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Waiting For Godot

Samuel Beckett

1906-1989

Born in Dublin, Ireland to a Protestant home

Remarks of himself “I had little talent for happiness”

Was stabbed while being mugged and while in the hospital met with the question of why

Traveled the world and met with many diff. types of people

Admits that life is spent waiting, and if not today, maybe tom.

Waiting for Godot:


Key Facts

Genre: Theatre of the Absurd; tragicomedy

Published: 1953 (written in French in 1948)

Setting: On a road with a tree

Themes: Waiting, The Relevance of Life

Motifs: the mirror-image/pairing of char.

Symbols: Estragon’s boot, the hat,

Theatre of the Absurd

Term coined to describe plays written in 50’s and 60’s; described human existence as
meaningless and absurd

Deals with man existing in a universe that he does not fit within, there is no meaning or
purpose; he is troubled and threatened

Distrusts language as a vehicle for communication

Subverts logic which creates a mental freedom to deal with the human condition

No dramatic occurrences, only visual poetic imagery (actions create symbolic meaning)

Nothing happens to change the char. existence

Relies on mime, ballet, acrobatics and clowning/much like silent film and comedy
Comedy

Focus on less dignified char. than in tragedy

Usually has an optimistic ending

Language is low, vernacular

Satirical comedy: generally ridicules human folly

Black comedy: induces laughter as a defense mech. Where reality is too harsh otherwise

Tragedy

Tragic hero

Hero suffers his hamartia (error/downfall) as a result of his hubris (pride) that is out of his
control

Audience is moved to pathos (to feel pity or fear for the character)

Tragicomedy

Combines elements of both tragedy and comedy

Char. are tramps—humorous

Tragically char.s are going nowhere, doing nothing, and just simply wait—bleak outlook,
might as well laugh, i.e. black comedy

Serious subject matter- treatment of Lucky (tragic); concept of suicide; “Godless” world;

Characters

Vladimir: “Didi”, more responsible and mature

Estragon: “Gogo”, weak and less responsible,

Pozzo: appears during V. and E.’s travel, overbearing, harsh

Lucky: Pozzo’s slave, in Act I he amuses, in Act II he can no longer speak

Key Issues/Thought Questions

Observable characteristics of the world

What are main character’s desires and how are they influenced by the world around them

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