Beethoven – Piano Sonata No. 4 Op. 7, III.

Allegro

Note: all chords containing both a C-flat and A-natural are augmented 6th chords. These chords have
subdominant function in the key of E-flat. Label them “+6” in your Roman numeral analysis and assign them
subdominant function in your functional bass analysis.

HC
Eb Bb7/D
Eb/Bb Eb/G Bb7/D
Eb/Bb Bb7 Eb Ab Eb/G Eb Eb Bb
motive 1 A

Melody 1 Melody 1’
Eb: I V64= V753 I IV I6 V65 I V 65 I V
T5 1 3 5 3 1 D5 T1 S4 T3 D7 T1 D5 7 T1 D5
T(5 1 3 5 3 1 D5 1 S4 3) D(7 T1 5 7 T1 5)
Augmented A