyright Renewed
All Rights in North America Administered by Blue Mountain Music Ltd./Irish Town Songs (ASCAP)
and throughout the rest of the world by Blue Mountain Music Ltd. (PRS)
All Rights Reserved 1
Sorgdal
G C D G
                 

my mind. And now you are here, I say
1., 2.
C D G C D
  
                   
it’s so clear. See what we can do, hon - ey, just me and you. Come on and
3. Chorus
C D G C G C D

                  
can stir your pot. So stir it up, lit - tle dar - ling,
G C G C D G C G
    
           
stir it up. Come on and stir it up,
Repeat and fade

C D G C G C D
           
  
ooh, lit - tle dar - ling, stir it up, yeah,
Additional Lyrics
2. I’ll push the wood, I’ll blaze your fire, 3. Oh, will you quench me while I’m thirsty?
Then I’ll satisfy your, your heart’s desire. Or would you cool me down when I’m hot?
Said I’ll stir it, yeah, ev’ry minute, yeah. Your recipe, darling, is so tasty,
All you got to do, honey, is keep it in. And you sure can stir your pot.
2
Sorgdal
Rivers Of Babylon
Words & Music by Frank Farian, George Reyam,
Brent Dowe & James McNaughton
                 

By the ri - vers of Ba - by - lon, where we sat down,
G7 C
Fine

               
and there we wept When we re - mem - ber’d Zi - on.
             
But the wick - ed car - ried us a - way cap - ti - vi - ty, re - quire from us a song.
© Copyright 1972 Far Musikverlag GmbH, Germany/Hansa Productions Limited/Beverlys Records.

Sony/ATV Music Publishing (UK) Limited (50%)/Universal/Island Music Limited (50%).
All rights in Germany administered by Universal Music Publ. GmbH. All Rights Reserved. International Copyright Secured.
Sorgdal
C G7 C
D.C. al Fine
(with repeat)
               
How can we sing the Lord’s own song in a strange land?
2
Sorgdal
It’s My Life
Words and Music by Jon Bon Jovi, Martin Sandberg
First note and Richie Sambora
Intro
Moderate Rock
C5
µ
    
     
   
Verse
C5 C5
µ
             
 
1. This ain’t a song for the bro - ken - heart - ed.
2. See additional lyrics
C5 C5
µ µ
             

No si - lent prayer for faith de - part - ed.
C5 C5
µ
           
  

And I ain’t gon - na be just a
Copyright © 2000 UNIVERSAL - POLYGRAM INTERNATIONAL PUBLISHING, INC., BON JOVI PUBLISHING, IMAGEM LONDON LTD.,
SONY/ATV MUSIC PUBLISHING LLC and AGGRESSIVE MUSIC
All Rights for BON JOVI PUBLISHING Controlled and Administered by UNIVERSAL - POLYGRAM INTERNATIONAL PUBLISHING, INC.
All Rights for IMAGEM LONDON LTD. in the U.S. and Canada Administered by UNIVERSAL MUSIC - Z TUNES LLC
All Rights for SONY/ATV MUSIC PUBLISHING LLC and AGGRESSIVE MUSIC Administered by SONY/ATV MUSIC PUBLISHING LLC,
Sorgdal
F5
5fr
µ
             
  
face in the crowd. You’re gon - na hear my voice when I
Chorus
C5
           
 
shout it out loud. It’s my life, it’s now
Ab5 Eb5 Bb5

3fr 3fr
              

    
  
or nev - er. Well, I ain’t gon - na live for - ev - er.
C5 Ab5 Bb5
3fr
               
 
I just wan - na live while I’m a - live.
G7 C5 Ab5
3fr
             
 
2 My heart is like an o - pen high - way.
Sorgdal
Eb5 Bb5 C5
3fr 3fr
             

      

Like Frank - ie said, “I did it my way.” I just wan - na
Ab5 Bb5 G7
3fr
              
 
 ’Cause it’s 
It’s
live while I’m a - live. my
1. Interlude
C5 C5
µ µ
          


life. 2.Yeah,
2. Guitar Solo
Ab5 Bb5
3fr
     
  
life.
Ab5 F5
5fr
    
 
3
Sorgdal
Bridge
C5
*
         
         
Bet - ter stand tall when they’re call - in’ you out. Don’t bend, don’t break, ba - by,
*Let chord ring, next 4 meas.
Outro-Chorus
C5
µ
      
       
 
life, and
don’t back down. It’s my it’s now
And
Ab5 Eb5 Bb5

3fr 3fr
    
         
   
 
 I
’Cause
or nev - er. ain’t gon - na live for - ev - er.
C5 Ab5 Bb5
3fr
                 

I just wan - na live while I’m a - live.
G7 C5 Ab5
3fr
         

     
4 My heart is like an o - pen high - way.
Sorgdal
Eb5 Bb5 C5
3fr 3fr
        
      

Like Frank -ie said, “I did it my way.” I just wan - na
1.
Ab5 Bb5 G7
3fr 3fr
            

live while I’m a - live.
2. Bb5 G7
3fr 3fr
µ
           
 
’Cause it’s my life.
Additional Lyrics
2. Yeah, this is for the ones who stood their ground,

For Tommy and Gina, who never backed down.
Tomorrow’s gettin’ harder, make no mistake.
Luck ain’t even lucky, gotta make your own breaks.
5
Sorgdal
Total Eclipse of the Heart
First note
Words and Music by Jim Steinman
Intro
Slowly, in 2
Bbm
       
         

 Verse
Bbm Ab

     
  
1. (Turn a - round.) Ev -’ry nowand then I get a lit - tle bit lone - ly and you’re
2. Instrumental
Bbm

     
      
nev - er com- in’ ’round. (Turn a - round.) Ev -’ry now and then I get a
Ab Db
4fr

                   
lit - tle bit tired of lis - t’ning to the sound of my tears.
B (Turn a - round.

                 
Ev - ’ry now and then I get a lit - tle bit ner - vous that the
Copyright © 1982 by Lost Boys Music
All Rights for the United States and Canada Administered by Edward B. Marks Music Company
International Copyright Secured All Rights Reserved
Used by Permission 1
Sorgdal
Db
4fr

             
best of all the years have gone by. Ev -’ry now and then I get a
B Turn a - round.)
 
                   
lit - tle bit ter - ri - fied, and then I see the look in your eyes.
Pre-Chorus
E A'9

               
Ev -’ry now and then I fall a -
(Turn a - round, bright eyes.
E A'9
 
             
part. Ev -’ry now and then I fall a -
Turn a - round, bright eyes.)
Chorus
Ab Fm Db
4fr
 
              
part, and I need you now to - night; and I
Eb7 Ab Fm

            

2 need you more than ev - er. And if you on - ly hold me tight,
Sorgdal
Db Eb7 Ab
4fr
                 

we'll be hold - ing on for - ev - er, and we’ll on -
Fm Db Eb7
4fr
  
             
- ly be mak - ing it right ’cause we’ll nev -er be wrong to -
Db Eb Fm
4fr 6fr

                        

geth - er, we can make it to the end of the line. Your love is like a shad - ow on me
Bb Ab

                



all of the time. I don’t know what to do, and I’m al -
Eb Fm Bb To Coda 
6fr
         

     
- ways in the dark, we’re liv -ing in a pow - der keg and giv - ing off sparks.
Ab Eb Ab
6fr
           

  
I real -ly need you to - night. For - ev - er’s gon - na start to - night, 3
Sorgdal
Refrain
Db Eb7 Ab
4fr

        

*
  
  up - on a time I was
night.
for - ev - er’s gon - na start to -
Once
*Sung at once.
Fm C Db
4fr
    
             
fall - ing in love, but now I’m on - ly fall - ing a - part.
Ab Bbm Eb
6fr
     
  
              
There’s noth -ing I can do, a to - tal e - clipse of the heart.
Ab Fm Db Eb7
4fr
     


Ab Fm C
   
         
Onceup - on a time therewas light in my life, but now there’s on - ly love in thedark.
Db Ab Bbm Eb7
4fr
   
 
    
4 Noth - ing I can say, a to - tal e - clipse of the heart.
Sorgdal
Ab Fm Db Eb7
4fr


                   

Ab D.S. al Coda  Coda
 
              
Ab Eb Ab
6fr
               
   
I real - ly need you to - night. For - ev - er’s gon - na start to - night,
Db Eb7
4fr
           
    
for - ev - er’s gon - na start to -
Outro-Refrain
Ab Fm C
   
 
*
              
Once up - on a time I was fall - ing in love, but now I’m on - ly fall ing a - part.
night.
*Sung at once. 5
Sorgdal
Db Ab Bbm
4fr
    
      
Noth - ing I can say, a
Eb Ab Fm
6fr

          
to - tal e - clipse of the heart,
Db Eb Ab
4fr 6fr
             
    
a to - tal e - clipse of the heart.
Fm Db Eb Ab
4fr 6fr
              
  
a to - tal e - clipse of the heart.
Fm Db Eb Ab
4fr 6fr
 

     
6
Sorgdal
Rockin’ Around the Christmas Tree
Music and Lyrics by Johnny Marks
First note
Moderate Rock
C

             
Rock - in’ a - round the Christ - mas tree at the
G7 G9 G7
     
    

Christ - mas par - ty hop. Mis - tle - toe hung where
G9 G7 G9 G7 G7b9 G9 C
           
you can see ev - ’ry cou - ple tries to stop.
G7
             
 
Rock - in’ a - round the Christ -mas tree, let the Christ - mas spir - it ring.
G9 G7 G9 G7 G9 G7 G7b9 G9 C
              


Lat - er we’ll have some pump - kin pie and we’ll do some car - ol - ing.
Copyright © 1958 (Renewed 1986) St. Nicholas Music Inc., 1619 Broadway, New York, New York 10019
Sorgdal
F Em
         
   
You will get a sen - ti - men - tal feel - ing when you hear
Am E+ Am7 D7 G7
3fr
    
        
     
voic - es sing - ing, “Let’s be jol - ly, deck the halls with boughs of hol - ly.”
C G7
            
 
Rock - in’ a - round the Christ - mas tree, have a hap - py hol - i - day.
1.
G9 G7 G9 G7 G9 G7 G7b9 G9 C
               
 
Ev -’ry - one danc - ing mer - ri - ly in the new old fash - ioned way.
2.
G7 G7b9 G9 G7 C
           
new old fash - ioned way.
2
Sorgdal
Beautiful
Words and Music by Linda Perry
First note
Intro
Moderately slow
D Dsus4 D7 D7sus4 Bm Bsus4
     
  
*Whispered: Don’t look at me.
*1st time only.
Verse
Bb(b5) D Dsus4
    
     
1. Ev - ’ry day is so
2. To all your friends, you’re de -
D7 D7sus4 Bm Bsus4
   
         
won - der - ful, then sud - den - ly, it’s hard to
lir - i - ous. So con - sumed in all your
Bb(b5) D Dsus4 D7 D7sus4
               

breathe. Now and then I get in - se - cure from all the
doom. Try - ing hard to fill the emp - ti - ness. The piece - es
Copyright © 2002 Sony/ATV Music Publishing LLC and Stuck In The Throat Music
Sorgdal
Bm Bsus4 Bb(b5)
 
      
pain, feel so a - shamed.
gone, left the puz - zle un - done. Ain’tthat the way it is?
 Chorus
G Em A
            

I am beau - ti - ful no mat - ter what they say.
You are beau - ti - ful no mat - ter what they say.
’Cause we are beau - ti - ful no mat - ter what they say.
D D7 Bm Bsus4
     
  

Words can’t bring me down.
Words can’t bring you down.
Words won’t bring us down.
G Em A
              

I am beau - ti - ful in ev - ’ry sin - gle way. Yes,
You are beau - ti - ful in ev - ’ry sin - gle way. Yes,
We are beau - ti - ful in ev - ’ry sin - gle way. Yes,
D D7 Bm Bsus4
           
 

words can’t bring me down, oh no.
2
words
words
can’t
can’t
bring
bring
you
us
down,
down,
oh
oh
no.
no.

Sorgdal
1.
Em7 To Coda  D Dsus4 D7 D7sus4
         
    
So don’t you bring me down to - day.
2.
Bm Bsus4 Bb(b5) Em7 A
           

So don’t you bring me down to -
Bridge
D Dsus4 D7 D7sus4
             
  
day. No mat - ter what we do. No mat - ter what we
Bm Bsus4 Bb(b5)
              

say. We’re the song in - side the tune full of beau - ti - ful mis -
D Dsus4 D7 D7sus4
             
  
takes. And ev - ’ry - where we go, the sun will al - ways 3
Sorgdal
D.S. al Coda
Bm Bsus4 Bb(b5) (take 1st ending)
              

shine. And to - mor - row we might a - wake on the oth - er side.
 Coda
D Dsus4 D7 D7sus4 Bm Bsus4
  
    
to - day.
Bb(b5) D Dsus4
  
        
 
*
Don’t you bring me down to - day, yeah,

*Sung one octave higher,
next 2 1/2 meas.
D7 D7sus4 Bm Bsus4 Bm
   
    

  
 
oo.
Freely
Bb(b5) D
**
          
  
4 Don’t you bring me down, mm, to - day.
**Let chord ring.

Sorgdal
Amazing Grace
(My Chains Are Gone)
Words by John Newton
Traditional American Melody
Additional Words and Music by Chris Tomlin and Louie Giglio
First note
Verse
Moderately slow
D Dsus4 D
   
        


 
1. A - maz - ing grace, how sweet the sound that
A D
 
         
    
saved a wretch like me. I once was lost but
G D A D
  
           
     
now I’m found, was blind but now I see. 2. ’Twas
D Dsus4 D
   
     
      
(2.) grace that taught my heart to fear, and
(3.) Lord has prom - ised good to me, His
© 2006 WORSHIPTOGETHER.COM SONGS (ASCAP) and sixsteps Music (ASCAP)

Admin. at EMICMGPUBLISHING.COM
All Rights Reserved Used by Permission
1
Sorgdal
A D
       
     
   
grace my fears re - lieved. How pre - cious did that
Word my hope se - cures. He will my shield and
G D A
   
     
     
grace ap - pear the hour I first be -
por - tion be as long as life en -
D
 Chorus
G
      
    

lieved.
My chains are gone, I’ve been set
dures.
D G
 
        
  
free. My God, my Sav - ior has ran - somed
D G

          
me. And like a flood, His mer - cy
D Em Asus4
To Coda 
      
        
rains un - end - ing love, a - maz - ing
2
Sorgdal
1. D Dsus2 D Dsus2

        
 

grace. 3. The
Coda
2. D.S. al Coda
D D G D
 
     
       
grace. My chains are grace. 4.The
Verse
D Dsus4 D
      
    
        
earth shall soon dis - solve like snow, the sun for - bear to
A D G D
   
         
      
shine. But God, who called me here be - low, will
A D A
    
     
         
be for - ev - er mine, will be for - ev - er
D A D
   
      
    
mine. You are for - ev - er mine.
3
Sorgdal
Bubbly
Words and Music by Colbie Caillat and Jason Reeves
First note
Intro
Moderately q = 129  __ =   
3
A Amaj7 Dsus2 A
  
       
Verse
A Amaj7 Dsus2
          
      
1. I’ve been a - wake for a while now. You’vegot me feel - in’ like a
2. The rain is fall - in’ on my win - dow pane, but we are hid - in’ in a
A Amaj7
 
              
child now. ’Cause ev - ’ry time I see your bub - bly face,
saf - er place. Un - der cov - er, stay - in’ dry and warm,
Dsus2 A
               
 
I get the tin - gles in a sil - ly place. It starts in my toes
you give me feel - ings that I a - dore. They start in my toes,
Copyright © 2007 Cocomarie Music (BMI), Sony/ATV Music Publishing LLC (ASCAP), Dancing Squirrel Music (ASCAP) and INAFI Music (ASCAP)
Sorgdal
 Chorus
A Amaj7
         
     

and I crin - kle my nose.
make me crin - kle my nose. Wher - ev - er it goes,
makes me crin - kle my nose.
Dsus2 A
        
       
I al - ways know that you make me smile.
Amaj7 To Coda 
 
   

      
Please stay for a while now. Just take your time
1. 2.
Dsus2 A Dsus2 A
                
  
wher - ev - er you go. wher - ev - er you go.
2
Sorgdal
Bridge
C#m7 D
 
           
But what am I gon - na say
Esus4 Bm7
4fr
    
           
when you make me feel this way?
D.S. al Coda
C#m7 D
    
         
I just… Mm. And it starts in my toes,
 Coda Dsus2 A
    
     
wher - ev - er you go.
Interlude
A Amaj7 Dsus2 A
      
 
3
Sorgdal
Verse
A Amaj7
          
 
3. I’ve been a - sleep for a - while now.
Dsus2 A
        
   
You tucked me in just like a child now.
Amaj7

      
   

’Cause ev - ’ry time you hold me in your arms,
Dsus2 A
           
     
I’m com - fort’ - ble e - nough to feel yourwarmth. It starts in my soul
Chorus
A Amaj7
            
  
and I lose all con - trol. When you kiss my nose
4
Sorgdal
Dsus2 A
           
    
the feel - in’ shows ’cause you make me smile.
Amaj7
        
     
Ba - by, just take your time now, hold - in’ me tight.
Outro
Slower
Dsus2 A A Amaj7
              
    

Wher - ev - er, wher - ev - er, wher -
Dsus2 A
      
        
 
ev - er you go. Wher - ev - er, wher -
Amaj7 Dsus2 A
      
       

ev - er, where - ev - er you go.
5
Sorgdal
Viva la Vida
Words and Music by Guy Berryman, Jon Buckland,
First note Will Champion and Chris Martin
Intro
Moderately q = 139
Db5 Eb7sus4
  
  4 4  4  4 4  4 4 4 4 
  
4 4 4 4 4 4 4 4 4
1 1 1 1 3 3 3 3 3
3 3 3 3 3
Ab Fm
1.
  
3fr 3fr
3 3  3  3 3  3 3 3 3  
4 4 4 4 4 4 4 4 4


3 3 3 3 5 5 5 5 5
5 5 5 5 5 5 5 5 5
2. Verse
Db5 Eb7sus4
 
            
cont. sim.

1. I used to rule the world. Seas would
Ab Fm Db5 Eb7sus4
3fr 3fr
         
   
rise when I gave the word. Now in the morn - ing I sleep a - lone,
Copyright © 2008 by Universal Music Publishing MGB Ltd.

All Rights in the United States and Canada Administered by Universal Music - MGB Songs
Sorgdal
Ab Fm
3fr 3fr
 
          
  
sweep the streets I used to own.
Db5 Eb7sus4 Ab Fm
3fr 3fr
    

Db5 Eb7sus4 Ab Fm
3fr 3fr
        
 
2. I used to
Verse
Db5 Eb7sus4 Ab Fm
3fr 3fr
      
           
roll the dice, feel the fear in my en - e - mies’ eyes
wind blow down the doors to let me in.
Db5 Eb7sus4
         
     
Lis - ten as the crowd would sing,
Shat - tered win - dows and the sound of drums.
Ab Fm
3fr 3fr
           

“Now the old king is dead, long live
Peo - ple could - n’t be - lieve what I’d
2
Sorgdal
Db5 Eb7sus4
            
    
the king.” One min - ute I held the key, next the
be - come. Rev - o - lu - tion - ar - ies wait for my
Ab Fm
3fr 3fr
            
   
walls were closed on me. And I dis - cov - ered that my
head on a sil - ver plate. Just a pup - pet on a
Db5 Eb7sus4 Ab Fm
3fr 3fr
 
               
 
cas - tles stand up - on pil - lars of salt and pil - lars
lone - ly string. Oh, who would ev - er wan - na be king?
 Chorus
Db5 Eb7sus4
              
      
 
of sand. I hear
hear Je - ru - sa - lem bells a - ring - ing,
Hear
3
Sorgdal
Ab Fm Db5 Eb7sus4
3fr 3fr
           
      
Ro - man Cal - va - ry choirs are sing - ing. Be my mir - ror, my sword
Ab Fm
3fr 3fr
                
        
and shield, my mis - sion - ar - ies in a for - eign field.
Db5 Eb7sus4 Ab Fm
3fr 3fr
            
    
     
For some rea - son I can’t ex - plain. 1. Once you’ve gone there was
2., 3. Know Saint Pe - ter won’t call
Db5 Eb7sus4
               
   
nev - er, nev - er an hon - est word. And that was
my name, nev - er an hon - est word. But that was
4
Sorgdal
1.
To Coda 
Abmaj7 Fm Db5 Eb7sus4
    
      
when I ruled the world.
when I ruled the world.
Ab Fm Db5 Eb7sus4
3fr 3fr
    

Ab Fm
3fr 3fr
           

2. It was a wick - ed and wild
2.
Interlude
Db5 Fm
    
Play 3 times

  
5
Sorgdal
Eb7sus4 Db5 Eb7sus4
        
     
Oh,
Ab Fm
3fr 3fr
                 
  

oh, oh,
Db5 Eb7sus4 Ab Fm
3fr 3fr
             
  
oh,
D.S. al Coda  Coda
       
    
   
oh.
Outro
Repeat and fade
Dbmaj7 Eb7 Abmaj7 Fm

        
Ooh.
6
Sorgdal
Yellow
Words & Music by Guy Berryman, Chris Martin,
Jon Buckland & Will Champion
C G
3fr 5fr
             

1. Look at the stars, look how they shine you,
2. I swam a - cross, I jumped a - cross you.
Fmaj7
5fr
           
and ev -’ry - thing you do. And they were all yel - low.
Oh, what a thing to do, ’cause you were all yel - low.
C G
3fr 5fr
           
I came a - long, I wrote a song for you,
I drew a line, I drew a line for you.
Fmaj7
5fr
           
and all the things you do and it was called yel - low.
Oh, what a thing to do and it was all yel - low.
1° only
C G
3fr 5fr
               
So then I took my turn. Oh, what a thing to have done.
Fmaj7 C Csus4
5fr 3fr 3fr
           
And it was all yel - low.
© Copyright 2000 Universal Music Publishing MGB Limited.

All Rights in Germany Administered by Musik Edition Discoton GmbH (A Division of Universal Music Publishing Group).
Sorgdal
C Fmaj7 Am7 G Fmaj7
3fr 5fr 5fr 5fr
               
Ooh, your skin, oh, yeah, your skin and bones turn in -
Am7 G Fmaj7 Am7 G

5fr 5fr 5fr
           

you know I love you so.
- to some - thing beau - ti - ful. And you know,
you know I’d bleed my - self
Fmaj7 C
5fr 3fr
        
       

You know I love you so. It’s
dry. For you I’d bleed my - self dry.
C G Gsus4
5fr 5fr
            
   
true, look how they shine for you, look how they shine for
1. 2.
Fmaj7 C C
5fr 3fr 3fr
Repeat ad lib.
            
   
you. Look how they shine for you. Look at the stars,
Gm Fmaj7
5fr 5fr
               
look how they shine for you, and all the things that you do.
2
Sorgdal
Proud Mary
Words and Music by John Fogerty
First note
Intro
Moderate Rock
C A C A C A G F
 
       
 

D

                 
     
Verse D
                  
   
1. Left a good job in the cit - y, work - in’ for the man ev -’ry
3. Instrumental
                
  
night and day, and I nev - er lost one min - ute of sleep - in’
Copyright © 1968 Jondora Music

Copyright Renewed
Sorgdal
            
   
wor - ry - in’ ’bout the way things might have been.
Chorus
A Bm
              
      
1., 2., 4. Big wheel keep on turn - in’, Proud Mar - y keep on burn -
3. Instrumental
D
        
             

- in’.
Roll - in’, roll - in’, roll -
Instrumental ends
4th time,To Coda  2nd time, D.C  Coda

3rd time, D.C. al Coda
              
  
- in’ on the riv - er. Roll -
Outro D
Repeat and fade
                        
   
- in’, roll - in’, roll - in’ on the riv - er. Roll -
Additional Lyrics
2. Cleaned a lot of plates in Memphis, 4. If you come down to the river,
Pumped a lot of pain in New Orleans, Bet you gonna find some people who live.
But I never saw the good side of the city, You don’t have to worry ’cause you have no money.
Until I hitched a ride on a river boat queen. People on the river are happy to give.
2
Sorgdal
True Colors
Words and Music by Billy Steinberg and Tom Kelly
First note
Intro
Moderately
Am G C F Am G
        
      
C F
 Verse
Am G C
  
               

1. You with the sad eyes, don’t be dis - cour - aged. Oh, I
smile then, don’t be un - hap - py. Can’t re -
F'9 F Am G
3fr
         
   
re - al - ize, it’s hard to take cour - age. In a
mem - ber when I last saw you laugh - ing. If
3. Whispered: Can’t re - mem - ber when I last saw you laugh.
C Dm C F'9
   
          
world full of peo - ple you can lose sight of it all and the

this world makes you cra - zy, and you’ve
tak - en all you can bear, you
If this world makes you cra - zy, you’ve

Sorgdal
Am G Dm C
        
         
dark - ness, oh, -

in side you make you feel so small. But I see your
call me up be - cause you know I’ll be there. And I’ll see your
Chorus
F C Gsus4 G F C
   
                 

 I’ll  see your true col - ors, and
1. I
true col - ors shin - ing through.
2., 3.
F Gsus4 G F C F6 Am
  
              
  
Your 
1. let them show me your
that’s why I love you. So don’t be a - fraid to
 2., 3. let it show.
F C
To Coda F C G6sus Am G
Ê
        
       
       
true col - ors, true col - ors are beau - ti - ful like a rain - bow.
1. 2.
C F Am G C F C F D.S. al Coda
     
   
2 2. Show me a
Sorgdal
 Coda
F C F C
     
       
true col - ors, true col - ors a shin -
Gsus4 G F C F Gsus4 G
  

                  

- ing through. I see your true col - ors, and that’s why I love you. So
F C E7 Am F C
                   
rit.
 
don’t be a - fraid to let them show. Your true col - ors,
Freely
F C G6sus
Ê µ

   
 
              
true col - ors are beau - ti - ful like a rain - bow.
Am G C F

      
        
3
Sorgdal
Life On Mars?
Words & Music by David Bowie
q = 100
F F/E F/Eb D7
        

1. It’s a God - aw - ful small af - fair to the girl with the mou - sy hair,
Gm Gm7 C7
       
but her mum - my is yell - ing ‘no’, and her dad - dy has told her to go.
F F/E F/Eb Dsus4 D7
       
But her friend is no - where to be seen, now she walks through her sunk - en dream
Gm Gm7 C7
       
to the seat with the clear - est view, and she’s hooked to the sil - ver screen.
Ab Caug Fm Ab
3fr 3fr
       
But the film is a sad - d’ning bore, for she’s lived it ten times or more.
poco rall.
Db Faug/A Bbm Db7
       
She could spit in the eyes of fools as they ask her to fo - cus on
© Copyright 1971 Tintoretto Music/RZO Music Ltd (37.5%)/EMI Music Publishing Limited (37.5%)/Chrysalis Music Limited (25%).
Sorgdal
$ a tempo
Bb Eb Gm7 Gbaug
       
sail - lors fight - ing in the dance hall. Oh, man, look at those cave - men
F Fm Cm7 Ebm7
       
go. It’s the frea - ki - est show. Take a look at the
Bb Eb Gm7 Gbaug
       
law - man beat - ing up the wrong guy. Oh, man, won - der if he’ll ev - er know
F Fm Cm7 Ebm7
       
he’s in the best sell - ing show. Is there life on
Gm Gm[maj7] Gm7 Gm6 F F#dim

To Coda Ø
           
Mars?
poco rall.
Gm Ddim7 Am Bb Bbm
           
 
2
Sorgdal
a tempo
F F/E F/Eb D7
        
2. It’s on A -me - ri - ka’s tor - tured brow that Mick -ey Mouse has grown up a cow,
Gm Gm7 C7
       
now the work - ers have struck for fame, ’cause Len - non’s on sale a - gain.
F F/E F/Eb Dsus4 D7
       
See the mice in their mil - lion hordes from I - bi - za to the Nor - folk Broads,
Gm Gm7 C7
       
Rule Bri - tan - nia is out of bounds to my mo - ther, my dog and clowns.
Ab Caug Fm Ab
3fr 3fr
       
But the film is a sad - dening bore, ’cause I wrote it ten times or more,
poco rall.
Db Faug/A Bbm Db7 D.S. al Coda
       
it’s a - bout to be writ a - gain as I ask her to fo - cus on
Ø Coda molto rall.

Gm Bb Eb Ebm Bb
               
3
Sorgdal
American Pie
Words and Music by Don McLean
First note
Intro
Freely
G D Em Am C
            
     
A long, long time a - go I can still re - mem - ber how that
Em D G D Em
 

                  
  
mu - sic used to make me smile. And I knew if I had my chance that
Am C Em C

                      
I couldmake those peo -ple dance and may - be they’d be hap - py for a
D Em Am
            
  
while. But Feb - ru - ar - y made me shiv - er,
Copyright © 1971, 1972 BENNY BIRD CO., INC.

Copyright Renewed
All Rights Controlled and Administered by SONGS OF UNIVERSAL, INC.
Sorgdal
Em Am C G Am
         
        
 
with ev - ’ry pa - per I’d de - liv - er. Bad news on the door - step, I
C D G D Em
           
     
 
could - n’t take one more step. I can’t re - mem - ber if I cried when I
Am7 D G D Em


                      
read a - bout his wid - owed bride. Some - thing touched me deep in - side, the
C D G

             

day the mu - sic died. So,
Chorus
Moderately q = 102
G C G D G C
            
     
bye, bye, Miss A - mer - i - can Pie. Drove my Chev - y to the lev - ee, but the
2
Sorgdal
G D G C
         
        
lev - ee was dry. An’ them good ol’ boys were drink - in’
G D Em A7
 
                   
whis - key an’ rye, sing - in’ “This -’ll be the day that I die,
Faster q = 140
Em D Dsus2 D Dsus4 D Dsus2 D
 
              
this -’ll be the day that I die.”
Verse
G Am C
          
             

1. Did you write the book of love and do you have faith in
ten years we’ve been on our own, an’ moss grows fat on
Am Em D Dsus2 D
  
              
  
God a - bove, if the Bi - ble tell you so?
a roll - ing stone. But, that’s not how it used to be.
3
Sorgdal
Dsus4 D Dsus2 D G D Em
         
   
Now, do you be - lieve in rock ’n’ roll? Can
When the jest - er sang for the king an’ queen in a
Am C Em
               
       
mu - sic save your mor - tal soul? An’ can you teach me
coat hebor - rowed from James Dean. An’ a voice that came
A7 D Dsus2 D Dsus4 D
       
             
how to dance real slow? Well, I
from you and me. Oh, an’
Em D Em
         
       
know that you’re in love with him, ’cause I saw you danc - in’
while the king was look - ing down, the jest - er stole his
D C G Am

 
                 
 
in the gym. You both kicked off your shoes. Man, I
thorn - y crown. The court - room was ad - journed. No
4
Sorgdal
C D G D
      
       

dig those rhy -thm and blues. I was a lone - ly teen - age
ver - dict was re - turned. And while Le - nin read a book
Em Am C
      
       
bronc - in’ buck with a pink car - na - tion an’ a pick -up truck. But
on Marx, a quar - tet prac - ticed in the park. And
G D Em C
           
       
I knew I was out of luck, the day the mu -
we sang dir - ges in the dark, the day the mu -
D G C G D
            
  
- sic died. I start - ed sing - in’, “Bye,
- sic died. We were sing - in’, “Bye,
Chorus
G C G D G C
         
    
 bye, Miss A - mer - i can Pie. Drove my Chev - y to the lev - ee, but the
5
Sorgdal
G D G C
         
        
lev - ee was dry. Them good ol’ boys were drink - in’
G D Em A7

                 
whis - key an’ rye, an’ sing - in’ this -’ll be the day that I die,
1.
       
          
this -’ll be the day that I die.” 2. Now, for
2. Verse
D Dsus2 D Dsus4 D Dsus2 D G
      
    

die.” 3. Hel - ter, skel - ter in
there we were all
Am C Am
    
        
       
the sum -mer swelt - er. The birds flew off with a fall - out shel - ter,
in one place, a gen - er - a - tion lost in space, with
6
Sorgdal
         

               
eight miles high an’ fall - in’ fast.
no time left to start a - gain. So, come on,
G D Em Am
                
 
    
It land - ed foul out on the grass. The play - ers tried for a
Jack be nim - ble, Jack be quick. Jack Flash sat on a
C Em A7
    
               
 
for - ward pass, with the jest - er on the side - lines in a cast.
can - dle stick, ’cause fire is the dev - il’s on - ly friend.
D Dsus2 D Dsus4 D Em
  
               

Now, the half - time air was
Oh, and as I watched him
D Em
            
   
  
sweet per - fume, while the ser - geants played a
on the stage my hands were clenched in
7
Sorgdal
D C G Am
            
      
march - in’ tune. We all got up to dance, oh, but
fists of rage. No an - gel born in Hell could
C D G D
               
    
we nev - er got the chance. ’Cause the play - ers tried to take
break that Sa - tan’s spell. And as the flames climbed high in -
Em Am C
              
  
   
the field, the march - ing band re - fused to yield.
- to the night to light the sac - ri - fi - cial rite, I saw
G D Em C
 
          
Do you re - call what was re - vealed the day the mu -
Sa - tan laugh - ing with de - light, the day the mu -
D G C G D
            
  
 “Bye
- sic died? We start - ed sing - in’,
- sic died. We were sing - in’
8
Sorgdal
Chorus
G C G D G C
                
    
bye, Miss A - mer - i can Pie. Drove my Chev - y to the lev - ee, but the
G D G C G D

                       
lev - ee was dry. Them good ol’ boys were drink - in’ whis - key and rye, an’ sing - in’
Em A7
Em

                
this -’ll be the day thatI die, this -’ll be the day thatI
1. 2.
D Dsus2 D Dsus4 D Dsus2 D D
        
        
die.” 4. Oh, an’ die.”
Verse
Freely
G D Em Am C
            
             
5. I met a girl who sang the blues and I asked her for some hap - py news. But
9
Sorgdal
Em D

         

she just smiled and turned a - way.
G D Em Am C
      
             
I went down to the sa - cred store where I’d heard the mu - sic years be - fore. But the
Em C D
     
           
man there said the mu - sic would - n’t play. And
Em Am Em Am
     
             
in the streets the chil - dren screamed. The lov - ers cried an’ the po - ets dreamed. But
C G Am C D
      
          
    
not a word was spo - ken, the church bells all were bro - ken. An’ the
G D Em Am7 D
            
   
    
three men I ad - mire most, the Fa - ther, Son and the Ho - ly Ghost, they
10
Sorgdal
G D Em C D G
         
      
caught the last train for the coast, the day the mu - sic died.
Chorus
q = 102
G C
        
      
  
An’ they were sing - in’ “Bye, bye, Miss A -
G D G C
           
    
mer - i can Pie. Drove my Chev - y to the lev - ee, but the
G D G C

                 
lev - ee was dry. ’An them good ol’ boys were drink - in’
G D Em
 
                 
whis - key an’ rye, sing - in’ this - ’ll be the day that I
11
Sorgdal
A7 Em

           
die, this - ’ll be the day that I
D Dsus2 D Dsus4 D Dsus2 D
    
       
die.” They were sing - in’,
Outro-Chorus
G C G D
 
            

“Bye, bye, Miss A - mer - i - can Pie. Drove my
G C G D
        
        
Chev - y to the lev - ee but the lev - ee was dry. Them
G C G D
         
       

good ol’ boys were drink - in’ whis - key an’ rye, sing - in’,
C D G C G
  
          
this - ’ll be the day that I die.”
12
Sorgdal
First note
Mellow Yellow
Words and Music by Donovan Leitch
Verse
Moderately slow
C F C
  
             

1. I’m just mad a -bout Saf - fron, Saf -fron’s mad a -bout me.
2. I’m just mad a -bout Four - teen, Four teen’s mad a -bout me.
3. Born high for - ev - er to fly, wind ve - loc - i - ty: nill.
4. Instrumental
G7 F

   
            

I’m - a just mad a - bout Saf - fron,
I’m - a just mad a - bout Four - teen,
Born high for - ev - er to fly,
Chorus
G7 C
                



she’s just mad a - bout me. (Spoken:)
she’s just mad a - bout me. They call me Mel -low Yel - low. Quite rightly.
if you want your cup I will fill.
(4.)(Instrumental continues)
F G7 C F G7
                 
 
They call me Mel -low Yel - low. Quite rightly. They call me Mel -low
1., 2., 4.

C F G7
To Coda
(last time)
          
Yel - low. Copyright © 1966 by Donovan (Music) Ltd.
(4.) (End instrumental) Copyright Renewed
All Rights Administered by Peer International Corporation
1
Sorgdal
 CodaVerse
3. D.C. al Coda
G7 C

                 
He’s so mel - low, he’s so mel - low. 5. E - lec - tri -cal ba - na -
6. I’m just mad a -bout Saf -
F C G7
     
            

- na, is gon - na be a sud - den craze.
- fron, I’m just mad a - bout her.
F G7
                    

E - lec - tri - cal ba - na - na is bound to be the ver - y next phase.
I’m just mad a -bout Saf - fron, a - she’s just mad a - bout me.
Chorus
C F G7
               

 (Spoken:)


They call it Mel - low Yel - low. Quite rightly. They call me Mel -low
They call me
1. C F G7 C F
               
   

Yel - low. Quite rightly. They call me Mel -low Yel - low.
G7 2. C F G7 Repeat
and Fade
                
 

2 Yel - low. They call meMel -low
Sorgdal
Can You Feel the Love Tonight
from Walt Disney Pictures’ THE LION KING
Music by Elton John
First note Lyrics by Tim Rice
Verse
Ballad
C G C G
  
            
There’s a calm sur - ren - der to the rush of day,
There’s a time for ev -’ry - one, if they on - ly learn
C G Am D
    
          
when the heat of the roll - ing world can be turned a - way.
that the twist - ing ka - lei - do - scope moves us all in turn.
C G C G

              
An en - chant - ed mo - ment, and it sees me through.
There’s a rhyme and rea - son to the wild out - doors
C Em F D
        
        
It’s e - nough for this rest - less war - rior just to be with you. And
when the heart of this star - crossed voy - ag - er beats in time with yours. And
Chorus
G D Em C
     
         
can you feel the love to - night?
can you feel the love to - night,
© 1994 Wonderland Music Company, Inc.
Sorgdal
G C A7 D
  
        
It is where we are.
how it’s laid to rest?
C G Em C
    
      
     
It’s e - nough for this wide - eyed wan - der - er
It’s e - nough to make kings and vag - a - bonds be -
To Coda  1., 3. 2.
Am G C A7 D C
 
            

that we got this far. And
lieve the ver - y best.
D.C. al Coda
(with repeat)  Coda
G C G
 
        
ver - y best.
C G Em C
    
     
    
It’s e - nough to make kings and vag - a - bonds be -
Am G C G
  
      
lieve the ver - y best.
2
Sorgdal
Circle of Life
from Walt Disney Pictures’ THE LION KING
Music by Elton John
First note Lyrics by Tim Rice
Verse
Relaxed Pop beat
G Am

      
        
From the day we ar - rive on the plan - et and
Some of us fall by the way - side, and
D7 G

         
    
blink - ing, step in - to the sun, there’s
some of us soar to the stars. And
Em Am
 
                
more to be seen than can ev - er be seen, more to do
some of us sail through our trou - bles, and some
F D

           
than can ev - er be done.
have to live with the scars. There’s
G Am
   
   
     
Some say, “Eat or be eat - en.” Some say,
far too much to take in here, more to

Sorgdal
D7 G

     
      
“Live and let live.” But
find than can ev - er be found. But the
Em7 Am
    
         
  
all are a - greed as they join the stam - pede, you should
sun roll - ing high through the sap - phi - re sky keeps great and
F D
 
          
 
  
nev - er take more than you give in the cir - cle of life.
small on the end - less round in the cir - cle of life.
Chorus 
G G F

            

 It’s the wheel of for - tune.
C
            
    
It’s the leap of faith. It’s the band of hope
D G
     
    
 
’til we find our place
2
Sorgdal
E7 Am Eb('2)
            
  
on the path un - wind - ing in the cir -
1.
G D C
To Coda 
 
           

- cle, the cir - cle of life.
2.
D.S. al Coda
G D G C
          
 
the cir - cle of life!
 Coda
D C G
     
       

the cir - cle of life.
Outro
E7 Am Eb('2) G
 
                
On the path un - wind - ing in the cir - cle,
Dsus D C Eb G
      
       

the cir - cle of life.
3
Sorgdal
Crocodile Rock
Words and Music by Elton John and Bernie Taupin
First note
Intro
Moderately q = 150
G C Gº G
    
 
Em C

    
D
 Verse
G
           
   
 
1., 3.I re -mem - ber when rock was young.
went by and
Bm
       
      
 
Me and Su - sie had so much fun
rock just died. Su - sie went and left us for some
C
        
    

 
hold - in’ hands and skim - min’ stones.
for - eign guy. Long nights cry - in’ by the
Copyright © 1972 UNIVERSAL / DICK JAMES MUSIC LTD.

Copyright Renewed
All Rights in the United States and Canada Controlled and Administered by
UNIVERSAL - SONGS OF POLYGRAM INTERNATIONAL, INC.
Sorgdal
D

        

    

Had an old gold Chev - y and a
rec -ord ma - chine, dream - in’ of my Chev - y and my
G
               
  
place of my own, but the big - gest kick I ev - er got
old blue jeans, but they’ll nev - er kill the thrills we got
Bm
 
             
was do - ing a thing called the Croc - o - dile
burn - ing up to the Croc - o - dile
C
  
              
Rock. While the oth - er kids were rock - ing ’round the
Rock. Learn - ing fast as the weeks went past,
D

           

clock we were hop - pin’ and bop - pin’ to the Croc - o - dile Rock. Well,
we real - ly thought the Croc - o - dile Rock would last. Well,
Chorus
Em
              
  
Croc - o - dile Rock - in’ is some - thing shock - in’ when your
2
Sorgdal
A D
        
      
feet just can’t keep still. I nev - er knew me a
                


     
bet - ter time and I guess I nev - er will. Oh,
E7 A7
               
      
lawd - y, ma - ma, those Fri - day nights when Su - sie wore her
            
              
dress - es tight and the Croc - o - dile Rock - in’ was a out of a
To Coda 
Interlude
C G
    
    
   
sight. La, la, la, la, la,
3
Sorgdal
Em C
         
  

la. la, la, la, la, la. La, la, la, la,
1. 2. D.S. al Coda
D
       
     
la. 2. But the years 3. I re - mem -
 Coda
Outro
G
       
 
La, la, la, la, la,
Em C
       

la. La, la, la, la, la.
Repeat and fade

D
    
   

La, la, la, la, la.
4
Sorgdal
All Shook Up
Words and Music by Otis Blackwell and Elvis Presley
First note
Verse __  3
Moderately    =   
G
    
             
1. Oh, well, bless a, my soul, oh, what’s wrong with me? I’m
 
                  
 
itch - in’ like a man on a fuz - zy tree. My friends say I’m act - in’

µ

                   
wild as a bug. I’m in love, I’m all shook up. Mm.
C D7 G

             


Ooh. Yay, yay, yay.
Verse
G
  
   
             
2. Oh, well, my hands are shak - in’ and my knees are weak. I
Copyright © 1957; Renewed 1985 Elvis Presley Music (BMI)

All Rights for Elvis Presley Music Administered by BMG Chrysalis
Sorgdal
 
                  
  
can’t seem to stand on my own two feet. Who do you thank when you

  
µ
               
have such luck? I’m in love, I’m all shook up. Mm.
C D7 G

             


Ooh. Yay, yay, yay.
Verse
C
  
                   
2. Well, a, please don’t ask me what’s a, on my mind. I’m a
G C
             
       
lit - tle mixed up, but I feel fine. When I’m near the girl that
D7 µ
               
       
I love best, my heart beats so, it scares me to death. When she touched
2
Sorgdal
Chorus
G
  
              
    
my hand, oh, what a chill I got. Her lips are like a vol -
   
                      
ca - no that’s hot. I’m proud to say that she’s my but - ter - cup. I’m in
µ C

                 
love, I’m all shook up. Mm. Ooh.
D7 G
 
             

Yay, yay, yay. 3. My
Verse
C G
  
                 
tongue gets tied when I try to speak. My in - sides shake like a
 
                    
leaf on a tree. There’s on - ly one cure for this bod - y of mine, that’s to
3
Sorgdal
Chorus
D7 µ G
          
        
have that girl and a love so fine. When she touched my hand, oh, what a
 
               
    
chill I got. Her lips are like a vol - ca - no that’s hot. I’m
     
µ
                

 
proud to say that she’s my but - ter - cup. I’m in love, uh, I’m
C D7
     
            
all shook up. Mm. Ooh. Yay,
G C
        
        
yay, yay. Ooh. Ooh.
D7 G
  
            

Yay, yay. I’m all shook up.
4
Sorgdal
Blue Christmas
Words and Music by Billy Hayes and Jay Johnson
First note
 3
Moderate shuffle   =  

  
F C7
  
µ
       

I’ll have a blue Christ - mas with - out you.
Gm7 C7 F
            

I’ll be so blue think - ing a - bout you. Dec - o -
Cm D7 Gm
         
ra - tions of red on a green Christ - mas
G9 G7
      
tree won’t mean a thing if
C7
        

you’re not here with me. I’ll have a
Copyright © 1948 UNIVERSAL - POLYGRAM INTERNATIONAL PUBLISHING, INC.

Copyright Renewed
Sorgdal
F C7
      
blue Christ - mas, that’s cer - tain
Gm7 C7
        
and when that blue heart - ache starts
     
hurt - in’, you’ll be
Cm D7
      
do - in’ all right, with your
Gm G#º7 C7

   
   
Christ - mas of white, but I’ll have a
     
blue, blue Christ - mas.
2
Sorgdal
Blue Hawaii
from the Paramount Picture WAIKIKI WEDDING
Theme from the Paramount Picture BLUE HAWAII
Words and Music by Leo Robin and Ralph Rainger
First note
Intro
Slowly q = 80
 __ =   
3 Verse
G G7 C

     
      
1. Night and you and blue Ha-
G F7 E7 A7

         
   
wai - i, the night is heav - en - ly
D7 G Am7 D7
 
   
  
    
 
and you are heav - en to me.
Verse
G G7 C G

   
3
        

2. Love - ly you and blue Ha - wai - ai - ai - i,
E7 A7 D7
  
             
 
with all this love - li - ness there should be
Copyright © 1936, 1937 Sony/ATV Music Publishing LLC
Copyright Renewed
Sorgdal
Chorus
G C G G7 C

    
       
love. Come with me while the
G A7
     
      
3
  
moon is on the sea. The night is young
D7 D7#5 µ

 
3
    
3
     
and so are we, so are we.
Verse
G G7 C G

 
   
3
       
3., 4. Dreams come true in blue Ha - wai - ai - ai - i
E7 A7 D7
     
       
   
 
and mine could all come true this mag - ic
1. 2.
G C G G7 G
  
   
2nd time, rit.
    
night of nights with you. you.
2
Sorgdal
Can’t Help Falling in Love
Words and Music by George David Weiss, Hugo Peretti and Luigi Creatore
First note
Moderately slow
D F#m Bm G D
   
      
 
1. Wise men say on - ly fools rush
A G A Bm Em

          
    
in, but I can’t help fall - ing in
D A D D F#m

      
 
love with you. 2. Shall I
Bm G D A
    
       

stay? Would it be a sin if
G A Bm Em D A

          
   
I can’t help fall - ing in love with
Copyright © 1961; Renewed 1989 Gladys Music (ASCAP)

Published by Gladys Music for the world
Administered by BMG Chrysalis for the United States and Canada
Sorgdal
D F#m C#7 F#m C#7
           
      
   
you? Like a riv - er flows sure - ly to the sea,
F#m C#7 F#m B7 Em A7
       
          
   
dar - ling, so it goes, some things are meant to be.
D F#m Bm G D
 
     
  
3., 4. Take my hand, take my whole life
A G A Bm Em

          
    
too, for I can’t help fall - ing in
1. 2.
D A D D G A

         
    
love with you. you. For I can’t
Bm Em D A D
  
   
rit.
         
help fall - ing in love with you.
2
Sorgdal
Return to Sender
Words and Music by Otis Blackwell and Winfield Scott
First note
Moderately
C Am
      
  
 
Re - turn to send - er.
Dm G7 C
      
           
Re - turn to send - er. 1. I gave a let - ter to the
Am Dm G7
       
           
post - man, he put it in his sack.
C Am Dm G7
            
   
Bright and ear - ly next morn - in’, he brought my let - ter
C F G7
          
  
back. Re - turn to send - er,
Copyright © 1962; Renewed 1990 Elvis Presley Music (BMI)

Worldwide Rights for Elvis Presley Music Administered by Cherry River Music Co.
Sorgdal
F G7 F
          
ad - dress un - known. No such
G7 C C7
          
num - ber, no such zone.
F G7 F
           
      
We had a quar - rel, a lov - ers’ spat.
G7 D7
          
I write, “I’m sor - ry,” but my
G7 C
                 
let - ter keeps com - ing back. 2. So when I dropped it in the
2
Sorgdal
Am Dm G7
     
         
mail - box, and sent it spe - cial D.,
C Am Dm G7
              
 
bright and ear - ly next morn - in’, it came right back to
C F G7
          
  
me. Re - turn to send - er,
F G7 F
     
    
ad - dress un - known. No such
G7 C C7
         

per - son, no such zone.
                    

This time, I’m gon - na take it my - self and put it right in her hand.
3
Sorgdal
C D7
         
        
And if it comes back the ver - y next day,
G7 F
      
         

then I’ll un - der - stand. Re - turn to
G7 F G7
          

send - er, ad - dress un - known.
F G7 C
      
   
No such num - ber, no such
F G7
  
     

    


zone. Ah, re - turn to send - er.
F G7
Repeat and fade
     
   
  
Re - turn to send - er.
4
Sorgdal
Release Me
Words and Music by Robert Yount, Eddie Miller and Dub Williams
First note
Verse
G G7 C
        
   
1. Please re - lease me, let me go,
2. I have found a new love, dear,
D7
   
     
I don’t love you an - y -
and I’ll al - ways want her
G G+ Am7 D7 G
     

more. To live to -
near. Her lips are
G7 C Am7 Bbº7
    
   
geth - er is a sin. Re -
warm, while yours are cold. Re -
1.
Bm7 E7b9 Am7 D7 G Em7
 
4fr
     
 
lease me and let me love a - gain.
lease me, my dar - ling let me
Copyright © 1954 Sony/ATV Music Publishing LLC and Roschelle Publishing in the U.S.A.
Copyright Renewed
All Rights outside the U.S.A. Administered by Sony/ATV Music Publishing LLC
All Rights on behalf of Sony/ATV Music Publishing LLC Administered by Sony/ATV Music Publishing LLC, 8 Music Square West, Nashville, TN 37203
1
Sorgdal
2.
Am9 D7 G Am7 Bm7 E7
   
  
go.
Verse
A A7 D
      
 
3. Please re - lease me, can’t you see
E7
   
     
you’d be a fool to cling to
A A+ Bm7 E7 A A7
         

me? To live a lie would bring us
D Bm7 Cº7 C#m7 F#7b9 Bm7 E7
 
4fr
    
    
pain. Re - lease me and let me love a -
A D Fmaj7 Bbmaj7 Amaj7

3fr
    
gain.
2
Sorgdal
Lay Down Sally
Words and Music by Eric Clapton,
Marcy Levy and George Terry
First note
Verse
Brightly
G
          
            
1. There is noth - ing that is wrong in
(2.) sun ain’t near - ly on the rise, and
(3.) long to see the morn - ing light
     
 
           
want - ing you to stay here with me.
we still got the moon and stars a - bove.
col - or - ing your face so dream - i - ly.
          
       
I know you’ve got some - where to go, but
Un - der - neath the vel - vet skies,
So don’t you go and say good - bye;
Copyright © 1977 by Eric Patrick Clapton and Throat Music Ltd.

Copyright Renewed
All Rights in the U.S. Administered by Unichappell Music Inc.
1
Sorgdal
C
   
 
                
won’t you make your - self at home and stay with me?
love is all that mat - ters. Won’t you stay with me?
you can lay your wor - ries down and stay with me.
  
         

And don’t you ev - er leave.
 Chorus
G C
     
            
 
Lay down, Sal - ly, and rest you in my arms.
  
    
           

Don’t you think you want some - one to talk
  
     

to? Lay down, Sal -
2
Sorgdal
C
     
    
      
 
- ly; no need to leave so soon.
D
To Coda 
       
     
 
   
I’ve been try - ing all night long just to
1., 2. 3.
G G

           
    

2. The
talk to you. talk to you.
3. I
 Coda
G
 
       
D.S. al Coda

talk to you.
3
Sorgdal
Frosty the Snow Man
Words and Music by Steve Nelson and Jack Rollins
First note
Moderately
C F F#º7
     
        
Fros - ty the Snow Man was a jol - ly hap - py
Fros - ty the Snow Man knew the sun was hot that
C F F#º7 C A7
       
     
soul, with a corn cob pipe and a but - ton nose and two
day, so he said “Let’s run and we’ll have some fun now be -
Dm G7 C G7 C C7
           
 
eyes made out of coal. Fros - ty the Snow Man is a
fore I melt a - way.” Down to the vil - lage with a
F F#º7 C F F#º7
            
fair - y tale they say. He was made of snow but the
broom - stick in his hand, run - ning here and there all a -
C A7 Dm G7 C C7 F F#º7
             
 
chil - dren know how he came to life one day. There must have been some
round the square, say - in’ “Catch me if you can.” He led them down the
Copyright © 1950 by Chappell & Co.

Copyright Renewed
Sorgdal
C Dm G7 C G
              
mag - ic in that old silk hat they found. For when they placed it
streets of town right to the traf - fic cop. And he on - ly paused a
G#º7 Am D7 G7 G+7 C
4fr
       
        
on his head he be - gan to dance a - round. Oh, Fros - ty the
mo - ment when he heard him hol - ler “stop!” For Fros - ty the
C7 F F#º7 C F F#º7
                
Snow Man was a - live as he could be, and the chil - dren say he could
Snow Man had to hur - ry on his way, but he waved good - bye say - in’,
C A7 Dm G7 C
       
    
laugh and play just the same as you and me.
“Don’t you cry, I’ll be back a - gain some day.”
C Gº7 G
              

Thump - et - y thump thump, thump - et - y thump thump, look at Fros - ty go.
G7 C
               
Thump - et - y thump thump, thump - et - y thump thump, o - ver the hills of snow.
2
Sorgdal
I Will Survive
Words & Music by Dino Fekaris & Freddie Perren
$
E7 Am Dm
   
       

1. At first I was a - fraid, I was pet - ri - fied, kept think - in’
(2, 4.) go! Walk out the door. Just turn a - round
3. all the strength I had not to fall a - part kept try - in’
G Cmaj7
       
I could ne - ver live with - out you by my side; but then I
now ’cause you’re not wel - come an - y - more.
hard to mend the piec - es of my bro - ken heart; and I spent
Fmaj7
       
spent so ma - ny nights think - in’ how you did me wrong and I grew
Weren’t you the one who tried to hurt me with good - bye? Did you think I’d crum -
oh so ma - ny nights just feel sor - ry for my - self; I used to cry
E7sus4 E7
       
strong and I learned how to get a - long. And so you’re
- ble Did you think I’d lay down and die? Oh no, not
but now I hold my head up high. And you see
Am Dm
       
back from out - er space I just walked
I, I will sur - vive. Oh, as
me some - bo - dy new. I’m not that
© Copyright 1978 Perren-Vibes Music Company/PolyGram International Publishing Incorporated, USA.

Universal Music Publishing Limited.
All rights in Germany administered by Universal Music Publ. GmbH. All Rights Reserved. International Copyright Secured.
Sorgdal
G Cmaj7
       
in to find you here with that sad look up - on your face. I should have changed
long as I know how to love I know I’ll stay a - live. I’ve got
chained up lit - tle per - son still in love with you. And so you
Fmaj7
       
that stu - pid lock, I should have made you leave your key if I’d - ’ve known
all my life to live, and I’ve got all my love to give and I’ll sur - vive,
felt like drop - pin’ in and just ex - pect me to be free. Well, now I’m
E7sus4 E7
To Coda Ø

       
for just one sec - ond you’d be back to both - er me. 2. Go on now
I will sur -vive. Hey hey. (to instrumental)
sav - - in’ all my lov - in’ for some - one who’s lov - in’ me. 4. Go on now
Am Dm G
           
(Instrumental)
Cmaj7 Fmaj7
           
Ø Coda
E7sus4 E7 Am
D.S. al Coda
           
3. It took I will sur - vive!
2
Sorgdal
Coconut
Words and Music by Harry Nilsson
First note
Intro
Moderately
C7
3fr
       
      
  
w/ fingers
Verse
C7
3fr
cont. sim.
                
1. Broth - er bought a co - co - nut, he bought it for the dime. His sis - ter
                
had an - oth - er one, she paid it for the lime. She put the
Chorus
C7
3fr
                
lime in the co - co - nut, she drank ’em both up. She put the
lime in the co - co - nut, you drank ’em both up, put the
© 1972 (Renewed 2000) EMI BLACKWOOD MUSIC INC.

Sorgdal
               

               
                 

lime in the co - co - nut, she called the doc - tor, woke him up and said,
lime in the co - co - nut, you called your doc - tor, woke him up and said,
Refrain
C7

3fr
   
        
“Doc - tor, ain’t there noth - in’ I can take, I said, Doc -
  
       
  
- tor, to re - lieve this bel - ly ache? I said,
To Coda 1 
  


    
   
Doc - tor, ain’t there noth - in’ I can take, I said,
2
Sorgdal
 
1.
       
    
Doc - tor, to re - lieve this bel - ly ache?” Now
2.
     
         
 
let me get this straight. 2. You put the lieve this bel - ly ache?” You put the
Chorus
C7
3fr
               
lime in the co - co - nut, you drink ’em both to - geth - er, put the
              
lime in the co - co - nut, then you feel bet - ter. Put the
              
lime in the co - co - nut, drink ’em both up, put the
             
lime in the co - co - nut and call me in the morn - ing.
3
Sorgdal
Bridge
C7
3fr
             
Woo, woo, oo, oo, oo, oo.
            

Oo, woo, oo, oo, oo, oo, oo.
 
           
Oo, oo, oo, oo, oo,
  
            
oo, oo, oo, oo, oo.
Verse
C7
3fr
                
3. Broth - er bought a co - co - nut, he bought it for the dime. His sis - ter
4
Sorgdal
D.S. al Coda 1
                
(take 1st lyrics)
had an - oth - er one, she paid it for the lime. She put the
 Coda 1
       
      
Doc - tor, now let me get this straight.” 4.You put the
  Chorus
C7
3fr
               
lime in the co - co - nut, you drink ’em both up, put the
lime in the co - co - nut, and drink ’em both to - geth - er, put the
             
lime in the co - co - nut, you drink ’em both up, the
lime in the co - co - nut, then you feel bet - ter. Put the
To Coda 2 
              
lime in the co - co - nut, you drink ’em both up, put the
 
lime in the co - co - nut, drink ’em both down, put the
up,
5
Sorgdal
          
1.
     
lime in the co - co - nut, you’re such a sil - ly wom - an. Put a
lime in the co - co - nut, and
2. Refrain
C7
3fr
      
       
call me in the morn - ing. Woo, woo, woo, woo, if there’s
woo, woo, woo, if there’s
          
  

noth - ing you can take, I said, woo, woo, woo, woo, to re -
noth - ing I can take.” I say, woo, woo, to re -
1. 2.

               

lieve your bel - ly ache. You say, “Well, lieve your bel - ly ache. You say, ”Yeah,
 
         
 
if there’s noth - ing I can take.” I say, wow,
da, if there’s noth - ing I can take. I say, dat,
da, if there’s noth - ing I can take. I say, dat,
6
Sorgdal
 
1., 2.

           

wow, to re - lieve this bel - ly ache. I say, dat,
da, if there’s noth - ing I can take, I say dat,
 
D.S.S. al Coda 2
       
3.
  
(take 2nd lyrics)
 
da. You’re such a sil - ly wom - an. Put the
 Coda 2
       

lime in the co - co - nut and
Outro
C7
3fr
             

call me in the morn - ing. Yes, you call
                
me in the morn - ing, when you call me in the morn - ing, I’ll tell
                 
Repeat and fade
you what to do. If you call me in the morn - ing, I’ll tell
7
Sorgdal
Sitting, Wishing, Waiting
Words & Music by Jack Johnson
Am Am7 G G7 F F7 C C6
               
Well
$
Am Am7 G G7
       
I was sit - ting, wait - ing, wish - ing, you be - lieved in su - per - sti - tions,
Well if I was in your po - sition I’d put down all my am - mi - nu - tion, I’d
F F7 C C6
       
then may - be you’d see the signs. But
won - der why it’d ta - ken my so long. Well
Am Am7 G G7
       
Lord knows that this world is cruel and I ain’t the Lord no I’m just a
Lord knows that I’m not you and if I was I would - n’t be so cruel.
F F7 C C6
       

fool, and that lov - in’ some - bo - dy don’t make them love you.
Must I
’cause wait - ing on love ain’t so ea - sy to do.
E7 Am Am7 Am Am7
               
al - ways be wait - ing, wait - ing on you? Must I
© Copyright 2005 Bubble Toes Publishing, USA. Universal/MCA Music Limited.

All rights in Germany administered by Universal/MCA Music Publ. GmbH.
Sorgdal
To Coda Ø
E7 Am Am7 Am Am7
               
al - ways be play - ing, play - ing your fool?
Am Am7 G G7
       
Sing ya songs I dance a dance, I gave your friends all a chance,
F F7 C C6
       
put - ting up with them was - n’t worth nev - er hav - ing you. And
Am Am7 G G7
       
may - be you’ve been through this be - fore, but it’s my first time so please ig - nore
F F7 C C6
       
the next few lines ’cause they’re di - rec - ted at you. I can’t
E7 Am Am7 Am Am7
               
al - ways be wait - ing, wait - ing on you. I can’t
E7 Am Am7 Am Am7
               
al - ways be play - ing, play - ing your fool.
2
Sorgdal
C E7
       
I keep play - ing your part, but it’s not my
F G7 C
           
scene. You want this plot to twist I’ve had e - nough mys - te - ry. Keep build - ing it
E7 F G7
           
up, then shoot - ing me down. But I’m al - rea - dy down just wait a min - ute.
               
Just sit - ting, wait - ing. Just wait a min - ute.
D.S. al Coda
               
Just sit - ting, wait - ing.
Ø Coda
Am Am7 E7 Am Am7 Am Am7
         

No I can’t al - ways be wait - ing, wait - ing on you. I can’t
E7 Am E7 Am
                   
al - ways be play - ing, play - ing your fool. Fool mm - mmm.
3
Sorgdal
Take Me Out to the Ball Game
Words by Jack Norworth
Music by Albert von Tilzer
First note
Brightly
C G7
        

Take me out to the ball game,
C G7
        

take me out with the crowd.
A7 Dm
         
Buy me some pea - nuts and crack - er - jack,
D7 G7
           
I don’t care if I nev - er get back. Let me

1
Sorgdal
C G7
      
  
root, root, root for the home team, if
C7 F
       
 
they don’t win it’s a shame. For it’s
F#dim C
        
one, two, three strikes, you’re out at the
D7 G7 C
      
old ball game.
2
Sorgdal
The Banana Boat Song
Traditional
         
Day Oh Day Oh
D7 G
        
Day - light come an’ me wan’ go home.
D7

       
1. Come Mis - ter Tal - ly - man, tal - ly me ba - na - na
G D7 G
        
Sorgdal
G

       

2. Six foot, sev - en foot, eight foot bunch!
3. 'Neath the love ly ripe ba - na - na
4. Some men work some men make love.
D7 G
       
       

Six foot, sev - en foot, eight foot bunch!
Hides the scar - y black ta rant'la
We load ba - na - nas while the moon a - bove
D7 G
       
2
Sorgdal
You’re Beautiful
Words and Music by James Blunt, Sacha Skarbek and Amanda Ghost
First note
Intro
Eb Bb
     
        
3rd time only: My life is bril - liant…
1., 2. 3.
Cm Ab Ab
3fr 3fr 3fr
   
  
 Verse
Eb Bb
           
 
   
1. My life is bril - liant; my love is pure.
my eye as we walked on by. She could
Cm Ab
3fr 3fr
         
         
I saw an an - gel, of that I’m sure. She smiled
see from my face that I was fly - ing high. And I
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Sorgdal
Eb Bb
     
3 6
             

at me on the sub - way. She was with an - oth - er man; but I
don’t think thatI’ll see her a - gain, but
Cm
3fr

3
               
won’t lose no sleep on that, ’cause I’ve got a plan.
we shared a mo - ment that will last till the end.
Chorus
Ab Bb Eb
3fr
     
        
 
You’re beau - ti - ful, you’re beau - ti - ful,
Ab Bb Eb
3fr
         
         
you’re beau - ti - ful, it’s true. I saw
Ab Bb Eb Bb Cm
3fr 3fr
   
               
    
your face in a crowd -ed place, and I
2
Sorgdal
Ab Bb Cm
To Coda 
3fr 3fr
      
         
don’t know what to do, ’cause I’ll nev -
Ab Bb Eb
3fr
        
     
- er be with you.
D.S. al Coda
Bb Cm Ab
3fr 3fr
   
      
2. Yeah, she caught
 Coda
Ab Bb Eb
3fr
        
     
- er be with you.
3
Sorgdal
Bridge
Ab Cm Ab Cm
3fr 3fr 3fr 3fr
              

La, la, la, la. la, la, la, la.
Ab Cm Fm Bb
3fr 3fr 3fr
          
 
La, la, la, la, la.
Outro-Chorus
Ab Bb Eb
3fr
          
       
You’re beau - ti - ful, you’re beau - ti - ful,
Ab Bb Eb
3fr
     
    
        
you’re beau - ti - ful, it’s true. There must
4
Sorgdal
Ab Bb Eb Bb Cm
3fr 3fr
   
                
  
be an an - gel with a smile on her face when she
Ab Bb Eb Bb
3fr
      
 
3


3
   
thought up that I should be with you.
Cm Ab Bb
3fr 3fr
          

      
But it’s time to face the truth:
Cm Ab Bb Eb
3fr 3fr
             
       
I will nev - er be with you.
5
Sorgdal
I’m Yours
Words and Music by Jason Mraz
First note
3 
Intro __
Moderately slow q = 76   =   
B F# G#m E
 
          
1. Well,
 Verse B
      
         
you done done me in; you bet I felt it. I
way too long check - ing my tongue in the mir - ror and
F#
 
              
 
tried to be chill, but you’re so hot that I melt - ed. I
bend - ing o - ver back - wards just to try to see it clear - er. But
G#m
 
         
fell right through the cracks. Now I’m
my breath fogged up the glass, and so I
Copyright © 2008 Goo Eyed Music (ASCAP)

Sorgdal
E
      
        
try - ing to get back. Be - fore the
drew a new face and I laughed. I
   
           
cool done run out, I’ll be giv - ing it my best - est, and
guess what I’ll be say - ing is there ain’t no bet - ter rea - son to
F#
 
              

noth - ing’s gon - na stop me but di - vine in - ter - ven - tion. I
rid your - self of van - i - ties and just go with the sea - sons. It’s
G#m
      
      
reck - on it’s a - gain my turn to
what we aim to do. Our
E
To Coda 
     
     

win some or learn some.
But
name is our vir - tue.
2
Sorgdal
Chorus
B F#
          
          

I won’t hes - i - tate no more, no
G#m E
        
       
 
more. It can - not wait. I’m yours.
B F# G#m E
 
     
Verse
B
      

       

2. Well, o - pen up your mind and see like me.
F#
           
   
O - pen up your plans and damn, you’re free.
3
Sorgdal
G#m E
                
  
Look in - to your heart and you’ll find love, love, love, love.
               
 
Lis - ten to the mu - sic of the mo - ment; peo - ple dance and
F#
         
  
sing. We’re just one big fam - i - ly
G#m
  
             
and it’s our god - for - sak - en right to be loved,
E C#7 µ
 
     
   

  
loved, loved, loved, loved. So
4
Sorgdal
Chorus
B F#
                
     
G#m E
        
         
more. It can - not wait. I’m sure. There’s no
B F#
            
    
need to com - pli - cate. Our time is
Interlude
G#m E B F#
      
          

short. This is our fate. I’m yours. Scat sing…
G#m F# E
                
  
Skooch on o - ver clos - er, dear, and I will nib - ble your ear.
5
Sorgdal
C#7 B F#
 
       
Scat sing…
D.S. al Coda
G#m F# E C#7
    
     
3. I’ve been spend - ing
 Coda
Breakdown-Chorus
B F#
               
   
   
G#m E
      
         
more. It can - not wait. I’m yours.
6
Sorgdal
Chorus
B
      
       
  
O - pen up your mind and see like me.
(I won’t hes - i -
F#
 

             
   
  

O - pen up your plans and, damn, you’re free.
tate no more, no
G#m

             
     
Look in - to your heart and you’ll find that
more. It can - not
         
  


 


the sky is yours. So
wait. I’m sure. No
7
Sorgdal
B

3
         
    

please don’t, please don’t, please don’t… There’s no
need to com - pli -
F#
3 3
          
  
 
 
need to com - pli - cate ’cause our time
cate. Our time is
G#m
             
   
 
is short. This is, this is, this is our
short. This is our
E C#7 µ
         
       
 
fate. I’m yours. Scat sing…
fate. I’m yours.
Outro
Repeat and fade
B F# G#m E
      
  
8
Sorgdal
Silver Bells
from the Paramount Picture THE LEMON DROP KID
Words and Music by Jay Livingston and Ray Evans
First note
C Em C7
Moderately
 
     

   
1. Cit - y side - walks, bus - y side - walks dressed in
street lights, e - ven stop lights blink a
F A Dm G7
         
hol - i - day style; in the air there’s a
bright red and green, as the shop - pers rush
C
    
      
feel - ing of Christ - mas. Chil - dren
home with their trea - sures. Hear the
C7 F
    
      
laugh - ing, peo - ple pass - ing, meet - ing smile af - ter
snow crunch, see the kids bunch, this is San - ta’s big
D7 G7
        

smile, and on ev - ’ry street cor - ner you
scene, and a - bove all the bus - tle you
Copyright © 1950 (Renewed 1977) by Paramount Music Corporation

Sorgdal
C Cmaj7 C7
  
  


hear:
hear: Sil - ver bells,
F G7

         
sil - ver bells, it’s Christ - mas time in the
C Cmaj7 C7
   
  

cit - y. Ring - a - ling,
F G7
          
hear them ring, soon it will be Christ - mas
1.
C Em7 Dm7 G7
3fr

      
day. 2. Strings of
2.
C Fmaj7 G7 C
5fr 3fr 3fr
    
day.
2
Sorgdal
Last Kiss
Words and Music by Wayne Cochran
First note
 Chorus
Moderately q = 110
G Em

              
Oh, where, oh, where can my ba - by be?
C D Dsus2
   
           
The Lord took her a - way from me.
G Em
  
             

She’s gone to heav - en so I got to be good. So
C D To Coda 2 
 
            

I can see my ba - by when I leave this
To Coda 1 
Verse
G µ G
         
   
world. 1. We were out on a date in my
2. When
Copyright © 1961, 1964 by Fort Knox Music Inc. and Bug Music-Trio Music Company
Copyright Renewed
Sorgdal
Em C Dsus4 D Dsus2
           
       
dad - dy’s car, we had - n’t driv - en ver - y far.
G Em C
                  

There in the road, straight a - head a car was stalled, the
Dsus4 D Dsus2 G

              
en - gine was dead. I could - n’t stop so I
Em C
        
        
swerved to the right. I’ll nev - er for - get the
Dsus4 D Dsus2 G

             
 

sound that night. The scream - in’ tires, the
Em C
        
        
bust - in’ glass, the pain - ful scream that
2
Sorgdal
Dsus4 D Dsus2 G µ D.S. al Coda 1
     
      
I heard last. Oh,
 Coda 1
G Em
        
    
I woke up the rain was pour - in’ down,
C Dsus4 D Dsus2

            
there were peo - ple stand - in’ all a - round.
G Em
    
 

       

Some - thin’ warm flow - in’ through my eyes, but
C Dsus4 D Dsus2
         
       

some - how I found my ba - by that night. I
3
Sorgdal
G Em
     
         

lift - ed her head, she looked at me and said,
C Dsus4 D Dsus2
           
  
“Hold me dar - lin’, just a lit - tle while.” I
G Em
      
          

held her close, I kissed her our last kiss, I
C Dsus4 D Dsus2

             
found the love that I knew I had missed. Well,
G Em
            
  
now she’s gone e - ven though I hold her tight. I
D.S. al Coda 2
C Dsus4 D Dsus2 G µ
     
           
lost my love, my life that night. Oh,
4
Sorgdal
 Coda 2 Outro
G µ G
     
   
world. Oo,
Em C D Dsus2
           
  
oo. Oo,
G Em C
        
  
oo, oo.
D Dsus2 G Em
            
  
Oh, oh,
C D Dsus2 G
             

oh. Oh, oh,
Em C D G
    
      
rit.
yeah. Ah.
5
Sorgdal
Time in a Bottle
Words and Music by Jim Croce
First note
Intro
Tempo
A‹ G#º A‹7
 
  
           
       
0 3 0

0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0
2 1 0
A‹6 F

 
      
        
0 0

2 0 0 1 0 1 0
0 0 0 0 0 0 2 0 2 2
2 2
EÞ D‹6 D‹7 EÞ
 
 
     
1. If
5 3 2

0 2 4
1 2 4 4 2 1
© 1971 (Renewed 1999) TIME IN A BOTTLE PUBLISHING and CROCE PUBLISHING

All Rights Controlled and Administered by EMI APRIL MUSIC INC.
Sorgdal
Verse
A‹ G#º

        
I could save time in a
2. I could make days last for -
A‹7 F#º D‹6
     



   
bot - tle, the first thing that
ev - er, if words could make
D‹ D“2 EÞ A‹ G#º C
             
I’d like to do is to save ev - ’ry day ’til e -
wish - es come true, I’d save ev - ’ry day like a
F D‹ A‹ D‹7
            
ter - ni - ty pass - es a - way just to spend them with
treas - ure and then a - gain I would spend them with
1. 2.
D“2 EÞ EÞ
 
    

  
you. If
you. But there
2
Sorgdal
 Bridge
A C#‹7 F#‹
 
              
 
nev - er seems to be e - nough time to do the things you
A D A B‹7 EÞ

4fr
       
     
want to do once you find them. I’ve
A C#‹7 F#‹ A
  
                    
looked a - round e - nough to know that you’re the one I want to go through
D A B‹7
To Coda  EÞ
  
4fr
               
  
time with. 3. If
0 2 0 2 0 0 2 0 2 0

0 2 0 2
1 2
2 2 1 2
3
Sorgdal
Verse
A‹ G#º A‹7 F#º D‹6
          
    
I had a box just for wish - es and dreams that had
D‹ D“2 EÞ A‹ G#º A‹7
                  
nev - er come true. the box would be emp - ty ex - cept for the
D.S. al Coda
D‹ A‹ D‹6 EÞ EÞ

4fr
             
mem - ’ry of how they were an - swered by you. But there
 Coda A‹9
EÞ A‹
4fr
         
Play 3 times Pluck
       
   
pp
 0 2 3 0 2 3 0  2

0
1
2
2
4
4
 0
0
2
 0
0
2
4
Sorgdal
All Along the Watchtower
Words and Music by Bob Dylan
First note
Moderately
 Intro
G Am G F
 2 2 0  0 0 0  2 2 0

3
2
3
2
0
0  0
0
0
0
0
0
3
2
3
2
1
0

0 0 2 2 2 2 0 0 2

1., 2., 3. 4.
To Coda
G Am G Am
0 0 0  2 2 0  0 0 0  2 2 0
1
0
2
1
0
2
1
0
2
3
2
0
3
2
0
0
0
2
 1
0
2
1
0
2
1
0
2
3
2
0
3
2
0
0
0
2
Verse
Am G F G
             
1. There must be some kind of way out - ta here,
3. Instrumental solo
Am G F G Am G
                
said the jok - er to the thief. There’s too much con - fu - sion.
F G Am G F G
         
I can’t get no re - lief.
Copyright © 1968, 1985 Dwarf Music

Sorgdal
Am G F G
     
    
Busi - ness men, they drink my wine.
Am G F G
 
      
Plow men dig my earth.
Am G F G
       
     
None will lev - el on the line,
1., 2., 3.
Am G F G
            
no - bod - y of it is worth.
4. D.S. al Coda
(take repeats)
 Coda
F G Am Am
0
1
0
1
0
1  2
3
2
3
0
0
0
0
0
0
0
0  
0 0 0 2 2 0 0 0 0
2 2 2 0 0 2 2 2 2
Additional Lyrics
2. No reason to get excited, the thief, he kindly spoke.
There are many here among us who feel that life is but a joke.
But you and I, we’ve been through that, and this is not our fate.
So let us not talk falsely now; the hour’s gettin’ late.
4. Well, all along the watchtower, princes kept the view

While all the women came and went, barefoot servants too.
Outside in the cold distance, a wild cat did growl.
2 Two riders were approachin’, and the wind began to howl.
Sorgdal
Fire
Words and Music by Jimi Hendrix
First note
 Intro
Moderately fast Rock
      
µ
 
4 3 1 3 4 3 1 3
3 3
         
µ(G)
3 3 1 3 3 1 3 3
  
2 2
Verse
 
µ(G)
                  

1. You don’t care for me, I don’t a care a - bout that. You
     
 
1 3
 3 1 3

2 2
              
got a new fool, I like it like that.
3      1 3

2
Copyright © 1967, 1968, 1980 by EXPERIENCE HENDRIX, L.L.C.

Copyright Renewed 1995, 1996
All Rights Controlled and Administered by EXPERIENCE HENDRIX, L.L.C.
Sorgdal
               
I have on - ly one a burn - ing de - sire:
3      1 3

2

            
let me stand next to your fire!
3    1 1 1 3 5 3

2 4 4
Chorus
w/Lead Voc. ad lib.
G F G F

                  
 
(Let me stand next to your fire! Let me stand next to your
G F
     
        
fire! Let me stand next to your
G F
     
        
fire! Let me stand next to your
2
Sorgdal
1.

µ(G)
      
fire!)
  1 3 3      1 3

2 2
2. D.S. al Coda
(take 1st ending)

       
To Coda µ
   
 
2. You say your fire!)
      4
3 1 3


2
 Coda
  
  1 3 3   

2
Additional Lyrics
2. You say your mum ain’t home; it ain’t my concern.

Just a play with me, and you won’t get burned.
I have only one a itching desire:
Let me stand next to your fire.
3. You try to gimme your money; you better save it babe.

Save it for your rainy day.
I have only one a burning desire:
Let me stand next to your fire.
3
Sorgdal
Foxey Lady
Words and Music by Jimi Hendrix
First note
Intro
Moderate Rock
Am7 D
  
     
 
Whispered: Fox - ey!


0 3 3 0 3 3 0 3 0 0

3 3 3 3 3 2 2
0 2 2 2
2 2 2 2
Am7 D
 
    
 
Fox - ey!
0 3 3 0 3 3 0 3 0 0
3 3 3 3 3 2 2
0 2 2 2
2 2 2 2
Verse
Am7 D
       
            
1. You know you’re a cute lit - tle heart break - er.
 
 0 3 3 0 3 3 0 3 0 0
 2
3 3
2
3 3
2
3
2
0 2
2
2
2
2

Sorgdal
Am7 D
 
   

Fox - ey!
0 3
 3 0 3
 3 0 3
3 3 3 3 3
0 1 2 3
2 2 2 2
Am7 D
             
   
And you know you’re a sweet lit - tle love mak - er.
0 3
 3 0 3
 3 0 3 0 0
3 3 3 3 3 2 2
0 2 2 2
2 2 2 2
Am7 D
 
    
Fox - ey!
0 3
 3 0 3
 3 0 3
3 3 3 3 3
0 1 2 3
2 2 2 2
2
Sorgdal
 Chorus
A G D A
           
     

1. I wan - na take you home. I won’t do you no harm.
To Coda 
G D A G D
          
       
You’ve got to be all mine.
A µ Am7
     
  
Fox - ey la - dy!
 
 

0 0 3 3 0 3 3
0 3 3 3 3
 
1 4 0 4 0
2 2 2
2nd time, D.S. al Coda

D Am7 D
   

 
    
Fox - ey! Fox - ey!
0 3 0 3
 3 0 3
 3 0 3 0 0 
2
3
2
0 1 2 3
2
3 3
2
3 3
2
3
2
2 2
0 2 2 2 
3
Sorgdal
 Coda A µ Am7
  
      
 
Fox -ey la - dy!
0
0   0 0
5 5 5 5
3 3
0
3
0
3
0 3
3
3
3
0 3
3
3
3
1
2 2 2
D Am7
0 3 0 0 0 3
 3 0 3
 3
3 2 2 3 3 3 3
0 2 2 2
2 2 2 2
D Am7
0 3 0 0 0 3
 3 0 3
 3
3 2 2 3 3 3 3
0 2 2 2
2 2 2 2
D Am7 D
   
3 3 3 0
2
0 3 0 0 0 3 0 3 0 3
3 2 2 3 3 3 3 3 3
0 2 2 2 2

2 2 2 2 2 2
Additional Lyrics
2. I see you come down on the scene. Foxey!

You make me wanna get up and scream! Foxey!
Chorus 2 I’ve made up my mind.

I’m tired of wasting all my precious time.
Foxey lady!
Chorus 3 I’m gonna take you home.

I won’t do you no harm.
4
Foxey lady!
Sorgdal
Hey Joe
Words and Music by Billy Roberts
First note
Intro
Moderately slow Rock   
3 
  =   
3
µ(D)

 
3  5 3 0 3 3 2
5  3 1 2 1 1 0
2 2 2 2 2
0 0 3 3
2 3 5 3 5 5
2 2
 Verse
Bb F C G
  
               
1. Hey Joe, where you go - in’ with that
D Bb F
   
         
 

gun in your hand? Hey Joe,
C G D
    
              

I said where you go - in’ with that gun in your hand?
© 1962 (Renewed) by THIRD PALM MUSIC

All Rights Administered by BMG PLATINUM SONGS (BMI)
Sorgdal
Bb F

             
6

I’m go - in’ down to shoot my old la - dy,
C G D

             
 
 

you know I caught her mess - in’ ’round with an - oth - er man.
Bb F

            
5
 
I’m go - in’ down to shoot my old la - dy,
C G

            
you know I caught her mess - in’ ’round with an -
D
3rd time, To Coda 
 
    

oth - er man.
Interlude
Bb F C G
1 0 1 2 3 2 3 4
0 1 0 1 2 3
2 3
2
Sorgdal
D
D.S. al Coda
(no repeat)
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
 Coda
Outro
Bb F C G
1 0 1 2 3 2 3 4
0 1 0 1 2 3
2 3
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
Bb F C G D
rit.

0
1 0 1 2 3 2 3 4 5
0 1 0 1 2 3 2
2 3 2
2
Additional Lyrics
2. Hey Joe, I heard you shot your woman down.

Hey Joe, I heard you shot your old lady down, shot her down in the ground.
Yes I did, I shot her; you know I caught her messin’ ’round, messin’ ’round town.
Yes I did, I shot her; you know I caught my old lady messin’ ’round town.
3. Hey Joe, where you gonna run to now?

Hey Joe, I said, where you gonna run to now?
I’m goin’ way down south, way down to Mexico way.
I’m goin’ way down south, way down where I can be free.
3
Sorgdal
Purple Haze
First note Words and Music by Jimi Hendrix
Intro
Moderate Rock
µ


6 6 6 6 3

3
3 3 3 3 4 2
       
3
3
0
3  5  3
3

3
3
0
3  5 5
 3  5

4 2
3 5 5  7 3  3 0
 5
3 5 73 5 3
3

2 0 0 2
 A7#9 C
 D7
0    
4
3 3 5 5
 
Verse
A7#9 C D7
        
       
1. Pur - ple haze all in my brain.
A7#9 C D7
      
    
Late - ly things, they don’t seem the same.
Copyright © 1967, 1980 by EXPERIENCE HENDRIX, L.L.C.

Copyright Renewed 1995
Sorgdal
A7#9 C D7
        
    
Act - ing fun - ny, but I don’t know why.
A5 µ
         
  
’Scuse me while I kiss the sky.
0
0    7 5 3
X X X
2 4 2 0

1., 2. 3.
   
3 3  3 3
4
3
4
3
 4
3
4
3

Additional Lyrics
2. Purple haze all around.

Don’t know if I’m coming up or down.
Am I happy or in misery?
Whatever it is, that girl put a spell on me.
3. Purple haze all in my eyes.

Don’t know if it’s day or night.
You’ve got me blowing, blowing my mind.
Is it tomorrow or just the end of time?
2
Sorgdal
Red House
Intro
Moderately slow Blues
A7

 
4 4 4 4 4 4
3 3 3 3 3 3
4 4 4 4 4 4
Aº7 A µ
3
2
3
2
3
2
3
2
3
2
3
2
0
0   3 5
 3 5
 3 5


3 3 3 3 3 3 1
2
 
      
1. There’s a
0 0 2 0
3 5 3 3 0 3 0 3 0
4 2 4
Verse
A7 D7
                  
     
red house o - ver yon - der, that’s where my ba - by stays.
A7 D7
          
      
Lord, there’s a red house o - ver yon - der,
Sorgdal
A7
     
   

Lord, that’s where my ba - by stays.
E7

              

I ain’t been home to see my ba - by
D7
           
    
in nine - ty nine and one - half days.
1., 2.
A7 E7

        
2. Wait a
3.
µ(A7) Bb7 A7
3fr

   
0
0 2 0 0 2 4 0 2 0 0 2 4 5 4
0 2 2 0 4 3


2 4 5 4
3 2
Additional Lyrics
2. Wait a minute, something’s wrong here; the key won’t unlock this door.
Wait a minute, something’s wrong; Lord have mercy, this key won’t unlock this door.
I have a bad, bad feeling that my baby don’t live here no more.
3. Well, I might as well go back over yonder, way back among the hills.
Lord, I might as well go back over yonder, way back yonder ’cross the hill.
’Cause if my baby don’t love me no more, I know her sister will.
2
Sorgdal
The Wind Cries Mary
Intro
Freely
F5 F#5 G5 F F# G

 0 0
1 2 3 1 2 3
 
0 1 2 0 1 2
 
0 2 1 3 2 4
F5 F#5 G5 F F# G
5 7 5
1
0

2
1
3
2

0 1
0
0

2
2
1
1 3
3
2
2 4

3 5 7 7
Verse
Moderately slow Rock
D C G
          
          
1. Af - ter all the jacks are in their box - es, and the
2., 3., 4. See additional lytics
D C G
          
   
clowns have all gone to bed, you can hear
D C G
   
           
hap - pi - ness stag - ger - ing on down the street,

Sorgdal
A C F5 F#5 G5 A C
 
               
   
foot - prints dressed in red. And the wind whis - pers
1., 2., 3.
F5 F#5 G5 F F# G
  
    

Mar - y.
5 7 5
1 2 3
0 1 2 3 3 7 7

5
 
0 1 2 0 1 2
 
0 2 1 3 2 4
4.
F F# G F5 F#5 G5 F F# G

   

rit.
1
0
0 2

1
2
1
3
3
2
2

4
X
X
X
1

0
2
1
3

2 0 1
0
0

2
2
1
1 3
3
2
2

4 0
Additional Lyrics
2. A broom is drearily sweeping up the broken pieces of yesterday’s life.

Somewhere a queen is weeping; somewhere a king has no wife.
And the wind, it cries Mary.
3. The traffic lights, they turn blue tomorrow and shine their emptiness down on my bed.
The tiny island sags downstream ’cause the life that lived is dead.
And the wind screams Mary.
4. Will the wind ever remember the names it has blown in the past?
And with its crutch, its old age, and its wisdom, it whispers, “No, this will be the last.”
And the wind cries Mary.
2
Sorgdal
You Are My Sunshine
Words and Music by Jimmie Davis
First note
Verse
__  3
Moderately fast q = 144   =   
D
          
  
1. The oth - er night, dear, as I lay
(2.) love you and make you
(3.) once, dear, you real - ly
D7 G
      
    

sleep - ing, I dreamed I held you in my
hap - py if you will on - ly say the
loved me and no one else could come be -
D D7 G
         
 

arms. When I a - woke, dear, I was mis -
same. But if you leave me to love an -
tween. But now you’ve left me and love an -
D A7
         

tak - en and I hung my head and
oth - er, you’ll re - gret it all some
oth - er, you have shat - tered all my
Copyright © 1940 by Peer International Corporation

Copyright Renewed
Sorgdal
Chorus
D D
          
 

cried.
day. You are my sun - shine, my on - ly
dreams.
D7 G
       
    

sun - shine, you make me hap - py when skies are
D D7 G
          


gray. You’ll nev - er know, dear, how much I
D A7
          

love you. Please don’t take my sun - shine a -
D 1., 2. 3.
      
 
 3.
2. I’ll al - ways
way.
You told me
2
Sorgdal
Imagine
Words & Music by John Lennon
                

F C

           
1. I - ma - gine there’s no hea - ven, it’s ea - sy if you try.
2. I - ma - gine there’s no coun - tries it is - n’t hard to do.
F C F
           
No hell be - low us
No - thing to kill or die for
C F Am Dm7 F
               
a - bove us on - ly sky. I - ma - gine all the peo - ple,
and no re -li - gion too. I - ma - gine all the peo - ple,
1. 2.
G G7 G G7

               
liv - ing for to - day. Ah ah ah. liv - ing life in peace. You,
F G C E7 F G C E7
               
you may say I’m a dream - er, but I’m not the on -ly one.
© Copyright 1971 Lenono Music.

Sorgdal
F G C E7 F G C
               
I hope some - day you’ll join us, and the world will be as one.
F C F
               
3. I - ma - gine no pos - ses - sions, I won - der if you can
C F C F
               
No need for greed or hun - ger, a bro - ther - hood of man.
Am Dm7 F G G7
               
I - ma - gine all the peo - ple, shar - ing all the world. You,
F G C E7 F G C E7
               
you may say I’m a dream - er, but I’m not the on -ly one.
F G C E7 F G C
               
I hope some - day you’ll join us, and the world will live as one.
2
Sorgdal
I Walk The Line
Words & Music by Johnny Cash
$
C7 F
                    
1 & 5. I keep a close watch on this heart of mine, I keep my
C7 F
               
eyes wide op - en all the time. I keep the
Bb F
               
ends out for the tie that binds. Be - cause you’re
C7 F
To Coda Ø
               
mine I walk the line.
Bb
1. 2.
 
                   
2. I find it
F7 Bb
               
ve - ry ve - ry ea - sy to be true. I find my -
F7 Bb
               
- self a - lone when each day is through. Yes, I’ll ad -
© Copyright 1956 Hill And Range Songs Incorporated/Unichappell Music Incorporated, USA.
Carlin Music Corporation.
Sorgdal
Eb Bb
               
- mit that I’m a fool for you, be - cause you’re
F7 Bb
               
mine, I’ll walk the line.
Eb
                   
3. As sure as
Bb7 Eb
               
night is dark and day is light, I keep you
Bb7 Eb
               
on my mind both day and night. And hap - pi -
Ab Eb
               
- ness I’ve known proves that it’s right, Be - cause you’re
Bb7 Eb
               
2
Sorgdal
Bb
1. 2.
 
       
4. You’ve got a
F7 Bb
               
way to keep me on your side, you give me
F7 Bb
               
cause for love that I can’t hide. For you I
Eb Bb
               
know I’d ev - en try to turn the tide. Be - cause you’re
F7 Bb
               
1. 2.
D.S. al Coda
 
     
5. I keep a
Ø Coda
F
               
line.
3 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
A Holly Jolly Christmas
First note
Moderately bright
C C#º7

              

Have a Hol - ly Jol - ly Christ - mas, it’s the best time of the
G7 Gº7
    
     

year. I don’t know if there’ll be snow but
G7 C
       
   
have a cup of cheer. Have a Hol - ly Jol - ly
C#º7 G7

            

Christ - mas and when you walk down the street, say hel - lo to
Gº7 G7 C
       
  
friends you know and ev - ’ry - one you meet.
Copyright © 1962, 1964 (Renewed 1990, 1992) St. Nicholas Music Inc., 1619 Broadway, New York, New York 10019
Sorgdal
F Em Dm G7 C Gº7
      
     
Oh. ho, the mis - tle - toe hung where you can see.
Dm E7 Am D7
  
        
Some - bod - y waits for you; kiss her once for
G7 C
       
    
me. Have a Hol - ly Jol - ly Christ - mas, and in
C#º7 G7
          

case you did - n’t hear. Oh, by gol - ly have a
1.
C D7 G7 C
       
    
Hol - ly Jol - ly Christ - mas this year. Have a
2.
D7 G7 C F G7 C
     

Christ - mas this year.
2
Sorgdal
Rudolph the Red-Nosed Reindeer
First note
Moderately
C
  
             
Ru -dolph the red - nosed rein - deer had a ver - y shin - y
G7
 
        
nose, and if you ev - er saw it,
  
           
you would e - ven sat it glows. All of the oth - er
G7
         
rein - deer used to laugh and call him names;
   
          
they nev - er let poor Ru - dolph join in an - y rein - deer
Copyright © 1949 (Renewed 1977) St. Nicholas Music Inc., 1619 Broadway, New York, New York 10019
Sorgdal
C C7 F F#º7 C C#º7
        
games. Then one fog - gy Christ - mas Eve,
Dm7 G7 C G
        

San - ta came to say, “Ru - dolph, with your
G#º7 Am D7 G7
           
nose so bright, won’t you guide my sleigh to - night?”
   
           
Then how the rein - deer loved him as they shout - ed out with
G7
 
        
glee: “Ru - dolph, the red - nosed rein - deer,
Gº7 G7 C F G7 C
  
     
you’ll go down in his - to - ry!”
2
Sorgdal
No Air
Words and Music by James Fauntleroy II, Steven Russell,
Harvey Mason, Jr., Damon Thomas and Erik Griggs
First note
Intro
Moderately, in 2
        
µ
   
Tell me how I’m s’posed to breathe with no
G
         
       
air, air, air.
F Am
               
   
Verse
C G
 
          
   
F 1. Female: If I should die
2. Male: I walked, I ran,

            
     
be - fore I wake, it’s ’cause you took my breath a - way.
I jumped, I flew right off the ground to float to you.
Copyright © 2007 ALMO MUSIC CORP., UNDERDOG WEST SONGS, STRANGE MOTEL MUSIC, IRVING MUSIC, INC., UNDERDOG EAST SONGS,
UNIVERSAL MUSIC - MGB SONGS, T & ME MUSIC, EMI APRIL MUSIC INC. and DEMIS HOT SONGS
All Rights for UNDERDOG WEST SONGS and STRANGE MOTEL MUSIC Controlled and Administered by ALMO MUSIC CORP.
All Rights for UNDERDOG EAST SONGS Controlled and Administered by IRVING MUSIC, INC.
All Rights for T & ME MUSIC Controlled and Administered by UNIVERSAL MUSIC - MGB SONGS
All Rights for DEMIS HOT SONGS Controlled and Administered by EMI APRIL MUSIC INC. 1
Sorgdal
Am C

                
Los - ing you was like liv - ing in a world with no air,
There’s no grav - i - ty G to hold me down for real.
   
            
 
oh, oo. Male: I’m here a - lone, did - n’t want to leave.
Female:But some - how I’m still a - live in - side.
F Am
              
    
My heart won’t move, it’s in - com - plete. Wish there was a way
You took my breath, but I sur - vived. I don’t know how,
C
      
       

- - stand.

that I could make you un der Female: But
but I don’t e - ven care. Both: So
Pre-Chorus
G F
    
          
how do you ex - pect me to
Am
                 

2 live a - lone with just me? ’Cause my world re - volves a -
Sorgdal
Chorus
C G
µ
         
      
 
round you, it’s so hard for me to breathe. Both: Tell me
F
 
               
how I’m s’posed to breathewith no air. Can’t live, can’t breathe with no
Am C
   
 
           
air. That’s how I feel when - ev - er you ain’t there. There’s no
G

        
      
air, no air. Got me out here in the wa - ter so
F Am

   
          
deep. Tell me how you gon’ be with - out me? If you
C
  
            
3
ain’t here, I just can’t breathe. There’s no air, no air.
Sorgdal
G F

  
          
Am No air, air. C No air, air.
     
          
Interlude No air, air. No air, air.
G F

    
Am C
  
   
    
There’sno air, no air.
G F
   

  
Am C
µ
      

4
Oh, oh.
Sorgdal
Outro-Chorus
G F
   
            
Tell me how I’m s’posed to breathe with no air. Can’t
Am

     
        
live, can’t breathe with no air. That’show I feel when - ev - er you ain’t
C G
  
 
          

Both:
there. There’s no air,
F
no air.
Female:
Got me
 
                
 
Both:
out here in the wa - ter so deep. Tell me how you gon’ be with - out
Male:
Am C
   
            
 Female:
Both:
me? If you ain’t here, I just can’t breathe. Both:There’s no
5
Sorgdal
G

   
       
air, no air. No air, air.
1.
F Am
  
    
    
No air, air. But my
                
   
world re - volves a - round you, it’s so hard for me to breathe.
2.
G Am
    
      
 
Tell me No air, air.
C G
 
        
6 No air.
Sorgdal
Don’t Stop Believin’
Words and Music by Steve Perry, Neal Schon and Jonathan Cain
First note
Intro
Moderate Rock
E B C#m7 A
       

       
E B G#m A

            
Verse E B C#m7
 
          
   
1. Just a small - town girl liv - in’ in a
2. Just a cit - y boy born and raised in
A E B
       
          

lone - ly world. She took the mid - night train go - in’
South De - troit. He took the mid - night train go - in’
Copyright © 1981 Lacey Boulevard Music (BMI) and Weed-High Nightmare Music (BMI)
All Rights for Weed-High Nightmare Music Administered by Wixen Music Publishing Inc.
Sorgdal
Interlude
G#m A E B
 
         
  

an - y - where.
an - y - where.
C#m7 A E B
    
       
Verse
G#m A  E
  
           
B C#m7

3. A sing - er in a
5.Some will win,
  
            

smok - y room. The smell of wine and
some will lose, some were born to
A E B
       
3
        
cheap per - fume. For a smile they can share the night. It goes
sing the blues. Oh, the mov - ie nev - er ends; it goes
Chorus
G#m A B A
  
               

2 on and on and on and on. 1., 3. Stran - gers
on
Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed. and on and on and on. 2., 4. Street - light
Sorgdal
B E B E B E
 
     
        
wait - ing up and down the boul - e - vard, their
peo - ple, liv - ing just to find e - mo - tion,
B A 1.B E B E B E
 
           
shad - ows search - ing in the night.

hid - ing
To Coda
2. B E B E B E A
 
        
some - where in the night.
Interlude
E B C#m7 A
            
   
Verse E B C#m7
      
           
4. Work - ing hard to get my fill. Ev - ’ry - bod -y
A E
      
      
wants a thrill. Pay - in’ an - y - thing to 3
Sorgdal
D.S. al Coda
B G#m A (take repeat)
 
            
roll the dice just one more time.
 Coda
Guitar Solo
E B C#m7 A
    

E B G#m A
    

Outro
E B C#m7
      
             
Don’t stop be - liev - in’. Hold on to the
A E
  3
  
        
feel - in’, street - light
B G#m A Repeat and fade
 
3
   
       
4 peo - ple.
Sorgdal
from Israel “IZ” Kamakawiwo’ole - Facing Future
Over the Rainbow/

What a Wonderful World
Over the Rainbow What a Wonderful World
from THE WIZARD OF OZ Words and Music by George David Weiss and Bob Thiele
Music by Harold Arlen
Lyric by E.Y. “Yip” Harburg
C Cmaj7 Am F G F'9 E7 Dm7
3 2 2 2 1 132 2 3 12 3 2213
Tenor ukulele tuning:

(low to high) G-C-E-A
Spoken: ’Kay, this one’s for Gabby.
Intro
Moderately q = 85
C C,7 Am F
Uke
       
      










              
                              
mf
3 3 X 3 3 3 2 2 X 2 2 2 0 0 0 X 0 0 0 0 0 0 X 0 0 0

0 0 X 0 0 0 0 0 X 0 0 0 0 0 0 X 0 0 0 1 1 1 X 1 1 1
0 0 X 0 0 0 0 0 X 0 0 0 0 0 0 X 0 0 0 0 0 0 X 0 0 0
0 0 0 0 0 X 0 0 0 2 2 2 2 2 X 2 2 2
C G Am F'9 F
                                 
          
                                   
  
3 3 3 X 3 3 3 2 2 X 2 2 2 0 0 0 X 0 0 0 0 0 0 0 0 0 0 0 X 0 0 0 0 0 X 0 0 0
0 0 0 X 0 0 0 3 3 X 3 3 3 0 0 0 X 0 0 0 3 3 3 3 3 3 1 1 1 X 1 1 1 1 1 1 X 1 1 1
0 0 0 X 0 0 0 2 2 2 X 2 2 2 0 0 0 X 0 0 0 0 0 0 0 0 0 0 0 0 X 0 0 0 0 0 0 X 0 0 0
0 0 0 0 0 X 0 0 0 2 2 2 2 2 2 2 X 2 2 2 2 2 2 X 2 2 2
C C,7
  

 
     
Oo,
Rhy. Fig. 1
                        
                           
3 3 X 3 3 3 3 3 X 3 3 3 2 2 X 2 2 2 2 2 X 2 2 2
0 0 X 0 0 0 0 0 X 0 0 0 0 0 X 0 0 0 0 0 X 0 0 0
0 0 X 0 0 X 0 0 0 0 0 X 0 0 0 0 0 X 0 0 0
0 0 0 X 0 0 0 0 0 X 0 0 0 0
© 1938 (Renewed) METRO-GOLDWYN-MAYER INC.

© 1939 (Renewed) EMI FEIST CATALOG INC.
All Rights Controlled and Administered by EMI FEIST CATALOG INC. (Publishing) and ALFRED MUSIC PUBLISHING CO., INC. (Print)
Sorgdal
F C
         
 
   
 
oo, hoo, hoo.
End Rhy. Fig. 1
                        
                         
        
0 0 X 0 0 0 0 0 X 0 0 0 3 3 X 3 3 3 3 3 3 3 3
1 1 X 1 1 1 1 1 X 1 1 1 0 0 X 0 0 0 0 0 0 0 0 0
0 0 X 0 0 0 0 0 X 0 0 0 0 0 X 0 0 0 0 0 0 0 0 0
2 2 2 2 2 0 X 0 0 0 0 0 0
F E7
  

    



Oo,
Rhy. Fig. 2 End Rhy. Fig. 2
                      
                        

0 0 X 0 0 0 0 X 0 0 0 2 2 X 2 2 2 2 X 2 2 2
1 1 X 1 1 1 1 X 1 1 1 0 0 X 0 0 0 0 X 0 0 0
0 0 X 0 0 0 0 X 0 0 0 2 2 X 2 2 2 2 X 2 2 2
2 2 2 2 1 1
Am F
 
     

     

oo, hoo, hoo, hoo, hoo, hoo.
                   
                       
0 0 X 0 0 0 0 0 0 0 0 0 X 0 0 0 0 0 0
0 0 X 0 0 0 0 0 0 0 1 1 X 1 1 1 1 1 1
0 0 X 0 0 0 0 0 0 0 0 0 0 X 0 0 0 0 0 0
2 2 2 2 2 2 2 2 2
Verse
Uke: w/ Rhy. Fig. 1
C C,7 F C
         
    
 


 
1. Some - where o - ver the rain - bow, way up high,
2
Sorgdal
F C
   
 

      

and the dreams that you dream of
Rhy. Fig. 3
Uke
                    
                      
    
0 0 X 0 0 0 0 X 0 0 0 3 3 X 3 3 3 3 3 3
1 1 X 1 1 1 1 X 1 1 1 0 0 X 0 0 0 0 0 0 0
0 0 X 0 0 0 0 X 0 0 0 0 0 X 0 0 0 0 0 0 0
2 2 2 2 0 0 0 0 0
G Am F
   

         

 

     
  
  

once in a lul - la - by. I, oh.
End Rhy. Fig. 3
                               
   











                          
2 2 X 2 2 2 2 2 X 2 2 2 0 0 X 0 0 0 0 X 0 0 0 0 0 X 0 0 0 0 X 0 0 0
3 3 X 3 3 3 3 3 X 3 3 3 0 0 X 0 0 0 0 X 0 0 0 1 1 X 1 1 1 1 X 1 1 1
2 2 X 2 2 2 2 2 X 2 2 2 0 0 X 0 0 0 0 X 0 0 0 0 0 X 0 0 0 0 X 0 0 0
0 0 0 0 X 0 0 0 2 2 2 2 2 2
Verse
Uke: w/ Rhy. Fig. 1
C C,7 F
      
          
  
2. Some - where o - ver the rain - bow, blue - birds
Uke: w/ Rhy. Fig. 3

C F C
     
   

     

fly. And the dreams that you dream of,
G Am F
   

           

       
  
dreams real - ly do come true, oo. Some -
3
Sorgdal
 Chorus
C G

                       
day I wish up - on a star, wake up where the clouds are far be -
Rhy. Fig. 4
Uke
                     
         
            
3 3 X 3 3 3 3 3 3 2 2 X 2 2 2 2 2 X 2 2 2
0 0 X 0 0 0 0 0 0 0 3 3 X 3 3 3 3 3 X 3 3 3
0 0 X 0 0 0 0 0 0 0 2 2 X 2 2 2 2 2 X 2 2 2
0 0 0 0 0 0 0 0 0 X 0 0 0
Am F
 

    
  
hind me. Where
End Rhy. Fig. 4
                      
                         
0 0 X 0 0 0 0 X 0 0 0 0 0 X 0 0 0 0 X 0 0 0
0 0 X 0 0 0 0 X 0 0 0 1 1 X 1 1 1 1 X 1 1 1
0 0 X 0 0 0 0 X 0 0 0 0 0 X 0 0 0 0 X 0 0 0
2 2 2 2 2 2
Uke: w/ Rhy. Fig. 4

C G Am
 
            
               
trou - ble melts like lem - on drops, high a - bove the chim - a - ney top, that’s where you’ll
Verse
Uke: w/ Rhy. Fig. 1
F C C,7
     
 
              
 
find me, oh. 3. Some - where o - ver the rain - bow,
Uke: w/ Rhy. Fig. 3

F C F C
    

    
         

 
blue - birds fly. And the dreams that you dare to. Oh
way up high.
4
Sorgdal
To Coda 
G Am F
   

       

          
  
why, oh why can’t I, I? 1. Well, I see
“What a Wonderful World”

Verse
C C,7 F C
      
    
 
trees of green and red ros - es, too.
Rhy. Fig. 5
Uke
                    
                      
  
mf
3 3 X 3 3 2 2 X 2 2 0 0 X 0 0 3 3 X 3 3
0 0 X 0 0 0 0 0 X 0 0 1 1 X 1 1 0 0 X 0 0
0 0 X 0 0 X 0 0 0 0 X 0 0 0 0 X 0 0
0 2 0 0 0
F C E7 Am
      
         
I watch them bloom for me and you. And I
                     
                       

0 0 X 0 0 0 3 3 X 3 3 2 2 X 2 2 0 0 X 0 0
1 1 X 1 1 1 0 0 X 0 0 0 0 X 0 0 0 0 X 0 0
0 0 X 0 0 0 0 0 X 0 0 2 2 X 2 2 0 0 X 0 0
2 0 1 2
F G
    
         
think to my - self, what a won - der - ful
                      

  
          
 
0 0 0 0 0 0 X 0 0 2 2 X 2 2 X 2 2 X 2 2
1 1 1 1 1 3 X 1 1 3 3 X 3 3 X 3 3 X 3 3
0 0 0 0 0 0 X 0 0 2 2 X 2 2 X 2 2 X 2 2
2 0 0 0 0 0 0 X 0 0 X 0 0 X 0 0
Copyright © 1967 by Range Road Music Inc., Bug Music-Quartet Music and Abilene Music, Inc.
Copyright Renewed
Sorgdal
Am F
      
  
world. 2. Well, I see
End Rhy. Fig. 5
                       
                            
0 0 X 0 0 0 0 0 0 0 0 0 0 0 0 X 0 0 0 0 0 0 0
0 0 X 0 0 0 0 0 0 0 0 0 0 1 1 X 1 1 1 1 1 1 1 1
0 0 X 0 0 0 0 0 0 0 0 0 0 0 0 X 0 0 0 0 0 0 0 0
2 2 2 2 2 2 2 2 2 2 2 2 2 X 2 2 2 2
Verse
Uke: w/ Rhy. Fig. 5 (1st 6 meas.)
C C,7 F C F C
  
                
      
skies of blue and I see clouds of white and the bright - ness of day.
E7 Am F G
  

      
 
  

 

      
I like the dark. And I think to my - self, what a won - der - ful
C F C
      

world. The
Uke
                 
             


              
           
3 3 X 3 3 3 0 0 X 0 0 0 3 3 X 3 3 3 3 3 3 X 3 3
0 0 X 0 0 0 1 1 X 1 1 1 0 0 0 X 0 0 0 0 0 0 X 0 0
0 0 X 0 0 0 0 0 X 0 0 0 0 0 0 X 0 0 0 0 0 0 X 0
0 2 2 2 2 2 0 0 X 0 0 0 0
Chorus
G C
        
             
col - ors of the rain - bow, so pret - ty in the sky, are
                            
                           
                
2 2 X 2 2 X 2 2 X X 2 2 X X 3 3 X X 3 3 X X 3 3 X X 3 3
3 3 X 3 3 X 3 3 X X 3 3 X X 0 0 X X 0 0 X X 0 0 X X 0 0
2 2 X 2 2 X 2 2 X X 2 2 X X 0 0 X X 0 0 X X 0 0 X X 0 0
0 0 0 X 0 0 X 0 0 X X 0 0 X X 0 0 X X 0 0 X X 0 0 X X 0 0
6
Sorgdal
G C
       
              
al - so on the fac - es of peo - ple pass - ing by. I see
                              
               
                            
2 2 X X 2 2 X X 2 2 X X 2 2 X X 3 3 X X 3 3 X X 3 3 X X 3 3
3 3 X X 3 3 X X 3 3 X X 3 3 X X 0 0 X X 0 0 X X 0 0 X X 0 0
2 2 X X 2 2 X X 2 2 X X 2 2 X X 0 0 X X 0 0 X X 0 0 X X 0 0
0 X X 0 0 X X 0 0 X X 0 0 X X 0 0 X X 0 0 X X 0 0 X X 0 0
F C F C
            

 
 
friends shak - in’ hands, say - in’, “How do you do?”
       





 
        





 
 
                         
0 0 X 0 0 X 3 3 X 3 3 0 0 X 0 0 X 3 3 X 3 3
1 1 X 1 1 X 0 0 X 0 0 1 1 X 1 1 X 0 0 X 0 0
0 0 X 0 0 X 0 0 X 0 0 0 0 X 0 0 X 0 0 X 0 0
2 X 0 0 X 0 2 X 0 0 X 0
F C Dm7 G
             
 
     
They're real - ly say - in’, “I, I love you.” 3. I hear
                             
     
   
                        
0 0 X 0 0 3 3 3 3 3 3 X 3 3 3 3 3 X 3 3 2 2 X 2 2 2 2 2 X 2 2
1 1 X 1 1 0 0 0 0 1 1 X 1 1 X 1 1 X 1 1 3 3 X 3 3 3 3 3 X 3 3
0 0 X 0 0 0 0 0 0 0 2 2 X 2 2 X 2 2 X 2 2 2 2 X 2 2 2 2 2 X 2 2
2 0 0 0 0 0 2 2 2 X 2 2 X 2 2 X 2 2 0 0 0 X 0 0 0 0 0 X 0 0
7
Sorgdal
Verse
Uke: w/ Rhy. Fig. 5
C C,7 F C F C
   
 
       
      
     

ba - bies cry and I watch them grow. They’ll learn much more
E7 Am F G
           
         
than we’ll know. And I think to my - self, what a won - der - ful
 Coda
D.S. al Coda
Am F Am F
     

       
     
 
       

world, world. Some - I, I?
Outro
Uke: w/ Rhy. Fig. 1
C C,7 F
  

             

Oo, oo,
Uke: w/ Rhy. Fig. 2

C F E7
          
 
hoo. Oo, 
Begin fade Fade out

Am F C
         
       


Oo, ah, ah, eh, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah.
Uke
                    

                        
   




  



0 0 X 0 0 0 0 0 0 0 0 0 X 0 0 0 0 0 0 3 3 X 3 X 3 3 X 3
0 0 X 0 0 0 0 0 0 0 1 1 X 1 1 1 1 1 1 0 0 X 0 X 0 0 X 0
0 0 X 0 0 0 0 0 0 0 0 0 0 X 0 0 0 0 0 0 0 0 X 0 X 0 0 X 0
2 2 2 2 2 2 2 2 2 0 0 0 X 0 X 0 0 X 0
8
Sorgdal
Use Somebody
Words and Music by Caleb Followill, Nathan Followill,
First note Jared Followill and Matthew Followill
Intro
Moderately q = 136
C5 F
       
(Strings)
 
  
   
 
3 sec.
   
(Oh, oh.)
Am C F
1.
  
       
   
   
(Oh, oh.)
2.
Verse
C5

 
            
1. I’ve been roam - ing a - round, al - ways look - ing down
Fsus2
             
  
at all I see. Paint - ed fac -
Copyright © 2008 Bug Music-Music Of Windswept, Followill Music, Martha Street Music, Songs Of Combustion Music,
McFearless Music and Coffee Tea Or Me Publishing
All Rights for Followill Music and Martha Street Music Administered by Bug Music-Music Of Windswept
All Rights for McFearless Music and Coffee Tea Or Me Publishing Administered by Bug Music
Sorgdal
C5 Fsus2
              
   
- es fill the plac - es I can’t reach.
Am C5 Fsus2
           
   
You know that I could use some - bod - y.
Am C5 Fsus2
       
      

You know that I could use some - bod - y,
 Verse
C5
              
      
some - one like you. 2. And all you know and how you speak.
while you live it up I’m off to sleep
Fsus2 C5
              
 
Count - less lov - ers un - der cov -
wag - ing wars to shake the po -
2
Sorgdal
Fsus2
                
   
- er of the street. You know that I could
- et and the beat. I hope it’s gon - na
Am C5 Fsus2
     
         
use some - bod - y. You know that I could
make you no - tice. I hope it’s gon - na
Am C5 Fsus2
To Coda 
      
         
use some - bod - y, some - one like you
make you no - tice some - one like me.
Chorus
C5 F
*
    
 
 
  
    
 
  
(Oh, oh.)
*Upstem note sung 1st time only.
3
Sorgdal
1.
Am C F
  
       
   
   
(Oh, oh.)
 Coda
Chorus
2. D.S. al Coda Cont. bkgd. voc. fig., next 16 meas.
C5 F

   
    

  
3. Off in the night
C5 F
          
   
Some - one like me.
Am C F
            
  
Some - one like me, some - bod - y.
4
Sorgdal
Am C F
     

Bridge
D F#

                      
(Oh, let it out. Oh, let it out. Oh, let it out. Oh,
D F# B µ
 
               
let it out. Oh, let it out. Oh, let it out. Oh, let it out.)
Interlude
C5 F Am
  
 
      
(Oh,
5
Sorgdal
C F


             
 
oh.) Some - one like you,
Chorus
Cont. bkgd. voc. fig., next 12 meas.
Am C F
       

some - bod - y.
Am C
            
   
Some - one like you, some - bod - y.
F 1. 2.
        
       

Some - one like you, I’ve been roam - ing a - round,
Outro
C5 Fsus2
               

  
al - ways look - ing down at all I see.
6
Sorgdal
Fairytale Of New York
Words & Music by Shane MacGowan & Jem Finer
A7sus4 D G
2fr

  
       
1. (Male) It was Christ - mas Eve, babe, in the drunk tank, when an old man
(2.) luck - y one, came in eigh - teen to one, I’ve got a
D Gmaj7 A
2fr
       
said to me, “Won’t see an - oth - er one”. And then he
feel - ing this year’s for me and you. So Hap - py
D G
2fr
       
sang a song, “The rare old moun - tain dew”. I turned my
Christ - mas; I love you, ba - by. I can see a
1.
Dmaj7 D A7sus4 D A7sus4
2fr 2fr
        
face a - way, and dreamed a - bout you. 2. Got on a

bet - ter time, when all our
2.
A7sus4 D G D G A7sus4
2fr 2fr
        

dreams come true.
© Copyright 1987 Universal Music Publishing Limited (50%)/Universal Music Publishing MGB Limited (50%).
All rights in Germany administered by Universal Music Publ. GmbH.
Sorgdal
D A D G A D
2fr 2fr 2fr
        
3. (F)They got
A Bm G
   
cars big as bars, they got riv - ers of gold; but the
D A
2fr
   
wind goes right through you, it’s no place for the old. When you
D Bm D G
2fr 2fr
   
first took my hand on a cold Christ - mas Eve, you
D A D
2fr 2fr
   
pro - mised me Broad - way was wait - ing for me. 4. You were

   
5. hand - some. (M) You were pret - ty, Queen of New York Ci - ty. When the
(Both)
bum you’re a punk! (M) You’re an old slut on junk, ly - ing
2
Sorgdal
D G A D
2fr 2fr
   
band fin - ished play - ing, they howled out for more. Si -
there al - most dead on a drip on that bed! (F)You
   
- na - tra was swing - ing; all the drunks, they were sing - ing. We
scum - bag, you mag - got! you cheap, lous - y fag - got! Hap - py
D G A D
2fr 2fr
   

kissed on the cor - ner, then danced through the night.
The
Christ - mas your arse! I pray God it’s our last.
   
boys of the N. Y. P. D. choir were
D Bm
2fr
   
sing - ing, “Gal - way Bay”. And the bells
1.
D G A D A
2fr 2fr
     
were ring - ing out for Christ - mas Day.
Sorgdal
Bm G D A
2fr
     
D Bm D G D A D
2fr 2fr 2fr 2fr
        
5. (F) You’re a
2.
D G
2fr
       
D G A D A
2fr 2fr
       
6. (M) I could have
D G
2fr
     
been some - one. (F) Well, so could an - y - one.
D
2fr
     
You took my dreams from me when I first
Sorgdal
A D
2fr
     
found you. (M)I kept them with me, babe:
     
I put them with my own. Can’t make it
D G A
2fr
     



all a - lone; I’ve built my dreams a - round
D G
2fr
      

you. The boys of the N. Y.
D Bm
2fr
     
P. D. choir still sing - ing “Gal - way Bay”. And the bells
D G A D
2fr 2fr
rit.
     
are ring - ing out for Christ - mas Day.
Sorgdal
Bad Romance
Words and Music by Stefani Germanotta and Nadir Khayat
First note
Intro
Moderate Techno
F G
             
  
Oh, oh,
Am C F G

                

caught in a bad ro - mance. Oh, oh,
E Am Refrain
µ
       
       
caught in a bad ro - mance. Rah, rah, ah, ah, ah.
         

     
Ro - ma, ro - ma, ma. Ga - ga, ooh, la, la. Want your bad ro - mance.
Copyright © 2009 Sony/ATV Music Publishing LLC and House Of Gaga Publishing Inc.
Sorgdal
A5 C5 E5 F5 A5 C5 E5 F5
2fr 5fr 4fr 5fr 2fr 5fr 4fr 5fr
          
   
Rah, rah, ah, ah, ah. Ro - ma, ro - ma, ma.
A5 C5 E5 F5 G5
2fr 5fr 4fr 5fr 7fr
          
  
Ga - ga, ooh, la, la. Want your bad ro - mance.
Verse A5 C5 F5
5fr 5fr
      
       
1. I want your ug - ly, I want your dis - ease.
2. I want your hor - ror, I want your de - sign
A5 C5 G5
5fr
             
  
I want your ev - ’ry - thing as long as it’s free. I want your
’cause you’re a crim - i - nal as long as you’re mine. I want your
A5 C5 F5 C5 A5
5fr 5fr 5fr
  
      
love. Love, love, love, I want your love.
2 love. Love, love, love, I want your love.
Sorgdal
C5 G5 D5 A5
5fr 2fr

        
*Spoken: Hey. I want your dra - ma, the
*Lyrics in italics are spoken throughout. I want your psy - cho, your
C5 F5 A5
5fr 5fr
               
touch of your hand. (Hey!) I want your leath - er stud - ded
ver - ti - go shtick. (Hey!) Want you in my rear win - dow,
C5 G5 A5 C5 F5
5fr 5fr 5fr
  
          
  

kiss in the sand. I want your love.
Love, love, love, I want your
ba - by, your sick. I want your love.
C5 A5 C5 G5 D5
5fr 5fr 2fr
  
love.
Pre-Chorus
Am7
 
You know that I want you, 3
Sorgdal
 
and you know that I need you.
  
I want it bad, bad ro - mance.
 Chorus
F G
             
   
I want your love and I want your re - venge, you and me
Am C F
            
  
could write a bad ro - mance. Oh, I want your love and all your
G E
              

lov - in’s re - venge, you and me could write a bad ro - mance.
Am F G
            
   
4 Oh, oh,
Sorgdal
Am C F

                

caught in a bad ro - mance. Oh, oh,
G E Am
To Coda 
             
 
caught in a bad ro - mance.
Refrain
A5 C5 E5 F5 A5 C5 E5 F5
*
5fr 4fr 5fr 2fr 5fr 4fr 5fr
    
    
     
*Chord symbols reflect implied harmony, next 4 meas.
A5 C5 E5 F5 G5
2fr 5fr 4fr 5fr 7fr
           
  
Ga - ga, ooh, la, la. Want your bad ro - mance.
Bridge
Am7
                
Walk, walk, fash - ion ba - by. Work it, move that bitch, c - ra - zy. 5
Sorgdal
1.
                
Walk, walk, fash - ion ba - by. Work it, move that bitch, c - ra - zy.
2.
 
              
Walk, walk, pas - sion ba - by. Work it, I’m a free bitch, ba -
F G Am
                 
by. I want your love and I want your re - venge. I want your
C F
         
  
love, I don’t wan - na be friends. Je ton a -
G E
          
 
6 mour et je veux ton re - venge. Je ton a -
Sorgdal
Am F G
           
    
mour. I don’t wan - na be friends. No, I don’t wan - na be friends.
Am C F
        
  
I don’t wan - na be friends.
G E D.S. al Coda
µ
           
   
Want your bad ro - mance. Want your bad ro - mance.
 Coda
Outro-Refrain
µ
          
  
          
  
Ga - ga, ooh, la, la. Want your bad ro - mance. 7
Sorgdal
Hallelujah
Words & Music by Leonard Cohen
C G C Am
     
   

1. Now I’ve heard there was a sec - ret chord that
(2.) faith was strong but you need - ed proof. You
(Verses 3 & 4 see block lyrics)
C Am F G
       
Dav - id played, and it pleased the Lord. But you don’t real - ly care for mus - ic,
saw her bath - ing on the roof; her beau - ty and the moon - light ov - er -
C G C F G
       
- do you? It goes like this: the fourth, the fifth, the
threw you. She tied you to a kit - chen chair, she
Am F G E
       
min - or fall, the maj - or lift; the baf - fled king com - pos - ing Hal - le -
broke your throne and she cut your hair, and from your lips she drew the Hal - le -
Am Am F Am
N.C.
           
- lu - jah.
- lu - jah.  Hal - le - lu - jah, Hal - le - lu - jah, Hal - le -

All Rights Reserved. International Copyright Secured. Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
1-3.
F C G C G
            
lu - jah, Hal - le - lu - jah. 2. Your

-
3. You
4.
C G F Am
N.C.
           
- lu - jah. Hal - le - lu - jah, Hal - le - lu - jah, Hal - le -
F C G
       
-
lu - jah, Hal - le - lu - jah. Hal - le -
F Am F C
Repeat to fade

                
- lu - jah, Hal - le - lu - jah, Hal - le - lu - jah, Hal - le - lu - jah. Hal -le -
Verse 3 Verse 4
You say I took the name in vain I did my best, it wasn’t much
I don’t even know the name I couldn’t feel, so I tried to touch
But if I did, well really, what’s it to you? I’ve told the truth, I didn’t come to fool you.
There’s a blaze of light in every word And even though it all went wrong
It doesn’t matter which you heard I’ll stand before the Lord of Song
The holy or the broken Hallelujah. With nothing on my tongue but Hallelujah.
Hallelujah etc. Hallelujah etc.
2
Sorgdal
Do Wah Diddy Diddy
Words and Music by Jeff Barry and Ellie Greenwich
First note
Verse
Moderately
G C G
 
              
1. There he was, just a - walk - in’ down the street, sing - in’,
(2.) fore I knew it he was walk - in’ next to me, sing - in’,
C G

  
         
“Do wah did - dy did - dy, down did - dy do.”
“Do wah did - dy did - dy, down did - dy do.” He
C G

               
Pop - pin’ his fin - gers and a - shuf - fl - in’ his feet, sing - in’,
took my hand just as nat - ’ral as can be, sing - in’,
C G

             
“Do wah did - dy did - dy, down did - dy do.” He looked
“Do wah did - dy did - dy, down did - dy do.” We walked

          
good, (Yeah, yeah.) he looked fine. (Yeah, yeah.) He looked
on, (Yeah, yeah.) to my door. (Yeah, yeah.) We walked
Copyright © 1963 BUG MUSIC-TRIO MUSIC COMPANY and
Copyright Renewed
Sorgdal
1. D7
 
             

good, he looked fine, and I near - ly lost my mind. 2. Be -
on to my door, and he
2. Bridge
D7 G
    
  
        
stayed a lit - tle more. My, my, my, my, I
   3
       
knew we were fall - in’ in love.
    
      



My, my, my, my, I
D7
 
             

told him all the things I was dream - in’ of. Now
Verse
G C G

              
we’re to - geth - er near - ly ev - ’ry sin - gle day, sing - in’,
2
Sorgdal
C G
 
           
C G

              
We’re so hap - py and that’s how we’re gon - na stay, sing - in’,
C G

             
“Do wah did - dy did - dy, down did - dy do.” ’Cause I’m

          
his, (Yeah, yeah.) and he’s mine. (Yeah, yeah.) Well, I’m

             
his, and he’s mine, and the wed - ding bells will chime, sing - in’,
Repeat and fade

G C G
  
            

3
Sorgdal
All I Want For Christmas Is You
Words & Music by Mariah Carey & Walter Afanasieff
G Em C D
2fr
        
1. I
Freely
G G/B
       
don’t want a lot for Christ - mas, there is just one thing I need,
C Cm6/Eb
       
I don’t care a - bout the pre - sents un - der - neath the Christ - mas tree.
G B7aug Em Cm6/Eb
       
I just want you for my own, more than you could ev - er know.
G E7 Am7 Am7b5
       
Make my wish come true: all I want for Christ - mas is you.
© Copyright 1994 Rye Songs/Wally World Music, USA.

Sony/ATV Music Publishing (50%)/Universal/MCA Music Limited (50%) (administered in Germany by Universal/MCA Music Publ. GmbH).
Sorgdal
Faster, in time q = 110
G Em C D
2fr
               
yeah.

           
2. I don’t want a lot for Christ - mas, there is just one thing
3. I won’t ask for much this Christ - mas, I won’t e - ven wish
C Cm6/Eb
               
I need. (And I...) Don’t care a - bout the pre - sents, un - der - neath the Christ -
for snow. (And I...) I’m just gon - na keep on wait - ing un - der - neath the mis -
$G
           
- mas tree. 2. I don’t need to hang my stock - ing
- tle - toe. 3. I won’t make a list and send it
4. I don’t want a lot for Christ - mas,
C
           
there up - on the fi - re - place. San - ta Claus won’t make
to the North Pole for Saint Nick. I won’t e - ven stay
this is all I’m ask - ing for. I just want to see
Cm6/Eb
           
me hap - py with a toy on Christ - mas day.
a - wake to hear those mag - ic rein - deer click.
my ba - by stand - ing right out - side my door.
2
Sorgdal
G B7 Em
           
I just want you for my own, more than you could ev -
I just want you here to - night, hold - ing on to me
I just want him for my own, more than you could ev -
Cm6/Eb G E7
To Coda Ø
           
- er know. Make my wish come true:
so tight. What more can I do? Ba - by,
- er know. Make my wish come true:
Am9 G Em
               
All I want for Christ - mas is you.
all I want for Christ - mas is you.
1. 2.
Am9 D7 D7 B7

               
You, ba - by. Oh, ba - by. Oh, All the lights
You,
Em B7
               
are shin - ing so bright - ly ev - ’ry - where, and the sound
Em Cm6/Eb
               
of child - ren’s laugh - ter fills the air. And ev -’ry - one
3
Sorgdal
G E7
           
is sing - ing. I hear those sleigh bells ring - ing.
Am9
       
San - ta won’t you please bring me what I real - ly need, won’t you
D7
D.S. al Coda
       
please bring my ba - by to me? Oh,
Ø Coda
Am7 Am7b5
               
All I want for Christ - mas is
G Em Am9 D7
               
you. Ooh, ba - by.
G Em Am9 D7
Repeat to fade
 
               
All I want for Christ - mas is you, ba - by.
4
Sorgdal
The Christmas Song
(Chestnuts Roasting on an Open Fire)
Music and Lyric by Mel Torme and Robert Wells
First note
Sentimentally
Eb6 Bb7 Eb6 Bb9 Eb6 Eb9
      
       
Chest -nuts roast -ing on an o - pen fire, Jack Frost nip -ping at your
Ab Ab7 Cm Cm7 Abm6 Eb Am D7
3fr 3fr
    3

         
nose, Yule - tide car - ols be - ing sung by a choir And
G Db9 Gb Bb7 Eb6 Bb7
            
       
 
folks dressed up like Es - ki - mos. Ev - ’ry - bod - y knows a tur - key and some
Eb6 Bb9 Eb6 Eb9 Ab Ab7 G+7
     
      
mis - tle - toe help to make the sea - son bright.
Cm Cm7 Abm6 Eb Am D7 Gm7 C7 Fm7 Bb7
3fr 3fr
 
                 
3
 
Ti - ny tots with their eyes all a - glow will find it hard to sleep to -
© 1946 (Renewed) EDWIN H. MORRIS & COMPANY, A Division of MPL Music Publishing, Inc. and SONY/ATV TUNES LLC
All Rights on behalf of SONY/ATV TUNES LLC Administered by SONY/ATV MUSIC PUBLISHING, 8 Music Square West, Nashville, TN 37203
Sorgdal
Eb6 Bbm7 Eb9 Bbm7 Eb9
3fr 3fr 3fr 3fr
           
    
night. They know that San - ta’s on his way; he’s load - ed
Bbm7 Eb9 Ab Abm7 Db9
3fr 3fr 3fr
                 
    
lots of toys and good - ies on his sleigh. And ev -’ry moth - er’s child is gon - na
Gbadd9 Cm11 F7 Bb7
               

3 3

spy to see if rein - deer real - ly know how to fly. And
Eb6 Bb7 Eb6 Bb9 Eb6 Eb9
     

            
so, I’m of - fer - ing this sim - ple phrase to kids from one to nine - ty -
Ab Ab7 G+7 Cm Cm7 Abm6 Eb Cm7 A7sus4 Ab7

3fr 3fr 2fr
 
  
         
     
two. Al - tho’ it’s been said man - y times man - y ways, “Mer - ry
Eb Cm7 Fm7 Bb7b9 Eb6

3fr
 
    
Christ - mas to you.”
2
Sorgdal
First note Sweet Caroline
Words and Music by Neil Diamond
Intro
Moderately
 __ =   
3
G7(no3rd) G7sus2

        
To Coda 
Gsus G7 G6(no3rd) G7
Ê2fr 7fr 5fr
 
      
Verse
C F
      
3
         
1.Where it be - gan, I can’t be - gin to know - in’,
look at the night, and it don’t seem so lone - ly.
C G
        
  
 

but then I know it’s grow - in’ strong.
C We fill it up with on - ly two. F
      
       
Was in the spring, and spring be -
And when I hurt, hurt - in’ runs
© 1969 (Renewed) STONEBRIDGE MUSIC
Sorgdal
C
    
          
came the sum - mer. Who’d have be - lieved you’d come a - long?
off my shoul - ders. How can I hurt when hold - in’ you?
Pre-Chorus
G C C6
           
Hands, touch - in’ hands,
Warm, touch - in’ warm,

F G
G7
             
3
reach - in’out, touch - in’ me, touch - in’ you.
Chorus
C F
       
        
Sweet Car - o - line, good times nev - er seemed so
G C F
  
     
2 good. I’ve been in - clined
Sorgdal
1.
G F Em Dm
        
       

to be - lieve they nev - er would. 2. But now I
2. D.C. al Coda  Coda

Outro-Chorus
G F Em Dm C F

      
    
Oh, no, no. Sweet Car - o - line,
      
      
good times nev - er seemed so good.
C F
   
        
Sweet Car - o - line, I be - lieve
Repeat and fade

        
  
they nev - er could. 3
Sorgdal
Don't Look Back In Anger
Words & Music by Noel Gallagher
C G Am E
        

1. Slip in - side the eye of your mind, don’t you know you might find
2. Take me to the place where you go, where no - bo - dy knows
F G C Am G
       
a bet - ter place to play.
if it’s night or day.
C G Am E
       
You said that you nev - er been, but all the things that you’ve seen
Please don’t put your life in the hands of a rock ’n’ roll band who’ll
F G C Am G
       
slow - ly fade a - way.
throw it all a - way.
$
F Fm C
       

So I start a re-vo - lu - tion from my bed,
’cause you
I’m gon - na start a re-vo - lu - tion from my bed,
(Instrumental on D.S.) © Copyright 1995 Creation Songs Limited/Oasis Music (GB).
Sony/ATV Music Publishing (UK) Limited. Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
F Fm C
       
said the brains I had went to my head.
F Fm C
       
Step out - side, sum - mer time’s in bloom.
G Abdim
       
Stand up be - side the fire - place, take that look from off your face,
Am G F
       
you ain’t ev er gon - na burn my heart out.
       
And
C G Am E
       
so Sal - ly can wait she knows it’s too late
2
Sorgdal
F G C Am G
       
as we’re walk - ing on by, Her
C G Am E
       
soul slides a - way, but don’t look back
1.
F G To Coda Ø C G
       
in an - ger I heard you say.
Am E F G
       
2. D.S. al Coda
C Am G C Am G
    
   
Ø Coda
C Am G C G
       
So Sal - ly can wait
3
Sorgdal
Am E F G
       
she knows it’s too late as we’re walk - ing on by.
C Am G C G
       
Her soul slides a - way,
Am E F
       
but don’t look back in an - ger, don’t look
Fm
       
back in an - ger, I heard you say,
C G Am E
       
F Fm C
       

at least not to - day.
4
Sorgdal
Still the One
Words and Music by John Hall and Johanna Hall
First note
4fr
Intro
Moderately  __ =  3 
E
   
     
Play 3 times
 Verse
E
     
             
1. We’ve been to - geth - er since way back when.
looked at your face ev - ’ry day,
3. Instrumental
  
 

           
Some - times I nev - er want to see you
but I nev - er saw it till I went a - way.

         
       
a - gain. But I want you to know
When win - ter came,
   
         
  
  
af - ter all these years,
I just want - ed to go.
© 1976 (Renewed 2004) EMI BLACKWOOD MUSIC INC. and SIREN SONGS
Sorgdal
All Rights Controlled and Administered by EMI BLACKWOOD MUSIC INC.
A B
           
         
you’re still the one I want whis - p’rin’ in my ear.
Deep in the des - ert, I long for the snow.
Chorus
E
 
         
   
1. You’re still the one I want to talk
2. You’re still the one that makes
A C#m7
 
       
     
to in bed, still the one that turns
me laugh, still the one that’s my
F#7 A
      
          


my head.
We’re still hav - ing fun,
bet - ter half.
B E
To Coda  1.
 
         
   
and you’re still the one. 2. I
A
2.
  
     
         
You’re still the one that makes me strong,
Sorgdal
2
C#m7 F#7

        
3
      

still the one I want to take a - long. We’re
A B
   
          
  
still hav - ing fun, and you’re still the one.
E
 Coda
 
D.S. al Coda
       
3
  
Yes, you are.
Bridge
Half-time feel
E F#7

         
   
Chang - ing our love is go - ing gold.
D A End half-time feel B7susÊ
     
3
             
E - ven though we grow old, it grows new.
Chorus
*E
 
              
 
3. You’re still the one that I love
still the one who can scratch
the one that makes
the one,
* 2nd time, N.C., next 6 meas.
Sorgdal
3
A C#m7

           
to touch, still the one and I
my itch, still the one, and I
me shout, still the one, that I dream
you’re still the one.
F#7 A

       
 

   
 

can’t get e - nough.
would - n’t switch. We’re still hav - ing fun,
a - bout.
1., 3.
B E
 
         
 

4. You’re
and you’re still the one.
6. You are still
2. 4.
A B E E
           
       
5. You are still
Outro
Half-time feel
EsusÊ E F#7

     
D A E
 
    
Sorgdal
4
(Sittin’ On)
The Dock of the Bay
Words and Music by Steve Cropper and Otis Redding
First note
Intro
Moderately
G
 Verse
G B
           
    
1. Sit - tin’ in the morn - ing sun,
C A
3fr
     
        
I’ll be sit - tin’ when the eve - ning comes.
G B
     
      
Watch - ing the ships roll in,
C A
3fr
      
 
     
then I watch ’em roll a - way a - gain.
Chorus
G E
     
          
 
Yeah, I’m sit - tin’ on the
So, I’m just gon’ sit on the dock of the bay,
Now, I’m just gon’ sit on the
Copyright © 1968, 1975 IRVING MUSIC, INC.

Copyright Renewed
Sorgdal
G E

         
    
watch - ing the tide roll a - way.
G A

              
Oo, I’m just sit - tin’ on the dock of the bay,
To Coda 
G E
  
        
wast - ing time.
Bridge
1. 2. G D
   
           
2. I Looks like noth -
C G D
            
  
ing’s gon - na change. Ev - ’ry thing
2
Sorgdal
C G D
   3 
          
still re - mains the same. I can’t do what
C G F
           
    
ten peo - ple tell me to do, so I guess I’ll re - main
 Coda
D
D.S. al Coda
          
   
the same, yes. 3. I’m
Outro Repeat and fade

G E
      
 
Additional Lyrics
2. I left my home in Georgia,

Headed for the Frisco bay.
I have nothin’ to live for,
Look like nothin’s gonna come my way.
3. Sittin’ here restin’ my bones,

And this loneliness won’t leave me alone.
Two thousand miles I roam,
Just to make this dock my home.
3
Sorgdal
Tonight You Belong to Me
Words by Billy Rose
Music by Lee David
First note
Intro  Verse
Moderately q = 94  __ =   
3
G Gsus4 G Gsus4 G G

      
    
1. I know (I know) you be -
(2.) know (I know) with the
G7 Cmaj7
  
         
 
   
long to some - bod - y
dawn that you will be
To Coda 
Cm G D7 D
2fr
   

             
    
new, but to - night you be - long to
gone, but to - night you be - long to
G Gsus4 G Ebmaj7 Eb6 D6(add4) Dsus4 G

3fr
      
     
me.
Al - though (al - though) we’re a -
me.
Copyright © 1926 C & J David Music Co. and Chappell & Co.
Copyright Renewed
Sorgdal
G7 Cmaj7
    
     
       
  
part you’re a part of my
Cm G D7 D
2fr
  
       
      

   
heart, but to - night you be - long to
Bridge
G Gsus4 G G7 Cm Bm Cm Bm

3fr 2fr 3fr 2fr
            

me. Unison:Way down by the stream, how
Cm Bm Cm G A7

3fr 2fr 3fr
   
         
sweet it would seem, once more just to dream in the
D.S. al Coda  Coda

D D7 G Gsus4 G
 
µ
            

moon - light. 2. My hon - ey, I me,
Cm G D7 D G
2fr
 
   
rit.
        
    
but to - night you be - long to me.
2
Sorgdal
Crazy
Words and Music by Willie Nelson
First note
Verse
 __ =  3 
Bb Ab G7 Cm7
5fr 3fr 3fr
         
       
3 3
 
1. Cra - zy, I’m cra - zy for feel - in’ so lone - ly.
F7
    

3
      
 
3
I’m cra - zy, cra - zy for feel - in’ so
Bb Bº7 Cm7 F7 Bb Ab
 
5fr 3fr
   
    
blue. I knew you’d
G7 Cm7
3fr
         
    
3 3

love me as long as you want - ed, and then
F7 Bb Cm7 C#º7 Bb7

3fr 3fr
     
       
3 3
 
some - day you’d leave me for some - bod - y new.

Copyright Renewed
Sorgdal
Bridge
Eb Eº7
      
  
 
3
3
Wor - ry, why do I let my - self
Bb A Bb B C7
     

   
wor - ry won - d’rin’,
F7 F+7
    
 
 
3

3
“What in the world did I do?”
Verse
Bb Ab G7 Cm7
5fr 3fr 3fr
         
     
3 3
  
2. Cra - zy for think - ing that my love could hold you.
Eb Dm
       
 
3
   
I’m cra - zy for try - in’, and
2
Sorgdal
Cm Bº7 Cm7 F7 Bb F#7
3fr 4fr
     3     
3
    
3 3
    
cra - zy for cry - in’, and I’m cra - zy for lov - in’ you.
Verse
B A G#7
      
3

  
3
   
3. Cra - zy for think - ing that my love could
C#m7
4fr
   
 

  
hold you. I’m
E D#m C#m Cº7

4fr 5fr
    
         
3
3
 
3

cra - zy for try - in’, and cra - zy for cry - in’, and I’m
C#m7 F#7 B
4fr
 
3
    
3
     
cra - zy for lov - in’ you.
3
Sorgdal
Daughter
Words and Music by Stone Gossard, Jeffrey Ament,
Eddie Vedder, Michael McCready and David Abbruzzese
First note
Intro
Moderately q = 100
G

  
(Drums)
  
2 2
3 3
2 2
0 0
G G
5fr
2 2 2 3 5 3 5 5 5 5 5 5 2 2 2 3 5 3 2 2 2 2 2 2
3 3 3 5 7 5 7 7 7 7 7 7 3 3 3 5 7 5 3 3 3 3 3 3
2 2 2 7 7 7 7 7 7 2 2 2 2 2 2 2 2 2
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
G Gsus24
5fr 2fr
2 2 23 5 3 5 5 5 5 5 5 3 3 3 3 3 3 3 3 3 3 3 3 3
3 3 35 7 5 7 7 7 7 7 7 5 5 5 5 5 5 5 5 5 5 5 5 5
2 2 2 7 7 7 7 7 7 2 2 2 2 2 2 2 2 2 2 2 2 2
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
Verse
G G G
5fr
 
               

A - lone, list - less,
Copyright © 1993 UNIVERSAL - POLYGRAM INTERNATIONAL PUBLISHING, INC., WRITE TREATAGE MUSIC,
SCRIBING C-MENT SONGS, INNOCENT BYSTANDER MUSIC, JUMPIN’ CAT MUSIC and PICKLED FISH MUSIC
All Rights for WRITE TREATAGE MUSIC and SCRIBING C-MENT SONGS
Controlled and Administered by UNIVERSAL - POLYGRAM INTERNATIONAL PUBLISHING, INC.
1
Sorgdal
G Gsus24
5fr 2fr
   
               
break - fast ta - ble in an oth - er - wise emp - ty room.
G G G
5fr
     
             
Young girl, vi - o - lins,
G Gsus24
5fr 2fr
  
             
cen - ter of her own at - ten - tion.
G G G
5fr

       

          
Moth - er reads a - loud, child tries to un - der - stand it,
G Gsus24
5fr 2fr
   
         
  
tries to make her proud.
Pre-Chorus
G Em7 Em6 Em
3fr
 
             
 
The shades go down. It’s in her head,
2
Sorgdal
Em7 Em6 Em Em7 Em6 Em
3fr 3fr
  
               
paint - ed room, can’t de - ny
Chorus
Em7 Em6 Em G G
3fr 5fr
  
        

      


there’s some - thing wrong. Don’t call me daugh - ter,
G G
      
5fr
         
not fit to. The pic - ture kept
Gsus 24 G G
     
2fr 5fr
            
will re - mind me. Don’t call me daugh - ter,
G G
     
5fr
           
Gsus24 G
      
2fr

       

will re - mind me. Don’t call me...

3
Sorgdal
Interlude

3fr 3fr
  
Em7 Em6 Em Em7 Em G

3fr 3fr
   
Bridge
Em7 Em6 Em7 Em6 Em Em7 Em6 Em
    
3fr 3fr 3fr
         
   

She holds the hand that holds her down.
Em7 Em6 Em Em7 Em6 Em7 Em6 Em

3fr 3fr 3fr
      
        
She will rise a - bove.
Guitar Solo
G
    
     

Oo.
4
Sorgdal
Chorus
G G
      

   
   

Don’t call me daugh - ter,
    
           

  2
3
2
2
3
2
2
3
2
2
3
2
2
3
2
2
3
2
2 3 5
3 5 7
2
3
5
2
3
2
2
3
2

 
0 0 0 0 0 0 0 0 0
 
   
5fr
  
      

 
 2 2 2 2 2 2 23 5 3 5 5

0 3
2
0
3
2
0
3
2
0
 
3
2
0
3
2
0
3
2
0
35 7
2
0
5 7
7
0
7
7
0
G G
 
5fr
            
    


not fit to be. the pic - ture kept
  2 2 2 2 2 3 5 3 5 5 5 5 5 5
0 3
2
0
3
2
0
3
2
0
3
2
0
3 5 7
2
0
5 7
7
0
7
7
0
7
7
0
7
7
0
7
7
0
7
7
0
5
Sorgdal
Gsus 24 G G
     
2fr 5fr
         


G G
  
   
5fr
       
Gsus24 G G
 
   
2fr 5fr
   
      

G G
  
     
5fr
        
 
not fit to be. The pic - ture kept
Gsus24 G
 
2fr

            

will re - mind me. Don’t call me...
6
Sorgdal
Interlude
 
3fr 3fr
    
Em Esus2 Em Em Esus2 Em
  
   
Outro
Em7
3fr
 
          

The shades go down.
4 5 4 4 5 4 4 5 4 4 5 4 4 5 4
 4 5 4 4 5 4 4 5 4 4 5 4 4
 
            

The shades go down.
 4 5 4 4 5 4 4 5 4 4 5 4 4 5 4 4 5 4 4 5 4 4 5 4 4 5 4 4 5
7
Sorgdal

           

The shades go, go,
4 4 5 4 4 5 4 4 5 4 4 5 4 4 5 4 4 5 4 4 5 4 4 5 4 4 5 4 4 5
      

go.
4 4 5 4 4 5 4 4 5 4 4 5 4 4 5 4 4 5 4 4 5 4 4 5 4 4 5 4 4 5
 
   
4 4 5 4 4 5 4 4 5 4 4 5 4 4 5 4 4 5 4 4 5 4 4 5 4 4 5 4 4 5
Play 4 times and fade
 4 4 5 4 4 5 4 4 5 4 4 5 4 4 5 4 4 5 4 4 5 4 4 5 4 4 5 4 4 5

8
Sorgdal
Elderly Woman Behind
the Counter in a Small Town
Words and Music by Stone Gossard, Jeffrey Ament,
Eddie Vedder, Michael McCready and David Abbruzzese
First note
Verse
Moderately q. = 61
D Csus2 G Csus2 G
3fr 3fr
  
                
  
1. I seem to re -cog - nize your face,
2. I swear I re -cog - nize your breath.
D Csus2 G Csus2 G

3fr 3fr
 
                   
haunt - ing, fa -mil - iar, yet I can’t seem to place it.
Mem - o - ries like fin -ger - prints are slow - ly rais - ing.
D Csus2 G Csus2 G
3fr 3fr

                   
 
Can -not find a can - dle of thought to light your name.
Me, you would -n’t re - call for I’m not my for - mer.
D Csus2 G Csus2 G
3fr 3fr
      
          
Life - times are catch -ing up with me.
It’s hard when you’re stuck up on the shelf.
Copyright © 1993 UNIVERSAL - POLYGRAM INTERNATIONAL PUBLISHING, INC., WRITE TREATAGE MUSIC,
SCRIBING C-MENT SONGS, INNOCENT BYSTANDER MUSIC, JUMPIN’ CAT MUSIC and PICKLED FISH MUSIC
All Rights for WRITE TREATAGE MUSIC and SCRIBING C-MENT SONGS
Controlled and Administered by UNIVERSAL - POLYGRAM INTERNATIONAL PUBLISHING, INC.
1
Sorgdal
Pre-Chorus
Csus2 A
3fr

       
 
All these chang - es tak - ing place.
I changed by not chang - ing at all.
Csus2 A
3fr

         
      
I wish I’d seen the place,
Small town pre - dicts my
Csus2 A
3fr

              
  
but no one’s ev - er tak -
fate. Per - haps that’s what no one
1.
Chorus
Em D Csus2 G
3fr
    
2 2

          
- en me. Hearts and thoughts they fade,
wants to see. 3. I
Csus2 G D Csus2 G
3fr 3fr

 
2 2
        
fade a - way. Hearts and thoughts they fade,
2
Sorgdal
2.
Verse
Csus2 G D Csus2 G
3fr 3fr
             
 
      
fade a - way. just wan - na scream, “hel - lo.”
Csus2 G D Csus2 G
           
3fr 3fr
   
   
My God, it’s been so long, nev - er
Csus2 G D Csus2 G
3fr 3fr
     
                

dreamed you’d re - turn. But now here you are, and
Csus2 G D Csus2 G
3fr 3fr
      
          
here I am. Hearts and thoughts they fade a - way.
Outro-Chorus
Csus2 G D Csus2 G
3fr 3fr
 
 
2 2
     
Hearts and thoughts they fade,
3
Sorgdal
Csus2 G D Csus2 G
3fr 3fr
 
2 2

        
Csus2 G D Csus2 G
3fr 3fr
 
2 2

        
fade a - way. Hearts and thoughts they fade
Csus2 G D Csus2 G
3fr 3fr
 
2 2

            
a - way. Hearts and thoughts they fade,
Csus2 G D Csus2 G
3fr 3fr
  
2 2
     
  

Csus2 G
Repeat and fade

3fr
 
      

fade a - way.
4
Sorgdal
Yellow Ledbetter
Words and Music by Jeffrey Ament, Eddie Vedder and Mike McCready
First note
Intro
E B A E
      
   
Verse
E B
 
           

1. Un - sealed on the porch a let - ter sat.
A E
   
          
Then you said, “I wan -na leave it,” a - gain.
  
          

Once I saw him on a beach of weath -ered sand,
A E
   
              
   

and on the sand I wan -na leave him a - gain. Yeah.
Copyright © 1991 UNIVERSAL - POLYGRAM INTERNATIONAL PUBLISHING, INC.,

SCRIBING C-MENT SONGS, INNOCENT BYSTANDER and JUMPIN’ CAT MUSIC
All Rights for SCRIBING C-MENT SONGS Controlled and Administered by UNIVERSAL - POLYGRAM INTERNATIONAL PUBLISHING, INC.
Sorgdal
B
                 
    
On the week - end, wan - na wish it all a - way, yeah. And they

             
called and I said that I want what I said then I

            
call out a - gain. And the reason ought - ta
B A
            

    
leave him calm, I know, I said, I don’t know wheth - er in a
E
 Chorus
E
               


box or a bag. Oh, yeah. Can you see
2
Sorgdal
B A
              
      
them, oh, on the porch? Yeah, but they don’t wave.
     
3
            

 
I see them ’round the front
          
   
way, yeah. And I
A
To Coda E
 3 
                   

know and I know I don’t wan - na stay. Spoken: Make me cry.
Guitar Solo
E B A E
     
Play 3 times
  
3
Sorgdal
Verse
E B A
         
       
2. I see, oh, I don’t know why there’s
E
             

   
some - thing else. Wan - na drum it all a - way.
B A
                    
   
 
I said, a, I don’t, I don’t know wheth -er there’s a
E
D.S. al Coda
      
   

 
box or a bag. Oh, yeah.
 Coda
Bridge
E B A Asus2

         
at all. I don’t wan - na
E B A
                

stay. I don’t wan - na stay.
4
Sorgdal
E B A Asus2
     
      

I don’t wan - na
E B A
      
           


stay, oh, don’t wan - na... Yeah.
Interlude
B E5 B E5 A Asus2

           
Oh.
B E5 B E5

         
Oh.
Outro
A E B A E
     
  
E B A E
   



rit.
5
Sorgdal
(Oh, My Darling)
Clementine
Words and Music by Percy Montrose
First note
Moderately
Verse F

       
     
1. In a cav - ern, in a can - yon, ex - ca -
(2.) was, and like a fair - y, and her
(3.) duck - lings to the wa - ter ev - ’ry
(4.) lips a - bove the wa - ter, blow - ing
C7
           
vat - ing for a mine, dwelt a min - er, for - ty -
shoes were num - ber nine, her - ring box - es with - out
morn - ing just at nine, hit her foot a - gainst a
bub - bles soft and fine, a - las for me I was no
F
C7 F
           
nin - er, and his daugh - ter, Clem - en - tine.

top - ses, san - dals were for Clem - en - tine.
splin - ter, fell in - to the foam - ing brine. Oh, my
swim - mer, so I lost my Clem - en - tine.

Sorgdal
Chorus
F
  
         
dar - ling, oh, my dar - ling, oh, my dar - ling, Clem - en -
C7 F
           
-
tine, you are lost and gone for - ev - er. Dread - ful
1.–3. 4.
C7 F F
         
2. Light she
sor - ry, Clem - en - tine.
 3. Drove she
4. Ru - by
tine.
2
Sorgdal
Puff the Magic Dragon
Words and Music by Lenny Lipton and Peter Yarrow
First note
Intro
Moderately q = 145
A C#m D A D
 
4fr
      
A F#m B7 E7 A E7

   
Verse
A C#m D
4fr
      
        
1. Puff, the mag - ic dra - gon, lived by the
geth - er they would trav - el on a boat with bil - lowed
(skip Chorus after 3rd Verse)
A D A F#m
   
            
 
sea and frol - icked in the au - tumn mist in a
sail; and Jack - ie kept a look - out perched on
Copyright © 1963; Renewed 1991 Honalee Melodies (ASCAP) and Silver Dawn Music (ASCAP)
Worldwide Rights for Honalee Melodies Administered by BMG Chrysalis
Worldwide Rights for Silver Dawn Music Administered by WB Music Corp.
Sorgdal
B7 E7 A
  
         
land called Hon - ah - lee. Lit - tle Jack - ie
Puff’s gi - gan - tic tail. No - ble Kings and
C#m D A

4fr
        
Pa - per loved that ras - cal Puff, and
prin - ces would bow when - ev - er they came;
D A F#m
  
         

brought him strings and seal - ing wax and
Pi - rate ships would low - er their flags when
B7 E7 A E7
  
     

oth - er fan - cy stuff.
Oh!
Puff roared out his name.
Chorus
A C#m D
4fr

  

        
Puff, the mag - ic dra - gon, lived by the
A D A F#m
  
          
    
sea and frol - icked in the au - tumn mist in a
2
Sorgdal
B7 E7 A
      
     
land called Hon - ah - lee. Puff, the mag - ic
C#m D A

4fr

        
dra - gon, lived by the sea and
D A F#m
   
           

frol - icked in the au - tumn mist in a
1., 2. 3.
B7 E7 A E7 B7
 
         
land called Hon - ah - lee. 2. To - land called
E7 A A
µ
   
   
Hon - ah - lee.
Additional Lyrics
3. A dragon lives forever, but not so little boys.

Painted wings and giant rings make way for other toys.
One gray night it happened, Jackie Paper came no more,
And Puff that mighty dragon, he ceased his fearless roar. (to Verse 4)
4. His head was bent in sorrow, green tears fell like rain.
Puff no longer went to play along the Cherry Lane.
Without his lifelong friend, Puff could not be brave,
So Puff that mighty dragon sadly slipped into his cave. Oh!
3
Sorgdal
Aloha Oe
Words and Music by Queen Liliuokalani
First note
Verse
__ 3 
Moderately q = 80   =  
 
G C
  
        
Proud - ly swept the rain cloud by the
G D7

    

cliff, as on it
 
      

glid - ed through the trees. Still
G C G
 
       
fol - low - ing with grief the li -
C D7
 
       

ko, the a - mi - mi - le - mua of the
Copyright © 2010 HAL LEONARD CORPORATION

Sorgdal
Chorus
G C

     

vale. Fare - well to
 
    

thee, fare - well to thee, thou
D7 G
   
       
charm - ing one who dwells a - mong the bow -
 
   
  
ers. One fond em - brace be -
G D7
 
       
fore I now de - part, un - til we

      
meet a - gain.
2
Sorgdal
First note
Somebody to Love
Words and Music by Freddie Mercury
Intro
Freely G D Em7 Cmaj7
     

µ
  
Can an - y - bod - y
D7sus4 C G D7
µ
 
      
      
  
find me some - bod - y to love?
Moderately slow G D Em7 C
             
 
 
   
 
D G D7
 Verse
G D Em7
     
             
1.Each morn - ing I get up I die a lit - tle, can
3. Instrumental
G A D G D
        
          
bare - ly stand on my feet. Take a look in the
© 1976 (Renewed 2004) QUEEN MUSIC LTD.
All Rights for the U.S. and Canada Controlled and Administered by BEECHWOOD MUSIC CORP.
All Rights for the world excluding the U.S. and Canada Controlled and Administered by EMI MUSIC PUBLISHING LTD.
Sorgdal
Em7 A7 D

                
mir - ror and cry, Lord, what you’re do - in’ to me. I have
G A7 D A7 D7 C
             
      
spent all my years in be - liev - ing you, but I just can’t get no re - lief, Lord.
Chorus
G D7 Em7 Cmaj7
  
              
  
Some -bod - y, oo, some - bod - y, can an - y - bod - y find me
D7sus4 G Gmaj7 Em7 C
  
            

some - bod - y to love? Yeah.
Verse
D G D7 G D Em7 G A
   
                  
2. I work hard ev - ’ry day of my life, I work ’til I ache my
D G D Em7
     
           
2 bones. At the end, (At the end of the day.) I take home my
Sorgdal
A7 D G A7
      
     
      
hard - earned pay all on my own. I go down on my knees, and I
D A7
To Coda  D7 C
          
    
start to pray ’til the tears run down from my eyes, Lord.
Chorus
G D7 Em7 Cmaj7
   
              

Some - bod - y, oo, some - bod - y, can an - y - bod - y find me
D7sus4 G
            
    
some - bod - y to love?
Bridge
C
     
           
  
        
          
Ev - ’ry day I’ve tried, and I’ve tried, and I’ve tried, but

ev - ’ry bod - y wants to put me down. They say I’m go’n’ cra - 3
Sorgdal
A7
              
 
 
- zy. They say I got a lot of wa - ter in my
        
  
brain. I got no com - mon sense, I got
D
D.S. al Coda

            
 
no - bod - y left to be - lieve.
 Coda
Chorus
D7 C w/ Lead Voc. ad lib.
µ(G)
  

     
       
free, Lord. (Find me some - bod - y to love.
           
       
Find me some - bod - y to love. Find me some - bod - y to love.
         1., 2., 3.
 
               

4 Find me some - bod - y to love. Find me, me, some - bod - y to love.
Sorgdal
          
     
4.

8va loco
  
      

 
bod - y to love. Find me, me, some - bod - y to love.
      
8va 8va

loco loco
         
Some - bod - y, some - bod - y, some - bod - y, some - bod - y, some - bod - y, find me
G D Em7 Cmaj7
          
    
8va
loco
    

some - bod - y, find me some - bod - y to love.) Can an - bod - y find me
Freely
D7sus4
µ


          
  
     
some - bod - y to love?
Outro
w/ Lead Voc. ad lib.
A Tempo
Repeat and fade
G Gmaj7 Em7 C D G
   
        
          
(Find me some - bod - y to love.)
Additional Lyrics
4. Got no feel, I got no rhythm,
I’ll just keep losing my beat.
I’m O.K., I’m alright.
I ain’t gonna face no defeat.
I just gotta get out of this prison cell,
5
Someday I’m gonna be free, Lord.
Sorgdal
Zip-A-Dee-Doo-Dah
from Walt Disney’s SONG OF THE SOUTH
Words by Ray Gilbert
Music by Allie Wrubel
First note
Chorus
Merrily
G

     
   
Zip - a - dee - doo - dah,
C G C

     
  
zip - a - dee - ay, my, oh
G A7 D7

         
my, what a won - der - ful day!
 G C

      
      
Plen - ty of sun - shine, head - in’ my way,
Zip - a - dee - doo - dah, zip - a - dee - ay!
© 1945 Walt Disney Music Company

Copyright Renewed
Sorgdal
G C G Em
To Coda 
     
   
zip - a - dee - doo - dah,
Won - der - ful feel - ing,
Verse
Am D7 G D7
 
           
zip - a - dee - ay! Mis - ter Blue - bird

      

on my shoul - der. It’s the
A7 D7 µ

          
truth, it’s “act - ch’ll,” ev - ’ry - thing is
 Coda
Am D7 G
 
D.S. al Coda
         
 
“sat - is - fact - ch’ll.” won - der - ful day.
2
Sorgdal
Five Foot Two, Eyes of Blue
(Has Anybody Seen My Girl?)
Words by Joe Young and Sam Lewis
First note Music by Ray Henderson
Verse
Moderately, in 2 h = 100
 __ =   
3
C E7 A7
        
       
1., 3. Five foot two, eyes of blue, but oh what those five
2., 4. Turned up nose, turned down hose, nev - er had no
1.
D7 G7
           

foot could do.
Has an - y - bod - y seen my
oth - er beaus.
2.
C Dm G7 G7
    
 
girl? seen my
Bridge
C E7
     
     
girl? Now if you run in - to a
A7
         
five foot two, cov - ered with fur,
© 1925 LEO FEIST, INC.

© Renewed 1953 WAROCK CORP., LEO FEIST, INC. and HENDERSON MUSIC CO.
All Rights for LEO FEIST, INC. and HENDERSON MUSIC CO. in Canada Administered by REDWOOD MUSIC LTD.
Sorgdal
D7 G7
          
   
dia - mond rings and all those things, bet - cha’ life it
Outro-Verse
C E7
        

  

is - n’t her. But could she love, could she woo?

A7 D7
To Coda
           
 
Could she, could she, could she coo? Has an - y - bod - y
D.C. al Coda
(take repeat)
G7 C Dm G7
    

seen my girl?
 Coda
G7 D7 G7
        
seen my, an - y - bod - y seen my,
D7 G7 C

         
an - y - bod - y seen my girl?
2
Sorgdal
La Bamba By Ritchie Valens
First note
 C F G7
Moderate Latin Rock

               

Pa - ra bai -lar la bam - ba, pa - ra bai -lar la bam-
C F G7 C F G7
         
3
      
- ba se ne - ce - si - ta u - na po - ca de gra - cia.
C F G7
       
     
   
3
   
U - na po - ca de gra - cia par’ mi par’ ti y ar - ri - ba_y ar - ri -
C F G7 C F G7
              
     
- ba, ar - ri - ba_y ar - ri - ba. Por ti se - ré,
C F G7
  
     
 
    
por ti se - ré, por ti se - ré. Yo no soy ma - ri -
© 1958 (Renewed 1986) EMI LONGITUDE MUSIC and WARNER-TAMERLANE PUBLISHING CORP.
All Rights for the United States Controlled and Administered by EMI LONGITUDE MUSIC
Sorgdal
C F G7 C F G7
      
          
ne - ro. Yo no soy ma - ri - ne - ro, soy ca - pi - tan;
C F G7
To Coda 
    
       
soy ca - pi - tan, soy ca - pi - tan.
C F G7 C F G7
     
     

Bam - ba bam - ba, bam - ba bam -
C F G7
   
 
 
 


- ba, bam - ba, bam - ba,
C F G7
D.S. al Coda
       
   
bam - ba bam... Pa - ra bai - lar la bam -
 Coda
C F G7

Repeat and fade
   
    

Bam - ba, bam - ba!
2
Sorgdal
Oh, What a Beautiful Mornin’
from OKLAHOMA!
Lyrics by Oscar Hammerstein II
Music by Richard Rodgers
First note
Bright Waltz
C G7 C
 
          
1. There’s a bright gold - en haze on the mead - ow.
cat - tle are stand - in’ like stat - ues.
sounds of the earth are like mu - sic.
G7 C G7 Am
           
There’s a bright gold - en haze on the mead - ow.
All the cat - tle are stand - in’ like stat - ues.
All the sounds of the earth are like mu - sic.
Fm C G7 C
  
        

The corn is as high as an el - e - phant’s
They don’t turn their heads as they see me ride
The breeze is so bus - y it don’t miss a
F C
         
eye, an’ it looks like it’s climb - ing right
by, but a lit - tle brown mav - ’rick is
tree, and an ol’ weep - in’ wil - ler is
Copyright © 1943 by Williamson Music, a Division of Rodgers & Hammerstein: an Imagem Company
Copyright Renewed
Sorgdal
Gdim G7 C
        
 

up to the sky.
wink - in’ her eye. Oh, what a beau - ti - ful
laugh - in’ at me.
Fsus F C
       
 
morn - in’, oh, what a beau - ti - ful
G7 C
      
 
day, I got a beau - ti - ful
F F#dim C G7
     
  
feel - in’ ev - ’ry - thing’s go - in’ my
1., 2. 3.
C G7 Am D7
   
  
  

way. 2. All the way.
3. All the
C G7 C
   
    
Oh, what a beau - ti - ful day.
2
Sorgdal
King of the Road
Words and Music by Roger Miller
First note
Verse
Moderate Shuffle q = 114  __ =  3 
Bb Eb
     
   
     
1. Trail - er for sale or rent,
2. Third box - car, mid - night train,
F7 Bb

        
   
rooms to let fif - ty cents.
des - ti - na - tion Ban - gor, Maine.
Eb
 
      

   
No phone, no pool, no pets.
Old worn - out suit and shoes,
F7 µ
   
           
I ain’t got no cig - a - rettes, ah, but
I don’t pay no un - ion dues. I smoke

Copyright Renewed
Sorgdal
Bb Eb F7
 
    

    
     
 
two hours of push - ing broom buys a 8 by 12
old sto - gies I have found, short but not too
Bb Eb
        
     
   

four - bit room.
I’m a man of means by no means,
big a - round.
1. 2.
F7 µ
       
     


king of the road. 3. I know
Verse
B E F#7
 
                  
ev - er - y en - gi - neer on ev - er - y train, all of the chil - dren and
B E
      
             
all of their names, and ev - er - y hand - out in ev - er - y town and
F#7
       
        
ev - ’ry lock that ain’t locked when no one’s a - round. 4. I sing
2
Sorgdal
Verse
B E
 
       

   
trail - er for sale or rent,
F#7 B
 
        
   
rooms to let fif - ty cents.
E F#7 µ

           
     
No phone, no pool, no pets. I ain’t got no
B E
        
      
      
cig - a - rettes, ah, but two hours of push - ing broom buys a
F#7 B
     
         
    
8 by 12 four - bit room. I’m a man of means
E F#7 µ B
    
        

by no means, king of the road.
3
Sorgdal
Blue Bayou
Words and Music by Roy Orbison and Joe Melson
First note
Verse
Moderately q = 116
F
 
          
 
1. I feel so bad, I’ve got a wor - ried mind.
C7
     
        
I’m so lone - some all the time since I left my
F Eb F
 
               
ba - by be - hind on Blue Bay - ou.
Verse
F C7
 
     

  
 
    
2. Sav - ing nick - els, sav - ing dimes, work - ing ’til the
3. Oh, to see my ba - by a - gain and to be with
Copyright © 1961 (Renewed 1989) BARBARA ORBISON MUSIC COMPANY, ORBI-LEE MUSIC,
R-KEY DARKUS MUSIC and SONY/ATV MUSIC PUBLISHING LLC
All Rights on behalf of BARBARA ORBISON MUSIC COMPANY, ORBI-LEE MUSIC and R-KEY DARKUS MUSIC Administered by ICG
All Rights on behalf of SONY/ATV MUSIC PUBLISHING LLC Administered by
SONY/ATV MUSIC PUBLISHING LLC, 8 Music Square West, Nashville, TN 37203
Sorgdal
    
             
sun don’t shine, look - ing for - ward to hap - pi - er times on
some of my friends, may - be I’d be hap - py then on
Chorus
F Eb F F
      
        
Blue Bay - ou! 1. I’m go - ing back some day,
Blue Bay - ou. 2. I’m go - ing back some day,
C7
        

    
come what may to Blue Bay - ou! Where you
gon - na stay on Blue Bay - ou! Where the
             
     
sleep all day and the cat - fish play on Blue Bay - ou.
folks are fine and the world is mine on Blue Bay - ou.
F+
            
     
All those fish - ing boats with their sails a - float if
Ah, that girl of mine by my side, the
2
Sorgdal
Bb Bbm F

             

I could on - ly see that fa - mil - iar sun - rise through
sil - ver moon and the eve - ning tide, oh, some sweet day, gon - na
C7 F
    

      
sleep - y eyes, how hap - py I’d be.
take a - way this hurt - in’ in - side.
1. 2.
Eb F Eb F C7
       

      
I’ll nev - er be blue, my
          
dreams come true on Blue
  

Bay - ou.
3
Sorgdal
Home on the Range
First note Lyrics by Dr. Brewster Higley
Music by Dan Kelly
Slowly
Verse
G C

    
     
1. Oh, give me a home where the buf - fa - lo
2. How of - ten at night when the heav - ens are
3. Where the air is so pure, the zeph - yrs so
4. Oh, I love those wild - flow’rs in this dear land of
G A7
  
       
roam, where the deer and the an - te - lope
bright with the light from the glit - ter - ing
free, the breez - es so balm - y and
ours. The cur - lew, I love to hear
D7 G
 
  
     
play. Where sel - dom is heard a dis -
stars, have I stood there a - mazed and
light, that I would not ex - change my
scream. And I love the white rocks and the
C G
       
   
cour - ag - ing word, and the skies are not
asked as I gazed, if their glo - ry ex -
home on the range for all of the
an - te - lope flocks, that graze on the

Sorgdal
Chorus
D7 G G
 
     

cloud - y all day.
ceeds that of ours.
Home,
cit - ies so bright.
moun - tain - tops green.
D7 G Em
  
       
 
home on the range, where the deer and the
A7 D7 G

         
an - te - lope play. Where sel - dom is
C Cm
     
   
heard a dis - cour - ag - ing word, and the
G D7 G
  
         
skies are not cloud - y all day.
2
Sorgdal
High Hopes
Words by Sammy Cahn
Music by James Van Heusen
First note
Intro
Moderately  __ =   
3
C Am Dm G7 C Am Dm G7
    

Verse
C C#º7
             
 

1. Next time you’re found with your chin on the ground, there’s a
2. When trou - bles call and your back’s to the wall, there’s a
Dm G7 C Am
        
  

lot to be learned, so look a - round.
lot to be learned; that wall could fall.
Dm G7 C F
  
        
Just what makes that lit - tle ol’ ant
Once there was a sil - ly ol’ ram,
G7 C
   
           
think he’ll move that rub - ber tree plant? An - y - one knows an
thought he’d punch a hole in a dam. No one could make that
Copyright © 1959 (Renewed) Maraville Music Corp.

Sorgdal
Dm D#º7 Dm G7 C
         
     
ant can’t move a rub - ber tree plant. 1. But he’s got
ram scram; he kept butt - in’ that dam. 2. ’Cause he had
 Chorus
F F#º7 C
          
  
high hopes, he’s got high
high hopes, he had high
high hopes, keep your high
Am D7
        
 
hopes, he’s got high ap - ple pie in the
hopes, he had high ap - ple pie in the
hopes, keep those high ap - ple pie in the
G7
   
     
sky hopes. 1. So an - y -
sky hopes. 2. So an - y -
sky hopes. 3. A prob - lem’s
Outro
C C7
         
  
time you’re get - tin’ low, ’stead of let - tin’ go,
time you’re feel - in’ bad, ’stead of feel - in’ sad,
just a toy bal - loon, they’ll be burst - ing soon,
2
Sorgdal
F F#º7 C C#º7
          
 
just re - mem - ber that ant. Oops! There goes an -
just re - mem - ber that ram. Oops! There goes a
they’re just bound to go, “Pop!” Oops! There goes an -
Dm G C C#º7
       
   
oth - er rub - ber tree plant.
(Oops! There goes an -
bil - lion kil - o - watt dam.
(Oops! There goes a
oth - er prob - lem, ker - plop!
(Oops! There goes an -
Dm G7 C C#º7
       
   
Oops! There goes an -
oth - er rub - ber tree plant.)
Oops! There goes a
bil - lion kil - o - watt dam.)
Oops! There goes an -
oth - er prob - lem, ker - plop!)
Dm G
To Coda  1.
C Am Dm G7
  
       
oth - er rub - ber tree plant.
bil - lion kil - o - watt
oth - er prob - lem, ker -
2. C D.S al Coda
 Coda
C7 C G7 C
 
           
dam. 3. So keep your plop! Ker - plop!
3
Sorgdal
San Francisco
(Be Sure to Wear Some Flowers in Your Hair)
Words and Music by John Phillips
First note
Intro Verse
Moderately
C E‹ A‹ F C
 
    
 
     
1. If you’re go - ing to San Fran -
2. For those who come to San Fran -
G A‹ F C

      
3
      
cis - co, be sure to wear some flow - ers in your
cis - co, sum - mer - time will be a love - in
G A‹ C F
 
       
3
   
hair. If you’re go - in’ to San Fran -
there. In the streets of San Fran -
C E‹
 
3
  
     
cis - co, you’re gon - na meet some
cis - co, gen - tle peo - ple with
Copyright © 1967 UNIVERSAL MUSIC CORP.

Copyright Renewed
Sorgdal
A‹ G
 
       

gen - tle peo - ple there.
flow - ers in their hair.
Bridge
Bb
           
         
All a -cross the na - tion, such a strange vi - bra - tion:
C Bb
          
      
peo -ple in mo - tion. There’s a whole gen - er - a -
        
       
- tion with a new ex - pla - na - tion.
C G
 
              
Peo - ple in mo - tion. Peo -ple in mo - tion.
Verse
A‹ D‹ F C E‹ G A‹
            
    
3. For those who come to San Fran - cis - co, be sure to
2
Sorgdal
F C G A‹ C
 
        
    
 
wear some flow - ers in your hair. If you come to
F C E‹
     
      
San Fran - cis - co sum - mer - time will
Outro
A‹ C A‹ B‹
   
      
  
be a love - in there. If you
D G D

2fr 2fr

3
        
  
come to San Fran - cis - co, sum - mer -
F#‹ B‹ D
2fr
 
         
  
time will be a love - in there.
3
Sorgdal
Chim Chim Cher-ee
from Walt Disney’s MARY POPPINS
Words and Music by Richard M. Sherman and Robert B. Sherman
First note
Chorus
Lightly, with gusto
Am E+ Am7 D
 
         

Chim chim -in - ey, chim chim -in - ey, chim chim cher - ee! A
Dm Am B7 E7 Am
       

       
sweep is as luck - y, as luck - y can be. Chim chim -in - ey,
E+ Am7 D Dm Am

             
chim chim -in - ey, chim chim cher - oo! Good luck will rub off when I
E7 Am Dm Am E7
           
   
shakes ’ands with you, or blow me a kiss and that’s luck - y,
Interlude
Am E7 Am E7
      

    
 
too. (Instrumental)
Copyright Renewed
Sorgdal
 Verse
Am E+ Am7 D
   
         
 I
Now, as the lad - der of life ’as been strung, you
choose me bris - tles with pride, yes, I do: a
(D.S.) Up where the smoke is all bill - ered and curled, ’tween
Dm Am B7
         
may think a sweep’s on the bot - tom - most
broom for the shaft and a brush for the
pave - ment and star is the chim - ney sweep
E7 Am E+
  
     

rung. Though I spends me time in the
flue. Though I’m cov - ered with soot from me
world. When there’s ’ard - ly no day nor
Am7 D Dm
        
ash - es and smoke, in this ’ole wide
’ead to me toes, a sweep knows ’e’s
’ard - ly no night, there’s things ’alf in
Am E7
To Coda  1.
Am
2.
Am
D.S. al Coda
     
     
world there’s no ’ap - pi - er bloke.
wel - come wher - ev - er ’e goes.
shad - ow and ’alf - way in
2
Sorgdal
 Coda
Am Dm Am E7
          

light. On the roof - tops of Lon - don, coo, what a
Chorus
Am Am E+ Am7
  
         

sight! Chim chim - in - ey, chim chim - in - ey, chim chim cher -
D Dm Am B7 E7
             

ee! When you’re with a sweep you’re in glad com - pa - ny.
Am E+ Am7 D
  
        

No - where is there a more ’ap - pi - er crew than
Dm Am E7 Am
    
        
them wot sings, “Chim chim cher - ee, chim cher - oo!”
Dm Am E7 Am

           
Chim chim - in - ey, chim chim, cher - ee, chim cher - oo!
3
Sorgdal
It’s a Small World
from Disneyland Resort R and Magic KingdomR Park
First note
Verse
March G

  


   

It’s a world of laugh - ter, a
just one moon and one
D7

    
  
world of tears; it’s a world of
gold - en sun, and a smile means
G

        
hopes and a world of fears. There’s so
friend - ship to ev - ’ry - one. Though the
G7 C

         
much that we share that it’s time we’re a -
moun - tains di - vide and the o - ceans are
Am D7
    
   
ware, it’s a small world af - ter
wide, it’s a small world af - ter

Copyright Renewed
Sorgdal
Chorus
G G

     

all.
It’s a
all.
D7
  
    
small world af - ter all,
   
   
it’s a small world af - ter
G7
 
     
all. It’s a small world
C Am D7
    
  
af - ter all. It’s a small,
G 1. 2.

       
 
small world. There is
2
Sorgdal
Supercalifragilisticexpialidocious
from Walt Disney’s MARY POPPINS
First note
Chorus
Brightly
Cmaj7 C#dim7
            
Su - per - cal - i - frag - il - is - tic - ex - pi - al - i -
G7
          
    
do - cious! E - ven though the sound of it is some - thing quite a -
Cmaj7
           
tro - cious, if you say it loud e - nough, you’ll
C7 F

          
al - ways sound pre - co - cious. Su - per - cal - i -
Cmaj7 G7 Cmaj7
           
frag - il - is - tic - ex - pi - al - i - do - cious!

Copyright Renewed
Sorgdal
Interlude
Cmaj7 G7 Cmaj7
                    
Um did - dle did - dle did - dle, um did - dle ay! Um did - dle did - dle did - dle,
Verse
G7 Cmaj7
  
            
Be - cause I was a - fraid to speak when
um did - dle ay!
 He
So
trav - eled
when the
all
cat
a -
has
round
got
the
your
world and
tongue, there’s
C#dim7 G7
           
I was just a lad, me fa - ther gave me
ev - ’ry - where he went he’d use his word and
no need for dis - may. Just sum - mon up this
Cmaj7
         
 
nose a tweak and told me I was bad. But
all would say, “There goes a clev - er gent!” When
word and then you’ve got a lot to say. But
C7
    
       
then one day I learned a word that saved me ach - in’
dukes and ma - ’a - ra - jas pass the time of day with
bet - ter use it care - ful - ly or it can change your
F D7
           
nose, the big - gest word you ev - er ’eard and
me, I say me spe - cial word and then they
life. One night I said it to me girl and
Sorgdal
2
Chorus
G7 Cmaj7
           

this is ’ow it goes: Oh!
(1.,2.) Su - per - cal - i -
ask me out to tea. Oh!
now me girl’s me wife. She’s (3.) Su - per - cal - i -
C#dim7 G7
          

           

E - ven though the sound of it is some - thing quite a -
Su - per - cal - i - frag - il - is - tic - ex - pi - al - i -
Cmaj7
          

tro - cious, if you say it loud e - nough, you’ll
do - cious! Su - per - cal - i - frag - il - is - tic -
C7 F
           
al - ways sound pre - co - cious. Su - per - cal - i -
ex - pi - al - i - do - cious! Su - per - cal - i -
1., 2. 3.
Cmaj7 G7 Cmaj7 Cmaj7
               
Sorgdal
3
Run
Words & Music by Gary Lightbody, Jonathan Quinn,
Mark McClelland, Nathan Connolly & Iain Archer
Original key C major Fm Db Ebsus4

3fr
                

1. I sing it
Verse
               
one last time for you, then we real - ly have to go. You’ve been the
               
on - ly thing that’s right in all I’ve done. And I can

       
bare - ly look at you, but ev - ’ry
(2.) might not see those eyes, it makes it
       
sing - le time I do, I know we’ll
so hard not to cry. And as we
© Copyright 2003 Universal Music Publishing Limited (95%)

(administered in Germany by Universal Music Publ. GmbH)/Kobalt Music Publishing Limited (5%).
Sorgdal
               
make it a - ny - where a - way from here.
say our long good - byes, I near - ly do. 
Chorus
Ab Ebsus4 Eb7
3fr 3fr
               
Light up, light up, as if you have a choice, ev - en if you can - not hear
Fm
               
my voice, I’ll be right be - side you dear.
               
Loud - er, loud - er, and we’ll run for our lives. I can hard - ly speak, I un -
B¨m Fm
1.
                
- der - stand why you can’t raise your voice to say. 2. To think I
Eb
3fr
2.
               
Instrumental
           
Sorgdal
Db6
               
Light up, light up, as if you have
           
a choice, ev - en if you can - not hear my voice, I’ll be right
           
be - side you dear.
       
Light up, light up, and we’ll run for
           
our lives. I can hard - ly speak, I un - der stand why you can’t
               
raise your voice to say.
                   
Sorgdal
Oh! Susanna
Words and Music by Stephen C. Foster
First note
Lively
Verse
 C
       
   

1. I come from Al - a - bam - a with a
rained all night the day I left, the
2. (See additional lyrics)
D7 G7 C
      
    
ban - jo on my knee. I’m goin’ to Lou’ - si -
weath - er it was dry. The sun so hot I
1., 3.
G7 C
       
   

an - a, my Su - san - na for to see. It
froze to death. Su - san - na, don’t you
2., 4. Chorus
C F
 
     

cry. Oh! Su - san - na, oh,

Sorgdal
C D7 G7
       
don’t you cry for me, for I
       

come from Al - a - bam - a with a
To Coda   Coda
G7 C C
D.S. al Coda
      
  
ban - jo on my knee. 2. I knee.
Additional Lyrics
2. I had a dream the other night

When everything was still.
I thought I saw Susanna
A-coming down the hill.
The buckwheat cake was in her mouth,
The tear was in her eye,
Say I, “I’m coming from the South.
Susanna, don’t you cry.”
Chorus
2
Sorgdal
Teardrops on my Guitar
Words and Music by Taylor Swift and Liz Rose
First note
Verse
Moderately fast, in 2
C Am7 F
      
      

1. Drew looks at me, I fake
G7 C Am7
       

            
a smile so he won’t see that I want and I’m need -
F G7 Am7
                 
  
- in’ ev - ’ry - thing that we should be. I’ll bet she’s beau - ti - ful,
F C
    
  
   
   
that girl he talks a - bout. And she’s got ev - ’ry - thing that
Verse
G C Am7
        

 


  
I have to live with - out. 2. Drew talks to me,
3. Drew walks by me,
Copyright © 2006 Sony/ATV Music Publishing LLC, Taylor Swift Music and Cake Taker Music/ole
Sorgdal
F G7 C
    
       
       
I laugh ’cause it’s so damn fun - ny that I can’t
can he tell that I can’t breathe? And there he goes,
Am7 F G7
             
   
e - ven see an - y - one when he’s with me.
so per - fect - ly, the kind of flaw - less I wish I could be.
 Am7
Pre-Chorus
F
        
     
He says he’s so in love, he’s fi - n’lly got it right.
She bet - ter hold him tight, give him all her love,
(D.S.) So, I drive home a - lone. As I turn out the light,
C G
              

I won - der if he knows he’s allI think a - bout at night.
look in those beau - ti - ful eyes and know she’s luck - y ’cause
I’ll put his pic - ture down and may - be get some sleep to - night.
Chorus
C G
            


He’s
the rea - son for the tear - drops on my gui - tar,
he’s
’Cause he’s the rea - son for the tear - drops on my gui - tar,
Am7 F
               
the on - ly thing that keeps me wish - in’ on a wish - in’ star.
2 the on - ly one who’s got e - nough of me to break my heart.
Sorgdal
C
To Coda  G
    
           
He’s the song in the car. I keep sing - in’. Don’t know why
He’s the song in the car.
1. 2. D.S. al Coda
Am7 F F
      
  
I do.
 Coda G Am7
           
  
I keep sing - in’. Don’t know why I do.
F C G
           
      
He’s the time tak - en up, but there’s nev - er e - nough, and he’s all
Am7 F C
         
  

 

that I need to fall in - to. Drew looks
Am7 F G7 C

              
 
 
at me. I fake a smile so he won’t see.
3
Sorgdal
You Belong with Me
First note Words and Music by Taylor Swift and Liz Rose
Verse
Moderately
G
 
      
        
1. You’re on the phone with your girl - friend; she’s up - set.
2. Walk - ing the streets with you and your worn - out jeans,
D
  
   
           
She’s go - ing off a - bout some - thing that you said
Am
I can’t help think - ing this is how it ought to be.

   
          
’cause she does - n’t get your hu - mor like
Laugh - ing on a park bench, think - ing to my - self,
C G
 
 
      
I do. I’m in the room; it’s a
“Hey, is - n’t this eas - y?” You’ve got a smile that could
D

    
           
typ - i - cal Tues - day night. I’m lis - t’nin’ to the kind of
light up this whole town. I have - n’t seen it in a
Copyright © 2008 Sony/ATV Music Publishing LLC, Taylor Swift Music, Potting Shed Music and Barbara Orbison World Publishing
All Rights on behalf of Sony/ATV Music Publishing LLC and Taylor Swift Music Administered by
Sony/ATV Music Publishing LLC, 8 Music Square West, Nashville, TN 37203
All Rights on behalf of Potting Shed Music and Barbara Orbison World Publishing Administered by BMG Chrysalis
Sorgdal
Am

     
        
mu - sic she does - n’t like, and she’ll nev - er
while since she brought you down. You say you’re fine; I know you
C

  
       
know your sto - ry like I do.
bet - ter than that. Hey, what - cha do - ing with a
Pre-Chorus
Am

   


   
But she wears short skirts,
girl like that? She wears high heels,
C G D

             


I wear T - shirts, she’s cheer cap - tain and I’m on the bleach - ers,
I wear sneak - ers,
Am C

               
dream - ing ’bout the day when you’ll wake up and find that what you’re
D
  
             
look - ing for has been here the whole time. If you could
2
Sorgdal
 Chorus
G D
 
                 
see that I’m the one who un - der -stands you. Been here all a - long,
Am
  
      

     

so why can’t you see - ee you be - long with
1. C G
   
    
    
me - ee? You be - long with me.
2.
C G
 
           
  
me - ee? Stand - ing by and wait -

                  
- ing at your back door. All this time, how could you not know, ba -
Am C
       
         
by - y, you be - long with me - ee?
3
Sorgdal
To Coda  G C

    
       
You be - long with me.
Bridge
Am
      
       
Oh, I re - mem - ber you driv - ing to my house in the
C G

              
mid - dle of the night. I’m the one who makes you laugh when you
D Am
  
            
know you’re ’bout to cry. I know your fa - v’rite songs, and you
C G

              
tell me ’bout your dreams. Think I know where you be - long. Think I
D.S. al Coda
(take 2nd ending)
 Coda
D G
  
            

know it’s with me. Can’t you
4
Sorgdal
First note
The Bare Necessities
from Walt Disney’s THE JUNGLE BOOK
Words and Music by Terry Gilkyson
Intro Chorus
Moderately, in 2 q = 97
C C
           
Look for the (1., 3.) bare ne -
(2.) bare ne -
F F7 C
               

ces - si - ties, the sim - ple bare ne - ces - si - ties; for - get a - bout your
ces - si - ties, the sim - ple bare ne - ces - si - ties; for - get a - bout your
A7 D7 G7 µ C C7
            
   
wor - ries and your strife. I mean the bare ne - ces - si - ties, or
wor - ries and your strife. I mean the bare ne - ces - si - ties, that’s
F F7 C A7 D7 G7
       
        
Moth - er Na - ture’s re - ci - pes that bring the bare ne - ces - si - ties of
why a bear can rest at ease with just the bare ne - ces - si - ties of
Verse
C F7 C µ G7
   
        
   
life. 1. Wher -ev - er I wan - der, wher - ev - er I
life. 2. When you pick a paw - paw or pric - kl - y
3. So just try to re - lax Spoken: Oh yeah! in my back -
Copyright Renewed
Sorgdal
C G7
    
        
roam, I could - n’t be fond - er of my big
pear, and you prick a raw paw, next time be -
yard, if you act like that bee acts you’re work - in’ too
C C7 F Fm
           
 
home. The bees are buzz - in’ in the tree to make some
ware. Don’t pick the prick - ly pear by paw, when you pick a
hard. Don’t spend your time just look - in’ a - round for some -thing you
C D7 A7 µ A7 µ
          
  
hon - ey just for me. You look un - der the rocks and plants and
pear, try to use the claw. But you don’t need to use the claw when you
want that can’t be found. When you find out you can live with - out it and
Dm µ D7 G7 C A7



           
 

take a glance at the fan - cy ants, then may - be try a few.
pick a pear of the big paw - paw, have I giv - en you a clue?
go a - long not think - in’ a - bout it, I’ll tell you some - thing true.
µ Dm G7 C A7
          
   
The bare ne - ces - si - ties of life will come to you,
1., 2. 3.
D7 G7 C Bb7 C µ C Bb7 C µ
               

they’ll come to you! (2., 3.) Look for the you!
2
Sorgdal
Barbara Ann
Words and Music by Fred Fassert
First note
Intro-Chorus
Bright Rock
C
         


   
   
Ba - Ba - Ba - Ba - Bar - b’ra Ann, Ba - Ba - Ba - Ba -
Chorus 1
C
           
 
Bar - b’ra Ann, take my
- Bar - b’ra Ann.
F C
          

hand. Bar - b’ra Ann,
G7
    
         
you got me rock - in’ and a - roll - in’, rock -
F C
        
    
- in’ and a - reel - in’, Bar - b’ra Ann, Ba - Ba - Ba -
© 1959 (Renewed 1987) EMI LONGITUDE MUSIC and COUSINS MUSIC INC.
All Rights Controlled and Administered by EMI LONGITUDE MUSIC
Sorgdal
Verse
C
Fine
   
            

1. Went to a dance look - in’ for ro - mance,
- Bar - b’ra Ann.
2. Played my fa - v’rite tune, danced with Bet - ty Lou,
              
 Oh,
saw Bar - b’ra Ann, so I thought I’d take a chance.
Bar - b’ra
tried Peg - gy Sue, but I knew they would - n’t do.
Chorus 2
F
   
        
Ann, Bar - b’ra Ann, take my hand. Oh, Bar - b’ra
   
        
Ann, Bar - b’ra Ann, take my hand. You got me
G7 F

                
rock - in’ and a - roll - in’, rock - in’ and a - reel - in’, Bar - b’ra
C
1st time, D.C.
  
2nd time, D.C. al Fine
         
Ann, Ba - Ba - Ba - Bar - b’ra Ann.
2
Sorgdal
California Girls
Words and Music by Brian Wilson and Mike Love
First note
Verse
Moderate Shuffle Rock
 __ =   
3
 
           
1. Well, east coast girls are hip; I real - ly
(2.) west coast has the sun - shine and the
 
         
dig those styles they wear. And the
girls all get so tan. I dig a

              
south - ern girls with the way they talk, they knock me
French bi - ki - ni on Ha - wai - ian is - lands, dolls by a
D7 G
  

   


 

   
out when I’m down there. The mid - west farm - er’s
palm tree in the sand. I been all a - round this
Copyright © 1965 IRVING MUSIC, INC.

Copyright Renewed
Sorgdal
F
 
        
daugh - ters real - ly make you feel al -
great big world and I’ve seen all kinds of
  
           
right, and the north - ern girls with the
girls, but I could - n’t wait to get
D7
 
            

way they kiss, they keep their boy - friends warm at night.
back in the states, back to the cut - est girls in the world.
Chorus
G
  
      

 I wish they all could be
Am F
    
        
Cal - i - for - nia, I wish they all could be
2
Sorgdal
Gm Eb
 
        
  
Cal - i - for - nia, I wish they all could be
1.
Fm G
   
      
   
Cal - i - for - nia girls. 2. The
2. Interlude
G µ

          

girls. (Instrumental)
Outro-Chorus
G

        
   
 
I wish they all could be
1. Am
 
      
          
Cal - i - for - nia, wish they all could be Cal - i - for - nia, I

2.
       

Cal - i - for - nia girls.
3
Sorgdal
Don’t Worry Baby
Words and Music by Brian Wilson and Roger Christian
First note
Verse
Moderate Rock
F
         
       
1. Well, it’s been build - in’ up in - side of me for,
2. I guess I should - a kept my mouth shut when I
3. She told me, ”Ba - by, when you race to - day, just
Bb C7 F
    
3
         
oh, I don’t know how long. I don’t know
start -ed to brag a - bout my car. But I can’t
take a - long my love with you. And if you
Bb
      
   



why, but I keep think - in’ some - thing’s bound to
back down now be - cause I pushed the oth - er
knew how much I loved you, ba - by, noth - ing could go
Copyright © 1964 IRVING MUSIC, INC. and UNIVERSAL MUSIC - CAREERS for the USA
Copyright Renewed
All Rights outside the USA Controlled by IRVING MUSIC, INC.
Sorgdal
C7 Gm7 C7
 
3
     

    
go wrong. But she looks in my eyes
guys too far. She makes me come a - live
wrong with you.” Oh, what she does to me
Am7 D7
  
  
     
and makes me re - al - ize when she
and makes me wan - na drive when she
when she makes love to me and she
Chorus
G Am7
To Coda 
   
         
says:
says:
says:  Don’t wor - ry, ba - by,
D7 G
 
     
3
    
ev - ’ry - thing will work out all right.
2
Sorgdal
1.
Am7 D7 C7
µ
    
        
Don’t wor - ry, ba - by, ooh.
2. Outro-Chorus
C7 Am7
 Coda
        
D.C. al Coda
      
ooh. Don’t wor - ry, ba - by,
Repeat and Fade

D7 G
 
   
3
      
ev - ’ry - thing will turn out all right.
Optional Ending
G
µ
 
      
3
    
Don’t wor - ry, out all right.
3
Sorgdal
God Only Knows
Words and Music by Brian Wilson and Tony Asher
First note
Verse
Moderately
 __ =   
3
Bb Gm
           
3

1. I may not al - ways love you,
2. If you should ev - er leave me,
Dm G7
     
         
but long as there are stars a - bove you,
well, life would still go on, be - lieve me.
C G7b9
   
       
3
you’ll nev - er need to doubt it.

The world could show noth - ing to me,
C D7
    
       
3
 

I’ll make you so sure a - bout it.
so what good would liv - ing do me?
Copyright Renewed
Sorgdal
Chorus
F C
  
3
        
God on - ly knows what I’d be with - out
1. 2. Outro-Chorus
Dm7 C C F
     
 
you. God on - ly knows
C Dm7
 
3
          

what I’d be with - out you.
(God on - ly knows
C F
Repeat and Fade
 
3
       
    
God on - ly knows
what I’d be with - out you.)
Optional Ending
C Dm7 C

     
3
   
what I’d be with - out you.
2
Sorgdal
Good Vibrations
First note
Verse
Moderately fast
 __ =   
3
Am
       
    

1. I, I love the col - or - ful
2. Close my eyes; she’s some - how
G F
        
 
  
 
clothes she wears and the way the sun - light
clos - er now. Soft - ly smile; I
      

  
 
plays up - on her hair.
know she must be kind.
Am G
        
   
I hear the sound of a gen - tle word
When I look in her eyes,

Copyright Renewed
Sorgdal
F
           
   
on the wind that lifts her per - fume through the air.
she goes with me to a blos - som world.
Chorus
E G7 C F
         


I’m pick - in’ up
C F C F
       
 
good vi - bra - tions. She’s giv - in’ me
C F C F C7 F
          
  
ex - ci - ta - tions. I’m pick - in’ up good vi - bra - tions.
C F C7 F
 
    
   
She’s giv - in’ me ex - ci - ta - tions.
2
Sorgdal
Interlude
D G D7 G D G
    
       
  
Good, good, good, good vi - bra - tions.
D7 G E A E7 A
    
        
Good, good, good, good vi - bra -
1. 2.
E A E7 A E A
    
     / 0     
- tions.  tions.
Outro-Chorus
E7 A E A E A
        
   
I’m pick - in’ up good vi - bra - tions.
E A E A E
     
    
  
She’s giv - in’ me ex - ci - ta - tions.
3
Sorgdal
Help Me Rhonda
First note
Verse
Medium Rock
 __ =   
3
F C7

          
     
1. Since she put me down I’ve been out do - in’ in my head.
(2.) gon - na be my wife and I was gon - na be her man.
F C7 F
     
        
Come in late at night and in the
But she let an - oth - er guy come be -
C7 F C7 F
        
       
morn - in’ I just lay in bed. Well,
tween us and it shat - tered our plans. Well,
Dm
          
 

Rhon - da, you look so fine, and I
Rhon - da, you caught my eye, and I’ll
Copyright Renewed
Sorgdal
Bb G7
          
  

know it would - n’t take much time for you to
give you lots of rea - sons why. You got - ta
F Gm7 C7

     
       
help me, Rhon - da, help me get her out of my heart.
Chorus
F C7

      

Help me, Rhon - da!
  

            
 
  
Help, help me, Rhon - da! Help me, Rhon - da! Help, help me, Rhon - da!
C7 F
     
         
   
Help me, Rhon - da! Help, help me, Rhon - da! Help me, Rhon - da!
2
Sorgdal
Bb
               
 
 
Help, help me, Rhon - da! Help me, Rhon - da! Help, help me, Rhon - da!
Dm F Gm7
          
      
Help me, Rhon - da! Help, help me, Rhon - da! Help me, Rhon - da,
1.
C7 µ F
           
 
yeah, get her out of my heart. 2. She was
2. Outro-Chorus
F C7
           
  
Help me, Rhon - da! Help, help me, Rhon - da!
F
Optional Ending
Repeat and Fade

    
   
  
   
Help me, Rhon - da! Help, help me, Rhon - da!
3
Sorgdal
Kokomo
from the Motion Picture COCKTAIL
Words and Music by Mike Love, Terry Melcher,
John Phillips and Scott McKenzie
First note
Intro-Chorus
Moderately bright
µ
  
                
 
A - ru - ba, Ja - mai - ca, ooh, I wan - na take ya. Ber -
   
              

mu - da, Ba - ha - ma, come on, pret - ty ma - ma. Key
          
      
Lar - go, Mon - te - go, ba - by, why don’t we go, Ja -
Verse
C Cmaj7
             
 
mai - ca. 1.Off the Flor - i - da Keys
2. We’llput out to sea
Gm7 F Fm
 
            
 
there’s a place called Ko - ko - mo. That’s where we
and we’ll per - fect our chem - is - try. By and by we’ll de -fy
© 1988 Touchstone Pictures Music & Songs, Inc., Buena Vista Music Company, Clair Audient Publishing,
Daywin Music, Inc., Honest John Music and Phillips-Tucker Music
Administered 100% by Touchstone Pictures Music & Songs, Inc. and Buena Vista Music Company
Sorgdal
C D7 G

              
want to go to get a - way from it all.
a lit - tle bit of grav - i - ty.
Verse
C Cmaj7 Gm7
 
         
     
Bod - ies in the sand, trop - i - cal drink melt - ing
Af - ter - noon de - light, cock - tails and
F Fm C

         
in your hand. We’ll be fall - ing in love to the rhy -thm of a
moon lit nights, the dream -y look in your eye, give me a trop - i - cal
D7 G
 Chorus
C
  
             
     
way down in Ko - ko - mo. 
steel - drum band down in Ko - ko - mo.
A - ru - ba, Ja - mai - ca, ooh,
con - tact high
F

                
I wan - na take ya to Ber - mu - da, Ba - ha - ma. Come
C
                        
on, pret - ty ma - ma. Key Lar - go, Mon - te- go, ba - by, why don’t we godown to
2
Sorgdal
F Fm C
  
                  
Ko - ko - mo. We’ll get there fast and then we’ll take it slow.
Am Dm To Coda  G7
    
      
 
That’s where we wan - na go, way down in Ko - ko - mo.
Verse
C C
               
   
 Port - au - Prince, I wan - na catch a glimpse.
Mar - ti - nique, that Mont - ser - rat mys tique. 3. Ev -’ry - bod - y knows
Cmaj7 Gm7 F
      
        
a lit - tle place like Ko - ko - mo.
Fm C D7
      
             
Now if you wan - na go to get a - way from it all,
 Coda
G7 G7 C
D.S. al Coda

            
 
go down to Ko -ko - mo. A - way down in Ko - ko - mo. 3
Sorgdal
Sloop John B
Words and Music by Brian Wilson
First note
Verse G
Moderately
       
       

1. We come out in the Sloop John B, my
(2.) first mate, he got drunk. He
 
(3.) poor cook, he got the fits. He
              
  
grand - fa - ther and me. A - round Nas - sau
broke in the cap - tain’s trunk. The con - sta - ble had to
threw a - way all my grits. Then he took and he
D
     
       
   
town we do roam, drink - ing all
come and take him a - way. Sher - iff John
ate up all of my corn. Let me go
G C Am7
    
            
night, got in - to a fight. Well, I
Stone, why don’t you leave me a - lone? Well, I
home. Why don’t they let me go home? This
G D G
     
          

feel so broke up, I wan - na go home.
feel so broke up, I wan - na go home.
is the worst trip I’ve ev - er been on.
Copyright © 1966 New Executive Music
Copyright Renewed
Sorgdal
Chorus
G

             
 
So hoist up the John B sail,
              
    
see how the main sail set. Call for the cap - tain a -
    
     
   
shore. Let me go home, let me go
G C
  
          
home. I wan - na go home, oh
Am7 G D
   
       

     
yeah. Well, I feel so broke up, I wan - na go
1., 2. 3.
G G
 
         
 
home. (2., 3.) The home.
2
Sorgdal
Surfer Girl
Written by Brian Wilson
First note
Verse
Slow Rock beat
G Em C D7 Gmaj7 G7
      
        
1. Lit - tle surf - er, lit - tle one, made my heart come
C Am7b5 G Em C D7
  
      
  
all un - done. Do you love me, do you, surf - er
Verse
G Em C D7 G Em

    
 
girl? 2. I have watched you
C D7 Gmaj7 G7 C Am7b5
     
     
on the shore, stand - ing by the o - cean’s roar.
G Em C D7 G C
 
        
Do you love me, do you, surf - er girl?
© 1962 (Renewed 1990) GUILD MUSIC COMPANY (BMI)/Administered by BUG MUSIC

Sorgdal
Bridge
G G7 C D7 G Em
 
         
  
We could ride the surf to - geth - er
C D7 G G7 C D7
         

      

while our love would grow. In my wood - y
G Em A7 D7

          
   
I would take you ev - ’ry - where I go.
Verse
G Em C D7 Gmaj7 G7
  
       
 
3. So I say from me to you, I will make your
C Am7b5 G Em C D7
  
       
 
dreams come true. Do you love me, do you, surf - er
1. 2.
G Em C D7 G C G
 
      
girl? girl?
2
Sorgdal
Surfin’ Safari
First note
Intro
Bright Rock
G F

            
Let’s go surf - in’ now; ev - ’ry - bod - y’s learn - in’ how.
2   0  

3 1
2 0
0 2
D G
           
Come on a sa - fa - ri with me.
0
2  0
2  2
3
2
3
2
3
2
3
2
3
2
3
2
3
2
3
2 2 2 2 2 2 2 2 2 2
2 2 0 0 0 0 0 0 0 0
Verse
C F
        
 
     
1. Ear - ly in the morn - in’, we’ll be start - in’ out; some
(2.) Hunt - ing - ton and Mal - i - bu, they’re shoot - in’ the pier. In
(3.) an - glin’ in La - gu - na and Cer - ro A - zul. They’re
G F C
       
      
hon - eys will be com - in’ a - long. We’re
Rin - con, they’re walk - in’ the nose. We’re
kick - in’ out in Do - he - ny, too. I tell you,
© 1962 (Renewed 1990) GUILD MUSIC (BMI)/Administered by BUG MUSIC
Sorgdal
F
            

load - in’ up our wood - y with the boards in - side and
go - in’ on sa - fa - ri to the is - lands this year. So if you’re
surf - in’s run - nin’ wild; it’s get - tin’ big - ger ev - ’ry day, from Ha -
Chorus
G F C C
             


head - in’ out sing - in’ our song.
com - in’, get read - y to go. Come on, ba - by,
wai - i to the shores of Pe - ru.
                  
wait and see, yes. I’m gon - na take you surf - in’ with me. Come on a -
F C
               
long, surf ba - by, wait and see, yes. I’m gon -na take you surf - in’ with me.
G F D D
To Coda 
µ µ µ µ
           
Let’s go surf - in’ now; ev -’ry - bod - y’s learn- in’ how. Come on a sa - fa - ri with me.
1. 2.
 Coda
G G

      
D.S. al Coda
    
2. In 3. They’re
2
Sorgdal
Surfin’ U.S.A.
Words and Music by Chuck Berry
First note
Verse
G7
Fast, driving
             
 
1. If ev - ’ry - bod - y had an o - cean
(3.) route
µ C µ
             
   

a - cross the U. S. A., then ev - ’ry - bod - y’d be
we’re gon - na take real soon. We’re wax - in’ down our
G7 µ C
       
      
surf - in’ like Cal - i - for - ni - a.
surf - boards; we can’t wait for June.
µ F µ
 
        
        

You’d see ’em wear - in’ their bag - gies, huar - a - chi san- dals, too.
We’ll all be gone for the sum - mer; we’re on sa - fa - ri to stay.
C µ G7
          
 
A bush - y, bush - y blonde hair - do,
Tell the teach - er we’re surf - in’,
Copyright © 1958, 1963 (Renewed) by Arc Music Corp. (BMI) and Isalee Music Inc. (BMI)
Arc Music Corp. Administered by BMG Chrysalis for the world excluding Japan and Southeast Asia
Sorgdal
F µ C
       
      

surf - in’ U. S. A. 2.You’ll catch ’em surf - in’ at
surf - in’ U. S. A. 4. At Hag - ger - ty’s and
Verse
G7 C
       
      
Del Mar, Ven - tu - ra Coun - ty Line,
Swa - mi’s, Pa - cif - ic Pal - i - sades,
G7
              
  
San - ta Cruz and Tres - tles, Aus - tra - lia’s Nar - ra - been.
San O - no - fre and Sun - set, Re - don - do Beach, L. A.
C F
         
 

All o - ver Man - hat - tan
All o - ver La Jol - la,
C G7
      
      
    
and down Do - he - ny Way, ev - ’ry - bod-y’s gone surf - in’,
at Wa - i - me - a Bay, ev - ’ry - bod-y’s gone surf - in’,
µ
1. µ
2.
F C

       
         
surf - in’ U. S. A. 3. We’ll all be plan -nin’ out a
surf - in’ U. S. A.
2
Sorgdal
Wouldn’t It Be Nice
Words and Music by Brian Wilson, Tony Asher and Mike Love
First note
Verse
Moderate Shuffle
 __ =   
3
 
                  
   
1.Would - n’t it be nice if we were old - er? Then we would -n’t
(2.) nice if we could wake up in the morn - ing
C Am D7 G
  
     
     
have to wait so long. And would -n’t it be nice to live to - geth -
when the day is new? And af - ter that, to spend the day to - geth -
C Am D7
     
           
   
- er in the kind of world where we’d be - long?
- er, hold each oth - er close the whole night through?
Chorus
Em G7
   
         
   
You know, it’s gon - na make it that much bet - er
The hap - py times to - geth - er we’d been spend - ing,

Copyright Renewed
Sorgdal
Em Bm Am
  
         


 
when we can say good - night and stay to - geth - er.
I wish that ev - ’ry kiss was nev - er - end - ing.
1. 2.
D7 D7 G
    
               
3
   


2. Would - n’t it be Oh, would -n’t it be nice?
Bridge
Emaj7 Amaj7
    
           
 

May - be if we think and wish and hope and pray, it
Ba - by, then there would -n’t be a sin - gle thing we
1. 2.
G#m7 C#m7 C#m7
     
   
   
might come true.
could - n’t do. We could be mar -
G#m7 C#m7 G#m7
        
     
   
- ried, and then we’d be hap - py.
2
Sorgdal
D7 G
     
           
3

rit.
Oh, would - n’t it be nice?
Chorus
Slower
Em G7
 
     
       
You know, it seems the more we talk a - bout it,
Em Bm
  
      
  
it on - ly makes it worse to live with - out
Am Bm Am
     
        
3

it. But let’s talk a - bout it.
D7 G
     
    
3
      
Oh, would -n’t it be nice?
3
Sorgdal
Ain’t She Sweet
Words by Jack Yellen
Music by Milton Ager
First note
Intro
Moderately fast q = 190
 __ =   
3
C C#m6 Dm7 G7 C C#m6 Dm7 G7
    

Verse
C C#m6 Dm7 G7 C C#m6
  
         
1., 2. Ain’t she sweet? See her com - ing down the
Dm7 G7 C E7 A7 A7#5
              
street! Now I ask you ver - y con - fi - den - tial - ly
D7 G7 C G7 C C#m6 Dm7 G7
        
 
ain’t she sweet? Ain’t she nice? Look her
C C#m6 Dm7 G7 C E7

            
o - ver once or twice. Now I ask you ver - y
© 1927 WARNER BROS. INC.
© Renewed EDWIN H. MORRIS & COMPANY, A Division of MPL Music Publishing, Inc. and WARNER BROS. INC.
All Rights Reserved
1
Sorgdal
A7 A7#5 D7 G7 C
          
    
con - fi - den - tial - ly ain’t she nice? Just cast an eye
Bridge
F9 C
            
in her di - rec - tion. Oh, me! Oh, my!
F9 C Dm7 G7
        
Ain’t that per - fec - tion?
Outro-Verse
C C#m6 Dm7 G7 C C#m6
  
        
I re - peat, don’t you think that’s kind of
Dm7 G7 C E7 A7 A7#5
              
neat? And I ask you ver - y con - fi - den - tial - ly
1. 2.
D7 G7 C C G7 C
      
  

ain’t she sweet? sweet?
2
Sorgdal
All My Loving
Words and Music by John Lennon and Paul McCartney
First note
  =   
 3
 Verse
F#m B
       
4fr

        

1. Close your eyes and I’ll kiss you, to -
that I’m kiss - ing the
E C#m A
 
4fr 4fr
          
    
mor - row I’ll miss you. Re - mem - ber I’ll
lips I am miss - ing, and hope that my
F#m D B7

4fr 2fr
  
       

al - ways be true.
And then
dreams will come true.
F#m B E

4fr
         
  
while I’m a - way, I’ll write home ev - ’ry day,
C#m A B
 
4fr 4fr 6fr

             
and I’ll send all my lov - ing to you.
Copyright © 1963, 1964 Sony/ATV Music Publishing LLC

Copyright Renewed
This arrangement Copyright © 2008 Sony/ATV Music Publishing LLC
Sorgdal
1.
E

4fr
      

2. I’ll pre - tend
2. Chorus
C#m C+
4fr 3fr
             
3

All my lov - ing I will send to you
E C#m
4fr

           
All my lov - ing, darl -
To Coda 
C+ E
 
3fr
    
    
- ing I’ll be true.
Guitar Solo
A7 E

   
2
Sorgdal
B7

  
D.S. al Coda
(take 2nd ending)
E

4fr
      
3. Close your eyes
 Coda
Outro
E C#m
4fr
       
    
3
   

All my lov - ing, all my
E C#m
   3
4fr
           
   
lov - ing, ooh, all my lov - ing,
E
4fr
           
3 3
    
I will send to you. 3
Sorgdal
All You Need Is Love
First note
  =   
Intro  3
Moderately q = 98
D G D G G C D7
 
2fr
    
 G D Em Em7 G D Em Em7
   

          
Love, love, love, Love, love, love.
To Coda 1 
D7 G D Am D D7 D6 D7 D
2fr
  

       
Love, love, love.
 Verse
G D Em Em7
    
    
        
    
  
1. There’s noth - ing you can do that can’t be done.
2. Noth - ing you can make that can’t be made.
3. There’s noth - ing you can know that is - n’t known.

Copyright Renewed
Sorgdal
G D Em Em7
  
                  
3
Noth - ing you can sing that can’t be sung.

No one you can save that can’t be saved.
Noth - ing you can see that is - n’t shown.
D7 G D Am
  
                   



Noth
- ing you can say, but you can learn how to play the game.
No - thing you can do, but you can learn how to be you in time. It’s
There’s no - where you can be that is - n’t where you’re meant to be.
To Coda 2 
D D7 D6 D7 D
2fr
    
     
ea - sy.
Chorus
G A D
      
       
All you need is love.
G A D G B7
               
     
All you need is love. All you need is love,
2
Sorgdal
D.S. al Coda 1
Em C D5 G D
2fr
   
        
3
         
3

love. Love is all you need.
 Coda 1
G A D G
      
       
A D G B7
             
        
All you need is love. All you need is love,
D.S.S. al Coda 2
(no repeat)
Em Em7 C D G
   
       
3
          
3

love. Love is all you need.
 Coda 2Chorus
G A D
         
      
3
Sorgdal
G A D G
         
   
B7 Em Em7
      
       



 
All you need is love, love.
1. 2.
C D5 G D G
2fr
     
            
3 3
  
3
 
Love is all you need. Love is
Outro
G
   
3

3
           
3

3
    
all you need. Love is all you need. Love is all
Play 12 times and fade
  3  
   
3 3
               
3
you need. Love is all you need. Love is all
4
Sorgdal
And I Love Her
First note
Intro
Moderately q = 115
F#m E6
 
4fr 4fr
      
 Verse
F#m C#m F#m
     
4fr 4fr 4fr
            
    
1. I give her all my love, that’s all I do.
2. She gives me ev - ’ry - thing, and ten - der - ly.
3. Bright are the stars that shine, dark is the sky.
C#m F#m C#m

4fr 4fr 4fr
            
       
And if you saw my love,
The kiss my lov - er brings,
I know this love of mine
A B E
To Coda 

4fr 2fr
     
         
   
you’d love her too. I love her.
she brings to me, and I love her.
will nev - er die, and I love her.

Copyright Renewed
Sorgdal
Bridge
C#m B C#m G#m

4fr 2fr 4fr
           
   
  
A love like ours could nev - er die,
D.S. al Coda
(no repeat)
C#m G#m B B7
4fr 2fr
         
         
as long as I have you near me.
 Coda
Gm Dm
 
5fr 5fr
  
      
4. Instrumental
5. Bright are the stars that shine,
Gm Dm
5fr 5fr
    
       
dark is the sky.
Gm Dm
 
5fr 5fr
 
      
I know this love of mine
2
Sorgdal
Bb C
 
5fr 3fr

      
 

will nev - er die. And I love
F
3fr
        
her. Mm.
Outro
Gm
5fr
  
F6
5fr
  
Gm D

5fr 2fr
   
3
Sorgdal
Blackbird
Words & Music by John Lennon & Paul McCartney
q = 100
G Am7 G/B G $ G Am7 G/B
2fr 7fr 2fr
         
    
1, 2. Black - bird sing - ing in the dead of
3. Black - bird sing - ing in the dead of
G C C#dim Dsus4 B7 Em Em(maj7) D C#dim

7fr
                
  
night, take these bro - ken wings and learn to fly.
night, take these sun - ken eyes and learn to see.  All your life,
1.
C Cm G/B A7 Dsus4 G
3fr
To Coda Ø
            

you were on - ly wait - ing for this mo - ment to a - rise.
2.
C G/B A7 Dsus4 G Dsus4 G
            
- ment to be free.
F(add2) C Dm11 C Bb6 C F(add2) C Dm11 C
            
Black - bird fly, black - bird fly

Sorgdal
Bb6 A7 D7 G Am7 G/B G
2fr 7fr
     
   
    
   
in - to the light of the dark black night.
1.
C C#dim Dsus4 B7 Em Em(maj7) D C#dim C Cm
3fr
         
   
   
2.
G/B A7 Dsus4 G G
                 

G Am7 G/B C G/B A7 Dsus4

2fr 3fr 2fr
D.S. al Coda
            
Ø Coda
Dsus4 G C G/B A7
3fr 2fr
        
- ment to a - rise, you were on - ly wait - ing for this mo -
Dsus4 G C G/B A7 Dsus4 G

3fr 2fr
           
- ment to a - rise, you were on -ly wait - ing for this mo - ment to a -rise.
2
Sorgdal
Here Comes the Sun
Words and Music by George Harrison
First note
Intro
Moderately q = 126
A D E7 E7sus4 E7
 
     
A D E7

    
Chorus
A D
          
         

Here comes the sun, doo ’n’ doo doo. Here comes the sun
B7 A
   
          

’n’ I say it’s al - right.
D6 Aadd9 Bm7 Aadd9 E7sus4 E7

4fr 2fr 4fr
  
Copyright © 1969 Harrisongs Ltd.

Copyright Renewed 1998
This arrangement Copyright © 2008 Harrisongs Ltd.
Sorgdal
 Verse
A D
             
    
1. Lit - tle dar - lin’, it’s been a long,
2. Lit - tle dar - lin’, the smiles re - turn -
3. Lit - tle dar - lin’, I feel that ice
E7 E7sus4 E7
 
         
  
cold, lone - ly win - ter.
- ing to their fac - es
is slow - ly melt - ing.
A D
    
          

Lit - tle dar - lin’, it feels like years
Lit - tle dar - lin’, it seems like years
Lit - tle dar - lin’, it seems like years
E7 E7sus4
 
         

since it’s been here.
since it’s been here.
since it’s been clear.
Chorus
A D
          
  
  

    


Here comes the sun, doo ’n’ doo doo. Here comes the sun
2
Sorgdal
B7 A D6 Aadd9 Bm7

4fr 2fr
  
          
 
’n’ I say it’s al - right.
To Coda  1.
Aadd9 E7sus4 E7 A E7 E7sus4 E7

4fr
    
2. Bridge
E7 E C G D
   
       
A E7 E C G
      
       
Sun, sun,
D A E7 E
       
         
sun, here it comes.
1., 2., 3.
C G D A E7 E
         
              
Sun, sun, sun, here it comes.
3
Sorgdal
4. D.S. al Coda
E7sus4 E7 E

    
 Coda
A
         
     

Here comes the sun. (Doo ’n’ doo doo.)
D B7 A
             
  

Here comes the sun. It’s al - right.
D6 Aadd9 Bm7 Aadd9 E7sus4 E7 A
    
4fr 2fr 4fr
   
It’s al - right.
D6 Aadd9 Bm7 Aadd9 E7sus4 E7

4fr 2fr 4fr
   
C G D A
      
   
4
Sorgdal
In My Life
q = 100
A E A E
                
1. There are
A E F#m A7 D Dm

           
pla - ces I re - mem - ber all my life, though
(2.) all these friend and lov - ers, there is no - one com -
(3.) Keyboard solo until *
A E F#m A7
           
some have changed. Some for ev - er, not for bet - ter; some have
- pares with you. And these mem - ’ries lose their mean - ing, when I
D Dm A
       
gone, and some re - main. All these
think of love as some - thing new. * Though I

Sorgdal
F#m D
       
pla - ces had their mo - ments, with
know I’ll nev - er lose af - fec - tion for
G A
       
lov - ers and friends, I still can re - call. Some are
peo - ple and things that went be - fore. I
F#m Dm
           
dead and some are liv - ing: in my life, I’ve
know I’ll of - ten stop to think a - bout them; in my life, I’ll
A 1, 2. E

           
loved them all. 2. But of
love you more.
3.
A E Dm
            
In my life, I’ll
A E A
 N.C.  
              
love you more.
2
Sorgdal
I Want to Hold Your Hand
First note
Intro
C D C D C D
 
2fr 2fr 2fr
    
D6 D D6 D D7 D6 D D6
  
2fr 2fr 2fr 2fr 2fr 2fr 2fr
  
1. Oh, yeah,
 Verse
G G6 G D D6 D D6
2fr 2fr 2fr 2fr
        
        

1. I’ll tell you some - thing
2. please say to me
3., 4. you got that some - thin’,
E B7 G
        
 
I think you’ll un - der - stand. When
you’ll let me be your man. And
I think you’ll un - der - stand. When
Copyright © 1963 NORTHERN SONGS LTD.

Copyright Renewed
This arrangement Copyright © 2008 NORTHERN SONGS LTD.
All Rights in the United States and Canada Controlled and Administered by SONGS OF UNIVERSAL, INC.
Sorgdal
G6 G D D6 D D6
2fr 2fr 2fr 2fr
       
   
I say that some - thing,
please say to me

say that some - thing,
I
feel that some - thing, 
E B7
  
     
I wan - na hold your hand.
you’ll let me hold your hand.
Chorus
C D G Em
To Coda 
2fr
        
     
Now let me hold your hand.
1.
C D G G6 G G6 G
2fr
      
      
I wan - na hold your hand. 2. Oh,
I wan - na hold your
I wan - na hold your
2. Bridge
G G6 G Dm G C
           
      

hand.
And when I touch you I feel hap - py in - side.
hand.
2
Sorgdal
Am Dm G C D
2fr

           
    
It’s such a feel - ing that my love, I can’t hide,
C D C D
2fr 2fr
        
  
I can’t hide, I can’t hide.
D.S. (take 2nd ending)

2nd time, D.S. al Coda
D6 D D6 D D6 D
2fr 2fr 2fr 2fr 2fr 2fr
   
 
3., 4. Yeah,
 Coda
C D B7
  
2fr
   

C D C G
  
2fr
   
  
3
Sorgdal
Love Me Do
Words and Music by John Lennon
First note and Paul McCartney

3 
Moderate Shuffle    =   
Chorus
G C G
 
       
     
Love, love me do, you know I love you.
C G C

         
 
   
I’ll al - ways be true. So please,
µ G
C

              
 
love me do. Whoa. Love
1. 2.
G C G
        
    
me do. me do.
Bridge
D C G
    
         
Some - one to love, some - bod - y new.
Instrumental
© 1962, 1963 MPL COMMUNICATIONS LTD.
© Renewed 1990, 1991 MPL COMMUNICATIONS LTD. and LENONO.MUSIC
All Rights for MPL COMMUNICATIONS LTD. in the U.S. and Canada Controlled and Administered by BEECHWOOD MUSIC CORP.
All Renewal Rights for LENONO.MUSIC in the U.S. Controlled and Administered by EMI BLACKWOOD MUSIC INC.
Sorgdal
D C G
   
        
Some - one to love, some - one like you.
End instrumental 
Chorus
G C G

    
       
Love, love me do, you know I love you.
C G C

      
     
I’ll al - ways be true. So
µ G

        
   
please, love me do.
1.
C G C
            
  
Whoa. Love me do.
2.
C G
     
   

 
  
Whoa. Love me do.
2
Sorgdal
Michelle
First note
Intro  3
Moderately q = 118   =   
Fm Fm(maj7) Fm7 Fm6 Dbmaj7 C
 
       
Chorus
F Bbm7 Eb6 Dº7
               
Mi - chelle, ma belle, these are words that go to - geth - er
C Bº7 C
 Chorus
F Bbm7
                
well, my Mi - chelle. 1., 2., 4. Mi - chelle, ma belle,
3. (Guitar Solo)
To Coda 
Eb6 Dº7 C Bº7 C
 
                   
3

3 3
   
sont des mots qui vont tres bien en - semble, tres bien en - semble. 1. I
2. I
3. I

Copyright Renewed
This arrangement Copyright © 2008 Sony/ATV Music Publishing LLC
Sorgdal
Verse
Fm Ab7
        
          
3 3
 
love you, I love you, I love you, that’s all I want to
need to, I need to, I need to, I need to make you
want you, I want you, I want you, I think you know by
Db C7 Fm
      
3         
   
say, un - til I find a way. I will
see, oh, what you mean to me. Un -
now, I’ll get to you some - how. Un -
Play 3 times
3rd time, D.S. al Coda
Fm(maj7) Fm7 Fm6 Dbmaj7 C
               
 
say the on - ly words I know that you’ll un - der - stand.
til I do I’m hoping you will know what I mean.
til I do I’m tell - ing you so you’ll un - der - stand.
 Coda
C Fm Fm(maj7)
            
semble. And I will say the on - ly words
2
Sorgdal
Fm7 Fm6 Dbmaj7 C
           
3
 
 
I know that you’ll un - der - stand, my Mi -
Outro Solo
F Bbm7 Eb6
   
chelle.
Dº7 C Bº7 C
   
Begin fade Fade out

F Bbm7 Eb6 Dº7
    
3
Sorgdal
Norwegian Wood
TRACK 11 (This Bird Has Flown)
First note Words and Music by John Lennon and Paul McCartney
Intro
Moderately q = 96
D D6 D Dsus4 D Dsus2 Dsus4 D
  
    
C D
 
  
Verse
D C

      
    
 
1. I once had a girl or should I say she once had

         

me. She showed me her room, is - n’t it

Copyright Renewed
Sorgdal
 Bridge
C D Dm

         
    
good Nor - we - gian Wood? She asked me to stay and she
told me she worked in the

            

told me to sit an - y- where. So
morn - ing and start - ed to laugh. I
Dm Em7

                
I looked a - round and I no - ticed there was - n’t a chair.
told her, I did - n’t and crawled off to sleep in the bath.
Verse
A7 D
    
     
2. I sat on a rug bid - ing my
3. And when I a - woke I was a -
C D

      
   
time, drink - ing her wine. We talked un - til
lone, this bird had flown. So, I lit a
2
Sorgdal
C D
To Coda 
 
      
   
two and then she said, “It’s time for bed.”
fire. Is - n’t it good Nor - we - gian wood?
Interlude
   
 
1. 2.
C D D
 
D.S. al Coda
      
She
 Coda
Outro

  
C D
 
  
rit.
3
Sorgdal
Ob-La-Di, Ob-La-Da
First note
Intro
Moderately q = 114
F Bb

   
   

Verse
Bb F
            

      
1. Des - mond has a bar - row in the mar - ket - place. Mol -
2. Des - mond takes a trol - ley to the jewel - er’s store, buys
F7 Bb
         
      
- ly is the sing - er in a band. Des -
a twen - ty kar - at gold - en ring. (Ring.) Takes
Eb
                

- mond says to Mol - ly, “Girl, I like your face,” and Mol - ly
it back to Mol - ly wait - ing at the door, and as he

Copyright Renewed
Sorgdal
Bb F Bb
         
      

says this as she takes him by the hand. (Sing.)
gives it to her she beg - ins to sing. Ob - la - di,
Chorus
Bb Dm Gm Bb F
             
  
       
ob - la - da, life goes on, bra. La, la, how their life goes on.
Bb Dm Gm
  

                  
Ob - la - di, ob - la - da, life goes on, bra. La,
1. 2.
Bb F Bb Bb
                     
  
la, how their life goes on. Yeah.
Bridge
Eb
     
         
     
In a cou - ple of years they have built a home sweet home,
2
Sorgdal
Bb Eb
 
   
          
with a cou - ple of kids run - ning
Bb F
    

             

in the yard of Des - mond and Mol - ly Jones.
 4. Hey, hap -
Verse
Bb F
        
       
 
 
3. Hap - py ev - er af - ter in the mar - ket - place, Des -
- py ev - er af - ter in the mar - ket - place, Mol -
F7 Bb
         
     
- mond lets the child - ren lend a hand. Mol -
- ly lets the child - ren lend a hand. Des -
Eb
                

- ly stays at home and does her pret - ty face and in the
- mond stays at home and does his pret - ty face and in the
3
Sorgdal
Bb F Bb
       
          
 

eve - ning she still sings it with the band. Yes,
ob - la - di,
eve - ning she’s a sing - er with the band. Yeah,
Chorus
Bb Dm Gm Bb F
    

                   
ob - la da, life goes on, bra. La, la, how their life goes on.
Bb Dm Gm
      
                  
 
Hey, ob - la - di, ob - la - da, life goes on, bra. La,
1. 2.
Bb F Bb Gm
              
        
 
la, how their life goes on. Well, if you
Outro
F Bb
           

    


want some fun, take ob - la - di - bla - da. (Thank you.)
4
Sorgdal
Twist and Shout
Words and Music by Bert Russell and Phil Medley
First note
Intro
Moderately q = 127
µ
D G A A7 D G A
 
      
 Chorus
A7 D G A A7
                  
      
Well, shake it up ba - by, now,
-
-
by, now,
by, now, 
(Shake it up ba - by.) Twist and
D G A A7
            
  
shout. (Twist and shout.) Come on, come on, come on, come on,
D G A A7 D G A
               
        
    
ba - by, now, Come on and work it on out.
(Come on, ba - by.) (Work it on out.)
Copyright © 1964 Sony/ATV Music Publishing LLC and Sloopy II Music

Copyright Renewed
All Rights on behalf of Sony/ATV Music Publishing LLC Administered by Sony/ATV Music Publishing LLC,
Sorgdal
Verse
A7 D G A
              

1. Well, work it on out. (Work it on out.)
2., 3. You knowyou’re a twist - y lit - tle girl. (Twist, lit - tle girl.)
A7 D G A A7
                
   
You know you look so good. (Look so good.) You know you got me
You know you twist so fine. (Twist so fine.) Come on and twist a lit - tle
D G A A7
              
    
go - in’ now, (Got me goin’.) Just like I knew you would.
clos - er now. (Twist a lit - tle clos - er.) And let me know that you’re
1. 2.
To Coda 
D G A A7 A7
          

   
      
(Like I knew you would.) Well, shake it up ba - Oo.
mine. (Let me knowyou’re mine.)
Interlude
D G A G A
      
 
Play 4 times
Ah. Ah.
2
Sorgdal
D.S. al Coda
        

Ah. Ah. Ah. Shake it up ba -
 Coda
Outro
A7 D G A
          
   
   
Well, shake it, shake it, shake it, ba - by, now.

(Shake it up ba -
A7 D G A

               
   
Well, shake it, shake it, shake it, ba - by, now.
- by.) (Shake it up, ba -
A7 D G A
   
          
 
   
Well, shake it, shake it, shake it, ba - by, now. (Shake it up, ba - by.)
- by.)
A7 D µ D9
5fr
   
      
Ah. Ah. Ah. Ah.
3
Sorgdal
When I’m Sixty Four
Original key C major
q = 100
         


           
1. When I get old - er, los - ing my hair, ma - ny years from now.
2. I could be hand - y mend - ing a fuse, when your lights have gone.
3. Send me a post - card, drop me a line, stat - ing points of view.
           
Will you still be send - ing me a Val - en - tine,
You can knit a sweat - er by the fi - re - side,
In - di - cate pre - cise - ly what you mean to say,
G7 C
           
birth - day greet - ings, bot - tle of wine? If I’d been out till
Sun - day morn - ings, go for a ride. Do - ing the gar - den
yours sin - cere - ly wast - ing a - way. Give me your ans - wer,
C7 F
           

quar - ter to three, would you lock the door?
dig - ging the weeds, who could ask for more?
fill in a form, mine for - ev - er - more.

Sorgdal
Fm C A7 D7 G7
To Coda Ø
           
Will you still need me, will you still feed me, when I’m six - ty
1.
C Am
           
four? Oo,
G Am
           
you’ll be
E7 Am
               
old - er too. Ah,
(Ah.)
Dm F
               
and if you say the word, I could
G C G7
                
stay with you.
2
Sorgdal
2.
Am
       
Ev - ’ry sum - mer we can rent a cot - tage in the Isle of Wight,
G Am
               
if it’s not too dear. We shall scrimp and
(We shall scrimp and
E7 Am
           
save. Ah,
save.)
Dm F G
                   
grand - child - ren on your knee, Ve - ra, Chuck and
C G7
D.C. al Coda
           
Dave.
Ø Coda
C F G C
                   
four.
3
Sorgdal
Yellow Submarine
First note
Verse  3
Moderate March q = 108   =   
D C G Em Am C
2fr
              
3
    
1. In the town where I was born lived a man who sailed to
D7 G D C G Em
2fr

           
3
 
3
 
sea. And he told us of his life in the
Am C D7 G  D C
2fr
     
           
land of sub - ma - rines. So we sailed on to the
(4.) live a life of
G Em Am C D7 G
        
3
   
      
sun ’til we found the sea of green. And we
ease ev - ’ry one of us has all we need. Sky of
D C G Em Am C
2fr

              
3

lived be - neath the waves in our yel - low sub - ma -
blue and sea of green, in our yel - low sub - ma -

Copyright Renewed
Sorgdal

Chorus
To Coda
D7 G D
2fr
      
         
rine. We all live in a yel - low sub - ma - rine,
rine.
     
            
yel - low sub - ma - rine, yel - low sub - ma - rine. We all live in a
D G
2fr

                    
yel - low sub - ma - rine, yel - low sub - ma - rine, yel - low sub - ma - rine. 2. And our friends
Verse
D C G Em
2fr
  
       
are all a - board, man - y
3. (Instrumental)
Am C D7 G
 
          
more of them live next door. And the
2
Sorgdal
D C G Em
2fr
 
        
band be - gins to play.
D.S. al Coda
Am C D7
  
    
4. As we
 Coda
Chorus
G D
2fr
     
       
We all live in a yel - low sub - ma - rine,
Repeat and fade

G
   
          
yel - low sub - ma - rine, yel - low sub - ma - rine.
3
Sorgdal
Yesterday
First note
Intro
Moderately q = 98
F

   
 Verse
F Em A7 Dm
  
               
1. Yes - ter - day, all my trou - bles seemed so far a - way.
4. Yes - ter - day, love was such an eas - y game to play.
Bbmaj7 C7 F Am Dm7 G7
      
                

Now it looks as though they’re here to stay.
Oh, I be - lieve in
Now I need a place to hide a - way.
To Coda  Verse
Bb F F Em A7

                    
yes - ter - day. 2. Sud - den - ly, I’m not half the man I
3. Yes - ter - day, love was such an eas - y

Copyright Renewed
Sorgdal
Dm Bbmaj7 C7 F Am
                 
 
3

used to be. There’s a shad - ow hang - ing o - ver me. Oh,
game to play. Now I need a place to hide a - way. Oh,
Dm7 G7 Bb F
       

     

yes - ter - day came sud - den - ly.
I be - lieve in yes - ter - day.
Bridge
Em7(add11) Em A7 Dm Am Gm6 C7
           
   
Why she had to go, I don’t know, she would - n’t say.
F Em A7 Dm Bb Am
    
      
I said some - thing wrong, now I
1. 2.
D.S. al Coda
Gm6 C7 F F
         
    
long for yes - ter - day. day.
 Coda
F G7 Bb F

     
rit.
  
Hmm.
2
Sorgdal
Should I Stay Or Should I Go
Words & Music by Joe Strummer & Mick Jones
q = 100 1-3. 4.
D G D D
N.C. N.C. N.C.

         
   
1. Darl - ing, you’ve got to let me
D G D D G
$
N.C.

           
know: should I stay or should I go?
(2.) tease. You’re hap - py when I’m on my knees.
(Verse instrumental on D.S.)
D G F G
N.C. N.C.
           
If you say that you are mine. I’ll be here till the end of
One day it’s fine and next it’s black, So if you want me off your
D G D A7
N.C. N.C.
               
time. So you’ve got to let me know: should I stay or should I
back, well, come on and let me know: should I stay or should I
1. 2, 3.
D G D D
N.C. N.C.

           
go? 2. It’s al - ways tease, tease, Should I stay or should I
go?
© Copyright 1982 Nineden Limited/Universal Music Publishing Limited.
All rights in Germany administered by Universal Music Publ. GmbH.
Sorgdal
D G D G
           
go now? Should I stay or should I go now?
D G F G D G
               
If I go, there will be trou - ble. And if I stay, it will be dou - ble.
D A7 D G D
To Coda Ø
N.C. N.C.
               
So come on and let me know. This in - de - ci - sion’s bug - gin’
D G D D G
N.C.
           
me. If you don’t want me set me free.
D G F G
N.C. N.C.
           
Ex - act -ly who’m I s’posed to be? Don’t you know which clothes ev - en
2
Sorgdal
D G D A7
N.C.
           
fit me? Come on and let me know:
D G D
D.S. al Coda
N.C. N.C.
           
should I cool it or should I blow? Should I stay or should I
Ø Coda
A7 D G D G
               
Should I cool it or should I blow? Should I stay or should I go now?
D G F G D G
               
If I go there will be trou - ble. And if I stay it will be dou - ble.
D A7 D G D
N.C. N.C.
            
So you’ve got to let me know: should I stay or should I go?
3
Sorgdal
Going Underground
Words & Music by Paul Weller
                

D6 D5
2fr 2fr

           
1. Some peo - ple might say my life is in a rut, I’m quite
2. Some peo - ple might get some plea - sure out of hate. Me I’ve e -
D6 D5 D6
2fr 2fr 2fr
           
hap - py with what I’ve got. Peo - ple might say that I should strive for
- nough al - ready on my plate. Peo - ple might need some ten - sion to re -
D5 D6
2fr 2fr
       
more. But I’m so hap - py, I can’t see the (point).
- lax. Me, I’m too bu - sy dodg - in’ ’tween the (flak)
B D#m B
           
Some - thing’s hap - pen - ing here to - day, a show of strength with your
What you see is what you get, you made your bed you bet - ter
D#m B D#m
           
boy’s bri - gade. And I’m so hap - py and you’re so kind, you
lie in it. You choose your lead - ers and place your trust, their
© Copyright 1980 Stylist Music Limited.

Universal Music Publishing MGB Limited.
All rights in Germany administered by Musik Edition Discoton GmbH (a division of Universal Music Publishing Group).
Sorgdal
B D#m
       
want more mon - ey of course I don’t mind. To
lies wash you down and their pro - mi - ses rust. You’ll see
E F#
       
buy nuc - lear text - books for a - tom - ic crimes and the
kid - ney ma - chines re - placed by rock - ets and guns, and the
B D#m
       
pub - lic gets what the pub - lic wants, but
pub - lic wants what the pub - lic gets, but
E F#
       
I want no - thing this so - ci - e - ty’s got.
I don’t care what this so - ci - e - ty wants.  I’m go - ing
B D#m E
           
un - der - ground. (Go - ing un - der - ground.) Well, let the brass bands play and feet
F# B D#m
           
start to pound. Go - ing un - der - ground. (Go - ing un - der - ground.) Well, let the
2
Sorgdal
E F#
       
boys all sing and let the boys all shout for to -
1.
B D#m E F#
                
- mor - row.
2.
C#m C#m7 C#m B C#m C#m7 C#m B
               
- mor - row. Ho! La, la, la, la. (Ho!) La, la, la, la. We
C#m B C#m
           
talk and we talk un - til my head ex - plodes, I turn on the news and my
B D#m E
           
bo - dy froze. The bray - ing sheep on my T. V. screen make
F# Db
           
this boy shout, make this boy scream. Go - ing un - der - ground.
3
Sorgdal
Fm Gb Ab Db
3fr
               
Go - ing un - der - ground,
Fm Gb B
               
ooh. I’m go - ing un - der - ground.
D#m E F# B
               
I’m go - ing un - der - ground.
D#m E F# C#5
4fr
            
   
La,
1. 2.
B5 C#5 B5 B5
2fr 4fr 2fr 2fr
            
   
la, la, la. La, la, la, la. la, la, la. The
D#m E F#
           
bray - ing sheep on my T. V. screen make this boy shout, make
4
Sorgdal
Db Fm
           
this boy scream. Go - ing un - der - ground. (Go - ing un - der - ground.) Well, let the
Gb Db
           
brass bands play and feet start to pound. Go - ing un - der - ground. (Go - ing
Fm Gb
           
un - der - ground.) Well, let the boys all sing and let the boys all shout. Go - ing
Db Fm Gb
           
un - der - ground. (Go - ing un - der - ground.) Well, let the brass bands play and feet go
Db Fm
           
pow, pow, pow. Go - ing un - der - ground. (Go - ing un - der - ground.) So let the
Gb Gb6
           
boys all sing and let the boys all shout for to - mor - row, oh.
5
Sorgdal
You Really Got Me
Words & Music by Ray Davies
q = 100
 
        

G5 F5 G5 F5
2fr 2fr
       
1. Girl, you real - ly got me go - ing, you got me
2, 3. See don’t ev - er set me free, I al - ways
G5 F5 G5 F5 G5 F5 G5 F5
2fr 2fr 2fr 2fr
       
so I don’t know what I’m do - in’.
wan - na be by your side.
G5 F5 G5 F5 G5 F5 G5 F5
2fr 2fr 2fr 2fr
       
Yeah, you real - ly got me now, you got me
Girl, you real - ly got me now, you got me
G5 F5 G5 F5 G5 F5 G5
2fr 2fr 2fr 2fr
       
so I can’t sleep at night.
so I can’t sleep at night.
A G A G A G A G
4fr 4fr 4fr 4fr
       
Yeah, you real - ly got me now, you got me
© Copyright 1964 Edward Kassner Music Company Limited.

Sorgdal
A G A G A G A C
4fr 4fr 4fr 4fr
       
so I don’t know what I’m do - in’ oh. Oh,
D C D C D C D C
2fr 2fr 2fr 2fr
       
yeah, you real - ly got me now, you got me
D C D C D C D C
2fr 2fr 2fr 2fr
       
so I can’t sleep at night, you real - ly got me, you
1, 2.
D C D C D C D C
2fr 2fr 2fr 2fr
       
real - ly got me, you real - ly got me.
F5

       
3.
D C D
2fr 2fr
           
real - ly got me.
2
Sorgdal
Dream a Little Dream of Me
Words by Gus Kahn
First note Music by Wilbur Schwandt and Fabian Andree
Verse
Moderately q = 95  __ =   
3
G Eb7 D7 G
 3 
                
3 3

1. Stars shin - ing bright a - bove you, night breez -es seem to
E7 E7#5 E7 Am Am7b5

                     
3 3
whis - per, “I love you,” birds sing -in’ in the syc - a - more tree,
Verse
G A9 D7 D G
2fr
  
        
3
   
3 3
 
 
dream a lit - tle dream of me. 2. Say “night - ie - night” and
Eb7 D7 G E7 E7#5 E7
          
       

kiss me. Hold me tight and tell me you miss me.
Am Am7b5
  

          
3
 
’Cause I’m a - lone as blue as can be,
TRO - © Copyright 1930 (Renewed) and 1931 (Renewed) Essex Music, Inc., Words and Music, Inc., New York, NY,
Don Swan Publications, Miami, FL and Gilbert Keyes Music, Hollywood, CA
International Copyright Secured
All Rights Reserved Including Public Performance For Profit
Sorgdal
Bridge
G Cm7 D7 G Eb Eb6

         
        
3 3

dream a lit - tle dream of me. Stars fad -ing, but
Bb7 Eb Eb6 Bb7
  3
        
       
3
  
I lin - ger on, oh, crave a lil’ kiss;
E6 Eb6 Bb7 Eb
     
     
3
          

I’m long - in’ to lin - ger till dawn and just say - in’
Verse
D7 G Eb7 D7
              
    

this old home. 3. Sweet dreams till sun - beams find you,
G E7 E7#5 E7 Am
  
3
          

3 3
        
sweet dreams leave all wor - ries be - hind ya, but in your dreamswhat -
Am7b5 G Cm7 D7 G
  
rit.

3
        
3
     
ev - er they be, dream a lit - tle dream of me.
2
Sorgdal
Hang On Sloopy
Words and Music by Wes Farrell and Bert Russell
First note
Moderately
C F G7 F C F G7 F
             
Hang on Sloo -py, Sloo -py hang on.
C F G7 F C F

       

 

    
1. Sloo - py lives in a ver - y bad part of town.
2. Sloo - py, I don’t care what your dad - dy do.
G7 F C F G7 F
              
    
All the girls I know they try to put my Sloo - py down.
Don’t you know, lit - tle girl, I’m in love with you?
1. 2.
C F G7 F G7 F C F
       
    
Come on, Sloo - py.
Copyright © 1964, 1965 by Morris Music, Inc.,
Sony/ATV Music Publishing LLC and Sloopy II, Inc. in the U.S.
Copyright Renewed
All Rights on behalf of Sony/ATV Music Publishing LLC Administered by
Sony/ATV Music Publishing LLC, 8 Music Square West, Nashville, TN 37203
All Rights outside the U.S. Administered by Morris Music, Inc.
Sorgdal
G7 F C F G7 F
       
   
C Come on, girl. Say
    
        
yeah, yeah, yeah, good, good, good, good,
         
 
    
good, good, good, good. Oh, I wan - na say
    

ah.
       
      
Now I want you to tell me some - thing, ba - by.
  
   
          
Well, don’t it make you feel cra - zy? I wan - na say
  
 
ah.
Repeat and fade
C F G7 F C F G7 F
          
Hang on Sloo -py, Sloo -py hang on.
2
Sorgdal
Every Breath You Take
Words & Music by Sting
A F#m
                
D Esus4 E A
2fr
               
Ev -’ry breath you
A F#m

           
take, ev -’ry move you make,
D Esus4 F#m
2fr
               
ev -’ry bond you break, ev -’ry step you take, I’ll be watch - ing you.
Esus4 A F#m
2fr
               
Ev -’ry sin - gle day, ev -’ry word you say,
D E Esus4 A
2fr
               
ev -’ry game you play, ev -’ry night you stay, I’ll be watch - ing you.
© Copyright 1983 Steerpike Limited/Steerpike (Overseas) Limited/EMI Music Publishing Limited.

Sorgdal
$ D D/C Bm
           
Oh, can’t you see you be - long to
A B7
           
me. How my poor heart aches
E Esus4
2fr
           
with ev -’ry step you take. Ev -’ry move you
A F#m
           
make, ev -’ry vow you break,
D E Esus4
2fr
           
ev -’ry smile you fake, ev -’ry claim you stake, I’ll be watch ing you.
F#m
To Coda Ø
       
2
Sorgdal
F G
           
Since you’ve gone, I’ve been lost with - out a trace, I dream at night I can on -
           
- ly see your face, I look a - round but it’s you I can’t re - place;
G F
           
I feel so cold and I long for your em - brace. I keep cry - ing ba-
D.S. al Coda
           
- by, ba - by please. Oh, can’t you
Ø Coda D E Esus4
2fr
           
ev -’ry move you make, ev -’ry step you take, I’ll be watch ing you.
F#m
               
I’ll be watch - ing
A F#m D
Repeat ad lib. to fade
 
               
you. I’ll be watch - ing
3
Sorgdal
Roxanne
Words & Music by Sting
Gm Gm
            

Dm Ebmaj7 Dm
3fr
           
Cm Fsus4 Gsus4
               
Rox -
$
Gm Dm Ebmaj7
3fr
           
- anne You don’t have to put on the red light
loved you since I knew ya, I would - n’t talk down to ya
Dm Cm Fsus4 Gsus4
           
those days are ov - er, you don’t have to
I have to tell you just I feel I won’t
© Copyright 1978 Steerpike Limited/Steerpike (Overseas) Limited/EMI Music Publishing Limited.

Sorgdal
Gm
           
sell your bo - dy to the night. Rox - anne,
share you with an - oth - er boy. I know my mind is made up
Dm Ebmaj7 Dm
3fr
           
you don’t have to wear that dress to - night,
so put away your make - up,
Cm Fsus4 Gsus4
           
walk the streets for mon - ey you don’t care if it’s wrong or if
told you once I won’t tell you again it’s a crime the way...
Cm Fsus4 Gsus4
           
it’s right Rox - anne, you don’t have to
Cm
           
put on the red light, Rox - anne,
To Coda Ø
Fsus4 Gsus4 Gsus4 Cm Bb
           
you don’t have to put on the red light. Rox - anne,
2
Sorgdal
F F Gm
               
Rox - anne, Rox - anne,
F Bb Eb F
               
Rox - anne, Rox - anne,
Gsus4
               
oh.
Gm
D.S. al Coda
               
I
Ø Coda
Bb Eb F

           
- anne Rox - anne
(put on the red light) on the red light)
Repeat to fade
F Gm F Bb

           
Rox - anne Rox - anne
(put on the red light)
3
Sorgdal
(It’s a) Beautiful Morning
Words and Music by Felix Cavaliere and Edward Brigati, Jr.
First note
Verse
Moderately  __ =   
3
CÞ F A‹
        
 
 
1. It’s a beau - ti - ful morn - ing. Ah!
morn - ing. Ah!
G‹7 C6 G‹7
 
         


 
  
I think I’ll go out - side a - while
Each bird keeps sing - ing his own song,
F A‹ G‹7
  
 
  
    
 
and just smile. Just take in some clean
so long, I’ve got to be on
CÞ D‹ G‹7

      
           
fresh air ’cause no sense in stay - ing in - side if the
my way now. No fun just hang - ing a - round, I’ve got to
D‹ G‹7
        
3
       
weath - er’s fine and you’ve got the time.
cov - er ground you could - n’t keep me down.
© 1968 (Renewed 1996) EMI JEMAXAL MUSIC INC. and DELICIOUS APPLE MUSIC CORP.
Sorgdal
A‹ D‹
             

It’s your chance to wake up and plan an - oth - er
It just ain’t no good if the sun shines and you’re
1. 2.
G‹7 C7“4 C6 G‹7
     
            

brand new day. (Ei - ther way.) 2. It’s a beau - ti - ful still in - side, (Shoot - ing high.)
C7“4 CÞ
                 
 
Still in - side, (Shoot - ing high.) Still in - side. (Shoot - ing high.) Oh, oh.
Interlude
F A‹ G‹7 C7“4 CÞ
       
Bridge
D‹ F& G7“4 GÞ

     
3 3 3
        
3. There will be chil - dren with rob - ins and flow - ers.
4. Sun - shine ca - ress - es each new wak - ing ho - ur.
2
Sorgdal
A‹ D‹ G‹

           
        
Seems to me that peo - ple keep see - ing more and more to - day. (Got - ta say.)
C7“4
                  

Lead the way. (It’s o - kay.) Brand new day. (Got - ta say.) It’s o - kay. (All the way.)
G‹7 F
      
   
  
Got - ta say. (Lead the way.) Oh, oh.
Outro
F A‹ G‹7
     
C7“4 CÞ µ F
          
Oh, oh.
3
Sorgdal
Scarborough Fair
Traditional English
First note
Moderately and freely

Dm A7 Dm
       
    
1. Are you go - ing to Scar - bor -ough Fair?
 
him
2. Have make me a cam - bric shirt,
her
him
3. Have
her  wash

it in yon - der dry well,
4.-6. (See additional lyrics)
F Dm G
  
    
Pars - ley, sage, rose - mar - y and
pars - ley, sage, rose - mar - y and
pars - ley, sage, rose - mar - y and
Dm Bb Dm Gm
    
 
thyme. Re - mem - ber me to
thyme. With - out a seam or
thyme. Where ne’er a drop of

Sorgdal
Dm Bb Dm
         
he
one who lives there, for once
 she 
she’ll 
he’ll
fine nee - dle - work, and then
he’ll
wa - ter e’er fell, and then
she’ll 
1.–5. 6.
G7 C Dm A7 Dm
     
 



was a true love of mine. mine.
be a true love of mine.
be a true love of mine.
Additional Lyrics
4. Have him (her) find me an acre of land,

Parsley, sage, rosemary and thyme.
Between the sea and over the sand,
And then he’ll (she’ll) be a true love of mine.
5. Plow the land with the horn of a lamb,

Then sow some seeds from north of the dam,
6. If he (she) tells me he (she) can’t, I’ll reply:

Let me know that at least he (she) will try,
2
Sorgdal
My Bonnie Lies Over the Ocean
Traditional
First note
Moderately
G C G
 
        
My Bon - nie lies o - ver the o - cean.
A7 D7

        
  
My Bon - nie lies o - ver the sea. My
G C G

       


 
Bon - nie lies o - ver the o - cean. Oh,

Sorgdal
C D7 G
 
          
bring back my Bon - nie to me. Bring back,
C A7 D7 G

          
bring back, bring back my Bon - nie to me, to
G7 C A7
 
     
me. Bring back, bring back, oh,
D7 G

         
bring back my Bon - nie to me.
2
Sorgdal
On Top Of Old Smoky
Traditional
             

1. On top of Old Smo - ky, all
2. Well a - court - ing’s a plea - sure, and
3. A thief he will rob you and
4. And the grave will de - cay you and
5. They’ll hug you and kiss you and
6. They’ll tell you they love you, just to
(Verses 7 & 8 see block lyrics)
           
co - vered with snow, I
part - ing is grief. But a
take all you have, but a
turn you to dust. And
tell you more lies than the
give your heart ease. But the
G7
           
lost my true lo - ver, by a
false - heart - ed lo - ver, is
false - heart - ed lo - ver will send
where is the young man a
cross - ties on the rail - road, or the
min - ute your back’s turned, they’ll
© Copyright 2011 Dorsey Brothers Music Limited.

All Rights Reserved. International Copyright Secured. Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
C
           
court - in’ too slow.
worse than a thief.
you to your grave.
poor girl can trust?
stars in the skies.
court whom they please.
7. So come all you young maidens

And listen to me.
Never place your affection
On A green willow tree.
8. For the leaves they will wither

And the roots they will die,
And your true love will leave you
And you’ll never know why.
2
Sorgdal
He’s Got the Whole World in His Hands
Traditional Spiritual
First note
Moderately
C
     
            
He’s got the whole world in His hands. He’s got the
G7 C
    
            
whole world in His hands. He’s got the whole world
G7
  
           
in His hands. He’s got the whole world in His
  
        

hands. He’s got the wind and the rain
G7
 
            
in his hands. He’s got the wind and the rain
Sorgdal
C
  
            
in His hands. He’s got the wind and the rain
G7
   
          
in His hands. He’s got the whole world in His
         
 
    
 
hands. He’s got the wee small ba - by in His hands. He’s got the
G7 C
 
             
 
wee small ba - by in his hands. Oh, He’s got ev - ’ry - bod - y
G7 C
   
            
2 in His hands. He’s got the whole world in His hands.
Sorgdal
The Yellow Rose of Texas
First note Words and Music by J.K., 1858
Moderately G
Verse

         

1. There’s a yel - low rose in Tex - as that
2. Where the Ri - o Grande is flow - ing and the
3. Oh, now I’m goin’ to find her for my
  
      
   
I am goin’ to see. No oth - er fel - low
star - ry skies are bright, she walks a - long the
heart is full of woe. And we’ll sing the song to -
D
  
       
 
loves her, no - bod - y, on - ly me. She
riv - er in the qui - et sum - mer night. She
geth - er, that we sang so long a - go. We’ll
G
  
          

cried so when I left her, it like to broke my
thinks, if I re - mem - ber, when we part - ed long a -
play the ban - jo gai - ly and we’ll sing the songs of
D7 G C
       
 
 
heart. And if I ev - er find her, we
go, I prom - ised to come back a - gain and
yore. And the Yel - low Rose of Tex - as shall be
Sorgdal
Chorus
G D7 G G

         
    

nev - er - more will part.
not to leave her so. She’s the sweet - est rose of
mine for - ev - er - more.
    
      
  
col - or this fel - low ev - er knew. Her
D7

            

eyes are bright as dia - monds, they spar - kle like the

   
         
dew. You may talk a - bout your dear - est May, and
D7
      
      

sing of Ro - sa Lee. But the Yel - low Rose of
G C G D7 G
   
      
   
Tex - as beats the belles of Ten - nes - see.
2
Sorgdal
Hey, Soul Sister
Words and Music by Pat Monahan, Espen Lind and Amund Bjorkland
First note
Intro
Moderately q = 98  ____ =   
3
E B
              
      
Hey, hey,
C#m A
4fr
       
     

hey. 1.Your
Verse E B C#m
4fr
             
  
lip - stick stains on the front lobe of my left - side brains.
3. Just in time, I’m so glad you have a one - track mind like me.
A E
               
    
I knew I would - n’t for - get ya, and so I went and
You gave my life di - rec - tion, a game - show love con - nec -
(c) 2009 EMI APRIL MUSIC INC., BLUE LAMP MUSIC and STELLAR SONGS LTD.
All Rights for BLUE LAMP MUSIC Controlled and Administered by EMI APRIL MUSIC INC.
All Rights for STELLAR SONGS LTD. in the U.S. and Canada Controlled and Administered by EMI BLACKWOOD MUSIC INC.
Sorgdal
B C#m A B
 
4fr
            
   
let you blow my mind. 2.Your
- tion we can’t de - ny. I, I, 4. I’m
Verse
E B
           
  

sweet moon - beam, the smell of you in ev - ’ry
so ob - sessed, my heart is bound to beat right
C#m A
4fr
            
   
sin - gle dream I dream. I knew when we col - lid -
out my un - trimmed chest. I be - lieve in you.
E B
             
  
- ed, you’re the one I have de - cid - ed who’sone of my kind.
Like a vir - gin, you’re Ma -don - na and I’m al - ways gon - na
C#m A B
AChorus
4fr
       
    
Hey, soul sis - ter, ain’t
wan - na blow your mind.
2
Sorgdal
B E B A
               
  
that Mis - ter, Mis - ter on the ra - di - o, ster - e - o? The way
B E B A
                
  
  
you move ain’t fair, you know. Hey, soul sis - ter, I
1.
To Coda 
B E B A B
                   
 
don’t wan - na miss a sin -gle thing you do to - night.
Interlude
E B C#m A
4fr
                       
 
Hey, hey, hey.
3
Sorgdal
2. Verse
B E
              

to - night. 5. The way you can cut a rug,
B C#m
                        
4fr

watch ing you’s the on - ly drug I need. Somegang - sta, I’m so thug. You’rethe
            

on - ly one I’m dream - in’ of. You see,
E B
                    
 
I can be my - self now, fi - nal ly. In fact, there’snoth - in’ I can’t be.
D.S. al Coda
C#m A B
4fr
               
 
I want the world to see you’ll be with me.
4
Sorgdal
 Coda
A B E B
             
    
thing you do to - night.
A B E B
               
  
Hey, soul sis - ter, I don’t wan - na miss a sin - gle
A B
        
     
thing you do. to - night.
Outro
E B C#m
4fr
        
    

     
Hey, hey, hey.
1. 2.
A B A B E
                

 
To - night. to - night.
5
Sorgdal
Brown Eyed Girl
Words and Music by Van Morrison
First note
Intro
Moderately fast Rock q = 138
G C G D
 
       
Verse
G C G D
                 
  
1. Hey where did we go days when the rains came?
G C G D
            
 
down in the hol - low, play - in’ a new game
G C G D
              

Laugh - ing and a run - ning, skip - ping and a jump - ing.
Copyright © 1967 UNIVERSAL MUSIC PUBLISHING INTERNATIONAL LTD.

Copyright Renewed
All Rights for the U.S. and Canada Controlled and Administered by UNIVERSAL - SONGS OF POLYGRAM INTERNATIONAL, INC.
Sorgdal
G C G
           
     
in the mis - ty mor - ing fog with our
D C D
            
      
hearts a thump - in’, And you, my brown eyed girl.
G Em
    
         
  
C D G 1.
            
     
You, my brown eyed girl.
2.
D
 
              
Do you re - mem - ber when we used to sing?
Bridge
G C G D
           
                
Sha, la, la, la, la, la, la, la, la, la, la, te, da.
2
Sorgdal
D.C. al Coda
G C G
To Coda  D
(take 2nd ending)
           
             
  
Sha, la, la, la, la, la, la, la, la, la, la, te, da.
 Coda
D G
      
       

We used to sing. Sha, la, la, la,
C G D
       
        

       
la, la, la, la, la, la, la, te, da. Brown eyed girl.
Outro
G C G D G
 
       
Additional Lyrics
2. Whatever happened 3. So hard to find my way

To Tuesday and so slow? Now that I’m all on my own.
Going down the old mine. I saw you just the other day;
With a transistor radio. My, how you have grown.
Standing in the sunlight laughing, Cast my mem’ry back there, Lord.
Hiding behind a rainbow’s wall , Sometimes I’m overcome thinking ’bout it.
Slipping and sliding Laughing and a running, hey, hey.
All along the waterfall with you, Behind the stadium with you.
My brown eyed girl. My brown eyed girl.
You, my brown eyed girl. A you, my brown eyed girl.
3
Sorgdal
Mammas Don’t Let Your
Babies Grow Up to Be Cowboys
Words and Music by Ed Bruce and Patsy Bruce
First note
Verse
Moderately fast h. = 60
D
    
         
1. Cow - boys ain’t eas - y to love and they’re

      
 
hard - er to hold.
A7

        
   
They’d rath - er give you a song than dia - monds and
   


gold.
 
            

Lone Star belt buck - les, and old fad - ed Le - vi’s, and

Copyright Renewed
Sorgdal
G
  
       
 
each night be - gins a new day. If you
A7

        
     
don’t un - der - stand him, and he don’t die young, he’ll
 
      
 
prob - a - bly just ride a - way.
Chorus
D
   
      
Ma - mas, don’t let your

        


ba - bies grow up to be cow - boys.
A7
  
          
Don’t let ’em pick gui - tars and
2
Sorgdal
 
      
   
drive them old trucks. Let ’em be doc - tors, and
  
       
law - yers, and such. Ma - mas,

           

don’t let your ba - bies grow up to be cow - boys.
A7
     
     

’Cause they’ll nev - er stay
   
     
   
home, and they’re al - ways a - lone, e - ven with
  
      
  
some - one they love.
3
Sorgdal
Verse
E
   
             
2. Cow - boys like smok - y old pool - rooms and clear moun - tain
   
  
morn - ings.
B7
  
              
Lit - tle warm pup - pies, and chil - dren, and girls of the night.

      

Them that don’t
  
            
know him won’t like him and them that do some - times won’t
4
Sorgdal
B7

           
 
know how to take him. He ain’t wrong, he’s just
   
   
         
diff - ’rent, but his pride won’t let him do things to make

      

you think he’s right.
Chorus
E
   
            
Ma - mas, don’t let your ba - bies grow up to be

      

cow - boys. Don’t
B7
  
     
    
let ’em pick gui - tars and drive them old trucks.
5
Sorgdal
E
       
   

Let ’em be doc - tors, and law - yers, and such.
        
   
Ma - mas, don’t let your ba - bies grow

   
    
up to be cow - boys.
B7
    
        

’Cause they’ll nev - er stay home, and they’re
 
   
   
al - ways a - lone, e - ven with
  
      
some - one they love.
6
Sorgdal
You Raise Me Up
Words & Music by Brendan Graham & Rolf Løvland
Eb Ebsus4 Eb
                

When I am down, and oh my soul so weary, when trou - bles
Ab Bb Ab
           
come and my heart bur - dened be, then I am still, and wait here in the
Eb Ab Eb Bb Eb
           
si - lence, un - til you come and sit a while with me. You raise me
Cm Ab Eb Bb Cm Ab
           
up so I can stand on moun - tains. You raise me up to walk on storm - y
Eb Bb Eb Ab
       
seas. I am strong when I am on your
Eb Ab Eb Bbsus4 Bb Eb
           
shoul - ders. You raise me up to more than I can be.
© Copyright 2001 Universal Music AS, Norway/Peermusic (Ireland) Limited

Universal-Polygram International Publishing, Inc./Alfred Publishing Company, Inc. (50%)/Peermusic (UK) Limited (50%).
Sorgdal
F Gm F Bb F Csus4 C
               
Instrumental
Bb F Bb F Csus4 C F
               
You raise me
Dm Bb F C Bb Dm Bb
           
F C F Bb
           
seas. I am strong when I am on your shoul - ders. You raise me

F Csus4 C F Bb F
           
up to more than I can be. You raise me
Ebm Cb Gb Db Ebm Cb
           
2
Sorgdal
Gb Db Gb Cb Gb Cb
           
seas. I am strong when I am on your shoul - ders. You raise me
Gb Dbsus4 Db Gb Bb7 Ebm Cb
           
up to more than I can be. You raise me up so I can stand on
Gb Db Ebm Cb Gb Dbsus4 Db
           
moun - tains. You raise me up to walk on storm - y seas. I am
Gb Cb Gb Cb Gb Dbsus4
           
strong when I am on your shoul - ders. You raise me up to more than I can
Ebm Cb Gb
           
be. You raise me up to
Db7sus4 Db Gb
           
more than I can be.
3
Sorgdal
This Land Is Your Land
Words and Music by Woody Guthrie
First note
Intro
Moderately, in 2 h = 95
Bb
   
 
Eb

       
This land is
 Chorus
Ab

    
  

your land and this land is
Eb
 
    

my land from Cal - i -
Bb7
  
    
 
for - nia to the New York
TRO - © Copyright 1956 (Renewed), 1958 (Renewed), 1970 (Renewed) and 1972 (Renewed) Ludlow Music, Inc., New York, NY
International Copyright Secured
All Rights Reserved Including Public Performance For Profit
Sorgdal
Eb Ab

          
is - land. From the red - wood for - est
Eb
   
     
  
to the Gulf Stream wa - ters,
Bb7 To Coda 

     
   
 
this land was made for you and
Eb
   
     
me. 1. As I was
Verse
Ab Eb
    
     

walk - ing that rib - bon of high - way,
ram - bled and I fol - lowed my foot - steps
shin - ing, and I was stroll - ing,
2
Sorgdal
Bb7

        
   
I saw a - bove me that end - less
to the spar - kling sands of her dia - mond
and the wheat field wav - ing and the dust clouds
Eb Ab
  
     
   
sky - way, I saw be - low me
des - erts. All a - round me,
roll - ing, as the fog was lift - ing,
Eb

         

that gold - en val - ley.
a voice was sound - ing,
a voice was chant - ing,
Bb7

     
   
 
This land was made for you and
“This land was made for you and
“This land was made for you and
1. Interlude
Eb Ab

      
me.
3
Sorgdal
Eb Bb

     
2.
Eb Eb

   
   
 
2. I’ve roamed and me.”
   
     
3. When the sun came
3.
Eb

     
me.”
 Coda Eb
  
D.S. al Coda
     
   
This land is me.”
Additional Lyrics
4. As I went walking, I saw a sign there, 5. In the shadow of the steeple I saw my people,
And on the sign it said “No Trespassing.” By the relief office I seen my people;
But on the other side it didn’t say nothing. As they stood there hungry, I stood there asking:
That side was made for you and me. Is this land made for you and me?
6. Nobody living can ever stop me,

As I go walking that freedom highway;
Nobody living can ever make me turn back.
This land was made for you and me.
4
Sorgdal
Toes
Words and Music by Shawn Mullins, Zac Brown,
Wyatt Durrette and John Hopkins
First note
1.
Intro
Moderately q = 131
B E B F#
  
       
2.
Refrain
B F# B B
   
        
  
I got my toes in the wa - ter, ass
E B G#m F#

        
        
in the sand. Not a wor - ry in the world, a cold beer in my hand. Life is good
E F# B
     
          
  
to - day, life is good to - day. 1. Well,the plane
Copyright © 2008 ROADIEODIE MUSIC (BMI)/Administered by BUG MUSIC,

ANGELIKA MUSIC (BMI) and WEIMERHOUND PUBLISHING (BMI)
Sorgdal
Verse
B E
   
               
 
touched down just a - bout three o’ clock and the cit -
flew by like a drunk Fri - day night as the sum -
B F# B
            
        
- y’s still on my mind. Bi - ki - nis and palm trees danced
- mer drew to an end. They can’t be - lieve thatI just
E B F# B

           
   
in my head, I was still in the bag - gage line. Con -
could - n’t leave and I bid a - dieu to my friends. ’Cause my
  
               

- crete and cars are their own pri - son bars like this
bar - tend - er, she’s from the is - lands. Her
B F#
    
           
life I’m liv - in’ in. But the
bod - y’s been kissed by the sun. And
2
Sorgdal
B E
    
               
plane brought me far - ther, I’m sur - round - ed by wa - ter and I’m
co - co - nut re - plac - es the smell of the bar and I don’t
B F# B
 
      
        

not go - in’ back a - gain.
I got my
know if it’s her or the rum.
Refrain
B E B G#m
 
  
                 
toes in the wa - ter, ass in the sand. Not a wor - ry in the world, a cold
F# E F#
   
                 
beer in my hand. Life is good to - day, life is good to - day.
B µ
        
   
A - di - os ’n’ va - ya con
3
Sorgdal
 Chorus
E B
              
  

yeah, I’m leav - in’ G A.
Di - os, a long way from G A.
go - in’ home, now, to stay.
F#
 
           
 
And if it weren’t for te - qui - la and
Yes, and all the mu - cha - chas, they
The señ - or - i - tas don’t care - o when
         
3
          

pre - ty señ - or - i - tas, ah, I’d have no rea - son to
call me “Big Pa - pa” when I throw pe - sos their
there’s no di - ne - ro, yeah. I got no mon - ey to
B µ E

                 

stay.
way. A - di - os ’n’ va - ya con Di - os,
stay.
4
Sorgdal
B
To Coda 

                 


yeah, I’m leav - in’ G A. Gon - na
a long way from G A. Some - one
go - in’ home, now, to stay.
F# µ

      
3 3

             
3


lay in the hot sun and roll a big fat one and, and grab my gui - tar and
do me a fav - or and pour me some Jä - ger and I’ll grab my gui - tar and
Interlude
B E B F#
  
    

play.
play.
1.
B E B F# B
      
    

2. The four days
2. B D.S. al Coda
µ
        
   
A - di - os ’n’ va - ya con
5
Sorgdal
 Coda F#

     
    
Just gon - na drive up
Outro-Refrain
B

             
    
by the lake and put my ass in a lawn - chair, toes
E B G#m
  
                
in the clay. Not a wor - ry in the world, a P. B.
F# E

   
          
R. on the way. Life is good to - day,
F# B E F# B
     
   
    
 

     
life is good to - day. Rrr, ah!
6
Sorgdal

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VA Ukulele Compilation PDF

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God Rest Ye Merry, Gentlemen

19th Century English Carol

Copyright © 2008 by HAL LEONARD CORPORATION

q = 100 N.C. N.C.

© Copyright 2004 Sony/ATV Music Publishing.

high - way to hell.

high - way to hell, I’m on the

C11 B¨ C7 C11 Bbmaj7

© Copyright 1997 Special Rider Music, USA.

Bbm6 C11 Bbmaj7 C11

They tried to make me go to re - hab, I said,

© 2006 EMI MUSIC PUBLISHING LTD.

tried to make me go to re - hab, I said,

Copyright © 1958 UNIVERSAL MUSIC CORP.

B‹ E‹7 B‹7 E‹7 C6

riv - ers e - nough to cross, e - nough to last, till the end of

Copyright © 1961 Sony/ATV Music Publishing LLC

A Repeat and fade

on. I just might have a prob - lem that

Am C#º7 Dm7 Dm(maj7)

Dm7 G7b9 C G13 Cadd9

Copyright © 1949 Lovely Hula Hands Music LLC

Bb7 Fm7 Bb7 Eb

Another Somebody Done

Fmaj7 B7 Bb C Am7 D.S. al Coda

1., 3. 2., 4. Bridge

C6 C#º7 Dm7 G7 Dm7 G7

Copyright © 1957 by Chappell & Co.

© Copyright 1963 Warner Brothers Incorporated.

All Rights Reserved. International Copyright Secured.

Copyright © 1964, 1965 Warner Bros. Inc.

2. Take me on a trip upon your magic swirlin’ ship

4. Then take me disappearin’ through the smoke rings of my mind

Blue Mountain Music Limited.

Repeat ad lib. to fade

did - n’t shoot the de - pu - ty.

© Copyright 1980 Fifty-Six Hope Road Music Limited/Odnil Music Limited.

Repeat and fade

© Copyright 1972 Far Musikverlag GmbH, Germany/Hansa Productions Limited/Beverlys Records.

Ab5 Eb5 Bb5

Ab5 Eb5 Bb5

2. Yeah, this is for the ones who stood their ground,

         

           

Ab D.S. al Coda  Coda

Don’t you bring me down to - day, yeah,

**Let chord ring.

© 2006 WORSHIPTOGETHER.COM SONGS (ASCAP) and sixsteps Music (ASCAP)

Copyright © 2008 by Universal Music Publishing MGB Ltd.

D.S. al Coda  Coda

© Copyright 2000 Universal Music Publishing MGB Limited.

Am7 G Fmaj7 Am7 G

Copyright © 1968 Jondora Music

4th time,To Coda  2nd time, D.C  Coda

Copyright © 1986 Sony/ATV Music Publishing LLC

F F/E F/Eb Dsus4 D7

Gm Gm[maj7] Gm7 Gm6 F F#dim

F F/E F/Eb Dsus4 D7

Ø Coda molto rall.

Copyright © 1971, 1972 BENNY BIRD CO., INC.

         

D Dsus2 D Dsus4 D Dsus2 D

© 1994 Wonderland Music Company, Inc.