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Percussion Tech Final - Isabelle DeVirgilio
Percussion Tech Final - Isabelle DeVirgilio
Materials:
o 1 Bass Drum (16”-18” x 32”-36”) in a tilting stand; school supplied beaters- one
o 1-2 pairs of Hand Cymbals (16”-18”) medium crash; leather straps; no pads;
o 2 Suspended Cymbals ( one 18” medium-thin, one 16” thin); stands; student
supplied mallets- one pair soft yarn, one pair medium-hard yarn
o 2 Snare Drums (one 5” x 14” metal or wood, one 6.5” x 14” metal or wood);
o 1 Bells (2.5 octaves steel or aluminum with 1.25 width bar); student supplied
mallets- two pairs very hard plastic, acrylic, or rubber, two pairs hard rubber, two
pairs brass
o 1 Xylophone (2.5-3 octaves synthetic bars); student supplied mallets- two pairs
very hard plastic, acrylic, and/or rubber, two pairs hard rubber and/or poly-ball
o 1 Chimes (optional)
o Accessory Instruments: 1 Triangle (6”) with pairs of beaters and two clips; 1
o 1 Tenor Drum or Tom Tom (12”-15”) with stand, can be substituted with snare
o 1 Timpani (1 pair minimum, 29”-26” or equivalent, 32” and 23” third and fourth
drums optional, all in copper bowls and pedal tuned; student supplied mallets
o 1 Drum Set (standard set optional, but recommended for training total
percussionist
o Bass drum- (one 18” x 36”) in suspended, tilting stand; school supplied beaters:
one general, two rolling, two solid felt/chamois covered, one very articulate
o Hand cymbals - (one or two 16” to 19” medium-heavy, one pair 20”+ medium-
o Suspended cymbals- (one 18” medium-thin, one 16” thin); student supplied
yarn/cord wound mallets: one pair soft, one pair medium-hard, one pair hard
o Snare drums- one 5” x 14” metal or wood, one or two 6.5” x 14” metal or wood,
one piccolo drum 4” x 14” or 3” x 13”, field snare drum as needed 12” x 15”
o Bells- (2.5 octave, 1.25” width steel barbells); student supplied mallets- very hard
hammers
o Vibes- (3 octaves, variable speed motor); student supplied mallets- same mallets
as marimba
o Accessory instruments- triangle: one 6” to 10”, two clips, two pairs of beaters;
tambourine: one 8” to 10” wood shell, skin head, double row jingles; cowbell;
wood block; claves; maracas; guiro with scratcher; sleigh bells; slapstick; one
pair of handle castanets; one machine castanet set; temple blocks; ratchet; cast
finger cymbals; afuché; whistles; wind chimes; bell trees; brake drums; hand
o Gong- (minimum 30”); beater and stand; small and medium tam tam
o Timpani- (minimum of 4- 32”, 29”, 26”, 23”); suspended copper bowls; pedal
o Drum set- 5” x 14” snare drum; 14” x 22” bass drum; 9” x 13” and 10” x 14”
mounted tom toms; 16” x 16” floor tom; pedal; throne; stands; optional: double
Method Books:
Curriculum:
Hands should be 1/3 of the way up the stick, loose and relaxed grip
o Stroke
Hands should be placed with one stick straight and one at a 90 degree
angle
o Grip
Stick should be held between your thumb, index, and middle fingers, with
o Strokes
Single Stroke
The drum should be played from the wrists, with enough force that
Double Stroke
Roll
Playing